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String Quartet: 2 violins, viola, cello
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String Quartet : 4 violas
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Rhythm Parts
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9976
"Us" for Jazz Trombone Quintet & Rhythm Section
Trombone ensemble
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
23.02 €
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Trombone ensemble
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Thad Jones
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"Us" for Jazz Trombone Quintet & Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
ROXY for Jazz Trombone Quintet and Rhythm Section
Trombone ensemble
Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by E…
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Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by Edmonds, Euan. Jazz, Latin Jazz, Big Band, Funk Jazz, Bossa Nova. Score, Set of Parts. 41 pages. Published by Cherry Classics Music
ROXY by Euan Edmonds is a chart written for Jazz Trombone Quintet and Rhythm section and is part of the University of Illinois Jazz Trombone Ensemble series.<br> <br> This work begins with a funky bass line that returns several times throughout the work. A sultry melody featuring a solo trombone follows and eventually the work opens up for solos and ends with the entire ensemble laying down some lush rhythmic chords.<br> <br> ROXY is about 8 minutes in length.
$30.00
27.62 €
#
Trombone ensemble
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Edmonds, Euan
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ROXY for Jazz Trombone Quintet and Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
CUBAN BREEZE (beginner concert band - super easy - score, parts, and license to photocopy)
Concert band
Concert Band - Easy/Beginner - Digital Download Composed by Robert W. Story. Repertoi…
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Concert Band - Easy/Beginner - Digital Download Composed by Robert W. Story. Repertoire, Classroom, General Instructional, Latin. Score, Set of Parts. 26 pages. Published by Bandroom.com Publications
You'll feel the gentle tropical breeze as your beginners play this easy and contagiously hum-able tune! Simple rhythms (half-, quarter-, and a few eighth-notes) make CUBAN BREEZE an ideal piece for your concert. <br> <br> FEATURES: Easy notes, easy rhythms, repeated sections; uses rhythm instruments for color; simple, unison low brass/low woodwind parts. <br> <br> CHALLENGES: Percussion break (4 measures); tenor drum line uses a two-sixteenth/eighth-note rhythm pattern. <br> <br> KEY and RANGES: Concert B-flat major. Beginner ranges: all parts use 5 or fewer different notes. Flutes, Clarinet 1, Trumpet 1 use concert D to A; Clarinet 2 uses low G to D below staff; all others use first 5 notes of B-flat concert scale. <br> <br> INSTRUMENTATION: Flute, Oboe, Bassoon, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Tenor Drum, Bass Drum), Percussion 2 (Guiro, Maracas), Percussion 3 (Claves). <br> <br> MINIMUM INSTRUMENTATION REQUIREMENTS: At least one: Flute, Clarinet 1, Clarinet 2, Trumpet, Bass line (any low reed, saxophone, or low brass instrument), and 3 Percussionists. <br> <br> NOTE: This Digital Download document is assembled with the Trumpet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (26 pages, total), the first page to print will be the Trumpet part, followed by 8 pages of the FULL SCORE, then the remaining PARTS (16 pages), and a Site License permitting you to make multiple copies of the score and parts for use by your school.
$36.00
33.15 €
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Concert band
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Robert W
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CUBAN BREEZE
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Bandroom.com Publications
#
SheetMusicPlus
We Have Heard the Joyful Sound - Brass and Rhythm Score and Parts
Brass and Rhythm Score and Parts - Digital Download SKU: LX.30-3657L Arranged by Ma…
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Brass and Rhythm Score and Parts - Digital Download SKU: LX.30-3657L Arranged by Mary McDonald. Sacred Anthem. Brass and Rhythm Score and Parts. 33 pages. Lorenz Publishing - Digital Sheet Music #e30/3657L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3657L). Brass and Rhythm Score and Parts for 10/5255L Mary McDonald adds an irresistible gospel groove to the favorite hymn Jesus Saves in this anthem appropriate for rallies, mission Sundays, or just about any service. The optional brass and rhythm parts add an extra spark to this certain favorite.
$39.95
36.79 €
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We Have Heard the Joyful Sound - Brass and Rhythm Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
CARRY ME HOME-Rhythm Parts-Digital Download
Guitar, Organ, Piano - Digital Download SKU: H1.C6130RDP Arranged by Joel Raney. Pi…
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Guitar, Organ, Piano - Digital Download SKU: H1.C6130RDP Arranged by Joel Raney. Piano with Optional Organ, Piano. General Worship. Rhythm Parts. 43 pages. Hope Publishing - Digital #C6130RDP. Published by Hope Publishing - Digital (H1.C6130RDP). Medley of two traditional spirituals Perfect for church and school choirs alike, here is a dynamic combination of two traditional spirituals in a light-jazzy style. The additional rhythm parts heighten the presentation as it builds to Sweet chariot, swing low and carry me home!Rhythm Parts: Conductor's Score, Piano, Synth (Jazz Organ), Electric Guitar, Electric Bass, Percussion & Drums.
