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608 sheet music found
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Grandma Got Run Over By A Reindeer
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Piano, Vocal and Guitar
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EASY
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A Reindeer - Arrangem
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Randy Brooks
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Michael Thomas Coull
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Grandma Got Run Over By A Rein
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MTC Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by Randy Brooks. Arranged by Michael Thomas Coull. 20th Century,Christmas,...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by Randy Brooks. Arranged by Michael Thomas Coull. 20th Century,Christmas,Comedy,Country,Holiday. Score. 12 pages. MTC Publishing #860686. Published by MTC Publishing (A0.1268127). Grandma Got Run Over By A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas CoullGrandma Got Run Over By A Reindeer is a novelty holiday song.  Written by Randy Brooks, the song was originally performed by Elmo & Patsy, the husband-and-wife duo of Elmo Shropshire and Patsy Trigg in 1979. The lyrics tell the story of a grandmother celebrating at a Christmas Eve party with her family when, while drunk on eggnog and off her medication, she staggers out into a snowstorm despite everyone imploring her not to.  She is found the next day, trampled; Santa and his reindeer are determined to be the culprits when 'incriminating Claus marks' are found on Grandma's back.  Grandpa seems completely unfazed by his wife's demise and spends the holiday 'watching football, drinking beer and playing cards with cousin Mel', while the rest of the family mourns Grandma's death and wonders if the gifts they bought for her should be returned. Christmas dinner otherwise goes on as normal, with a centrepiece of roast goose, figgy pudding for dessert, and 'blue and silver candles' to match Grandma’s hairpiece.  The upshot is a warning to the listeners that Santa is unfit to carry a driver's license!This arrangment of Grandma Got Run Over By A Reindeer is for solo voice, piano and guitar, but also contains harmonized sections (backing 'oohs', and the final few bars) that also enable this arrangment to be performed by an SSA choir - with the majority of it sung in unison. However it is performed, it is a great choice for a fun, novelty song for Christmas.
$10.99
Return and Rest
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Choral SATB
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EASY
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Philip Orem
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Return and Rest
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Philip Orem
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.872651 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 8 pages. Philip Orem #362492...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.872651 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 8 pages. Philip Orem #3624921. Published by Philip Orem (A0.872651). This choral version of the the song from my Shiru Shir Chadash songbook is a harmonically lush setting of Isaiah 30:15, In returning and in rest is your salvation. Accessible by most choirs and perfect as a meditation anthem!We're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$2.80
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score an...
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Sonata No. 3 for Horn and Piano
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French Horn and Piano
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ADVANCED
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pag...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
My First Rock for Beginning Band
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Concert band
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BEGINNER
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Alexandre CARLIN
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My First Rock for Beginning Ba
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Alexandre CARLIN
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.779816 Composed by Alexandre CARLIN. Children,Contemporary,Rock. Score and parts. 34 pages. Alexandre C...
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Concert Band - Level 1 - Digital Download SKU: A0.779816 Composed by Alexandre CARLIN. Children,Contemporary,Rock. Score and parts. 34 pages. Alexandre CARLIN #5009815. Published by Alexandre CARLIN (A0.779816). Destined to beginners,My FirstRock is an original work for beginning band, in a rock style. Built from a driving bass line and a rock pattern on the drums, the piece introduces the rest of the band with a simple and nice melody, using only the first notes. The central passage changes the mood, with sections playing one after another, building a nice chord. Then, the piece goes on with the return of the first material, ending with a subtile effect played by the woodwinds and brass, while the drumset brings some rhythmic motion. Let's Rock !Composed for beginning band by Alexandre CARLIN. Grade 0.5 (1 for the drumset). Very fun to play ! All instruments parts provided : flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, horn, trombone, euphonium, tuba, glockenspiel, drum set, percussion. Duration : 2:00. 8 pages score. 26 pages of parts.www.alexandrecarlin.com
$29.99
Monggeumpo Taryeong (For Violin and Piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Han-Ki Kim
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Monggeumpo Taryeong
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.1404954 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.1404954 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 14 pages. Han-Ki Kim #987990. Published by Han-Ki Kim (A0.1404954). Folk songs are traditional songs that are passed down among the general public. It reflects the culture, customs, and emotions of each region and has diverse content and rhythm. “Monggeumpo Taryeong(It is also called “Jangsangot Taryeong)†is a traditional Korean folk song handed down from the Hwanghae region. “Monggeumpo†is a port, and the beach here is famous for its white sandy beaches, lush forests, and Rosa rugosa flowers. The content of this folk song consists of a sad melody and lyrics, and it contains the joys and sorrows of the fishermen's lives and the sorrowful feelings waiting for the safe return of a loved one who went out to catch fish. This music was composed in the A-B-A format. The sad part is located in the middle of the music, and the beginning and end parts were composed in an exciting atmosphere. It is usually played to the traditional Korean “jungmori†rhythm, which is also quoted throughout the piece. Attached music file is just for a reference.
