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Sheetmusic to print
5 sheet music found
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1
Le Cid (Massenet) Ô souverain, ô juge, ô père (concert version)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1152418 Composed by Jules Masse…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152418 Composed by Jules Massenet. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 34 pages. Patricio Cueto #752643. Published by Patricio Cueto (A0.1152418). Ô souverain, ô juge, ô père in a concert version for full symphony orchestra with a second verse and concert end. Score and all parts Provided, Horn in F and Trumpets in B-flat 2.2.2.2. 4.2.3.1. Timp. Gr.Tr. Harp. Strings.
$55.00
50.71 €
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Orchestra
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Jules Massenet
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Le Cid
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Patricio Cueto
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SheetMusicPlus
Because I Could Not Stop for Death
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
7.37 €
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Choral SATB
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Richard deCosta
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Because I Could Not Stop for Death
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Richard deCosta
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Soprano voice, Piano
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Highlights from Opera and Concert
1 Piano, 4 hands
Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet m…
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Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q42198. Published by Schott Music - Digital
This collection of classical 'highlights' arranged for piano duet fills a gap in the vast amount of teaching material avaliable in that it endeavours to combine the educational suitability of such arrangements with the artistic quality of the original works.
What is new is not so much the selection of the pieces offered, but the reasons for which are obvious, but rather the attempt that has been made to provide material ranging from the very easy to the moderately difficult, without incurring the all too typical loss of structural complexity or richness of tonal quality, losses which can seriouly distort the original.
$16.99
15.66 €
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1 Piano, 4 hands
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Highlights from Opera and Concert
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Schott Music - Digital
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SheetMusicPlus
Pearl Fishers Duet: Au fond du temple saint
Choral SATB
Composed by Georges Bizet (1838-1875). Arranged by Scott S. Stewart. Opera, Repertoi…
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Composed by Georges Bizet (1838-1875). Arranged by Scott S. Stewart. Opera, Repertoire, Technique Training. Score. 5 pages. Published by Scott S. Stewart
$2.99
2.76 €
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Choral SATB
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Georges Bizet (1838-1875)
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Pearl Fishers Duet: Au fond du temple saint
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Scott S. Stewart
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SheetMusicPlus
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