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Sheetmusic to print
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Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin I - Digital Download SKU: S9.Q49907 C. P. E. Bach, Sinfonia D Major (Wq 1…
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Violin I - Digital Download SKU: S9.Q49907 C. P. E. Bach, Sinfonia D Major (Wq 174). This edition: separate part. Gradus ad Symphoniam. Downloadable, Individual part. Op. 10. Musikverlag Robert Lienau - Digital #Q49907. Published by Musikverlag Robert Lienau - Digital (S9.Q49907). Key: D major. German • English • French.
$3.99
3.72 €
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Violin (band part)
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin II - Digital Download SKU: S9.Q49908 C. P. E. Bach, Sinfonia D Major (Wq …
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Violin II - Digital Download SKU: S9.Q49908 C. P. E. Bach, Sinfonia D Major (Wq 174). This edition: separate part. Gradus ad Symphoniam. Downloadable, Individual part. Op. 10. Musikverlag Robert Lienau - Digital #Q49908. Published by Musikverlag Robert Lienau - Digital (S9.Q49908). Key: D major. German • English • French.
$3.99
3.72 €
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Violin (band part)
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin III - Digital Download SKU: S9.Q49909 C. P. E. Bach, Sinfonia D Major (Wq…
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Violin III - Digital Download SKU: S9.Q49909 C. P. E. Bach, Sinfonia D Major (Wq 174). This edition: separate part. Gradus ad Symphoniam. Downloadable, Individual part. Op. 10. Musikverlag Robert Lienau - Digital #Q49909. Published by Musikverlag Robert Lienau - Digital (S9.Q49909). Key: D major. German • English • French.
$3.99
3.72 €
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Violin (band part)
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin II - Digital Download SKU: S9.Q555217 Pieces by Bach, Gluck, Händel
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Violin II - Digital Download SKU: S9.Q555217 Pieces by Bach, Gluck, Händel. Composed by Christoph Willibald (Ritter von) Gluck, George Frideric Handel, and Johann Sebastian Bach. Gradus ad Symphoniam. Downloadable, Individual part. Op. 1. Musikverlag Robert Lienau - Digital #Q555217. Published by Musikverlag Robert Lienau - Digital (S9.Q555217). German • English • French.
$2.99
2.79 €
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Violin (band part)
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Christoph Willibald
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin III - Digital Download SKU: S9.Q555218 Pieces by Bach, Gluck, Händel
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Violin III - Digital Download SKU: S9.Q555218 Pieces by Bach, Gluck, Händel. Composed by Christoph Willibald (Ritter von) Gluck, George Frideric Handel, and Johann Sebastian Bach. Gradus ad Symphoniam. Downloadable, Individual part. Op. 1. Musikverlag Robert Lienau - Digital #Q555218. Published by Musikverlag Robert Lienau - Digital (S9.Q555218). German • English • French.
$2.99
2.79 €
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Violin (band part)
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Christoph Willibald
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Gradus ad Symphoniam Beginner's level
Violin (band part)
Violin I - Digital Download SKU: S9.Q555215 Pieces by Bach, Gluck, Händel…
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Violin I - Digital Download SKU: S9.Q555215 Pieces by Bach, Gluck, Händel. Composed by Christoph Willibald (Ritter von) Gluck, George Frideric Handel, and Johann Sebastian Bach. Gradus ad Symphoniam. Downloadable, Individual part. Op. 1. Musikverlag Robert Lienau - Digital #Q555215. Published by Musikverlag Robert Lienau - Digital (S9.Q555215). German • English • French.
$2.99
2.79 €
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Violin (band part)
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Christoph Willibald
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Gradus ad Symphoniam Beginner's level
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
It's Your World
Saxophone (band part)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.489377 By Jennifer Hudson…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.489377 By Jennifer Hudson. By Robert S Kelly and Terry Hunter. Arranged by David Lartey. R & B. Individual part. 1 pages. David Lartey #105778. Published by David Lartey (A0.489377).
$5.75
5.36 €
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Saxophone (band part)
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Jennifer Hudson
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It's Your World
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David Lartey
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SheetMusicPlus
Meditation on CRUSADER'S HYMN
Organ
Organ - Digital Download SKU: A0.881592 Composed by Robert S. Wallace, II. Arranged…
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Organ - Digital Download SKU: A0.881592 Composed by Robert S. Wallace, II. Arranged by RobertSWallace2. 20th Century,Christian. Score. 4 pages. Robert Wallace, II #3579289. Published by Robert Wallace, II (A0.881592). FAIREST LORD JESUS is known as CRUSADER'S HYMN, and is a most loved hymn tune. This variation is suitable for quiet prelude in any season.
