Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
25
Digital
Sheet Music
23
Sheet Music
Books
122
Music
Equipment
99
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1
PIANO & KEYBOARDS
Piano solo
5
Piano, Voice
4
Piano Trio: piano, violin, cello
1
GUITARS
Guitar
1
VOICE
Soprano voice, Piano
2
WOODWIND
Flute, Violin and Violoncello
1
WOODBRASS
STRINGS
String Quartet: 2 violins, viola, cello
1
PERCUSSION & ORCHESTRA
Concert band
5
Chamber Orchestra
1
Orchestra
1
OTHERS
You've selected:
RAVEL: Rêves
Sheetmusic to print
23 sheet music found
<
1
RAVEL: Rêves (transposed to G-flat major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.538062 Composed by Maurice Ravel. Arra…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.538062 Composed by Maurice Ravel. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC #3590081. Published by AST Publications, LLC (A0.538062). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.17 €
#
Piano, Voice
#
Maurice Ravel
#
RAVEL: Rêves
#
AST Publications, LLC
#
SheetMusicPlus
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-01E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Star Trek (r) The Motion Picture for Concert Band
Concert band
Concert Band - Advanced Intermediate - Digital Download Arranged by Javier Mart&iacut…
(+)
Concert Band - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 62 pages. Published by Arte Nova Music Lab
Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Hornblower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.
$60.00
55.1 €
#
Concert band
#
Star Trek
#
Arte Nova Music Lab
#
SheetMusicPlus
Star Trek (r) The Motion Picture for Orchestra
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Mart&iac…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 90 pages. Published by Arte Nova Music Lab
Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Horn blower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.<br> <br> Taken from https://en.wikipedia.org/wiki/Star_Trek
$60.00
55.1 €
#
Orchestra
#
Star Trek
#
Arte Nova Music Lab
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
#
Soprano voice, Piano
#
Maurice Ravel
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Elegie in Eb Minor (Classical Music for Tablet Series)
Piano solo
Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrympl…
(+)
Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.66 €
#
Piano solo
#
Stephen R Dalrymple
#
Elegie in Eb Minor
#
Stephen R Dalrymple
#
SheetMusicPlus
Jacques Leguerney: Trio for violin, violoncello and piano
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.5333…
(+)
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95
23.83 €
#
Piano Trio: piano, violin, cello
#
Jacques Leguerney
#
Jacques Leguerney: Trio for violin, violoncello and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
The Golden Spinning wheel, Op.109 - Score Only
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1101689 Composed by Antonin Dvora…
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1101689 Composed by Antonin Dvorak. Arranged by Timothy R wheeler. Romantic Period. Score and parts. 317 pages. Plantagenet Publishing #705066. Published by Plantagenet Publishing (A0.1101689). A symphonic poem by Dvorak, composed in early 1896. The work is about a king, who whilst travelling, through a forest, came across a local girl, Domenicka. They fall in love and get married. The king goes to battle, whilst away, the identical step-sister murders Domeicka. The king finds out about this, via a golden spinning wheel, who brings the girl back to life. Then king hears about what's happened, he punishes the sister and mother, and throws them to the wolves and lives happily ever after.
$30.00
27.55 €
#
Concert band
#
Antonin Dvorak
#
The Golden Spinning wheel, Op.109 - Score Only
#
Plantagenet Publishing
#
SheetMusicPlus
Rubank Treasures for French Horn
French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or d…
(+)
French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or download). Edited by Himie Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121442). ISBN 9781480352506. UPC: 884088923129. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 15 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air Gai (Berlioz) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (Meacham) • Andante Cantabile (Tartini) • Après un Rêve (Faurè) • Ballade (Shchyolokov) • Heroica (DeLamater) • In the Hall of the Mountain King from Peer Gynt (Grieg) • Pavane pour une Infante Défunte (Ravel) • Prelude and Fanfaronade (Koepke) • Serenade (Gounod) • Starling (VanderCook) • Serenade, Op. 22 No. 1 (Böhme) • Toreador's Song from Carmen (Bizet) • Where'er You Walk (Handel).