$18.50
Kum Ba Yah (for One Octave Handbell Choir with Piano accompaniment)
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Piano Accompaniment
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BEGINNER
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Kum Ba Yah
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358798 By Sharon Wilson. By African-American Spiritual, Traditional, a...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358798 By Sharon Wilson. By African-American Spiritual, Traditional, and Traditional Spiritual. Arranged by Sharon Wilson. Children,Christian,Folk,Spiritual,Traditional. 13 pages. Sharon Wilson #943259. Published by Sharon Wilson (A0.1358798). This arrangement is one of the 10 songs in the collection Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano).This sheet music is arranged for a one octave, 8-note diatonic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody for the first verse. For the second verse, the Piano accompaniment plays the melody while the Handbells provide the harmony. The Handbells return to the melody for the concluding phrases.Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one score in standard format with black and white notes and the second score with color-coded notes).  Lyrics are provided on the Handbell staff.A color-coded note chart is provided showing the Handbell notes used for this arrangement as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Note assignment suggestions are provided.As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers.  This separate color-coded score uses the Chroma-Notes™ Colored Music System.  If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Choral SATB
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INTERMEDIATE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
Legacy for Clarinet, Violin, Cello, and Piano
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Contemporary
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Sy Brandon
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Legacy for Clarinet, Violin, C
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts...
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
When I Land
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Choral SATB
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INTERMEDIATE/ADVANCED
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burk...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
Return to the Island of Dreams (cello and piano)
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Cello, Piano
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EASY
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Colin Kirkpatrick
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(2) Skybird
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Return to the Island of Dreams
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.522284 Composed by Colin Kirkpatrick. Concert,Holiday,Love,Patriotic. Score and part. 25 pages. Colin Ki...
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Cello,Piano - Level 2 - Digital Download SKU: A0.522284 Composed by Colin Kirkpatrick. Concert,Holiday,Love,Patriotic. Score and part. 25 pages. Colin Kirkpatrick Publications #6538731. Published by Colin Kirkpatrick Publications (A0.522284). This collection follows on from the collection The Island of Dreams, also available from the same publisher. Return to the Island of Dreams consists of ten elementary cello pieces which are musical sketches of a magical island somewhere in South East Asia. The pieces can be performed entirely in first position. They are intended as supplementary material to your usual teaching materials. There’s plenty of contrasting music for the student recital or an end-of-semester concert. Also, these pieces could be used for sight-reading practice for intermediate students. Your cello students are sure to find these pieces enjoyable and challenging. Every piece has a short keyboard introduction so that the student can sense the tempo and musical style before playing. The accompaniments have been kept as simple as possible. Dynamic markings are used from the start, and some articulations marks (notably staccato) are used. Several pieces have a few measures rest in the middle to give the player a break and add musical contrast and also to give experience of counting empty bars. The album consists of piano-cello score and a separate cello solo part both contained in a single PDF file. The audio sample contains the following pieces (1) Asian Dawn; (2) Skybird; (3) Ocean Song; (5) Dance of the Earth Spirits; (7) Call of the Homeland and (9) March of the Hill Children.
$5.99
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Sonata for Flute and Piano, Op. 12
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Flute and Piano
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ADVANCED
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Precious Lord, Take My Hand
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Thomas A
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Cathy Moklebust
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Precious Lord, Take My Hand
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Hope Publishing - Digital
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SheetMusicPlus
Handbells Clarinet, Hand Drum, Handchimes - Level 3 - Digital Download SKU: H1.2730DP Arranged by Cathy Moklebust. General Worship. Handbell Score. 12 pa...
