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Robert Been
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1776
Do You Want To Build A Snowman? (from FROZEN) for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
By Robert Lopez. Arranged by Diego Marani. Score, Set of Parts. 12 pages. Published by Die…
(+)
By Robert Lopez. Arranged by Diego Marani. Score, Set of Parts. 12 pages. Published by Diego Marani (H0.171623-256103). - Score,Set of Parts - - Diego Marani
"Do You Want to Build a Snowman?" is a song from the 2013 Disney animated feature film Frozen, with music and lyrics composed by Kristen Anderson-Lopez and Robert Lopez. The song is performed in the film by Kristen Bell, Agatha Lee Monn, and Katie Lopez, each playing the role of Princess Anna at different ages. It occurs near the beginning of the film when Elsa has been locked away in her room because her parents are afraid of her losing control of her powers and hurting Anna. As the girls grow older together, they are kept apart. After their parents are killed in a storm at sea, Anna once again sadly asks her sister to come out, to no avail. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. It is suitable for repertoire, classroom and recital.
$22.90
20.53 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Robert Lopez
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Do You Want To Build A Snowman?
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Diego Marani
#
SheetMusicPlus
Killing Me Softly With His Song - Flute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute)
Flute ensemble
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raym…
(+)
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raymond Fenech
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by NormanGimbel. The song was written in collaboration with LoriLieberman, who recorded the song in late 1971. In 1973 it became anumber-one hit in the USand Canada for RobertaFlack, also reaching number six in the UKSingles Chart. The song has since been covered by numerous artists,including the version by the Fugees, which won the 1997 Grammy for BestRandB Performance by a Duo or Group with Vocal. This song is arranged forFlute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute). The levelis Advance Intermediate and the duration is 3.47 minutes.
$12.99
11.64 €
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Flute ensemble
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Roberta Flack
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Killing Me Softly With His Song - Flute Choir Quintet
#
Raymond Fenech
#
SheetMusicPlus
Do You Want To Build A Snowman? (from FROZEN) for Clarinet Quartet
Clarinet Quartet: 4 clarinets
By Robert Lopez. Arranged by Diego Marani. Score, Set of Parts. 12 pages. Published by Die…
(+)
By Robert Lopez. Arranged by Diego Marani. Score, Set of Parts. 12 pages. Published by Diego Marani (H0.168771-256103). - Score,Set of Parts - - Diego Marani
"Do You Want to Build a Snowman?" is a song from the 2013 Disney animated feature film Frozen, with music and lyrics composed by Kristen Anderson-Lopez and Robert Lopez. The song is performed in the film by Kristen Bell, Agatha Lee Monn, and Katie Lopez, each playing the role of Princess Anna at different ages. It occurs near the beginning of the film when Elsa has been locked away in her room because her parents are afraid of her losing control of her powers and hurting Anna. As the girls grow older together, they are kept apart. After their parents are killed in a storm at sea, Anna once again sadly asks her sister to come out, to no avail. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet. It is suitable for repertoire, classroom and recital.
$19.90
17.84 €
#
Clarinet Quartet: 4 clarinets
#
Robert Lopez
#
Do You Want To Build A Snowman?
#
Diego Marani
#
SheetMusicPlus
Killing Me Softly With His Song - Brass Quintet (2Trumpets in B Flat; Horn in F; Euphonium and Tuba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raymond…
(+)
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raymond Fenech (H0.294153-444450). - Set of Parts - - Raymond Fenech
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by NormanGimbel. The song was written in collaboration with LoriLieberman, who recorded the song in late 1971. In 1973 it became anumber-one hit in the USand Canada for RobertaFlack, also reaching number six in the UKSingles Chart. The song has since been covered by numerous artists,including the version by the Fugees, which won the 1997 Grammy for BestRandB Performance by a Duo or Group with Vocal. This song is arranged forBrass Quintet (2 Trumpets in B Flat; Horn in F; Euphonium and Tuba). The levelis Advance Intermediate and the duration is 3.47 minutes.
