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Rhythm Of The Rain
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.96 €
#
Various
#
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
(+)
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.96 €
#
Various
#
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.96 €
#
Various
#
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.96 €
#
Various
#
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
#
bl_music
#
SheetMusicPlus
Entrainment (2009)
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
7.48 €
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Feel The Funk for classrooms and school ensembles - Mixed Abilities Classroom and School Ensemble Piece
School Ensemble
Composed by Austin Ralphson. Funk Jazz, Classroom, General Instructional, Technique …
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Composed by Austin Ralphson. Funk Jazz, Classroom, General Instructional, Technique Training, Recital. Score, Set of Parts. 179 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> ** For the complete pack of pieces in this series, get a great bulk saving at https://tinyurl.com/y9j2fxa4 (copy and paste into new tab)**<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> FEEL THE FUNK is the fourth piece in this series, and has typical characteristics of the style including chromatic leading notes in parts 3 and 4, a catchy riff and a bass line which is quite syncopated in the more difficult part 5s. You could also have a drummer play an authentic funk rhythm, or even a basic rock would do (tightly-closed hi-hat though).<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package!<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
14.03 €
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School Ensemble
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Austin Ralphson
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Feel The Funk for classrooms and school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
#
SheetMusicPlus
Rhythm of the Rain
Choral 2-part
Chorus - Digital Download SKU: AX.00-PO-0003128 Rhythm of the Rain - 2-Part.…
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Chorus - Digital Download SKU: AX.00-PO-0003128 Rhythm of the Rain - 2-Part. Composed by Jerry Estes. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003128. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003128). UPC: 038081157702.Unique 2-part choral work is accompanied by percussion and Orff-style instruments or piano. Repetitive, like falling rain, and develops with countermelodies. This title is available in SmartMusic.Inst. Parts Available (choral); Partner Song; Recorded Acc. Available.
$2.05
1.92 €
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Choral 2-part
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Jerry Estes
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Partner Song
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Rhythm of the Rain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Rain
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.546151 By Danny Vye. By Danny Vye. …
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Piano Solo - Level 3 - Digital Download SKU: A0.546151 By Danny Vye. By Danny Vye. Contemporary,New Age. Score. 5 pages. Danny Vye #156248. Published by Danny Vye (A0.546151). Danny Vye's contemporary solo piano single Rhythm of the Rain was released on the 23rd July 2021. The music aims to be relaxing and engaging.
$2.00
1.87 €
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Piano solo
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Danny Vye
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Rhythm of the Rain
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Danny Vye
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SheetMusicPlus
Tears in the Rain
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1249228 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1249228 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Film/TV,New Age,Pop. Score. 3 pages. Max Potseluiev #843694. Published by Max Potseluiev (A0.1249228). Introducing Tears in the Rain - An Emotional Journey of Reflection and CatharsisDive into the depths of introspection with Tears in the Rain, the poignant fourth score from the mesmerizing album Emotional Vibes composed by the talented artist Max Potseluiev. This evocative composition takes you on an emotional journey, where profound feelings find solace in the gentle embrace of piano melodies.Tears in the Rain captures the essence of raw and heartfelt emotions, allowing the listener to explore the depths of sorrow, longing, and catharsis. The delicate piano notes, like raindrops falling from the heavens, convey a sense of melancholy and introspection. Each progression evokes a myriad of emotions, resonating with experiences of loss, reflection, and healing.This composition serves as a powerful catalyst for emotional release, providing a soundtrack to moments of vulnerability and self-discovery. It invites you to embrace the tears that flow freely, recognizing their transformative power as they merge with the raindrops, cleansing the soul and nourishing the spirit.With its haunting beauty and introspective ambiance, Tears in the Rain serves as a therapeutic companion during moments of solitude, when the weight of emotions feels overwhelming. It offers solace and a gentle reminder that even amidst the rain, there is a profound beauty to be found.Allow yourself to be swept away by the emotive melodies of Tears in the Rain. Explore the depths of your emotions, finding comfort in the release they bring. Immerse yourself in the contemplative atmosphere of this score, and discover the beauty that lies within the tears that fall like rain.Experience the cathartic power of Tears in the Rain today and let its poignant piano melodies guide you on a journey of self-reflection and emotional healing. Open your heart and allow the music to embrace your soul, unveiling the transformative power of tears in the gentle rhythm of the rain.
