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Reflection
Piano Trio: Violin, Viola, Piano
Sheetmusic to print
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1
Trusting Jesus, That is All (Violin/Viola Duet, Piano Accompaniment)
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.780832 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Wedding. Score and parts. 11 pages. Cathy Stamegna #5453775. Published by Cathy Stamegna (A0.780832). Trusting Jesus, That is All (Violin/Viola Duet, Piano Accompaniment) is a hymn of trust and consolation based on John 14:1 and Psalm 37:5. This arrangement begins with an arpeggiated accompaniment, lending a contemplative spirit to the melody (played by the viola). Verse two transitions to an upbeat triple meter with some syncopation, giving it a confident, positive character. The violin and viola take turns playing the melody in this section. A lyric sheet is included for the option of friends or family to sing along or just for reflection. This hymn is appropriate for many occasions, including General Worship, Lent, or a Wedding service. Set of Parts. Piano Accompaniment track sold separately. Other arrangements available. Part of the Hymns of Comfort collection and arranged during the COVID 19 Pandemic.
$5.99
5.59 €
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Piano Trio: Violin, Viola, Piano
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Lyrics: Edgar P
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Trusting Jesus, That is All
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Cathy Stamegna
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SheetMusicPlus
Caoin(Lament) II
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1202521 Composed by Bernard Sexton. Celtic,Christian,Irish,Praise & Worship. Score and parts. 7 pages. Trinity Music Press #801257. Published by Trinity Music Press (A0.1202521). This composition for 2 violins ( or violin+ viola) and piano was written in 1992 as a reflection at communion time for a Mass broadcast on RTÉ radio. The plaintive melody, inspired by the Irish folk tradition, is stated initially by the first violin and is then repeated with a contrapuntal part in the second violin (viola). Individual parts are provided for 1st violin, 2nd violin, and viola ( where the viola is used instead of a second violin). Duration 1'55.
$10.00
9.33 €
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Piano Trio: Violin, Viola, Piano
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Bernard Sexton
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Caoin(Lament) II
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Trinity Music Press
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SheetMusicPlus
What Wondrous Love (with "Must Jesus Bear The Cross Alone") (Duet for Violin & Viola)
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.622973 Composed by Traditional, George N. Allen. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sacred. Score and parts. 14 pages. Exultet Music #4276901. Published by Exultet Music (A0.622973). Two of the most reflective hymns that are used during the Lenten season and Holy Week have been combined into one anthem that is scored as a duet for Violin and Viola with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.65 €
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Piano Trio: Violin, Viola, Piano
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Traditional, George N
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What Wondrous Love
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Exultet Music
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SheetMusicPlus
Shadow and Self
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
$7.00
6.53 €
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Piano Trio: Violin, Viola, Piano
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Matthew Scott Phillips
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Shadow and Self
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Matthew Scott Phillips
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SheetMusicPlus
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Violin, Viola Duet, Piano Accompaniment)
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.781125 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794335. Published by Cathy Stamegna (A0.781125). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
5.59 €
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Piano Trio: Violin, Viola, Piano
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Johann Pachelbel and Richard Redhead
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Set of Parts. 
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Agnus Dei
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1111623 Composed by Michael W. Smith. Arranged by Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and parts. 16 pages. Exultet Music #713917. Published by Exultet Music (A0.1111623). This Michael W. Smith classic Contemporary Christian hymn is ideal for any worship occasion and especially communion services reflecting on Jesus, the Lamb of God. Scored as a duet for Violin and Viola with Piano accompaniment. Accessible and appropriate for any church setting.
$4.99
4.65 €
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Piano Trio: Violin, Viola, Piano
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Michael W
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Agnus Dei
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Exultet Music
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SheetMusicPlus
Moonrhymes (for 3 violins, viola and piano)
Piano Trio: Violin, Viola, Piano
Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1205111 Composed by Gilad C…
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Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1205111 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 217 pages. Gilad Cohen #803298. Published by Gilad Cohen (A0.1205111). Written with the theme of family in mind, Moonrhymes is based on nursery rhymes from different cultures. The piece is comprised of three movements (, in addition to an introduction and a finale, all played without a break): each of them focuses on a traditional song from a different origin: the English-Irish “Danny Boy,” the Latin “A La Nanita Nana,” and the Israeli-Yiddish “Numi Numi.” While such tunes have been sung as lullabies for many years, their lyrics are often more bleak than what might seem appropriate for bedtime. My treatment of these melodies takes them thus to mysterious, reflective, and dark places, using folk elements from various cultures. Moonrhymes plays with the question of what rhyming could mean in instrumental music. Literal rhymes feature similarities in sound between words: the endings of rhyming words usually sound identical, while the beginnings are different. Likewise, the themes of the piece are very similar to the original tunes, but each carries a significant musical difference in pitch, rhythm etc. Additionally, many moments in the piece “rhyme” with one another: Accompaniment figurations reoccur while supporting different tunes (such as a repeated arrpegiated minor-7th chord), sounds and textures repeat through the piece (such as “glassy” chordsin the violins using harmonics), and musical themes float again and again into the surface (such as the melody of “Rock-a-bye Baby,” another popular lullaby that features disturbing lyrics and serves as a transition between the movements).In the finale, all tunes—and cultures—join together: The Yiddish-based “Numi Numi”, with its Phyrygian mode, is heard in the bass and provides the foundation for “Danny Boy” an its iconic English-American useof the pentatonic scale, while also supporting figurations from both “Nanita” (featuring a highly-embellished minor-scale Spanish melody) and “Rock-a-bye Baby” (whose sweet melody is disguised under darker harmonies).
$20.00
18.66 €
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Piano Trio: Violin, Viola, Piano
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Gilad Cohen
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Moonrhymes
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Gilad Cohen
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SheetMusicPlus
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