$34.95
32.18 €
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CARRY ME HOME-Rhythm Parts-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Für Elise (Flexi-Band Score & Parts)
Flexible Instrumentation
Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. Classical Per…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. Classical Period, Contemporary Classical, Repertoire, Latin, Pop. Score, Set of Parts. 58 pages. Published by Paul Barker
Beethoven’s Für Elise is another great classical arrangement in our popular Rock-Style series for Flexi-Bands. The piece develops Beethoven’s memorable themes through a fusion of irresistible Samba and Rock styles. This is a fantastic way to introduce your band and audience to one of the most famous pieces ever composed! Also ideal for ensemble examination purposes. <br> <br> MP3 Performance Recording and Backing Track featuring rhythm section also available.<br> <br> TheFlexi-Band Classical Pop Series allows conductors to mix and matchorchestration to meet available resources. Piano, Drum Kit, Rhythm Guitar andBass Guitar provide strong harmonic and rhythmical support for commoncombinations of C, Bb, Eb, F, Viola/Bass Clef instruments including lead guitarand Nuvo instruments.<br> <br> Moretitles available from www.paulbarkermusic.com
$29.95
27.58 €
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Flexible Instrumentation
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Ludwig van Beethoven
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Für Elise
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Paul Barker
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SheetMusicPlus
Sing Joy to the World - Brass/Rhythm Parts
3 Trumpets and 3 Trombones, Rhythm Section - Digital Download SKU: LX.30-1869M Comp…
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3 Trumpets and 3 Trombones, Rhythm Section - Digital Download SKU: LX.30-1869M Composed by Dan Edwards. Sacred Anthem, Christmas. Brass/Rhythm Parts. 27 pages. Monarch Music - Digital #e30/1869M. Published by Monarch Music - Digital (LX.30-1869M). Festive and cheerful.
$39.95
36.79 €
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Dan Edwards
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Sing Joy to the World - Brass/Rhythm Parts
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Monarch Music - Digital
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SheetMusicPlus
THE OLD RUGGED CROSS - Jazz Ensemble (AAA Saxes, Trumpet & Rhythm) - Grade 3
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1141832 Composed by George Bennard.…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1141832 Composed by George Bennard. Arranged by Glen Poehlmann. Christian,Easter,Jazz,Religious,Sacred. 26 pages. Arrangements by GPoehlmann #742217. Published by arrangements by GPoehlmann (A0.1141832). THE OLD RUGGED CROSS - 3 Alto Saxophones, Trumpet & Rhythm A beautiful, jazz-infused arrangement of the wonderful hymn. The Rhythm parts provided are Piano, Guitar, Bass & Drums. 85 measures. Performance Time approx 3:50 Key: Bb - Ab. Meter: 4/4 - 3/4 Instrument Ranges (C4=middle C): Alto Saxophone 1 F4 -D6 (written) Alto Saxophone 2 F4 - D6 (written) Alto Saxophone 3 C4 - C#6 (written) Trumpet C4 - G5 (written) Parts provided (PDF): Score, Alto 1, Alto 2, Alto 3, Trumpet, Piano, Guitar, Bass, Drums.
$5.00
4.6 €
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Jazz combo
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George Bennard
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THE OLD RUGGED CROSS - Jazz Ensemble
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arrangements by GPoehlmann
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SheetMusicPlus
ALL CREATURES OF OUR GOD AND KING - Alto Sax, Trumpet, Trombone & Rhythm Section
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Trombone,Trumpet - Lev…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.806987 Composed by William Henry Draper. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 25 pages. Arrangements by GPoehlmann #6206149. Published by arrangements by GPoehlmann (A0.806987). ALL CREATURES OF OUR GOD AND KING - Trumpet, Alto Sax & Trombone with Rhythm Section94 measures. Performance Time approx. 3:08. Medium in Difficulty (Grade 3).Key:Eb - F. Meter: 4/4. Instrument Ranges (C4=middle C):Trumpet C4 - G5 (written). Alto Sax D4 - D6 (written). Trombone D3 - F4.Rhythm parts: Piano, Guitar, Bass, Drums.
