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General Robert L. McCook's Funeral March
Piano solo
Piano - Digital Download SKU: LV.23096 Composed by F. W. Rauch. Portraits, Military…
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Piano - Digital Download SKU: LV.23096 Composed by F. W. Rauch. Portraits, Military officers, Civil War--Union. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23096). General Robert L. McCook's Funeral March. Composed by F.W. Rauch. Published 1862 by R. Wurlitzer, 123 Main Str. in Cincinnati. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Military officers, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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F
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General Robert L. McCook's Funeral March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
L'Ombrelle rouge
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q46146 Valse parisienne. Com…
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Piano - intermediate - Digital Download SKU: S9.Q46146 Valse parisienne. Composed by Lucien Arbanot. This edition: PDF. Downloadable. Musikverlag Robert Lienau - Digital #Q46146. Published by Musikverlag Robert Lienau - Digital (S9.Q46146). Key: E flat major.
$3.99
3.68 €
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Piano solo
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Lucien Arbanot
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L'Ombrelle rouge
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
L'ultimo di di maggio
Choral SATB
SATB choir divisi, a cappella - Digital Download On the last day of May. Composed by …
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SATB choir divisi, a cappella - Digital Download On the last day of May. Composed by Ottorino Respighi (1879-1936). Arranged by Robert Sieving. Prima Cantate Series. Educational, Concert. Octavo. 16 pages. Heritage Music Press #15/3158H. Published by Heritage Music Press (
ISBN 9781429139076.<br> <br> Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant "Ancient Aires and Dances for Lute, Suite 1: Balletto" to create a light-hearted, dance-like representation of a charming lute piece.
$2.75
2.53 €
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Choral SATB
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Ottorino Respighi (1879-1936)
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L'ultimo di di maggio
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Heritage Music Press
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.38 €
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Easy Piano
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ronds de jambe en l'air sheet music
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.972880 Composed by Robert Long. 20t…
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Piano Solo - Level 2 - Digital Download SKU: A0.972880 Composed by Robert Long. 20th Century. Score. 2 pages. Robert Long #6384337. Published by Robert Long (A0.972880). Original piano sheet music for ronds de jambe en l'air, by Robert Long, from his album Ballet Etudes. Smooth and lyrical, but with a distinctive rhythm to help guide learning ballet dancers.
$2.95
2.72 €
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Piano solo
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Robert Long
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Ronds de jambe en l'air sheet music
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Robert Long
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SheetMusicPlus
Ballet Piano: Ronds de Jambe en l'air from Etudes II
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.972920 Composed by Robert Long. 20t…
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Piano Solo - Level 2 - Digital Download SKU: A0.972920 Composed by Robert Long. 20th Century,Instructional. Score. 3 pages. Robert Long #6422951. Published by Robert Long (A0.972920). Ballet piano sheet music for ronds de jambe en l'air from Robert Long's album Etudes II. Graceful, gliding music in 3/4, with a recurring rhythm that compliments the movements of this ballet exercise.
$2.95
2.72 €
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Piano solo
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Robert Long
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Ballet Piano: Ronds de Jambe en l'air from Etudes II
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Robert Long
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SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/R…
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Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 9 pages. Musik Fabrik Music Publishing #5732669. Published by Musik Fabrik Music Publishing (A0.534658). This is the piano solo reduction of Debussy’s Wagnerian opera Rodrigue et Chimène (1890–93) which has had quite a few orchestral performances. Here the work is completed by Robert Orledge with a new concert ending.
