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"Saxophone Quartet" [Score & Parts]
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.976041 Composed by Lior Navok. 20th Century,Contemporary. 108 pages. Lior Navok Music #4725323. Published by Lior Navok Music (A0.976041). SAXOPHONE QUARTET (1999) INSTRUMENTATION: SATB Saxophones DURATION: 15 minutes MOVEMENTS: Introduction Recitative No. 1 - AltoCirclesrecitative No. 2 - TenorEvening ThoughtsRecitative No.3 - BaritoneScherzo; Recitative No. 4 - SopranoFinalePROGRAM NOTES: The composer writes about his work:The saxophone quartet as a musical medium is one of the richest in its contrasting colors, versatility and expressions. For me, Saxophone Quartet music is also the closest to the human choir. While writing my saxophone quartet I was intrigued to explore the ensemble's technical, timbrel, rhythmical and lyrical aspects. The four saxophones can create a homogeneous texture, but can also express their own individuality and uniqueness. Therefore, the quartet consists of five movements, and four recitatives, one for each saxophone. The recitatives' purpose is double: to feature one saxophone a time on one hand, and lead to the next movement on the other. Saxophone Quartet was commissioned by the Fromm Music Foundation and received its first performance by the Raschèr Saxophone Quartet. INFO:Item: Full Score & Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 37 Parts: 68 Ink: Black & White Paper Size: DIN A4 / Letter.
$35.00
32.27 €
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Saxophone Quartet: 4 saxophones
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Lior Navok
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Recitative No
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"Saxophone Quartet" [Score & Parts]
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Lior Navok Music
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SheetMusicPlus
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative (Tenor Sax)
Tenor Saxophone
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2.99 €
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Tenor Saxophone
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Flute
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2.99 €
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Flute
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Violin
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2.99 €
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Violin
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Cello
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2.99 €
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Cello
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Trumpet
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Trumpet
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Clarinet
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Clarinet
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative
Viola
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Viola
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative (accompaniment part)
Piano solo
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1.99 €
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Piano solo
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Haydn
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Tomplay
The Creation (Die Schöpfung), Hob.XXI:2 - No. 7 Recitative (accompaniment part)
Piano solo
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Piano solo
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Haydn
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Tomplay
Recitative and Lament
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1124419 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at the Post #723415. Published by Studio at the Post (A0.1124419). Duration: 4 minutes, 4pp. Description: Recitative and Lament for Solo Double Bass and Voice is for a single performer, self-accompanied. Dedicated to Bert Turetzky. An alien's concept of a work of art, according to the science-fiction novelist Robert Heinlein: It could have been a poem, a musical opus, or a philosophical treatise; it was a series of emotions arranged in tragic, logical necessity. (Stranger in a Strange Land). NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
1.85 €
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Double Bass
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Igor Korneitchouk
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Recitative and Lament
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Studio at the Post
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestra
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.9 €
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Orchestra
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Beethoven - String Quartet No.14 in in C sharp minor, Op.131
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1111547 Composed by Ludwig…
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String Quartet String Quartet - Digital Download SKU: A0.1111547 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 119 pages. J.G. Cuco Barber #713839. Published by J.G. Cuco Barber (A0.1111547). Work Title String Quartet No.14 Composer Beethoven, Ludwig van Opus/Catalogue Number Op.131 Key C-sharp minor Movements/Sections 7 movements: 1. Adagio ma non troppo e molto espressivo (C♯ minor) 2. Allegro molto vivace (D major) 3. Allegro moderato (recitative) (C♯ minor) 4. Andante ma non troppo e molto cantabile (A major) 5. Presto (E major) 6. Adagio quasi un poco andante (G♯ minor) 7. Allegro (C♯ minor) Year/Date of Composition 1826 First Publication 1827 (April) - Mainz: Schott Dedication Baron von Stutterheim Composer Time Period Classical Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
21.2 €
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String Quartet: 2 violins, viola, cello
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Ludwig van Beethoven
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Beethoven - String Quartet No.14 in in C sharp minor, Op.131
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J.G. Cuco Barber
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SheetMusicPlus
Verdi-Dammi tu forza(Recitative),Act 2 No.9,in g minor
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385862 Composed by Verdi (G…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385862 Composed by Verdi (Giuseppe Verdi). Arranged by OSM Press. Classical. Score. 12 pages. Open Cloud #969804. Published by Open Cloud (A0.1385862).
