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Robert Lau
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1226
Send Us Emmanuel (arr. Robert Lau)
Choral SATB
(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged b…
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(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged by Robert Lau. Advent,Sacred. Choral. 6 pages. Duration 210. Published by Hal Leonard - Digital (HX.459065).
$2.10
1.93 €
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Choral SATB
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Thomas O
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Send Us Emmanuel
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Hal Leonard - Digital
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.38 €
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Easy Piano
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
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Piano solo
#
Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
Guitar notes and tablatures
Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. …
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Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature. 58 pages. Published by Roberto Pugliese
Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Volver - tango (Gardel-Lepera) - Clavel del aire - tango (Filiberto) - Como dos extraños - tango (Laurenz-Contursi) - Cristal - tango (Mores-Contursi) El adios - tango (Huergo) - Farolito de papel - tango (Lespes) - Gotitas little dots - milonga (Pugliese) - La pulpera de Santa Lucia - vals (Maciel) - Sollosos - tango (Fresedo) - Poema - tango (Bianco-Melfi) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y0Wk_UhS9mgTVwrwXUm_0wn
$20.99
19.33 €
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Guitar notes and tablatures
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A compilation
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10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
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Roberto Pugliese
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SheetMusicPlus
Lauda
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Praise & Worship. Score. 5 pages. Robert A. Howard #984974. Published by Robert A. Howard (A0.1401789). This work is a solo piano version of the original three-part choral anthem with accompaniment, that set a text by Revd Canon Dr Gordon Giles, and was composed for the 2022 RSCM Harold Smart Anthem Competition. This piano version plays with alternating A minor and A major tonalities, with three verses exploring forms of textural variation. The imitative recurring chorus is also varied on each return. The coda gradually builds in dynamics, texture and pitch, leading to the final A minor climax. This work is also available in versions for three-part choir, for SA choir, and for solo/unison voices, all with accompaniment, from SMP.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.29 €
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Piano solo
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Robert A
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Lauda
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Robert A. Howard
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SheetMusicPlus
They All Laughed
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By Geor…
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C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #790898. Published by John Fries (A0.1191381). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$3.99
3.68 €
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C Instruments
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Frank Sinatra
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
They All Laughed
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sina…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #801074. Published by John Fries (A0.1202383). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$4.99
4.6 €
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Piano, Vocal and Guitar
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Frank Sinatra
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
Trio para Flautas n° 2
Small Ensemble Flute - Digital Download SKU: A0.962302 Composed by Sergio Roberto d…
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Small Ensemble Flute - Digital Download SKU: A0.962302 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 32 pages. Sergio Roberto de Oliveira #2862881. Published by Sergio Roberto de Oliveira (A0.962302). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$11.80
10.87 €
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Sergio Roberto de Oliveira
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Trio para Flautas n° 2
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Sergio Roberto de Oliveira
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SheetMusicPlus
Duo para Flautas
2 Flutes (duet)
Instrumental Duet Flute,Instrumental Duet - Digital Download SKU: A0.962305 Compose…
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Instrumental Duet Flute,Instrumental Duet - Digital Download SKU: A0.962305 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 17 pages. Sergio Roberto de Oliveira #2912367. Published by Sergio Roberto de Oliveira (A0.962305). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$6.96
6.41 €
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2 Flutes (duet)
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Sergio Roberto de Oliveira
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Duo para Flautas
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Sergio Roberto de Oliveira
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SheetMusicPlus
Laudamus Te
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1270785 Composed by Robert…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1270785 Composed by Robert Steadman. Christian,Classical,Easter,Praise & Worship,Religious. Octavo. 7 pages. Robert Steadman #863160. Published by Robert Steadman (A0.1270785). A setting of the 'Laudamus Te' text for soprano/treble solo with SATB choir & piano by Robert Steadman.
$3.50
3.22 €
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Choral SATB
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Robert Steadman
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piano by Robert Steadman.
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Laudamus Te
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Robert Steadman
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SheetMusicPlus
Sounds Of Laughter
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.1222658 Composed by Jack Grisham, …
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Bass Guitar - Level 3 - Digital Download SKU: A0.1222658 Composed by Jack Grisham, Mike Roche, Ron Emory, and Todd Barnes. Arranged by Daniel Roberts. Rock. Score. 4 pages. Daniel P Roberts #818936. Published by Daniel P Roberts (A0.1222658). T. S. O. L. Sounds of Laughter Bass with TAB.