$5.00
4.6 €
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William Henry Draper
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ALL CREATURES OF OUR GOD AND KING - Alto Sax, Trumpet, Trombone & Rhythm Section
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arrangements by GPoehlmann
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SheetMusicPlus
GYROMANIATIONS - The Globaljazz Series - Romanian-jazz fusion - Score/keyboard, Bb and Rhythm Parts
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.996003 Composed by Dave Flippo. Jaz…
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Jazz Combo - Level 4 - Digital Download SKU: A0.996003 Composed by Dave Flippo. Jazz,World. 8 pages. David William Flippo #4786447. Published by David William Flippo (A0.996003). A Globaljazz Composition in 7/8 blending Romanian and jazz styles. Includes Score/Keyboard, Bb and Rhythm parts. See the comprehensive list of Dave Flippo compositions at www.flippomusic.com/sheetmusic - organized by style and groove.
$4.95
4.56 €
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Jazz combo
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Dave Flippo
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GYROMANIATIONS - The Globaljazz Series - Romanian-jazz fusion - Score/keyboard, Bb and Rhythm Parts
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David William Flippo
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SheetMusicPlus
Don't Start Now - Pop String Quartet with Rhythm Section parts
String Quartet: 2 violins, viola, cello
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Li…
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99
23.01 €
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String Quartet: 2 violins, viola, cello
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Dua Lipa, Dallas String Quartet
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Don't Start Now - Pop String Quartet with Rhythm Section parts
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ViolinVagabond Music
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SheetMusicPlus
He's Got The Whole World In His Hands (Guitar Duet arrangement - both parts in standard notation wit
Guitar Ensemble
Solo Guitar - Level 4 - Digital Download SKU: A0.948681 Composed by Traditional (ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.948681 Composed by Traditional (arr. Bradley Powell). Arranged by Bradley Powell (The Candlelight Guitarist). Blues,Contemporary,Gospel,Jazz,Praise and Worship. Individual part. 11 pages. Geofonica Artistworks #3632557. Published by Geofonica Artistworks (A0.948681). Traditional spiritual, arranged for TWO GUITARS (or more!)... this is an Advanced-Intermediate level finger-style guitar duet, that also works great for ensembles. The arrangement begins in traditional Americana gospel style, then as it modulates, moves through different guitar styles, from Chet Atkins style country, to Wes Montgomery style jazz in octaves, to down-home earthy blues. The arrangement has a Lead Guitar (melody part) and a Rhythm Guitar part (chords played with classical and jazz inflections, including some Freddie Green style chord comping). Duos might decide to trade-off, alternating lead and rhythm parts as it moves from section A-to-B-to-C, etc. Ensembles might assign the different Lead sections to the groups of players. You can hear Brad play it (both duet parts) here: https://www.youtube.com/watch?v=0qgnGA_jMA8andfeature=youtu.be
$4.99
4.59 €
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Guitar Ensemble
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Traditional
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He's Got The Whole World In His Hands
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Geofonica Artistworks
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SheetMusicPlus
Risen (Leadsheet/Rhythm)
Rhythm Section Instrumental Solo - Level 3 - Digital Download SKU: A0.728014 Compos…
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Rhythm Section Instrumental Solo - Level 3 - Digital Download SKU: A0.728014 Composed by Michael Ware, Robert Lowry. Arranged by MusicWare Press. Christian,Easter,Praise & Worship,Sacred. Individual part. 7 pages. Michael Ware Music #3421257. Published by Michael Ware Music (A0.728014). Risen is Michael Ware’s dynamic new swingin’ choral arrangement for Easter! Utilizing a familiar text and tune along with new words and music, this setting is sure to jazz up any celebration of the resurrection. A worship leader or soloist is featured along with the choir.This download includes both leadsheet and rhythm parts. It is meant to accompany the choral arrangement of Risen. Give these charts to your guitar players, bass player, and drummer.YouTube: https://www.youtube.com/watch?v=MuO9HYBvSv8&t=171sLink to SATB choral music with accompaniment: https://www.sheetmusicplus.com/title/risen-digital-sheet-music/20686598?ac=1
$6.99
6.44 €
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Michael Ware, Robert Lowry
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Risen
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Michael Ware Music
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SheetMusicPlus
Afro Cuban Jazz Suite for 2 Flutes and Rhythm Section
Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1456039 By Myrick Crampton.…
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Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1456039 By Myrick Crampton. By Myrick Crampton. Arranged by Myrick Crampton. Jazz,Latin,Multicultural,World. 105 pages. MDC Music LLC #1035198. Published by MDC Music LLC (A0.1456039). Suite in four movements for two flutes (piccolo on the mambo and alto flute in the bolero).1. Guajira2. Cha Cha3. Bolero4. MamboBacking tracks and rhythm parts are provided.