$4.99
4.67 €
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Piano solo
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Max Potseluiev
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Tears in the Rain
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Max Potseluiev
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SheetMusicPlus
The Coleraine
Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397488 By T…
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Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397488 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #15Cx0E0Rlxp1udH7aLo5l8. Published by Heather Mueller Music (A0.1397488). Key: D major.Discover the dynamic world of traditional fiddling with The Coleraine jigs. These spirited tunes, known for their lively tempo and infectious energy, are essential for any fiddler's repertoire. Key Features: Interactive sheet music with customizable options for tempo and key adjustments. Perfect addition to Celtic fiddle tunes, jig anthologies, and folk melody compilations. Exercises designed to refine bowing techniques and finger placement. Scale practice routines to strengthen your musical foundation. Rhythm training drills tailored for fiddlers. Improve sight-reading and ear training abilities through interactive sessions. Delve into improvisation workshops to develop your creativity. Enhance your repertoire with The Coleraine jigs for new musical horizons. Comprehensive sessions focusing on technique and expression for performance preparation. Stimulating discussions on music theory to deepen your understanding of traditional fiddling. Join the traditional music journey today with The Coleraine jigs. Immerse yourself in the timeless melodies and spirited rhythms that have captivated audiences for generations!
$2.99
2.8 €
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Traditional Fiddle Tunes
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The Coleraine
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Heather Mueller Music
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SheetMusicPlus
Rain
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1412965 By Damien Gauci. By Damien Gauci…
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Piano - Level 3 - Digital Download SKU: A0.1412965 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 175. Damien Gauci #994974. Published by Damien Gauci (A0.1412965). This piece takes you on a journey of the rain starting to come down drop by drop to pattering down in the morning. The piece begins with slow moving chords that represent the rain starting to come down drop by drop. As the left hand moves onto an arpeggio accompaniment the rain starts to become more active. Then the melody also becomes more active with the faster rhythm. Finally, for the rest of the piece the right hand plays semiquaver arpeggios as the rain is coming down more rapidly than before. The melody has moved to the right hand and could reflect the larger raindrops pattering down on the ground. The rain finally comes to an end at the end of the piece where it slows down and quietens.
$1.99
1.86 €
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Piano solo
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Damien Gauci
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Rain
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Damien Gauci
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SheetMusicPlus
Rain
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1411182 By Damien Gauci. By Damien …
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Piano Solo - Level 3 - Digital Download SKU: A0.1411182 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993518. Published by Damien Gauci (A0.1411182). This piece takes you on a journey of the rain starting to come down drop by drop to pattering down in the morning. The piece begins with slow moving chords that represent the rain starting to come down drop by drop. As the left hand moves onto an arpeggio accompaniment the rain starts to become more active. Then the melody also becomes more active with the faster rhythm. Finally, for the rest of the piece the right hand plays semiquaver arpeggios as the rain is coming down more rapidly than before. The melody has moved to the right hand and could reflect the larger raindrops pattering down on the ground. The rain finally comes to an end at the end of the piece where it slows down and quietens.
$1.99
1.86 €
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Piano solo
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Damien Gauci
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Rain
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Damien Gauci
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
93.56 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Rockin' With The Rhythm Of The Rain
C Instruments
C Instrument - Digital Download SKU: HX.398088 By The Judds. This edition: scorch. …
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C Instrument - Digital Download SKU: HX.398088 By The Judds. This edition: scorch. Country. Lead Sheet / Fake Book. 3 pages. Hal Leonard - Digital #699410. Published by Hal Leonard - Digital (HX.398088).
$3.99
3.73 €
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C Instruments
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The Judds
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Rockin' With The Rhythm Of The Rain
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Hal Leonard - Digital
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SheetMusicPlus
Rockin' With The Rhythm Of The Rain
Melody line, (Lyrics) and Chords
C Instrument,Chords,Lyrics,Melody,Piano and Keyboard - Digital Download SKU: HX.1144788…
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C Instrument,Chords,Lyrics,Melody,Piano and Keyboard - Digital Download SKU: HX.1144788 By The Judds. This edition: scorch. Country,Pop. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #699410. Published by Hal Leonard - Digital (HX.1144788).
$3.99
3.73 €
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Melody line, (Lyrics) and Chords
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The Judds
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Rockin' With The Rhythm Of The Rain
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Hal Leonard - Digital
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Small Ensemble Timpani,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.977354…
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Small Ensemble Timpani,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contemporary. Score and parts. 20 pages. Des Press #6438147. Published by Des Press (A0.977354). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble with optional timpani. Plus three trombones. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!