$4.99
4.6 €
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Bass guitar
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Jack Grisham, Mike Roche, Ron Emory, and Todd Barnes
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Sounds Of Laughter
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Daniel P Roberts
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SheetMusicPlus
"Maggie Lauder"
Piano solo
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Digital Download SKU: A0.924285…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Digital Download SKU: A0.924285 Composed by attrib. Robert Bremner (c.1713 - 1789). Arranged by Ed., by Z.M. Barnes, and with new variations. 20th Century,Baroque,Celtic,Concert. Score and parts. 9 pages. ©Z.M. Barnes & Rising Lark Music #4731873. Published by ©Z.M. Barnes & Rising Lark Music (A0.924285). Capture your audience with a musical surprise. This piece recollects musical life in the American colonies and pictures harpsichord playing at Mount Vernon. Maggie Lauder is a catchy, lively Scottish tune, with a humorous set of verses about Maggie's dancing to the piping of a famous Scot bagpiper.It was a very popular tune for singing or dancing in the American colonies. In fact, the tune took on a new name, Cornwallis Burgoynd, with new words to poke fun at the defeated British general Cornwallis after his troops surrendered to end the American Revolution. As a harpsichord piece, with variations, it was published by Scots musician Robert Bremner. The family of George Washington at Mount Vernon owned this music, which was probably played by his granddaughter Nelly Custis. New variations have been added. An interesting addition to any harpsichord program, esp. on patriotic occasions. 4 pp. About 4 min. .
$4.99
4.6 €
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Piano solo
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attrib
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This piece recollects
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"Maggie Lauder"
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Carson Cooman : Lauda for solo trombone
Trombone
Trombone Solo - Digital Download SKU: A0.775922 Composed by Carson Cooman. Contempo…
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Trombone Solo - Digital Download SKU: A0.775922 Composed by Carson Cooman. Contemporary. Individual part. 5 pages. Musik Fabrik Music Publishing #2032595. Published by Musik Fabrik Music Publishing (A0.775922). Lauda (2007) for solo trombone was written for trombonist Robert Kozánek. Lauda (noun, Italian) – The principal genre of non-liturgical religious song in Italy during the late Middle Ages and Renaissance. In its monophonic form, the lauda also constitutes the primary Italian repertory of late medieval vernacular song, and is distinguished from most neighboring repertories in its strictly urban, non-courtly context. The religious lauda endured into the 19th century, and extant repertory remains an important source of popular Italian texts and music.
$7.75
7.14 €
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Trombone
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Carson Cooman
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Carson Cooman : Lauda for solo trombone
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Musik Fabrik Music Publishing
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SheetMusicPlus
Victimae Paschali Laudes
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1114696 By Robert G Farrel…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1114696 By Robert G Farrell. By Robert G Farrell. Arranged by Robert G Farrell. Christian. Octavo. 3 pages. Robert G Farrell #716559. Published by Robert G Farrell (A0.1114696). Sacred choral work for SATB choir in Latin.
$2.00
1.84 €
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Choral SATB
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Robert G Farrell
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Victimae Paschali Laudes
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Robert G Farrell
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SheetMusicPlus
Arise, Shine
Choral Unison
Unison and Piano - Digital Download SKU: LX.10-3414LA Composed by Robert Lau. Sacre…
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Unison and Piano - Digital Download SKU: LX.10-3414LA Composed by Robert Lau. Sacred Anthem, Epiphany. Octavo. 8 pages. Laurel Press #e10/3414LA. Published by Laurel Press (LX.10-3414LA). UPC: 000308199574.For children's or adult choirs, an easy-to-sing scriptural setting of the well-known text from Isaiah 60.
$2.40
2.21 €
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Choral Unison
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Robert Lau
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Arise, Shine
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Laurel Press
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SheetMusicPlus
All Glory Laud and Honor - Piano Solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.874320 Arranged by Pamela M. Robert…
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Piano Solo - Level 4 - Digital Download SKU: A0.874320 Arranged by Pamela M. Robertson. Christian,Concert,Easter,Sacred. Score. 3 pages. Pamela M. Robertson #6339095. Published by Pamela M. Robertson (A0.874320). This exciting setting of the Palm Sunday hymn All Glory, Laud, and Honor (ST. THEODULPH) is well suited for use in worship services and recitals. About 2 minutes in length, for the moderately advanced pianist.
$4.99
4.6 €
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Piano solo
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All Glory Laud and Honor - Piano Solo
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Pamela M. Robertson
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SheetMusicPlus
Annie Laurie (for Wind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1406103 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1406103 Composed by Traditional. Arranged by Robert Newth. Celtic,Folk,Irish,Multicultural,World. 11 pages. Robert Newth #989194. Published by Robert Newth (A0.1406103). Annie Laurie is one of the most famous traditional Scottish songs. The music was written by Alicia Scott in 1834/5, to a poem by William Douglas of Dumfriesshire. This arrangement for woodwind quintet keeps the melody line constant, while the harmonies of each verse vary to keep the listener engaged.The PDF download contains a full score and all five parts: Flute, Oboe, Clarinet in Bb, Horn in F, and Bassoon.If you've enjoyed this arrangement, please consider leaving a review.
