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You've selected:
Rise Up with Music
SheetMusicPlus
Sheetmusic to print
496 sheet music found
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Rise Up with Music (from
La Fida Ninfa
)
Choral
By Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. For Choral. Secular Chor…
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By Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. For Choral. Secular Choral. 10 pages. Published by Alfred Music - Digital Sheet Music
$1.75
1.61 €
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Choral
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Antonio Vivaldi
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Rise Up with Music
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rise Up with Music (from
La Fida Ninfa
)
Choral
By Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. For Choral. Secular Chor…
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By Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. For Choral. Secular Choral. 10 pages. Published by Alfred Music - Digital Sheet Music
$1.75
1.61 €
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Choral
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Antonio Vivaldi
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Rise Up with Music
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rise Up, Children, Arise!
Choral SATB
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-44269 Composed by Mary McDo…
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-44269 Composed by Mary McDonald. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Sacred. Sacred. Choral Octavo. 10 pages. Jubilate Music Group - Digital #00-44269. Published by Jubilate Music Group - Digital (JX.00-44269). English.Everyone will want to rise up and spread the Good News with this lively, yet soulful choral from Mary McDonald. Absolutely filled with joy and style from beginning to end, it also incorporates Rise Up Shepherd and Go, Tell It on the Mountain with great effect!
$1.95
1.79 €
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Choral SATB
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Mary McDonald
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Choral Octavo
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Rise Up, Children, Arise!
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Jubilate Music Group - Digital
#
SheetMusicPlus
Behold! Rise Up! Go Tell! Shine!
Choral SATB
Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-18045 Arranged by…
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Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-18045 Arranged by Mark Hayes. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred; Spiritual. Choral Octavo. 16 pages. Jubilate Music Group - Digital #00-18045. Published by Jubilate Music Group - Digital (JX.00-18045). English. Luke 2:1-20; Isaiah 9:1-7; Titus 2:11-14.Behold! Rise Up! Go Tell! Shine! is a delightful Christmas arrangement by Mark Hayes that ingeniously weds four traditional spirituals: Behold that Star!; RiseUp, Shepherd, and Follow; Go, Tell It on the Mountain; and This Little Light of Mine. It is appropriate for performance by both school and church choirs and offers optional instrumental accompaniment and a fully-orchestrated accompaniment track. For use by church choirs, it may be paired with standard Christmas readings such as Isaiah 9: 1-6, Titus 2: 11-14 and Luke 2: 1-20.
$2.30
2.11 €
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Choral SATB
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Choral Octavo
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Behold! Rise Up! Go Tell! Shine!
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Jubilate Music Group - Digital
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SheetMusicPlus
Rise Up!
Choral SATB
SATB choir, Piano (With Optional Trumpet, Accompaniment MP3) - Digital Download SKU: LX…
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SATB choir, Piano (With Optional Trumpet, Accompaniment MP3) - Digital Download SKU: LX.10-5783L Composed by Victor C Johnson. Sacred Anthem, Easter. Octavo. 16 pages. Lorenz Publishing - Digital Sheet Music #e10/5783L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5783L). Composer Victor Johnson and lyricist Pamela Stewart combine talents to bring us this winning anthem for Easter. The opening verse sets the stage for the Resurrection moment, with music that features a suspenseful melody full of rich chromaticism. At last, the music moves into a bright, major-key refrain as the choir sings, “Rise up singing, Christ is risen.†The vocal parts are carefully prepared and quickly learned, and an optional part for B-flat trumpet (included in the octavo) adds the perfect energy.
$2.75
2.53 €
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Choral SATB
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Victor C Johnson
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Rise Up!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
God with Us
Organ
Organ: 3-staff - Intermediate SKU: LO.70-1039 Eleven Pieces For Organ. Compo…
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Organ: 3-staff - Intermediate SKU: LO.70-1039 Eleven Pieces For Organ. Composed by Emma Lou Diemer. Sacred. Sacred Music Press #70/1039. Published by Sacred Music Press (LO.70-1039). UPC: 000308022902.Compositions from this award-winning composer are always filled with originality and surprises. The service music included this colorful collection is based on well-known hymn tunes, displaying styles which range from traditional to contemporary, with technical demands from easy to moderately difficult. There is considerable variety among the selections, offering pieces which prove useful as contemplative preludes or offertories, as well as dynamic and powerful postludes.
Song List: Amazing Grace How Sweet the Sound Now On Land And Sea Descending God Who Stretched the Spangled Heavens The Day Thou Gavest Lord Is Ended O Jesus I Have Promised Be Thou My Vision Lift Up The Gates Eternal Take My Life and Let It Be Consecrated God Whose Giving Knows No Ending Precious Lord Take My Hand What a Friend We Have in Jesus
$25.00
22.96 €
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Organ
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Emma Lou Diemer
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God with Us
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Sacred Music Press
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SheetMusicPlus
Rise Up, Shepherds!