$12.99
12.15 €
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Foster & Allen
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Raindrops Keep Fallin' On My Head
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Des Press
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SheetMusicPlus
Marry Me - String Quartet - Train arr. Cellobat - Recording Available!
String Quartet: 2 violins, viola, cello
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By …
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Train. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee
Make sure your quartet is prepared for wedding season with this beautiful arrangement of Train's "Marry Me" for string quartet! Perfect for ceremonies, cocktail hour, and even proposals, this arrangement brings the beloved classic song to life with just as much passion and as many layered harmonies as the original. Playable by students and sightreadable by professionals - make sure your V2 and violist are rhythmically locked in when they create the guitar part together!<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Marry Me." Crowd pleasing guaranteed.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.9 €
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String Quartet: 2 violins, viola, cello
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Train
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Marry Me - String Quartet - Train arr. Cellobat - Recording Available!
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.67 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Eight O'Clock Train
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399087 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 108. Heather Mueller Music #6qUYIb5BlFB0iF0ZrgGWxE. Published by Heather Mueller Music (A0.1399087). Key: A major.Title: Eight O'Clock Train Type/Genre: Traditional Fiddle Tune - Reel (Scottish) Availability: Sheet Music for Sale Embark on a musical journey through the Scottish countryside with Eight O'Clock Train, a spirited reel that evokes the excitement and anticipation of travel by steam locomotive. Key Features: Authentic Scottish Flavor: Eight O'Clock Train captures the essence of Scottish reel music, with its lively rhythm and spirited melody. Delve into the rich tapestry of Scottish musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Eight O'Clock Train. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Eight O'Clock Train. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Scottish fiddling techniques. Evocative Theme: Connect with the theme of travel and adventure as you delve into Eight O'Clock Train. Let the music transport you to the bustling train stations and scenic routes where passengers embark on journeys filled with excitement and anticipation. Whether you're a seasoned performer or a newcomer to Scottish music, Eight O'Clock Train offers a captivating musical experience that celebrates the spirit of adventure and the timeless allure of Scottish reel music. Join in the spirited rhythms of Eight O'Clock Train and let the music inspire your own musical journey through the landscapes of Scotland.
$2.99
2.8 €
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Traditional Fiddle Tunes
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Eight O'Clock Train
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Heather Mueller Music
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SheetMusicPlus
Max, The Choo Choo Train
Alto voice, Piano
Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Conni…
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Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie Boss (A0.801051). This is a song about a little Train called Max. He was small but fast and if he tried really hard he could make it up the hill. It shows a valuable lesson about not giving up but trying your best. I wrote this song to sing for my daycare kids and grand kids. They have always loved it. It is in simple piano with the bass clef representing the rhythm of the train going down the tracks. It also includes guitar chords.
$5.00
4.68 €
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Alto voice, Piano
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Connie Boss
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Max, The Choo Choo Train
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Connie Boss
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SheetMusicPlus
Rain
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.938601 Composed by Deborah Swanger …
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Piano Solo - Level 1 - Digital Download SKU: A0.938601 Composed by Deborah Swanger Fortier. Arranged by Deborah Swanger Fortier. Children. Score. 1 pages. Deborah Swanger Fortier #23945. Published by Deborah Swanger Fortier (A0.938601). Teach children C, D and E, staccato, legato, rests, and note values naturally while learning a lovely poem. The third of 24 pieces in a 2 volume set based on poetry for children, Rain teaches rhythm by following the rhythm of the poem. Dedicated to providing an aesthetic experience to children from the very beginning, Fortier set to music 24 (2 volume set) delightful poems written for children by such poets as e e cummings, Eleanor Farjeon, and Robert Louis Stevenson. Listen to how the rain stops at the end.
$3.99
3.73 €
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Piano solo
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Deborah Swanger Fortier
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Rain
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Deborah Swanger Fortier
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.36 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Winter Train
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1164204 By One Ba…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1164204 By One Bass Project. By Jose Peñarroja Pérez. Chamber,Classical,Pop,Rock. Individual part. 3 pages. Jose Peñarroja Pérez #764553. Published by Jose Peñarroja Pérez (A0.1164204). Winter Train is a piece for solo double bass that arises from the speed of spiccato along with the rhythm of the train. The treatment of some harmonies as well as the use of harmonic sounds, help us to delve into the cold winter landscape.Recorded in Palma on January 2023.
$5.25
4.91 €
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Double Bass
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One Bass Project
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Winter Train
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Jose Peñarroja Pérez
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SheetMusicPlus
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