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Psalm Picture 2 Set 1.
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Psalm Picture 2 Set 1.
Sheetmusic to print
6 sheet music found
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1
Psalm Picture 2 Set 1.
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Organ
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INTERMEDIATE/ADVANCED
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Sacred music
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Gregory Hamilton
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Psalm Picture 2 Set 1.
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.771677 Composed by Gregory Hamilton. 20th Century,Christian,Romantic Period,Sacred. Score. 4 pages. Dr. Gregor...
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Organ - Level 4 - Digital Download SKU: A0.771677 Composed by Gregory Hamilton. 20th Century,Christian,Romantic Period,Sacred. Score. 4 pages. Dr. Gregory Hamilton #28549. Published by Dr. Gregory Hamilton (A0.771677). This is # 2 of the first set of Five Psalm Pictures for organ. Each Psalm Picture develops avers form the psalms and is evocative of a mood. The verse for this piece is: Why do the nations rage and imagine a vain thing? The Agitato tempo illustrates this mood.
$6.00
Psalm Picture 3 set 1
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Organ
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INTERMEDIATE
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Sacred music
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Gregory Hamilton
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Psalm Picture 3 set 1
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.771678 Composed by Gregory Hamilton. 20th Century,Christian,Romantic Period,Sacred. Score. 2 pages. Dr. Gregor...
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Organ - Level 3 - Digital Download SKU: A0.771678 Composed by Gregory Hamilton. 20th Century,Christian,Romantic Period,Sacred. Score. 2 pages. Dr. Gregory Hamilton #28551. Published by Dr. Gregory Hamilton (A0.771678). This is # 3 in the first set of five Psalm Pictures for organ. each piece develops a mood inherent in a verse from the book of psalms. The verse for this piece is: At night my bed is wet with tears...how long O Lord?.
$6.00
Psalm 22 My Hands are Pierced - Psalm Picture #1, set 2
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Organ
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Sacred music
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Gregory Hamilton
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Psalm 22 My Hands are Pierced
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Digital Download SKU: A0.771890 Composed by Gregory Hamilton. Christian,Contemporary,Sacred. Score. 8 pages. Dr. Gregory Hamilton #3454007. Publi...
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Organ - Digital Download SKU: A0.771890 Composed by Gregory Hamilton. Christian,Contemporary,Sacred. Score. 8 pages. Dr. Gregory Hamilton #3454007. Published by Dr. Gregory Hamilton (A0.771890). Psalm 22 My Hands are Pierced - Psalm Picture #1, set 2...Is first in set 2 of Psalm Pictures for OrganSet I is also available on this site
$14.99
Thy Lovingkindness - #2 in Psalm Pictures, Set 2
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Organ
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Contemporary
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Dr
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Thy Lovingkindness - #2 in Psa
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Digital Download SKU: A0.771891 Composed by Dr. Gregory Hamilton. Contemporary. Score. 7 pages. Dr. Gregory Hamilton #3454009. Published by Dr. G...
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Organ - Digital Download SKU: A0.771891 Composed by Dr. Gregory Hamilton. Contemporary. Score. 7 pages. Dr. Gregory Hamilton #3454009. Published by Dr. Gregory Hamilton (A0.771891). Thy Lovingkindness - #2 in Psalm Pictures, Set 2For solo organ, second of three Psalm Pictures - set 2.Set 1 is also available on this site.www.gregoryhamilton.org
$14.99
Now Thank We All Our God: Set B
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Choral SATB
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INTERMEDIATE
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Sacred music
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set
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Sonata Grendel Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. O...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages. Sonata Grendel Publishing #5753937. Published by Sonata Grendel Publishing (A0.837496). SET B Conductor’s Score,Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba, Timpani, SATB Choir/Organ Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$34.95
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
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