Choral SATB
Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-4940 Incorpora…
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Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-4940 Incorporating the Traditional Spiritual Rise Up, Shepherd and Follow. Composed by Don Besig and Nancy Price. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Christmas; Epiphany; Sacred; Spiritual. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-4940. Published by Jubilate Music Group - Digital (JX.00-4940). English. 1 Samuel 2:18-21, Psalm 111, Luke 2:1-20, Luke 41-52, Colossians 3:12-17.This dynamic arrangement of Rise Up, Shepherd, and Follow begins slowly, with soloist and choir announcing, There's a star in the east! Quickly changing gears, the choir sings in lively syncopation, Rise up! This is Don Besig and Nancy Price at their a cappella best: solid choral writing with repetitive refrains and great rhythmic vitality. Even smaller choirs will LOVE this Christmas treasure!
$2.25
2.07 €
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Choral SATB
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Don Besig and Nancy Price
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Choral Octavo
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Rise Up, Shepherds!
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Jubilate Music Group - Digital
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SheetMusicPlus
Rise Up, Shepherd, and Follow (Downloadable)
Piano solo
Piano - Moderately Easy - Digital Download SKU: MQ.15-852-06E Composed by Thomas Ke…
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Piano - Moderately Easy - Digital Download SKU: MQ.15-852-06E Composed by Thomas Keesecker. Christmas, Epiphany. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-852-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-852-06E). A sequel to the composer's bestselling piano book and CD, The Quiet Center, (15-843), this is a collection of nine reflective pieces for the seasons of Christmas and Epiphany. Warm, creative settings of familiar carols along with two original pieces: The Quiet Night, and Epiphany Waltz, which can also be played with violin and piano.Track Listing/Sample Recordings:1. In the Bleak Midwinter 3:142. What Child Is This 2:133. 'Twas in the Moon of Wintertime 3:524. Silent Night and The Wexford Carol 2:415. It Came upon the Midnight Clear 3:136. Rise Up, Shepherd and Follow 2:247. What Star Is This 2:008. The Quiet Night 2:379. Epiphany Waltz 2:56
$5.00
4.59 €
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Piano solo
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Thomas Keesecker
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Rise Up, Shepherd, and Follow
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Rise Up, Shepherd, and Follow!
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0002931 Rise Up, Shepherd, and Follow! -…
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Chorus - Digital Download SKU: AX.00-PO-0002931 Rise Up, Shepherd, and Follow! - SATB. Arranged by Mark Hayes. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002931. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002931). UPC: 038081004617.Outstanding is the best word to describe this Mark Hayes spiritual arrangement. The challenging piano part will show off your accompanist. The voice parts, however, are logical, and feature lots of unison writing. Opens with a majestic fanfare, followed by a moderate swing, which builds to a powerful ending.Inst. Parts Available (choral); Recorded Acc. Available.
$2.25
2.07 €
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Choral SATB
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Recorded Acc. Available.
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Rise Up, Shepherd, and Follow!
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rise Up and See the King!
Choral SATB
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9167232 Incorporating So…
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9167232 Incorporating Soon and Very Soon by Andrae Crouch. Arranged by Mary McDonald. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. Christmas; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-9167232. Published by Jubilate Music Group - Digital (JX.00-9167232). English.What a brilliant marriage of two seemingly contrasting tunes in this setting by Mary McDonald! The spiritual, Rise Up, Shepherds, and Follow has been combined with Andrae Crouch's Soon and Very Soon in such a seamless way that it almost seems these melodies have always resided together. The addition of an optional tenor solo and hand clapping will only further serve to enhance the impact of this anthem.
$2.25
2.07 €
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Choral SATB
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Choral Octavo
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Rise Up and See the King!
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Jubilate Music Group - Digital
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SheetMusicPlus
Rise Up, Shepherd, Go Tell It!
Choral SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5617L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5617L Arranged by Lloyd Larson. Sacred Anthem, Christmas. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5617L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5617L). Joy abounds in this creative pairing of Rise Up, Shepherd and Go! Tell It On the Mountain. Full of vocal energy, and accompanied by a fun piano part, your choir is going to love this one! It is also available as a two-part version in our popular Singable Solution series.
$2.50
2.3 €
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Choral SATB
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Rise Up, Shepherd, Go Tell It!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Rise Up, O Church, with Singing! - Downloadable Hand Drum Part
Hand Drum - Digital Download SKU: LX.30-3944L Composed by Brad Nix. Sacred Anthem. …
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Hand Drum - Digital Download SKU: LX.30-3944L Composed by Brad Nix. Sacred Anthem. Downloadable Hand Drum Part. 2 pages. Lorenz Publishing - Digital Sheet Music #e30/3944L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3944L).
