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You've selected:
Room For Love
Sheetmusic to print
695 sheet music found
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Room For Love
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.779103 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.779103 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz,Sacred. Score and parts. 3 pages. Don Hodell Chilcote #6342365. Published by Don Hodell Chilcote (A0.779103). Room For Love is for piano solo or ensemble. This is a great tune and the piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude. Fun Stuff.
$2.99
2.75 €
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Jazz combo
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Don Hodell Chilcote
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Room For Love
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Don Hodell Chilcote
#
SheetMusicPlus
Dawn in the Room for flute and strings (mp3)
Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Cen…
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Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #2054325. Published by David Warin Solomons (A0.1059327). Scorehttps://www.sheetmusicplus.com/title/20211486?aff_id=175705Instrumental version performed by Laszlo Demeter and the Budapest Scoring String Orchestra based on the poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room for flute and strings
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David Warin Solomons
#
SheetMusicPlus
Dawn in the Room for alto and piano (mp3)
Alto Voice - Digital Download SKU: A0.1059326 Composed by David Warin Solomons. 20t…
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Alto Voice - Digital Download SKU: A0.1059326 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 304. David Warin Solomons #2054327. Published by David Warin Solomons (A0.1059326). Score:https://www.sheetmusicplus.com/title/19977256?aff_id=175705Song performed by Stephen Taylor (alto) and Jonathan Leonard (piano) poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
#
David Warin Solomons
#
Dawn in the Room for alto and piano
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David Warin Solomons
#
SheetMusicPlus
Dawn in the Room for contralto and string orchestra (mp3)
Alto Voice - Digital Download SKU: A0.1059325 Composed by David Warin Solomons. 20t…
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Alto Voice - Digital Download SKU: A0.1059325 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 316. David Warin Solomons #2054323. Published by David Warin Solomons (A0.1059325). Score:https://www.sheetmusicplus.com/title/19984193?aff_id=175705Song performed by Betti Nagy and the Budapest Scoring String Orchestra poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
#
David Warin Solomons
#
Dawn in the Room for contralto and string orchestra
#
David Warin Solomons
#
SheetMusicPlus
Have You Ever Really Loved A Woman?
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1306639 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by AZSAP MUSiC. Film/TV,Latin,Rock. 7 pages. AZSAP MUSiC #895968. Published by AZSAP MUSiC (A0.1306639). Indulge in the romantic allure of Have You Ever Really Loved a Woman by Bryan Adams from the movie Don Juan DeMarco with our exquisite string quartet arrangement. This rendition encapsulates the heartfelt and timeless essence of the original song, making it a perfect choice for weddings, special events, and performances that celebrate love and passion.Key Features:1. **Timeless Romance:** Have You Ever Really Loved a Woman is celebrated for its emotional lyrics and evocative melody. Our string quartet arrangement pays homage to the song's timeless allure while adding a classical touch, resulting in a performance that is both enchanting and emotionally resonant.2. **Versatile Usage:** This arrangement is ideal for a range of settings, from wedding ceremonies and anniversary celebrations to intimate gatherings and concerts, creating a passionate and romantic atmosphere for your special moments.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your quartet has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.4. **Room for Artistic Interpretation:** While remaining true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Celebrate love and passion with Have You Ever Really Loved a Woman through your string quartet. This arrangement was thoughtfully designed to bridge the gap between contemporary sentiment and classical sophistication, offering a passionate and emotionally charged musical experience. Order your copy today and embark on a musical journey that captures the depth of this beloved classic, leaving a lasting impression on your audience.
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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Bryan Adams
#
Have You Ever Really Loved A Woman?
#
AZSAP MUSiC
#
SheetMusicPlus
Love Came Calling
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by P…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Wedding. 5 pages. Guneyman L'Hommedieu Music #6039967. Published by Guneyman L'Hommedieu Music (A0.1005732). Fans of the Great American Songbook will want to make room for Love Came Calling--one of Paige B. L'Hommedieu's four original love songs, beautifully arranged for piano and soprano by celebrated pianist Meral Guneyman.