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Handbells Clarinet, Hand Drum, Handchimes - Level 3 - Digital Download SKU: H1.2730DP Arranged by Cathy Moklebust. General Worship. Handbell Score. 12 pages. Hope Publishing - Digital #2730DP. Published by Hope Publishing - Digital (H1.2730DP). By Thomas A. Dorsey.Gospel song by Thomas A. Dorsey This versatile arrangement of Thomas A. Dorsey's beloved hymn includes optional parts for B-flat clarinet, bass, and drum set. The introduction is very slow and free with the melody being played by handchimes and accompanied by singing bells. What follows is a relaxed, gospel treatment of the hymn, using a malleted bass line. The bass handchimes take the hymn in the next verse, accompanied by thumb-damped upper treble bells. A grand final verse uses plenty of LV in the bass, full chords and an improvisatory clarinet solo. A brief return to the singing bells and melody in the handchimes brings this soulful arrangement to its final rest.
$7.00
Joy and Hope Abounding (3-5 octaves)
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Handbells
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INTERMEDIATE/ADVANCED
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Cathy Moklebust
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Joy and Hope Abounding
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells                                 Â...
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3, 4 or 5 octaves handbells                                         - Level 4- - Digital Download SKU: C7.CGB1079 Composed by Cathy Moklebust. General. Score. 12 pages. Chorister's Guild - Digital #CGB1079. Published by Chorister's Guild - Digital (C7.CGB1079). UPC: 749193027653.Cathy Moklebust’s Joy and Hope Abounding is a joyful, upbeat original composition alternating between 3/4 and 6/8 meters and enhanced by numerous techniques. A Restful middle section of flowing eighth notes provides contrast before returning to the opening material. The new expanded 3-5 octave edition is fully compatible with the original 3 octave edition, which is also still available.
$5.50
Joy and Hope Abounding (3 octaves)
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Handbells
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INTERMEDIATE/ADVANCED
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Cathy Moklebust
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Joy and Hope Abounding
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Chorister's Guild - Digital
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SheetMusicPlus
3 octaves handbells                                   Â...
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3 octaves handbells                                         - Level 4- - Digital Download SKU: C7.CGB237 Composed by Cathy Moklebust. General. Score. 12 pages. Chorister's Guild - Digital #CGB237. Published by Chorister's Guild - Digital (C7.CGB237). UPC: 749193006757.Cathy Moklebust’s Joy and Hope Abounding is a joyful, upbeat original composition alternating between 3/4 and 6/8 meters and enhanced by numerous techniques. A Restful middle section of flowing eighth notes provides contrast before returning to the opening material. A new expanded 3-5 octave edition is also available, CGB1079. The two editions are fully compatible for massed ringing events.
$5.50
Nocturne. Original For Flute, Bassoon and Piano.
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Flute, Bassoon, and Piano
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INTERMEDIATE
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Grant Horsley
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Grant Horsley
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Nocturne. Original For Flute,
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1255071 By Grant Horsley. By Grant Horsley. Arranged b...
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Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1255071 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848664. Published by Grant Horsley (A0.1255071). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive.I have tried to keep these elements in this Nocturne. Written here for Flute, Bassoon and Piano, the instrumental parts are equally divided. Highest note top E flute 1 (once)- Bassoon G. It is written in the key of A minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.It is 4 mins 20 in length and price is for the full score and all parts.Set at intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet, Violin Duet and Solo Piano are also available.
$7.25
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Son...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00
Souls At Rest
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Organ
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Lewis A
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Souls At Rest
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Lewis A. Kocher
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SheetMusicPlus
Organ - Digital Download SKU: A0.943041 Composed by Lewis A. Kocher. Christian,Contemporary,Halloween,Sacred. Score. 6 pages. Lewis A. Kocher #6029271. P...