$2.99
2.79 €
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Organ
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Robert S
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Meditation on CRUSADER'S HYMN
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Robert Wallace, II
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SheetMusicPlus
BUMBLE BOOGIE CONCERTO by Robert Van Horne (Advanced Piano Solo)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.914986 Composed by Edvard Grieg & N…
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Piano Solo - Level 5 - Digital Download SKU: A0.914986 Composed by Edvard Grieg & Nikolai Rimsky-Korsakov. Arranged by ROBERT VAN HORNE. Blues,Classical,Instructional,Jazz,Standards. Score. 9 pages. White Piano International Publishing #6853875. Published by White Piano International Publishing (A0.914986). BUMBLE BOOGIE CONCERTO Advanced Piano Solo by Robert Van Horne Adapted from Grieg's A MINOR PIANO CONCERTO & Rimsky-Korsakov's FLIGHT OF THE BUMBLE BEE. 9 Pages Approx. Time: 2:30 A kindly old gentleman who attended my concerts would always request BUMBLE BOOGIE. To honor his request, I decided to create my own arrangement using two Classical music favorites. As a piano entertainer, Liberace was known for taking Classical music and popularizing it. So in the style of Liberace, I took Grieg's A MINOR PIANO CONCERTO and Rimsky-Korakov's FLIGHT OF THE BUMBLE BEE, added a twist of left hand Boogie Woogie and created the BUMBLE BOOGIE CONCERTO. This arrangement is clearly notated with dynamic marks, phrasing, suggested fingerings, pedal indications, and appropriate musical terms for playing. The left hand incorporates a Boogie Woogie style ostinato while the right hand plays the main themes of the famous Grieg Concerto and Flight Of The Bumble Bee. I added my own musical transitions to create a flamboyant sound of suspenseful tremolandos and showy runs, concluding with two flashy glissandos. This is a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. A Youtube video of Robert's 2012 performance is available at: https://www.youtube.com/watch?v=sWziAOkF8cU Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com  Â
$5.99
5.58 €
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Piano solo
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Edvard Grieg & Nikolai Rimsky-Korsakov
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BUMBLE BOOGIE CONCERTO by Robert Van Horne
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White Piano International Publishing
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Oboe, Piano (duet)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$15.00
13.98 €
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Oboe, Piano (duet)
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Robert Schumann
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
THE GRANDPARENT'S DAY SONG (Piano/Vocal) by Robert Van Horne
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914975 Composed by ROBERT VA…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914975 Composed by ROBERT VAN HORNE. Children,Holiday,Pop,Praise & Worship,Singer/Songwriter. Score. 4 pages. White Piano International Publishing #6521577. Published by White Piano International Publishing (A0.914975). THE GRANDPARENT'S DAY SONG  PIANO / VOCALPopular SongWords & Music by ROBERT VAN HORNE4 PagesIt was September 5, 2014 at my First Friday Piano Concert at the Atrium in San Jose, CA that I premiered THE GRANDPARENT'S DAY SONG.Many of the Atrium residents, as well as many of us, are unaware that the second Sunday in September is NATIONAL GRANDPARENTS DAY.Since there are only a handful of songs dedicated to grandparents, I decided to write and dedicate this special piece of music to grandparents all over the world.My inspiration for the music and words came to me from my many years of performing for the wonderful residents at the Atrium (Brookdale San Jose).This is a popular song for grandkids, parents and singers who want to honor their grandparents, giving them special acknowledgement with gratitude and love.A Youtube video of Robert's recording of this piece is available at: http://youtu.be/dRkVdv55Zao Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP
$3.99
3.72 €
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Piano, Voice
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ROBERT VAN HORNE
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THE GRANDPARENT'S DAY SONG
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White Piano International Publishing
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SheetMusicPlus
THE BLACK CAT WALTZ (One Piano / Four Hands) By Robert Van Horne
1 Piano, 4 hands
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.914984 Com…
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,Instructional,Jazz. Score and parts. 7 pages. White Piano International Publishing #6720309. Published by White Piano International Publishing (A0.914984). THE BLACK CAT WALTZ (Piano Duet) One Piano / Four HandsAdvanced Intermediate Approx. Performance TIme: 2:306 PagesOriginally composed in 2002 as a piano solo, THE BLACK CAT WALTZ was arranged years later as a One Piano, Four Hands Duet in 2010.The sheet music is clearly notated with dynamic and articulation marks, phrasing, suggested fingerings and appropriate musical terms for playing.Both Primo and Secondo players each have numbered measures and sections with easy to locate corresponding bars.The piece is written in the key of D minor. It then changes to G minor at measure 76 giving a refreshing color to the melody.THE BLACK CAT WALTZ (Duet) makes a wonderful piano selection for two advanced intermediate students - great for teaching ensemble techniques. It is an appropriate piece for Halloween, recitals and school musical events...a delightful listening treat for audiences.The sample music is a March 13, 2011 premier live performance at the KPMF Piano Ensemble Club Spring Concert performed by Hiro Nakae and Ryota Watanabe, both students of Yoko Kurosawa. Here is their video: http://www.youtube.com/watch?v=8rDI5JwiLOYA Youtube video of Robert's original solo performance of THE BLACK CAT WALTZ in 2009 is available at: http://www.youtube.com/watch?v=qGtzxCdSlrQRobert's Official Website: www.robertvanhorne.comASCAP AffiliationWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
5.58 €
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1 Piano, 4 hands
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ROBERT VAN HORNE
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THE BLACK CAT WALTZ
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White Piano International Publishing
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.65 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Soldier's March - Robert Schumann (Soprano Sax)
Saxophone (band part)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1240245 Composed by Rob…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1240245 Composed by Robert Schumann. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #835615. Published by Digital Book Music (A0.1240245). Soldier's March - Robert Schumann (Soprano Sax).