$4.95
4.55 €
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Brad Nix
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Rise Up, O Church, with Singing! - Downloadable Hand Drum Part
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Rise Up, Shepherd, and Follow
Choral 3-part
TTB/TBB choir and Piano - Digital Download SKU: LX.15-3658H Arranged by Russell L. …
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TTB/TBB choir and Piano - Digital Download SKU: LX.15-3658H Arranged by Russell L. Robinson. Educational, Christmas. Octavo. 12 pages. Heritage Music Press #e15/3658H. Published by Heritage Music Press (LX.15-3658H). ISBN 9780787765040.Right in the groove for your lower voices, this spirited jazzy rendition of a seasonal classic will soon become an audience favorite. The melody shifts from voice to voice with several optional solo opportunities and is supported by a hip piano part. Just wait until you reach the dynamic ending!
$2.50
2.3 €
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Choral 3-part
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Rise Up, Shepherd, and Follow
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Heritage Music Press
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SheetMusicPlus
Rise Up, Shepherd, and Follow - Accompaniment Download
Digital Download SKU: LX.99-4075L Composed by Mark Hayes. Sacred Anthem, Christmas.…
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Digital Download SKU: LX.99-4075L Composed by Mark Hayes. Sacred Anthem, Christmas. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #e99/4075L. Published by Lorenz Publishing - Digital Sheet Music (LX.99-4075L). Downloadable accompaniment track for 10/5374L This Mark Hayes arrangement of the traditional spiritual is full of fantastic artistry! A four-hand piano accompaniment supports dynamic and powerful choral writing with fresh, unique twists and turns while retaining the original character of the song. A two-hand piano part is also available. Don’t miss this full, stately Christmas anthem!
$14.95
13.73 €
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Mark Hayes
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Rise Up, Shepherd, and Follow - Accompaniment Download
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Wake Me with a Song - Choir (includes unlimited license to copy)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821631 Composed by Everall…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821631 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Everall Aiken Peele #5985103. Published by Everall Aiken Peele (A0.821631). Contemporary Christian song moderate pace, upbeat and joyful, for SATB choir, large or small. Especially suited for call to worship, but also good for pre-sermon, offertory, or other special music. Accompany with organ, piano, or keyboard - one key change. Wake me with a song in my heart; satisfy my soul with your praises. Let me rise up, with your name on my lips, the name of the Rock of Ages... It will sing to your soul and encourage all who hear it.
$5.00
4.59 €
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Choral SATB
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Everall A
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Wake Me with a Song - Choir
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Everall Aiken Peele
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SheetMusicPlus
Psalm 139: tu cognovisti/Thou walkest with me (Downloadable Choral Score)
Soprano solo, SA choir, keyboard, and optional string quartet - Moderately Easy - Digital …
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Soprano solo, SA choir, keyboard, and optional string quartet - Moderately Easy - Digital Download SKU: MQ.56-0036-E Composed by Howard Goodall. 10 pages. MorningStar Music Publishers - Digital Sheet Music #56-0036-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0036-E). English. Psalms 139.Mary Sidney (1561-1621) penned an English version of Psalm 139 which is set here for soprano solo, SA chorus, and keyboard. The piece begins with a haunting, almost talismanic setting of the text “Thou dost know when I sit down and rise up,†but it is set in Latin, and will return later as an accompaniment beneath the English text which is set to a beautiful, almost folk-like melody, albeit a bit more angular in spots. Yet the angularity suits the text perfectly and is comfortable. The result is a perfect anthem about God’s all-knowing and ever-present care. Duration: 6:00.
$3.15
2.89 €
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Howard Goodall
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Psalm 139: tu cognovisti/Thou walkest with me
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Hallelujah! We Shall Rise!
Choral TTBB
Choir, TTBB - Early Intermediate - Digital Download Composed by Joseph Schrock. Chr…
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Choir, TTBB - Early Intermediate - Digital Download Composed by Joseph Schrock. Christian, Gospel, Sacred, General Worship. Octavo, Sheet Music Single. 8 pages. Published by Schrock Music
This ttbb medley of old time camp meeting songs brings back memories of home and dinner on the grounds. Light hearted and fun to sing, it ends with a rousing Hallelujah! We Shall Rise!<br> Medley also includes When the Roll is Called Up Yonder, In the Sweet By and By, and When We All Get to Heaven.<br> Appropriate for special occasions, general worship, festival or concerts.<br> Eight pages long and approx. 3:05 min in duration
$2.25
2.07 €
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Choral TTBB
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Joseph Schrock
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Hallelujah! We Shall Rise!