$4.99
4.58 €
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Soprano voice, Piano
#
Paige B
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Love Came Calling
#
Guneyman L'Hommedieu Music
#
SheetMusicPlus
As the bridegroom to his chosen
Choral SATB
SATB choir and organ, or harp and strings - Digital Download Composed by John Rutter …
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SATB choir and organ, or harp and strings - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193538030. Published by Oxford University Press Digital
ISBN 9780193538030.<br> <br> For SATB and organ, or harp and strings, to words by John Tauler (1300-61). A tender and lovely setting which is easy to sing. Particularly appropriate for weddings. The orchestral material is available on hire from the publisher.
$3.25
2.98 €
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Choral SATB
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John Rutter (1945-)
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As the bridegroom to his chosen
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Oxford University Press Digital
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SheetMusicPlus
Across a crowded room - for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575818 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #2028393. Published by David Warin Solomons (A0.575818). The complete set, all available on the this site, comprise: Venus has left the building - inspired by the poem Venus by Gavin Ewart: a goddess has just checked out and left no forwarding address... Across a crowded room - inspired by the poem The worst of loves by Douglas Dunn: Where do they go, the faces... Being but men - inspired by the poem Being but men by Dylan Thomas: Being but men, we walked into the trees... Chantefable - based on the medieval song about Aucassin and Nicolette: Qui vauroit bons vers oïr del deport du viel antif (who would hear a fine poem from the olden days)... The Story of Henry King - inspired by the poem The chief defect of Henry King by Hilaire Belloc - The chief defect of Henry King was chewing little bits of string... Versions for clarinet and guitar are also available The pdf file contains score and parts. The sound sample is an electronic preview.
$7.00
6.43 €
#
Flute and Guitar
#
David Warin Solomons
#
Across a crowded room - for flute and guitar
#
David Warin Solomons
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
West Fork Gals
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399113 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #61jYAVJwERIoMDEubieRag. Published by Heather Mueller Music (A0.1399113). Key: D major.Title: West Fork Gals Type/Genre: Traditional Fiddle Tune - Reel (American) Availability: Sheet Music for Sale Step into the lively world of American fiddling with West Fork Gals, a spirited reel that captures the energetic spirit of traditional music from the United States. Key Features: American Flavor: West Fork Gals embodies the essence of American fiddle music, with its lively rhythm and catchy melody. Delve into the rich tapestry of American musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of West Fork Gals. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by West Fork Gals. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of American fiddling techniques. Cultural Connection: Connect with the cultural heritage of the United States as you delve into West Fork Gals. Let the music transport you to the lively square dances and community gatherings where American fiddlers have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to American fiddle music, West Fork Gals offers a spirited musical experience that celebrates the vibrant spirit and tradition of American reel music. Join in the jubilant rhythms of West Fork Gals and let the music inspire your own musical journey through the heartland of America.
$2.99
2.75 €
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Traditional Fiddle Tunes
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West Fork Gals
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Heather Mueller Music
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SheetMusicPlus
Whiskey Before Breakfast
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399104 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 6 pages. Duration 48. Heather Mueller Music #4EdQQZceTvoDyWaDDoGPGp. Published by Heather Mueller Music (A0.1399104). Key: D major.Title: Whiskey Before Breakfast Type/Genre: Traditional Fiddle Tune - Reel (Canadian, American) Availability: Sheet Music for Sale Get ready to tap your toes and swing your partner with Whiskey Before Breakfast, a lively reel that echoes the spirited energy of Canadian and American fiddling traditions. Key Features: North American Flavor: Whiskey Before Breakfast embodies the essence of North American fiddle music, with its infectious rhythm and spirited melody. Delve into the rich tapestry of Canadian and American musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Whiskey Before Breakfast. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Whiskey Before Breakfast. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Canadian and American fiddling techniques. Cultural Connection: Connect with the cultural heritage of Canada and the United States as you delve into Whiskey Before Breakfast. Let the music transport you to the lively barn dances and community gatherings where Canadian and American fiddlers have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to North American fiddle music, Whiskey Before Breakfast offers a spirited musical experience that celebrates the vibrant spirit and tradition of Canadian and American reel music. Join in the jubilant rhythms of Whiskey Before Breakfast and let the music inspire your own musical journey across the borders of North America.