$7.99
7.36 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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Annie Laurie
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Robert Newth
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SheetMusicPlus
Annie Laurie (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.845675 Composed by Traditional.…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.845675 Composed by Traditional. Arranged by Robert Newth. Celtic,Folk,World. Score and parts. 11 pages. Robert Newth #5195411. Published by Robert Newth (A0.845675). Annie Laurie is one of the most famous traditional Scottish songs. The music was written by Alicia Scott in 1834/5, to a poem by William Douglas of Dumfriesshire. This arrangement for brass quintet keeps the melody line constant, while the harmonies of each verse vary to keep the listener engaged.The PDF download contains a full score and all five parts: Trumpets 1 and 2 in Bb, Horn in F, Trombone and Tuba (bass clef concert pitch).If you've enjoyed this arrangement, please consider leaving a review.
$7.99
7.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Annie Laurie
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Robert Newth
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SheetMusicPlus
Annie Laurie (for Voice and Brass Quintet)
Small Ensemble Voice - Level 4 - Digital Download SKU: A0.845676 Composed by Alicia…
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Small Ensemble Voice - Level 4 - Digital Download SKU: A0.845676 Composed by Alicia Scott. Arranged by Robert Newth. Celtic,Folk,World. Score and parts. 14 pages. Robert Newth #5199881. Published by Robert Newth (A0.845676). Annie Laurie is one of the most famous traditional Scottish songs. The music was written by Alicia Scott in 1834/5, to a poem by William Douglas of Dumfriesshire. This arrangement for voice and brass quintet keeps the vocal line consistent for all three verses, while the brass accompaniment underneath provides a great deal of interest.The PDF download contains a full score and all six parts: Voice, Trumpets 1 and 2 in Bb, Horn in F, Trombone and Tuba (bass clef concert pitch).If you've enjoyed this arrangement, please consider leaving a review.
$7.99
7.36 €
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Alicia Scott
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Annie Laurie
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Robert Newth
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Oboe, Piano (duet)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$15.00
13.82 €
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Oboe, Piano (duet)
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Robert Schumann
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
Laudate Dominum
Small Ensemble - Level 3 - Digital Download SKU: A0.881524 Composed by Robert S. Wa…
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Small Ensemble - Level 3 - Digital Download SKU: A0.881524 Composed by Robert S. Wallace, II. Christian,Contemporary. Score and parts. 4 pages. Robert Wallace, II #2022687. Published by Robert Wallace, II (A0.881524). An SATB version in Latin of the text Praise the Lord, all you nations. Sing psalms unto God..
$1.99
1.83 €
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Robert S
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Laudate Dominum
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Robert Wallace, II
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SheetMusicPlus
Solos for the Advancing Flautist, Volume 1
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1404894 Composed by Carl Maria von…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1404894 Composed by Carl Maria von Weber, Elisabeth von Herzogenberg, Fanny Cecile Mendelssohn, Jacques Offenbach, Josephine Lang, and Robert Schumann. Arranged by Josh Trentadue. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 28 pages. T.U.X. People's Music #987925. Published by T.U.X. People's Music (A0.1404894). Curated for the advancing flautist, this carefully compiled collection of early German Romantic works provides newly engraved arrangements of popular and new favorites, including Schumann, Mendelssohn-Hensel, von Weber, and more!Table of Contents:Eight Klavierstücke - II, von Herzogenberg (ME)Eight Klavierstücke - IV, von Herzogenberg (ME)Theme in E-flat Major, Schumann (M)Three Melodies, Op. 4 - II, Mendelssohn-Hensel (M)Excerpt from “Danse Infernaleâ€, Lang (MA)Andantino con moto, Op. 4, von Weber (MA)Can-Can, Offenbach (A).
$19.99
18.41 €
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Flute and Piano
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Carl Maria von Weber, Elisabeth von Herzogenberg, Fanny Cecile Mendelssohn, Jacques Offenbach, Josephine Lang, and Robert Schumann
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Solos for the Advancing Flautist, Volume 1
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T.U.X. People's Music
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SheetMusicPlus
Laughter In The Rain
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1081805 By Neil Sedaka. By Neil…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081805 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 28 pages. Kevin Riley #685932. Published by Kevin Riley (A0.1081805). The song was released on Elton John's Rocket Records. After hearing a version of Laughter in the Rain by singer Lea Roberts on the radio several weeks before the planned release of his single, Sedaka phoned Elton John to have MCA Records rush the Sedaka version to release within five days. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$60.00
55.26 €
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Orchestra
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Neil Sedaka
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Laughter In The Rain
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Kevin Riley
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SheetMusicPlus
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