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.38 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Casey Jones Went Down on the Robert E. Lee
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet - Level 2 - Digital Download SKU: A0.774842 Composed b…
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Brass Ensemble,Brass Quintet - Level 2 - Digital Download SKU: A0.774842 Composed by Clarence M. Jones. Arranged by Bill Wilson. Jazz. Score and parts. 15 pages. Alexander Wilson #39037. Published by Alexander Wilson (A0.774842). A response to Lewis F. Muir and L. Wolfe Gilbert's Waiting for the Robert E. Lee, Clarence Jones and Marvin Lee's Casey Jones Went Down on the Robert E. Lee borrows heavily from its predecessor in terms of music, but still contains enough original ideas to stand on its own. It speaks of the instant fame of the original that both pieces were published in 1912. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Includes world parts (horn in Eb, trombone in Bb TC, tuba in Eb TC, and tuba in Bb TC). Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.68 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Clarence M
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Casey Jones Went Down on the Robert E. Lee
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Alexander Wilson
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SheetMusicPlus
Variations brillantes sur la Cavatine de l’opéra Cenerentola de Rossini
Piano solo
Piano - intermediate to difficult - Digital Download SKU: S9.Q53309 Op. 60. …
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Piano - intermediate to difficult - Digital Download SKU: S9.Q53309 Op. 60. Composed by Henri Herz. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 60. 18 pages. Schott Music - Digital #Q53309. Published by Schott Music - Digital (S9.Q53309). Among over 200 compositions by the Austrian-French pianist Henri (Heinrich) Herz there are eight piano concertos and numerous solo works such as a sonata, rondos, nocturnes, waltzes, marches, fantasias and variations. Robert Schumann regarded the music of his very successful colleague as shallow: ‘if anybody, apart from [Moritz Gottlieb] Saphir, was sincere with the people, it was Henri Herz, our compatriot. What does he want other than to entertain and so become rich?’ The attractive Variations on the Cavatina ‘Non più mesta‘ from Rossini’s opera ‘La Cenerentola’ (Cinderella) were published by Schott in 1830 (plate number 3428).
$4.99
4.6 €
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Piano solo
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Henri Herz
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Variations brillantes sur la Cavatine de l’opéra Cenerentola de Rossini
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Schott Music - Digital
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SheetMusicPlus
Hymne A L'amour (If You Love Me, Really Love Me)
Piano solo
Piano Solo - Intermediate - Digital Download By lyricists: Edith Piaf (French), Geoff…
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Piano Solo - Intermediate - Digital Download By lyricists: Edith Piaf (French), Geoffrey Parsons (English) and Marguerite Monnot, composer. Arranged by Robert Blond. 3 pages. Published by robert blond
A poignant footnote is the death of French boxer Marcel Cerdan, Piaf's paramour, in an airplane crash a month after release of this song.<br> Piano solo adheres to composer's melody throughout, suitable for sing-a-longs<br> Contrasting tempos: rubato, marcato<br> Key change, liberal use of rootless chords, stylized ending, no repeats.
$4.99
4.6 €
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Piano solo
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lyricists: Edith Piaf (French), Geoffrey Parsons (English) and Marguerite Monnot, composer
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Hymne A L'amour
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robert blond
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SheetMusicPlus
Poor Butterfly (arr. Robert Rawlins)
Melody line, (Lyrics) and Chords
C Instrument,Voice - Digital Download SKU: HX.1049230 By John L. Golden. Arranged b…
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C Instrument,Voice - Digital Download SKU: HX.1049230 By John L. Golden. Arranged by Robert Rawlins. This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #660250. Published by Hal Leonard - Digital (HX.1049230).
$1.99
1.83 €
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Melody line, (Lyrics) and Chords
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John L
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Poor Butterfly
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Hal Leonard - Digital
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SheetMusicPlus
'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for Clarinet Quartet.
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.891900…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.891900 Composed by Dr.Benjamin Robert Papperitz. Arranged by Stephen Davies. Romantic Period. 15 pages. Stephen Davies #3470572. Published by Stephen Davies (A0.891900). The calm and simplistic opening to this piece gives it its charm, as the close harmonies open up to give any competent group an excercise in restraint. In addition, one of the most difficult things in music is to place staccato notes right on the beat, together, at a slow tempo! A good example of this is 'L'il Darlin' by Basie/Hefti, lots of bands have trouble with the 2 staccato crotchets in the main tune, placing them just so is tricky! Now, this is certainly not jazz, but the principle is the same. Dr.B.R.Papperitz was professor of harmony at the Leipzig Conservetoire from 1851-1868 and was a major influence on the composers of his time, other than that I know very little!