$2.99
2.75 €
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Traditional Fiddle Tunes
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Whiskey Before Breakfast
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Heather Mueller Music
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SheetMusicPlus
Across a crowded room for clarinet and guitar - live performance (mp3)
Clarinet, Guitar (duet)
Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1268818 By András Csáki …
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Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1268818 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 194. David Warin Solomons #861349. Published by David Warin Solomons (A0.1268818). Across a crowded room from the suite The poem is the SongThe score of the complete suite, comprising:1. Venus (A goddess has just walked out) (original poem by Gavin Ewart)2. The Worst of Loves (Across a Crowded Room) (original poem by Douglas Dunn) 3. Being but Men (original poem by Dylan Thomas)4. Chantefable d'Aucassin et Nicolette ((original poem anon)5. Henry King (The chief defect of Henry King was chewing little bits of string) (original poem by Hilaire Belloc),is also available on sheetmusicplusAcross a crowded room is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$4.50
4.13 €
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Clarinet, Guitar (duet)
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András Csáki and Balázs Rumy
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Across a crowded room for clarinet and guitar - live performance
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David Warin Solomons
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SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Percussion
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Chi…
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.<br> <br> The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy” with fewer notes. The second verse is “intermediate” and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy” verse, an optional ending is provided or it can be skipped to perform the two verses together.<br> <br> Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.<br> <br> This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, “Chroma-Notes Stick Ons” can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.<br> <br> Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.<br> <br> The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.<br> <br> Other suggestions and uses:<br> * have both parts played by bells or both parts played using only Boomwhackers® <br> * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)<br> * use as part of the music education for children at school, home, or church<br> * these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministries<br> <br> <br> Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.<br> <br> Titles included in this collection:<br> Alphabet Song<br> Be Kind to Your Loved Ones<br> B-I-N-G-O<br> Doo-dah-day!<br> Good Morning, Merry Sunshine<br> He’s Got the Whole World In His Hands<br> Hickory Dickory Dock<br> Hokey Pokey<br> Hot Cross Buns<br> I Love the Mountains<br> Itsy Bitsy Spider<br> Little Robin Red-breast<br> Old MacDonald<br> On Top of Old Smokey<br> Rain, Rain, Go Away<br> Row, Row, Row Your Boat<br> Simple Gifts<br> Skip to My Lou<br> Take Me Out to the Ball Game<br> The Water Is Wide<br> <br> Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00
22.96 €
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Percussion
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Traditional
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Folk Songs for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
53 Original works for flute and classical guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577584 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 501 pages. David Warin Solomons #2065695. Published by David Warin Solomons (A0.577584). These works are all also available separately on this site, but if you are interested in acquiring this album, it will afford you a very big discount. All pieces are composed by David Warin Solomons and the scores and parts are all provided. The sound sample is Pax Eiscum, performed by Michelle LaPorte and Gerry Saulter. The pieces are as follows: Pax eiscum (= peace be upon them) The face of Love Cotoneaster A rune of hospitality After the party Falling is painless Tip of the flame Lull Ningal's Song Kichijiro A Christmas Song A forever kind of love A Springtime jaunt A time of change Ariette oubliée Beetle's Wings Cupid, shame yourself Dawn in the room Dorina Elégie Exmas Carol Feuer und Wasser For my cat Greek Wassail Invitation to the journey Japanese snapshots Last picnic at Blue Lake Letter to a distant lover Little Laser lady Memorial for a child Messe Miniature Passacaglia Petite Ballade Playtime Venus has left the building Across a crowded room Being but men Chantefable d'Aucassin et Nicolette The Story of Henry King Potrait of a bird Rosebuds Sentimental Song Solace Song for Jenny Street Song Sunday morning Solitude The Swallows Think On (A latter day Ronsard) Three words too many To idelness To Marie Virgo and Taurus What is left of us.