$19.99
18.41 €
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Myrick Crampton
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Afro Cuban Jazz Suite for 2 Flutes and Rhythm Section
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MDC Music LLC
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SheetMusicPlus
Saved, Saved (SATB with Rhythm)
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1158599 By Michael …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1158599 By Michael Ware. By Jack P. Scholfield. Arranged by Michael Ware. Christian,Praise & Worship,Religious,Sacred,Traditional. 15 pages. Michael Ware Music #758892. Published by Michael Ware Music (A0.1158599). Saved, Saved is Michael Ware's congregational arrangement of the classic gospel hymn, complete with timpani solo! It was written for the 2017 centennial celebration of Falls Creek. This download includes the SATB with Piano Score, SATB Choral Only Score, as well as Rhythm parts with a capo option.
$1.99
1.83 €
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Choral SATB
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Michael Ware
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Saved, Saved
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Michael Ware Music
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SheetMusicPlus
Revelation 19-Rhythm Parts-Digital Download
Digital Download SKU: H1.C6240RDP Composed by Jeffrey LaValley. Arranged by Mark Ha…
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Digital Download SKU: H1.C6240RDP Composed by Jeffrey LaValley. Arranged by Mark Hayes. Choral Parts. 37 pages. Hope Publishing - Digital #C6240RDP. Published by Hope Publishing - Digital (H1.C6240RDP). Gospel song by Jeffrey Lavalley This dynamic song written by Jeffrey LaValley back in 1985 is given a full gospel treatment by the incomparable hands of Mark Hayes. Easily learned and memorized, this gospel song is filled with praise and adoration to the King of Kings proclaiming, 'Hallelujah!' With a slow build and stacking of each phrase, it all comes together in a forceful presentation.
$34.95
32.18 €
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Jeffrey LaValley
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Revelation 19-Rhythm Parts-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
If it Ain't Got That Rhythm
Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Be…
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Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and parts. 3 pages. Published by Kian Beatty (A0.494041). A trio piece I wrote for a composition module for Snare drum, Bongos and Piano. This piece displays polyrhythms, rhythmic displacement and metric modulation.
$3.99
3.67 €
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Kian Beatty
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If it Ain't Got That Rhythm
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Kian Beatty
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SheetMusicPlus
O Christmas Tree [Chicago] (full score & set of parts)
Orchestra
Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk son…
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Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk song. Arranged by Patrick Sheehan. 20th Century, Christian, Christmas, Children's Music. Score, Set of Parts. 100 pages. Published by Patrick Sheehan
Transcriptionas recorded by CHICAGO for the album “O Christmas Three”, released in 2011.<br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.<br> <br> ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.
$25.00
23.02 €
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Orchestra
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Ernst Anschutz, Silesian folk song
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O Christmas Tree [Chicago]
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Patrick Sheehan
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.5 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Rhythm Change- score
Oboe, Clarinet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.854297 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 3 pages. Melanie B Guerin #7757. Published by Melanie B Guerin (A0.854297). This energetic duet for oboe and clarinet begins with the title spelled out in Morse code, and ends with a quote from I Got Rhythm. In between is a sly tango with some Arabian flair, including stomping, hissing, and pencil tapping to add to the rhythmic drive. The range is appropriate for intermediate high school players, with some challenging syncopations and cross-rhythms as well as a few technical passages for both instruments. Parts available.
$4.00
3.68 €
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Oboe, Clarinet (duet)
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Melanie Guerin
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Rhythm Change- score
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Melanie B Guerin
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SheetMusicPlus
Rhythmix for middle school concert band (SCORE AND PARTS)
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.782642 Composed by Ashlee T Busch…
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Concert Band - Level 1 - Digital Download SKU: A0.782642 Composed by Ashlee T Busch. 20th Century,Contemporary,Instructional,New Age. Score and parts. 106 pages. Ashlee T Busch #6491021. Published by Ashlee T Busch (A0.782642). Rhythmix is about rhythm fun for younger band students. Merging grooving patterns and teachable moments in a somewhat polyrhythmic structure, Rhythmix was designed to introduce students to complex metrical structures early in the development of their musicianship. In my music, I always strive to provide both the ensemble and conductor with energetic and invigorating musical experiences while simultaneously employing enough complexity to challenge students and creating opportunities for conductors to improve students’ musicianship and understanding.Both the score and parts are included in this selection.Find out more about the composer, Ashlee T Busch, here: http://ashleebusch.com
$45.00
41.44 €
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Concert band
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Ashlee T Busch
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Rhythmix for middle school concert band
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Ashlee T Busch
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SheetMusicPlus
Rhythms of the Spirit
Concert band
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…
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Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
128.91 €
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Concert band
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
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