$12.99
11.64 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Roberta Flack
#
Killing Me Softly With His Song - Brass Quintet
#
Raymond Fenech
#
SheetMusicPlus
All My Sins Been Taken Away
Choral SATB
Arranged by Robert Townsend. SATB. Concert; Gospel; Spiritual. Choral. 11 pages. Duration …
(+)
Arranged by Robert Townsend. SATB. Concert; Gospel; Spiritual. Choral. 11 pages. Duration 2:00. Published by Hal Leonard - Digital Sheet Music
$1.70
1.52 €
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Choral SATB
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Gospel
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All My Sins Been Taken Away
#
Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Since I've Been Loving You
Guitar notes and tablatures
Composed by Jimmy Page, Robert Plant, and John Paul Jones. For Authentic Guitar TAB. Pop/R…
(+)
Composed by Jimmy Page, Robert Plant, and John Paul Jones. For Authentic Guitar TAB. Pop/Rock. 14 pages. Published by Alfred Music - Digital Sheet Music
$2.99
2.68 €
#
Guitar notes and tablatures
#
Jimmy Page, Robert Plant, and John Paul Jones
#
Since I've Been Loving You
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
I've Been Thinking
Piano, Voice
Composed by Jason Robert Brown. For Piano/Vocal. Broadway; Musical/Show. Piano/Vocal. 5 pa…
(+)
Composed by Jason Robert Brown. For Piano/Vocal. Broadway; Musical/Show. Piano/Vocal. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.47 €
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Piano, Voice
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Jason Robert Brown
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Musical/Show
#
I've Been Thinking
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Since I've been loving you
Guitar notes and tablatures
By Led Zeppelin. By Jimmy Page, Robert Plant, and John Paul Jones. For Authentic Guitar TA…
(+)
By Led Zeppelin. By Jimmy Page, Robert Plant, and John Paul Jones. For Authentic Guitar TAB. Hard Rock/Metal. 14 pages. Published by Alfred Music - Digital Sheet Music
$2.99
2.68 €
#
Guitar notes and tablatures
#
Led Zeppelin
#
Since I've been loving you
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Since I've Been Loving You
Piano, Vocal and Guitar
By Corinne Bailey Rae. By Jimmy Page, Robert Plant, and John Paul Jones. For piano, voice …
(+)
By Corinne Bailey Rae. By Jimmy Page, Robert Plant, and John Paul Jones. For piano, voice and guitar (chords only). Pop; Soul. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.47 €
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Piano, Vocal and Guitar
#
Corinne Bailey Rae
#
Soul
#
Since I've Been Loving You
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.28 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
17.88 €
#
Orchestra
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.91 €
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Piano solo
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Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.91 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Oboe, Piano (duet)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
17.93 €
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Oboe, Piano (duet)
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Robert Schumann
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Piano, Voice
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Giacomo Meyerbeer
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En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Album for the Young by Robert Schumann, edited for the Average Hand and Technique
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.862641 Composed by Robert Schumann.…
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Piano Solo - Level 2 - Digital Download SKU: A0.862641 Composed by Robert Schumann. Arranged by Michael Bomier. Instructional,Romantic Period,Standards. Score. 67 pages. Michael Butkus-Bomier #3093675. Published by Michael Butkus-Bomier (A0.862641). This set is the full Schumann Album for the Young, with 100% all-original notes of the composer. It has been reset, and some chords, grace notes, and other musical typesetting issues have been modernized or made more visually and pianistically accessible for the younger player. Most pieces are one or two pages. If you print this download as single-sided, you will be able to easily format the pieces that have two pages facing. Many of the pieces are a single page. Only 4 are three pages. Bind or tape as you see fit.This makes things convenient for teachers and students alike. No audio clips are attached, as this material is quite familiar. MBB www.gatewayeditions.com
$4.99
4.47 €
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Piano solo
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Robert Schumann
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Album for the Young by Robert Schumann, edited for the Average Hand and Technique
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Michael Butkus-Bomier
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SheetMusicPlus
Since I've Been Loving You
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000054 By Led Zeppelin. By Jim…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000054 By Led Zeppelin. By Jimmy Page, John Paul Jones, and Robert Plant. Hard Rock/Metal. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000054. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000054). ISBN 9780739068892. UPC: 038081387765.Matching songbook to Led Zeppelin's third album, featuring detailed piano/vocal/guitar arrangements that capture all the nuances. Included are the intricate bass lines and organ parts played by John Paul Jones, along with keyboard renditions of the essential guitar parts. Guitar World magazine editor Brad Tolinski provides an insightful historical foreword, and Robert Plant has officially certified the accuracy of the lyrics. Titles: Immigrant Song * Friends * Celebration Day * Since I've Been Loving You * Out on the Tiles * Gallows Pole * Tangerine * That's the Way * Bron-Y-Aur Stomp * Hats Off to (Roy) Harper.