$2.99
2.79 €
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Saxophone (band part)
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Robert Schumann
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Soldier's March - Robert Schumann
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Digital Book Music
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SheetMusicPlus
Soldier's March - Robert Schumann (Alto Sax)
Saxophone (band part)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1096358 Composed by Rob…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1096358 Composed by Robert Schumann. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #700331. Published by Digital Book Music (A0.1096358). Soldier's March - Robert Schumann (Alto Sax).
$2.99
2.79 €
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Saxophone (band part)
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Robert Schumann
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Soldier's March - Robert Schumann
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Digital Book Music
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SheetMusicPlus
Soldier's March - Robert Schumann (Tenor Sax)
Saxophone (band part)
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1096361 Composed by Rober…
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Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1096361 Composed by Robert Schumann. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #700335. Published by Digital Book Music (A0.1096361). Soldier's March - Robert Schumann (Tenor Sax).
$2.99
2.79 €
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Saxophone (band part)
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Robert Schumann
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Soldier's March - Robert Schumann
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Digital Book Music
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SheetMusicPlus
Soldier's March - Robert Schumann (Cello)
Cello (band part)
Cello Solo - Level 1 - Digital Download SKU: A0.1096371 Composed by Robert Schumann…
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Cello Solo - Level 1 - Digital Download SKU: A0.1096371 Composed by Robert Schumann. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #700346. Published by Digital Book Music (A0.1096371). Soldier's March - Robert Schumann (Cello).
$2.99
2.79 €
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Cello (band part)
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Robert Schumann
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Soldier's March - Robert Schumann
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Digital Book Music
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SheetMusicPlus
Soldier's March - Robert Schumann (Oboe)
Oboe (band part)
Oboe Solo - Level 1 - Digital Download SKU: A0.1096362 Composed by Robert Schumann.…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1096362 Composed by Robert Schumann. Arranged by Digital Book Music. Classical. Individual part. 1 pages. Digital Book Music #700336. Published by Digital Book Music (A0.1096362). Soldier's March - Robert Schumann (Oboe).
$2.99
2.79 €
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Oboe (band part)
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Robert Schumann
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Soldier's March - Robert Schumann
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Digital Book Music
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.3 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Of the Father's Love Begotten (cello)
Cello (band part)
Cello Solo - Level 3 - Digital Download SKU: A0.899694 Composed by Plainsong, 13th …
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Cello Solo - Level 3 - Digital Download SKU: A0.899694 Composed by Plainsong, 13th Century. Arranged by Robert Alan Rife and Robert Alan Rife. Celtic,Christmas,Folk,Sacred. Individual part. 2 pages. Robert Alan Rife #2917469. Published by Robert Alan Rife (A0.899694). A simple, Celtic treatment of this ancient and beautiful Christmas hymn.
$1.99
1.85 €
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Cello (band part)
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Plainsong, 13th Century
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Of the Father's Love Begotten
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Robert Alan Rife
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SheetMusicPlus
The Lord's Prayer
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881510 Composed by Robert …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881510 Composed by Robert S. Wallace, II. Christian,Contemporary. Octavo. 4 pages. Robert Wallace, II #2022335. Published by Robert Wallace, II (A0.881510). A contemporary setting of the Lord's Prayer utilizing soft, lush harmonies throughout.
$1.99
1.85 €
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Choral SATB
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Robert S
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The Lord's Prayer
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Robert Wallace, II
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SheetMusicPlus
Bach's Prelude and Fugue in E-Flat, BWV 552
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.881579 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.881579 Composed by Johann Sebastian Bach. Arranged by Robert S. Wallace, II. Baroque. Score and parts. 56 pages. Robert Wallace, II #3570055. Published by Robert Wallace, II (A0.881579). Bach's Prelude and Fugue in E-Flat, BWV 552, often called The Saint Anne, is played by organists around the world as recital music. Here is an accessible arrangement [score and parts included] for Brass Quintet. Either movement can be performed alone, or both together for about 15 minutes. .
$75.00
69.9 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johann Sebastian Bach
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Bach's Prelude and Fugue in E-Flat, BWV 552
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Robert Wallace, II
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.3 €
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Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.59 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE…
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Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â
$6.99
6.52 €
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Piano solo
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
#
SheetMusicPlus
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