Song List: Alleluja Andante Cantabile Where'er You Walk In The Hall Of The Mountain King Ballade Starling American Patrol Toreador's Song Pavane pour une Infante Defunte Air Gai Apres un Reve (After A Dream) Heroica Prelude And Fanfaronade Serenade Op. 22, No. 1 Serenade (Sing, Smile, Slumber)
$17.99
16.52 €
#
Rubank Treasures for French Horn
#
Rubank Publications
#
SheetMusicPlus
Pavana
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.808933 Composed by Aldo Finzi. 20th…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.808933 Composed by Aldo Finzi. 20th Century. Score. 12 pages. Preludio s.r.l. #5213933. Published by Preludio s.r.l. (A0.808933). The Pavana was born as piano piece. M° Gian Paolo Sanzogno in his introduction to the CD of Finzi’s chamber music asks himself how much the sweet Pavana owes to the well-known French examples? This is how he answers his question: «Nothing!». And this time the noble eclectic that exists in Finzi definitely refuses to give in to the attraction of Fauré and Ravel to write a very personal page, all permeated with a dreamy melancholy. Sanzogno loves the Pavana so much that he drew from it an instrumentation faithful to the spirit of the composer.
$11.99
11.01 €
#
Piano solo
#
Aldo Finzi
#
Pavana
#
Preludio s.r.l.
#
SheetMusicPlus
THE ANT EXPLORER. lead sheet& #CJDennis words AND piano
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019282 Composed by #GeoffRo…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019282 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Instructional,Musical/Show. Score. 5 pages. Geoff R Thomson #3129895. Published by Geoff R Thomson (A0.1019282). This poem #TheAntExplorer is the story by C.J.Dennis of the travels and travails of a little ant. Chords, melody and piano accompaniment are by Geoff Rod Thomson. It could be seen as a tale of endurance against all odds, and yet for this little ant, who finally arrives home safely, it's also an exciting adventure. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.83 €
#
Piano, Voice
#
#GeoffRodThomson
#
THE ANT EXPLORER. lead sheet& #CJDennis words AND piano
#
Geoff R Thomson
#
SheetMusicPlus
Turkey National Anthem: Ä°stikal MarÅŸi (Independence March)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.522163 Composed by Osman Zeki Ã…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.522163 Composed by Osman Zeki Üngör (1880-1958). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4278327. Published by Colin Kirkpatrick Publications (A0.522163). This quick and easy national anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with six instrumental staves (including timpani) and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute,oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin)and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.There’s also apart for timpani, percussion (3 players) and a piano reduction.
$6.99
6.42 €
#
Concert band
#
Osman Zeki Üngör
#
Turkey National Anthem: Ä°stikal MarÅŸi
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Aquarelles, Book 2 (Op. 93, 2017)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.940880 Composed by R.A. Moulds. Con…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.940880 Composed by R.A. Moulds. Contemporary. Score. 62 pages. R.A. Moulds #4278459. Published by R.A. Moulds (A0.940880). A series of aural ‘postcards’ evoking both real and imaginary pictures. As always, dynamics, tempos, and pedaling indications are open to the interpretation of the performer. Above all, these pieces should be played with a sensitive flexibility and expansive expressiveness.VII. Galopins (Urchins) VIII. Héro et Léandre (Hero and Leander) IX. Un Voyageur dessus d’une Mer de Brouillard (A Traveler Above a Sea of Fog) X. Le Vent et les Vagues (The Wind and the Waves) XI. Choucas et Chapardeurs (Jackdaws and Magpies) XII. L’Automne au bord de la Rivière (Autumn Beside the River)
$8.99
8.26 €
#
Piano solo
#
R
#
Aquarelles, Book 2
#
R.A. Moulds
#
SheetMusicPlus
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.987645 Composed by John Philip So…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
32.14 €
#
Concert band
#
way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs
#
John Philip Sousa
#
Among My Souvenirs
#
Freedom Band Press
#
SheetMusicPlus
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.987644 Composed by John Philip So…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
32.14 €
#
Concert band
#
way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs
#
John Philip Sousa
#
Among My Souvenirs
#
Freedom Band Press
#
SheetMusicPlus
Away in a Manger
Flute, Violin and Violoncello
Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.899195 Compo…
(+)
Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.899195 Composed by James R. Murray. Arranged by Deborah M. Sylvester. Christian,Christmas,Sacred. Score and parts. 11 pages. Silverflute Music #3379643. Published by Silverflute Music (A0.899195). This beautiful, lullaby-like arrangement of Away in a Manger is full of warmth and opportunities for musical expression. The melody travels from flutes to violin to cello, giving each musician an opportunity to play. Notes are fairly straight-forward and without too much complication. A fun, ear-pleasing piece overall.