$3.99
3.58 €
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Piano, Vocal and Guitar
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Led Zeppelin
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Since I've Been Loving You
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500210 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500210 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 11 pages. Müller Publishing company #1076290. Published by Müller Publishing company (A0.1500210). Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.Experience the accessibility of sacred music with SEEK YE THE LORD by John Varley Roberts, in a special SATB Choir arrangement featuring a Tenor Solo, edited by L. Müller. This version has been carefully transposed to G Major, making it more comfortable for a wider range of choir voices. Maintaining all the richness and depth of the original, this edition is ideal for rehearsals and performances, allowing more choirs to enjoy the opportunity to perform this reverent and moving piece. A perfect choice for worship services, celebrations, and reflective musical moments.
$2.99
2.68 €
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Choral SATB
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John Varley Roberts
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Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.
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Müller Publishing company
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SheetMusicPlus
From you have I been absent in the spring
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1028282 Composed by Robert…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1028282 Composed by Robert Brooks. Contemporary. Octavo. 11 pages. Robert Brooks #3461841. Published by Robert Brooks (A0.1028282). A setting of William Shakespeare's Sonnet 98 for SATB choirDuration c.4'Difficulty 8/10
$15.00
13.45 €
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Choral SATB
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Robert Brooks
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From you have I been absent in the spring
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Robert Brooks
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SheetMusicPlus
The Sword of Robert Lee
Piano, Voice
Piano and voice - Digital Download SKU: LV.22509 Composed by Rev. Father Rotchford.…
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Piano and voice - Digital Download SKU: LV.22509 Composed by Rev. Father Rotchford. Civil war--Confederate, Patriotism, Robert E. Lee, Military officers. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22509). The Sword of Robert Lee. Words by Father A.J. Ryan. Music Composed by Rev. Father Rotchford of Memphis, Tenn. Published 1867 by E.A. Benson, 317 Main St. in Memphis, Tenn. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Civil war--Confederate, Patriotism, Robert E. Lee, Military officers. First line reads Forth from its scabbard pure and bright, flash'd the sword of Lee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Piano, Voice
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Rev
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The Sword of Robert Lee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Triangle Love Song (TTBB - barbershop) - arr. Robert Rund
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967127 Composed by R.A. St…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967127 Composed by R.A. Stoesser. Arranged by Robert Rund. A Cappella,Traditional. Octavo. 3 pages. Robert Rund #5857123. Published by Robert Rund (A0.967127). This sweet love song came from an old Triangle Fraternity Songbook and has been sung by Triangle Fraternity chapters throughout the United States. This arrangement sets the original in four-part male acapella in the barbershop style. Triangle's mission statement reads, The purpose of Triangle shall be to maintain a fraternity of engineers, architects and scientists. It shall carry out its purpose by establishing chapters that develop balanced men who cultivate high moral character, foster lifelong friendships, and live their lives with integrity.
$4.60
4.12 €
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Choral TTBB
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R
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Triangle Love Song
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Robert Rund
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SheetMusicPlus
He's Been So Good To Me
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.502670 By Doug Little…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.502670 By Doug Little. By Doug Little. Sacred,Spiritual,Traditional. Score. 2 pages. Robert D Little #115021. Published by Robert D Little (A0.502670). This is a new hymn in hymnal format. Traditional hymn, suitable for congregational singing, solo, or choir. Theme is thanksgiving for the Lord's goodness throughout life.
$3.00
2.69 €
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Piano, Vocal and Guitar
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Doug Little
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He's Been So Good To Me
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Robert D Little
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SheetMusicPlus
He's Been So Good To Me
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.502686 Composed by Doug Li…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.502686 Composed by Doug Little. Arranged by Doug Little. Praise & Worship,Sacred,Traditional. Octavo. 5 pages. Robert D Little #115041. Published by Robert D Little (A0.502686). Choral octavo for SATB ensemble or choir. Easy level of vocal ranges, lines, and harmonies. Piano accompaniment easy to intermediate level. Suitable for church choirs of any size, regardless of worship style.
$1.99
1.78 €
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Choral SATB
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Doug Little
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He's Been So Good To Me
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Robert D Little
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SheetMusicPlus
If I'd Been There
Choral Unison
Unison chorus - Digital Download SKU: C7.CGA723 Composed by Robert Leaf. Christmas.…
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Unison chorus - Digital Download SKU: C7.CGA723 Composed by Robert Leaf. Christmas. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA723. Published by Chorister's Guild - Digital (C7.CGA723). UPC: 749193003558.Christmas. Through this charming anthem, young singers are invited to sense the wonder of the manger scene at the birth of the Christ child, and to imagine what it might have been like to have been there. Accessible for younger elementary choirs.
$1.95
1.75 €
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Choral Unison
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Robert Leaf
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If I'd Been There
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Chorister's Guild - Digital
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SheetMusicPlus
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