$9.99
9.21 €
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Piano, Voice
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Verdi
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Verdi-Dammi tu forza(Recitative),Act 2 No.9,in g minor
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Open Cloud
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SheetMusicPlus
Verdi-Pura siccome un angelo(Recitative and Duet),Act 2 No.8,in a minor
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385859 Composed by Verdi (G…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385859 Composed by Verdi (Giuseppe Verdi). Arranged by OSM Press. Classical. Score. 43 pages. Open Cloud #969801. Published by Open Cloud (A0.1385859).
$18.99
17.51 €
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Piano, Voice
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Verdi
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Verdi-Pura siccome un angelo(Recitative and Duet),Act 2 No.8,in a minor
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Open Cloud
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SheetMusicPlus
The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal
Piano, Voice
Piano and voice - Digital Download SKU: LV.1387 Composed by John Clarke. Aged perso…
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Piano and voice - Digital Download SKU: LV.1387 Composed by John Clarke. Aged persons, Distress, War, Soldiers, Musicians, Religion. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1387). The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal [sic]. With an Accompaniment for The Harp or Piano Forte. Composed by John Clarke. Published [n.d.] by G. Graupner, No. 6 Franklin Street in Boston. Composition of recitative introduction, through-composed aria with piano and voice First line of recitative And said I that my limbs were old First line of aria In peace, love tunes the shepherds reed instrumentation. Subject headings for this piece include Aged persons, Distress, War, Soldiers, Musicians, Religion. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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John Clarke
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The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Judicium Salomonis. [17. Recitative] by Marc-Antoine Charpentier - Basso continuo or Voice Solo
Voice, Basso continuo
Marc-Antoine Charpentier - Judicium Salomonis. [17. Recitative] - Part 10 of 11; includes …
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Marc-Antoine Charpentier - Judicium Salomonis. [17. Recitative] - Part 10 of 11; includes No. 18, Duet and No. 19, Recitative Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Vocal Solo, instruments: Voice;Basso continuo; 3 pages -- Baroque~~Sacred~~Classical
$3.99
3.68 €
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Voice, Basso continuo
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Basso continuo or Voice Solo
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Musicnotes
Monteverdi Madrigals Book 6 - 08. SESTINA
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
14.74 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi Madrigals Book 6 - 08. SESTINA
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Lyons Music Services
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SheetMusicPlus
Six Bagatelles for Beethoven 250
Clarinet
Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshal…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
15.66 €
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Clarinet
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adapting the music to the bagatelle form, it reflects the less ponderous side of the composer
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James Marshall
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Six Bagatelles for Beethoven 250
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James Marshall Music
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SheetMusicPlus
The Hermit
Piano, Voice
Piano and voice - Digital Download SKU: LV.15599 Composed by James Hook. Musicians,…
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Piano and voice - Digital Download SKU: LV.15599 Composed by James Hook. Musicians, Musical instruments, Symbols--classical, Friendship, Courtship & love, Storytelling. Lester S. Levy Collection. 14 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15599). The Hermit. Written by the Late Celebrated Doctor Goldsmith. Set to Music By James Hook. Adapted For Two Violins, Voice, and Harpsichord. Opera XXIV. Published [n.d.] by [Dublin?] John Rice, No.5 College-Green in . Composition of cantata; consisting of recitatives, arias, duets and choruses (glees); 11 arias in all. with piano and voice First line (of opening aria) Turn gentle Hermit of the Dale, and guide my lonely way instrumentation. Subject headings for this piece include Musicians, Musical instruments, Symbols--classical, Friendship, Courtship & love, Storytelling. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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James Hook
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James Hook
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The Hermit
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23 €
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Euphonium, Piano (duet)
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Johann Sebastian Bach
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23 €
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Viola, Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23 €
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Trumpet
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Johann Sebastian Bach
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#
Bach: Wachet auf for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23 €
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Clarinet and Piano
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Johann Sebastian Bach
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#
Bach: Wachet auf for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
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