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Rest from Symphony No. 5
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Rest from Symphony No. 5
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1369486 Composed by Loui…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1369486 Composed by Louis Glass. Arranged by Matthew Hughes. Classical. Score and part. 7 pages. Matthew Hughes #953851. Published by Matthew Hughes (A0.1369486). Entire second movement of Symphony No. 5 by Louis Glass arranged for clarinet and piano. It may also be played on organ instead of piano.
$4.50
4.13 €
#
Clarinet and Piano
#
Louis Glass
#
Rest from Symphony No. 5
#
Matthew Hughes
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.76 €
#
Flute Quintet : 5 flutes
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.76 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.76 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.76 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Funeral March (from Symphony No. 7)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1111232 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). Classical,Historic,March,Romantic Period,Sacred. 38 pages. Joel Jacklich #713495. Published by Joel Jacklich (A0.1111232). The Funeral March from Beethoven's Symphony No. 7 is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Care has been taken for page turns to occur only at rests within the various parts.
$19.99
18.34 €
#
String Quartet: 2 violins, viola, cello
#
Ludwig van Beethoven
#
Funeral March
#
Joel Jacklich
#
SheetMusicPlus
Marcia Funebre (from Symphony No. 3 "Eroica")
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1112923 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). Chamber,Classical,March,Romantic Period. 47 pages. Joel Jacklich #714873. Published by Joel Jacklich (A0.1112923). Beethoven's famous Funeral March from his Eroica Symphony is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Special care has been taken to provide page turns only at rests in the individual parts. This is a challenging work for advanced players.
$19.99
18.34 €
#
String Quartet: 2 violins, viola, cello
#
Ludwig van Beethoven
#
Marcia Funebre
#
Joel Jacklich
#
SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.82 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.16 €
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Chamber Orchestra
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
From the New World (Symphony No.9, 3rd Mvt)
Handbells
Handbell - Level 5 - Digital Download SKU: A0.1307850 Composed by Antonin Dvorak. A…
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Handbell - Level 5 - Digital Download SKU: A0.1307850 Composed by Antonin Dvorak. Arranged by Cheryl (Sutton) Baker - Bronze:FX. 19th Century,Classical,Romantic Period. Score. 13 pages. Bronze:FX #897097. Published by Bronze:FX (A0.1307850). This arrangement of “From the New World†(Third Movement) is for full bell choir using 4-6 octaves of handbells. When played with 12 ringers, the piece is rated at Level 5.Filled with interesting and contrasting rhythms and techniques, this arrangement is fun to play and thoroughly enjoyable to hear. Each range of the bells is featured in different ways at different times in the piece. The middle bells have a lot of rhythm and technique changes which are not very difficult and will keep the ringers smiling. The super bass bells sometimes play the part of the timpani or strong brass, and at other times have a counter melody all their own. The high bells may carry the melody (often doubled in octaves), but that same melody is often echoed in the other bell ranges as well just a beat or two later.The arranger recommends that ringers listen to an orchestral recording of this composition. It is arranged in the same key, and (if you can) could be rehearsed together.  If you have enough hands available, the arranger provides suggestions for an added triangle part.This arrangement is dedicated to Bay Bells, an advanced community handbell choir that the arranger Cheryl (Sutton) Baker (also known as Cheryl Woldseth) directed from 1986 to 1997. Under her leadership, Bay Bells and the subset Bay Bells Ensemble performed throughout California, Oregon, Nevada, and Hawaii, plus they toured Indonesia in 1996 and also performed at the 1996 International Handbell Symposium in Albuquerque, New Mexico. Bay Bells premiered this arrangement at the 1997 National AGEHR Ringers Conference in Sacramento, California.Performance time• 8 minutes, 10 seconds.
$3.95
3.62 €
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Handbells
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Antonin Dvorak
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From the New World
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Bronze:FX
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.82 €
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String Orchestra
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
45.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
#
SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
73.38 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (brass parts – violin and symphony o
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 114 pages. Mark O'Connor Musik International #6209349. Published by Mark O'Connor Musik International (A0.861956). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (brass parts – violin symphony orchestra) MO152K-OBrass Parts (score and parts available)Music by Mark O’Connor94 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152K-OCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
73.38 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (string parts – violin and symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 180 pages. Mark O'Connor Musik International #6209357. Published by Mark O'Connor Musik International (A0.861958). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (string parts – violin symphony orchestra) MO152S-XString Parts (score and parts available)Music by Mark O’Connor156 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152S-XCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
73.38 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (Score – violin and symphony orchest
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'Connor Musik International #6209329. Published by Mark O'Connor Musik International (A0.861953). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (score – violin and symphony orchestra) MO152AScore (parts available)Music by Mark O’Connor154 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
36.69 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.5 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.47 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.35 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (percussion parts – violin and symph
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'Connor Musik International #6209353. Published by Mark O'Connor Musik International (A0.861957). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (percussion parts – violin symphony orchestra) MO152P-RPercussion Parts (score and parts available)Music by Mark O’Connor54 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152P-RCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$50.00
45.86 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
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