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Robert Lau
Sheetmusic to print
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1276
Send Us Emmanuel (arr. Robert Lau)
Choral SATB
(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged b…
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(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged by Robert Lau. Advent,Sacred. Choral. 6 pages. Duration 210. Published by Hal Leonard - Digital (HX.459065).
$2.10
1.88 €
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Choral SATB
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Thomas O
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Send Us Emmanuel
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Hal Leonard - Digital
#
SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
17.82 €
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Easy Piano
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.24 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
Guitar notes and tablatures
Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. …
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Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature. 58 pages. Published by Roberto Pugliese
Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Volver - tango (Gardel-Lepera) - Clavel del aire - tango (Filiberto) - Como dos extraños - tango (Laurenz-Contursi) - Cristal - tango (Mores-Contursi) El adios - tango (Huergo) - Farolito de papel - tango (Lespes) - Gotitas little dots - milonga (Pugliese) - La pulpera de Santa Lucia - vals (Maciel) - Sollosos - tango (Fresedo) - Poema - tango (Bianco-Melfi) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y0Wk_UhS9mgTVwrwXUm_0wn
$20.99
18.75 €
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Guitar notes and tablatures
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A compilation
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10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
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Roberto Pugliese
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SheetMusicPlus
Lauda
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Praise & Worship. Score. 5 pages. Robert A. Howard #984974. Published by Robert A. Howard (A0.1401789). This work is a solo piano version of the original three-part choral anthem with accompaniment, that set a text by Revd Canon Dr Gordon Giles, and was composed for the 2022 RSCM Harold Smart Anthem Competition. This piano version plays with alternating A minor and A major tonalities, with three verses exploring forms of textural variation. The imitative recurring chorus is also varied on each return. The coda gradually builds in dynamics, texture and pitch, leading to the final A minor climax. This work is also available in versions for three-part choir, for SA choir, and for solo/unison voices, all with accompaniment, from SMP.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.22 €
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Piano solo
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Robert A
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Lauda
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Robert A. Howard
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SheetMusicPlus
They All Laughed
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By Geor…
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C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #790898. Published by John Fries (A0.1191381). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$3.99
3.56 €
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C Instruments
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Frank Sinatra
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
They All Laughed
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sina…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #801074. Published by John Fries (A0.1202383). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$4.99
4.46 €
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Piano, Vocal and Guitar
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Frank Sinatra
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
Trio para Flautas n° 2
Small Ensemble Flute - Digital Download SKU: A0.962302 Composed by Sergio Roberto d…
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Small Ensemble Flute - Digital Download SKU: A0.962302 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 32 pages. Sergio Roberto de Oliveira #2862881. Published by Sergio Roberto de Oliveira (A0.962302). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$11.80
10.54 €
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Sergio Roberto de Oliveira
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Trio para Flautas n° 2
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Sergio Roberto de Oliveira
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SheetMusicPlus
Duo para Flautas
2 Flutes (duet)
Instrumental Duet Flute,Instrumental Duet - Digital Download SKU: A0.962305 Compose…
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Instrumental Duet Flute,Instrumental Duet - Digital Download SKU: A0.962305 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 17 pages. Sergio Roberto de Oliveira #2912367. Published by Sergio Roberto de Oliveira (A0.962305). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$6.96
6.22 €
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2 Flutes (duet)
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Sergio Roberto de Oliveira
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Duo para Flautas
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Sergio Roberto de Oliveira
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SheetMusicPlus
Laudamus Te
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1270785 Composed by Robert…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1270785 Composed by Robert Steadman. Christian,Classical,Easter,Praise & Worship,Religious. Octavo. 7 pages. Robert Steadman #863160. Published by Robert Steadman (A0.1270785). A setting of the 'Laudamus Te' text for soprano/treble solo with SATB choir & piano by Robert Steadman.
$3.50
3.13 €
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Choral SATB
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Robert Steadman
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piano by Robert Steadman.
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Laudamus Te
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Robert Steadman
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SheetMusicPlus
Sounds Of Laughter
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.1222658 Composed by Jack Grisham, …
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Bass Guitar - Level 3 - Digital Download SKU: A0.1222658 Composed by Jack Grisham, Mike Roche, Ron Emory, and Todd Barnes. Arranged by Daniel Roberts. Rock. Score. 4 pages. Daniel P Roberts #818936. Published by Daniel P Roberts (A0.1222658). T. S. O. L. Sounds of Laughter Bass with TAB.
$4.99
4.46 €
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Bass guitar
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Jack Grisham, Mike Roche, Ron Emory, and Todd Barnes
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Sounds Of Laughter
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Daniel P Roberts
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SheetMusicPlus
"Maggie Lauder"
Piano solo
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Digital Download SKU: A0.924285…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Digital Download SKU: A0.924285 Composed by attrib. Robert Bremner (c.1713 - 1789). Arranged by Ed., by Z.M. Barnes, and with new variations. 20th Century,Baroque,Celtic,Concert. Score and parts. 9 pages. ©Z.M. Barnes & Rising Lark Music #4731873. Published by ©Z.M. Barnes & Rising Lark Music (A0.924285). Capture your audience with a musical surprise. This piece recollects musical life in the American colonies and pictures harpsichord playing at Mount Vernon. Maggie Lauder is a catchy, lively Scottish tune, with a humorous set of verses about Maggie's dancing to the piping of a famous Scot bagpiper.It was a very popular tune for singing or dancing in the American colonies. In fact, the tune took on a new name, Cornwallis Burgoynd, with new words to poke fun at the defeated British general Cornwallis after his troops surrendered to end the American Revolution. As a harpsichord piece, with variations, it was published by Scots musician Robert Bremner. The family of George Washington at Mount Vernon owned this music, which was probably played by his granddaughter Nelly Custis. New variations have been added. An interesting addition to any harpsichord program, esp. on patriotic occasions. 4 pp. About 4 min. .
$4.99
4.46 €
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Piano solo
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attrib
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This piece recollects 
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"Maggie Lauder"
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in A flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491385 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491385 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068123. Published by Editions Dao (A0.1491385). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in A flat Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in B flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491387 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491387 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068125. Published by Editions Dao (A0.1491387). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in B flat Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in B Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491386 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491386 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068124. Published by Editions Dao (A0.1491386). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in B Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in E flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491394 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491394 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068132. Published by Editions Dao (A0.1491394). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in E flat Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in F Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491395 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491395 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068133. Published by Editions Dao (A0.1491395). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in F Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in E Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491393 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491393 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068131. Published by Editions Dao (A0.1491393). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in E Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in F sharp Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491383 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491383 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068121. Published by Editions Dao (A0.1491383). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in F sharp Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in C Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491388 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491388 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068126. Published by Editions Dao (A0.1491388). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in C Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in A Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491384 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491384 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068122. Published by Editions Dao (A0.1491384). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in A Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in D Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491389 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491389 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068127. Published by Editions Dao (A0.1491389). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in D Major
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Editions Dao
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SheetMusicPlus
Die blauen Fruhlingsaugen, by Robert Franz, in D flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491391 Composed by Robert F…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491391 Composed by Robert Franz. Arranged by Editions Dao. Classical. Score. 5 pages. Editions Dao #1068129. Published by Editions Dao (A0.1491391). Die blauen Fruhlingsaugen by Robert Franz, from '6 Gesange', Op.20 No.1, for Voice and Piano.5 Pages.
$5.99
5.35 €
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Piano, Voice
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Robert Franz
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Die blauen Fruhlingsaugen, by Robert Franz, in D flat Major
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Editions Dao
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SheetMusicPlus
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