$4.99
4.58 €
#
Flute, Violin and Violoncello
#
James R
#
Away in a Manger
#
Silverflute Music
#
SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.63 €
#
Guitar
#
Francis Bebey
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Infinite, Eternal, Invisible, Undetectable God
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrympl…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
4.13 €
#
Piano, Voice
#
Stephen R Dalrymple
#
Infinite, Eternal, Invisible, Undetectable God
#
Stephen R Dalrymple
#
SheetMusicPlus
Dora PejaÄević: Ouverture in D minor for large orchestra, (op.49) / Arrangement for piano by Yuki
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1033842 Composed by Dora PejaÄev…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1033842 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert. Score. 15 pages. Edition les bons concerts #6662747. Published by Edition les bons concerts (A0.1033842). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This Ouverture en ré mineur pour grand orchestre is one of her fascinating collection of works that allow for deep expression through the use of harmony that sometimes pushes the limits, as is typical around the beginning of the 20th century.This piano reduction was commissioned by the Japan Croatia Music Society and was completed in August 2021, and premiered in Tokyo on 18 September by the great pianist Mr. Tomohiro Adachi.Arranger Yuki Hasegawa, biography Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, eÌcriture musicale and orchestration at the Conservatoire SupeÌrieur de Paris-CNR. She also studied eÌcriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejacÌŒevicÌ, and has also recorded on CD. She is a member of the Irish Music Rights Organisation. Her works can be licensed for performance by representative organisations in each country. (Regarding the use of recording, she has withdrawn her works from Songtrust management and she is considering joining MCPS). Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of Dec. 2021) Latest information & inquiries: https://yukihasegawa.com
$24.95
22.91 €
#
Piano solo
#
Dora PejaÄević
#
Dora PejaÄević: Ouverture in D minor for large orchestra,
#
Edition les bons concerts
#
SheetMusicPlus
The Heavens, piano solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.733591 Composed by Amy J. Snyder. C…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.733591 Composed by Amy J. Snyder. Concert,New Age,Standards. Score. 8 pages. Amy J. Snyder #4844897. Published by Amy J. Snyder (A0.733591). The Heavens is an original piano solo written for Intermediate level piano. This piece tries to capture the awesomeness of outer space. Imagine traveling from galaxy to galaxy, passing billions of stars! written in the key of D Major, this piece contains plenty of L.H. patterns and arpeggios to support the R.H. melody. Helpful fingering is provided. Great piece for recitals and assisted living entertainment. Hint: If using a digital piano or keyboard, experiment with other space-sounding voices, especially in the bass octaves. (See note at bottom of page 1). Written by Amy J. Snyder, copyrighted 2016. Visit Amy at : https://www.facebook.com/amyjsnyder7
$4.50
4.13 €
#
Piano solo
#
Amy J
#
The Heavens, piano solo
#
Amy J. Snyder
#
SheetMusicPlus
Blinding Lights
String Quartet: 2 violins, viola, cello
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - Digital Download SKU…
(+)
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1165849 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by André Alberto Santos. Hip-Hop,Multicultural,Pop,R & B,Wedding,World. 21 pages. Soul - Musical Creations #766221. Published by Soul - Musical Creations (A0.1165849). Blinding Lights is a song by Canadian singer The Weeknd that serves as the second single of his upcoming fourth studio album. It was released on November 29, 2019, two days after the release of Heartless. The Weeknd wrote and produced the song with its producers Max Martin and Oscar Holter, with Belly and Jason Quenneville receiving additional writing credits. The song reached number one in Australia, Belgium, Germany, Ireland, Israel, Netherlands, Norway, Scotland and Sweden in 2020. (Wikipedia)The Weeknd Blinding Lights Sheet Music and Printable PDF Music Notes #weeknd #blinding #sheet #music #string #quartet #piano #lights #with #theweeknd #makeup #tuesdays #love #drake #mua #night #smallworld #art #jazz #the #musician #weekend #highlight #travel #perform #chambermusic #my #guitar #abh.
$12.99
11.93 €
#
String Quartet: 2 violins, viola, cello
#
The Weeknd
#
Blinding Lights
#
Soul - Musical Creations
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