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Schrock Music
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SheetMusicPlus
To Rise Again
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.73 €
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Trombone and Piano
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Rise Up, Shepherd, an' Foller
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823638 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823638 Composed by Traditional African-American Spiritual. Arranged by Richard Giszczak. Christmas,Spiritual. Individual part. 3 pages. Singing Winds Music Company #5210055. Published by Singing Winds Music Company (A0.823638). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and a variation.The words Dere's a Star in de Eas' on Christmas Morn or Rise Up, Shepherd, an' Foller are associated with Christmas.
$2.00
1.84 €
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Traditional African-American Spiritual
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Rise Up, Shepherd, an' Foller
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Singing Winds Music Company
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SheetMusicPlus
Rise Up!
Trumpet, Piano
Tpt. Pft - Intermediate-Advanced - Digital Download SKU: F2.FM410 Composed by Otto …
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Tpt. Pft - Intermediate-Advanced - Digital Download SKU: F2.FM410 Composed by Otto Martin Christensen. Trumpet and Piano. Score and Part. 9 pages. Forton Music - Digital #FM410. Published by Forton Music - Digital (F2.FM410). ISBN 9790570483099.As the title suggests, 'Rise Up!' starts with an ascending figure in the trumpet part, which climbs up to high concert B flat. It makes use of jazz trumpet techniques, like the shake, fall and doit, and the piece as such has a distinct rhythmic verve. It calms down in the middle section though, where it picks up the initial phrase of the hymn tune 'Thine Be The Glory', which is woven into the ascending figure which comes back in the concluding part. 'Rise Up!' may be used as a short, stand-alone concert piece, where the trumpet player is given an opportunity to display his technique and stamina in the upper register. With it's celebratory character, the piece will also fit in at festive occasions like weddings.
$7.95
7.3 €
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Trumpet, Piano
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Otto Martin Christensen
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Rise Up!
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Forton Music - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
May the Road Rise Up
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1021457 Composed by Helen …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1021457 Composed by Helen MacKinnon. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 12 pages. Helen MacKinnon #6014521. Published by Helen MacKinnon (A0.1021457). SATB choir with pianoComposed by Helen MacKinnon. Sheet music. A4. 12 pages. Duration 4'40. Published by Helen MacKinnon, 2017. For SATB choir with piano. May the Road Rise Up! is an uplifting choral anthem setting the text of the traditional Irish Blessing - May the Road Rise Up to Meet You. Soaring melodies contrast with quiet reflective moments to bring home the richness of the Blessing. The vocal parts include some divisi writing and a cappella passages. www.helenmackinnon.co.uk @composerhelen
$3.00
2.75 €
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Choral SATB
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Helen MacKinnon
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May the Road Rise Up
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Helen MacKinnon
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SheetMusicPlus
You Raise Me Up
Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bas…
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Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium Voice,Medium-High Voice,Oboe,Percussion,Piano and Keyboard,Piccolo,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1169431 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Multicultural,Musical/Show,Religious,Spiritual,World. 6 pages. Amphibia Cultural Legacy #769788. Published by Amphibia Cultural Legacy (A0.1169431). Amphibia Cultural Legacy, a group of talented musicians, have remixed Connie Talbot's version of You Raise Me Up with additional instruments. The result is a beautiful and powerful rendition that highlighting the song's message about strength and intelligence. With soaring vocals and expertly-played instruments, this cover is sure to inspire listeners.The lyrics of You Raise Me Up speak to the idea that we all have inner strength and intelligence that can help us overcome challenges. When life gets tough, it can be easy to feel defeated or overwhelmed. But by tapping into our inner reserves of courage and wisdom, we can rise above adversity and achieve great things. This cover by Amphibia Cultural Legacy celebrates this idea in a truly moving manner.One of the standout elements of this remix is the additional instrumentation that has been added to the original arrangement.
$40.00
36.73 €
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Josh Groban
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You Raise Me Up
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Amphibia Cultural Legacy
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SheetMusicPlus
RISE UP SHEPHERD - traditional spiritual arr Kathleen McGuire (SATB a cappella, percussion)
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.890466 Composed by Traditional Spiri…
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Choral Choir (SATB) - Digital Download SKU: A0.890466 Composed by Traditional Spiritual. Arranged by Kathleen McGuire. A Cappella,Christmas,Spiritual. Octavo. 2 pages. Kathleen McGuire #5828261. Published by Kathleen McGuire (A0.890466). This toe-tapping, easy-to-learn Christmas spiritual arranged by Kathleen McGuire www.mcguiremusicworks.com is highly accessible and a hit with audiences. Arranged in a call-and-response style with swing rhythm, led by a soloist, the bongos provide an anchor for the syncopated rhythms. The choral parts are suitable for secondary school as well as adults. Lends itself well to adding movement and clapping. Duration: 2'10.
$2.50
2.3 €
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Choral SATB
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Traditional Spiritual
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RISE UP SHEPHERD - traditional spiritual arr Kathleen McGuire
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Kathleen McGuire
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SheetMusicPlus
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