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Organ - Digital Download SKU: A0.943041 Composed by Lewis A. Kocher. Christian,Contemporary,Halloween,Sacred. Score. 6 pages. Lewis A. Kocher #6029271. Published by Lewis A. Kocher (A0.943041). SOULS AT REST for ORGAN Playing time: Appx. 2:40 Services: All Saints, All Souls, Autumn, Memorial, any The pedal plays the somber yet peaceful melody in this rather introspective work, with the swell box opening now and then to allow the keyboard to give little dialogues that echo the melody. A dissonant mood in the middle section is reminiscent of our dismay and confusion over the loss of loved ones, but the return of the melody at the end soothes us once more with eternal hope. All Saints and All Souls are beautiful celebrations that are harbingers of the close of the year. As the beginnings of the pre-winter feasts, they are also the earliest to shine light in the darkness as many cemeteries become illuminated by the warm glow of thousands of candles placed in commemoration of the dearly departed. Although I composed this piece under the spiritual influence of those two holy days, the work may be used at any service where a reflective, meditative piece is needed. The registrations I give here are merely suggestions; adapt at will to your instrument and the ambience you wish to create. God bless!
$4.95
In the King's Forest
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Concert band
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BEGINNER
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Classical
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Jordan R
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In the King's Forest
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J.R. Sawyer
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1216222 Composed by Jordan R. Sawyer. Classical. Score and Parts. 27 pages. J.R. Sawyer #812830. Publis...
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Concert Band - Level 1 - Digital Download SKU: A0.1216222 Composed by Jordan R. Sawyer. Classical. Score and Parts. 27 pages. J.R. Sawyer #812830. Published by J.R. Sawyer (A0.1216222). In the King’s Forest is broken into Three distinct settings, all using the same melody based on the introductory fanfare-like melody. The first setting is at the edge of the forest and is light and more thinly arranged, focusing on the upper voices. The second setting is further into the forest and uses the same melody in the mid voices, but harmonized more heavily. The third setting is deep in the forest and the melody shifts from Bb Major to C Minor and is the most densely arranged. We break through the forest to the other side with a return of the intro fanfare and ends with a triumphant sequence of main theme back in Bb Major. Using the first six notes of the Bb Scale and simple rhythmic figures, In the King’s Forest offers young band students a chance to perform and connect to mature musical content.
$15.00
Symphonie heroique e grand orchestra, Opus 19
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Sigismund von Neukomm
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Symphonie heroique e grand orc
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Bisel Classics - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: BQ.979-0-50179-021-0 Composed by Sigismund von Neukomm. Edited by Stephen Begley. This edition: softcover. Bisel Classi...
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Orchestra - Digital Download SKU: BQ.979-0-50179-021-0 Composed by Sigismund von Neukomm. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Orchestral score. With Text Language: English / German. Opus 19. 163 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-021-0). ISBN 9790501790210.A composer of over 2000 works, this symphony newly restored from the original manuscript, was completed in 1817 during Neukomm's five year stay in Rio de Janeiro and reflects something of the magical landscape of Brazil in its musical forms. The third movement contains a quote from Handel's 'Judas Maccabeus', ''See the conquering hero comes'', better known today as the hymn Thine be the glory, and was probably intended to commemorate the return from exile and the ascension to the throne of the Portuguese sovereign, John VI.
$26.95
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano solo
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Contemporary
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
Monggeumpo Taryeong (For Viola and Piano)
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Han-Ki Kim
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Monggeumpo Taryeong
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.1405009 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim....
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.1405009 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 14 pages. Han-Ki Kim #988044. Published by Han-Ki Kim (A0.1405009). Folk songs are traditional songs that are passed down among the general public. It reflects the culture, customs, and emotions of each region and has diverse content and rhythm. “Monggeumpo Taryeong(It is also called “Jangsangot Taryeong)†is a traditional Korean folk song handed down from the Hwanghae region. “Monggeumpo†is a port, and the beach here is famous for its white sandy beaches, lush forests, and Rosa rugosa flowers. The content of this folk song consists of a sad melody and lyrics, and it contains the joys and sorrows of the fishermen's lives and the sorrowful feelings waiting for the safe return of a loved one who went out to catch fish. This music is composed in the A-B-A format. The sad part is located in the middle of the music, and the beginning and end parts were composed in an exciting atmosphere. It is usually played to the traditional Korean “jungmori†rhythm, which is also quoted throughout the piece. The attached music file was played on the violin and only the first part was played. This is just for reference.
$18.50
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