$12.99
11.97 €
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Clarinet Quartet: 4 clarinets
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Dr
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'Prologue' by Dr.Benjamin Robert Papperitz
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Stephen Davies
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SheetMusicPlus
Waiting for the Robert E. Lee
Piano and voice, ukulele - Digital Download SKU: LV.12151 Composed by Lewis F. Muir…
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Piano and voice, ukulele - Digital Download SKU: LV.12151 Composed by Lewis F. Muir. Celebrities, Portraits, Ballroom dancing, African Americans, Ethnic stereotypes, Steamboats, Homecomings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12151). Waiting for the Robert E. Lee. Lyric by L. Wolfe Gilbert. Music by Lewis F. Muir. Published 1912 by Alfred Music Co., 145 West 45th Street in New York. Composition of strophic with chorus with piano and voice, ukulele instrumentation. Subject headings for this piece include Celebrities, Portraits, Ballroom dancing, African Americans, Ethnic stereotypes, Steamboats, Homecomings. First line reads Way down on the levee in old Alabamy, there's daddy and mammy, there's Ephriam and Sammy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Lewis F
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Waiting for the Robert E. Lee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon
Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.891901 Compo…
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Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.891901 Composed by Dr.Benjamin Robert Papperitz. Arranged by Stephen Davies. Romantic Period. 15 pages. Stephen Davies #3470576. Published by Stephen Davies (A0.891901). Using the unusual combination of 3 Soprano's & Tenor,the calm and simplistic opening to this piece gives it its charm, as the close harmonies open up to give any competent group an excercise in restraint. In addition, one of the most difficult things in music is to place staccato notes right on the beat, together, at a slow tempo! A good example of this is 'L'il Darlin' by Basie/Hefti, lots of bands have trouble with the 2 staccato crotchets in the main tune, placing them just so is tricky! Now, this is certainly not jazz, but the principle is the same. Dr.B.R.Papperitz was professor of harmony at the Leipzig Conservetoire from 1851-1868 and was a major influence on the composers of his time, other than that I know very little!
$12.99
11.97 €
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Dr
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'Prologue' by Dr.Benjamin Robert Papperitz
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Stephen Davies
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SheetMusicPlus
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Organ
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert…
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
11.93 €
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Organ
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.93 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Perle de L'Amerique. Valse Brilante
Piano solo
Piano - Digital Download SKU: LV.10314 Composed by Robert Kinkel. Portraits. Lester…
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Piano - Digital Download SKU: LV.10314 Composed by Robert Kinkel. Portraits. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10314). Perle de L'Amerique. Valse Brilante. par Kinkel. Published 1866 by J.L. Peters & Bro. in St. Louis. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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Robert Kinkel
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Perle de L'Amerique. Valse Brilante
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Killing Me Softly With His Song (Voice Roberta Flack, Piano comp. and Orchestra)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Roberta Flack
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Tomplay
Vive l'Amour
Chorus - Digital Download SKU: AX.00-PO-0002643 Vive l'Amour - TTBB. Arrange…
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Chorus - Digital Download SKU: AX.00-PO-0002643 Vive l'Amour - TTBB. Arranged by Alice Parker and Robert Shaw. Lawson Gould Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002643. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002643). UPC: 783556002802.This title is available in Music Prodigy. This title is available in SmartMusic.List/syllabus: TX UIL PML: Vocal, Choral.
$2.05
1.89 €
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Vive l'Amour
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Waiting For The Robert E. Lee
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.499332 By L…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.499332 By L. Wolfe Gilbert. This edition: scorch. E-Z Play Today. Blues,Jazz,Standards. Score. 4 pages. Published by Hal Leonard - Digital (HX.499332). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.75 €
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Organ
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L
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Waiting For The Robert E. Lee
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Hal Leonard - Digital
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SheetMusicPlus
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