$50.00
45.91 €
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Flute and Guitar
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David Warin Solomons
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53 Original works for flute and classical guitar
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David Warin Solomons
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SheetMusicPlus
Caste Room
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1416397 By ZAQ. By Rina Izaku. Arra…
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Piano Solo - Level 2 - Digital Download SKU: A0.1416397 By ZAQ. By Rina Izaku. Arranged by Piano Lovers. jp. Pop. Score. 7 pages. Piano Lovers. jp #998078. Published by Piano Lovers. jp (A0.1416397). I made piano sheet music for ‘Caste Room’ from Classroom of the Elite!Title : Caste RoomAnime : Welcome to the Classroom of the Supreme Ability DoctrineArtist : ZAQPiano Lovers. jp makes piano sheet music of popular Japanese anime songs and J-POP.▼Latest Video(YouTube)1.Piano Lovers. jp(normal)https://www.youtube.com/@pianoloversjp/videos2.Piano Lovers. jp(easy)https://www.youtube.com/@pianoloversjpeasy/videosThere are many simple and easy Japanese anime song piano tutorials!
$4.99
4.58 €
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Piano solo
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ZAQ
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Caste Room
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Piano Lovers. jp
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.56 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 33 (Songs 865-891)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 50 pages. Socrates Arvanitakis #767044. Published by Socrates Arvanitakis (A0.1166663). This is the thirtieth-third volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 33 (Songs 865-891)Tobacco Is An Indian WeedTom BowlingTom’s Gone to HiloTommy make room for your UncleTop of the Morning (the)Tramping SongTravel the Country RoundTree in the Wood (the)Trees they do grow High (the)Trees They’re All Bare (the)Trimdon Grange ExplosionTurmut-hoeingTurpin HeroTwo Magicians (the)Twa SistersTwankydilloTwelve Apostles (the)Twelve Days of Christmas (the)Twenty Eighteen Two Affectionate LoversTwo Brothers  (the)Unfortunate Tailor (the)Up the RawUp! Good Christen FolkVan Dieman’s LandVenus and AdonisVicar of Bray (the).
$25.00
22.96 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 33
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Socrates Arvanitakis
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.95 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Table of Love - Director's Score/Resource
Choral Unison
Unison chorus - Digital Download SKU: JX.JMG1319 Composed by Ruth Elaine Schram. Sc…
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Unison chorus - Digital Download SKU: JX.JMG1319 Composed by Ruth Elaine Schram. Score. 8 pages. Jubilate Music Group - Digital #JMG1319. Published by Jubilate Music Group - Digital (JX.JMG1319). UPC: 850055807167.With a wistful innocence, Table of Love is a lovely communion anthem for children. Use anytime during Lent, World Communion Day, or whenever communion is served. Smoothly incorporates the classic hymn Were You There? “There is room for you at the table of Love.
$7.95
7.3 €
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Choral Unison
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Ruth Elaine Schram
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Table of Love - Director's Score/Resource
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Jubilate Music Group - Digital
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SheetMusicPlus
Table of Love - Singer's Edition
Choral Unison
Unison chorus - Digital Download SKU: JX.JMG1320 Composed by Ruth Elaine Schram. Sc…
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Unison chorus - Digital Download SKU: JX.JMG1320 Composed by Ruth Elaine Schram. Score. 2 pages. Jubilate Music Group - Digital #JMG1320. Published by Jubilate Music Group - Digital (JX.JMG1320). With a wistful innocence, Table of Love is a lovely communion anthem for children. Use anytime during Lent, World Communion Day, or whenever communion is served. Smoothly incorporates the classic hymn Were You There? “There is room for you at the table of Love.
$1.95
1.79 €
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Choral Unison
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Ruth Elaine Schram
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Table of Love - Singer's Edition
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Jubilate Music Group - Digital
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SheetMusicPlus
Have You Any Room for Jesus?
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1298246 By The White …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1298246 By The White Sisters. By Words: Anon. (adapt. by Daniel W. Whittle) / Music: C.C. Williams. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #888226. Published by Leatherman Music Services (A0.1298246). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.75 €
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Piano, Vocal and Guitar
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The White Sisters
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some were not
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Have You Any Room for Jesus?
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Leatherman Music Services
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SheetMusicPlus
In My Room
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.83 €
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Choral TTBB
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The Beach Boys
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In My Room
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Donald A Mills
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SheetMusicPlus
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