Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
304
Digital Sheet Music
366
Sheet Music Books
1,398
Music Equipment
80
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
52
PIANO & KEYBOARDS
Piano solo
41
Piano, Voice
12
Piano, Vocal and Guitar
8
C Instruments
5
Easy Piano
2
Organ
2
Piano Trio: piano, violin, cello
1
Instrumentations suivantes
Retracter
GUITARS
Bass guitar
3
Guitar
3
Melody line, (Lyrics) and Chords
3
Guitar notes and tablatures
1
Lyrics and Chords
1
VOICE
Choral SATB
19
Choral TTBB
6
Choral Unison
4
Voice solo
3
Soprano voice, Piano
2
Tenor voice, Piano
2
Choral 3-part
2
Choral SSAA
1
Choral 2-part
1
Instrumentations suivantes
Retracter
WOODWIND
Clarinet Quartet: 4 clarinets
4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3
Flute, Oboe, Clarinet, Bassoon
3
Saxophone Quartet: 4 saxophones
3
Flute and Piano
2
Alto Saxophone and Piano
2
Flute Quartet: 4 flutes
2
Soprano Saxophone and Piano
2
Treble (Alto) Recorder
1
Clarinet, Cello (duet)
1
Clarinet, Harp (duet)
1
Clarinet, Guitar (duet)
1
Bass Clarinet
1
Clarinet, Bassoon (duet)
1
Flute ensemble
1
Oboe, Piano (duet)
1
Clarinet and Piano
1
Tenor Saxophone and Piano
1
Recorder Quartet
1
Flute and Guitar
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
30
Brass Quartet
5
Brass quartet : 2 trumpets, trombone, tuba
4
Tuba
2
French Horn and Piano
1
Tuba ensemble
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
9
String Quartet: 2 violins, viola, cello
8
String Trio: violin, viola, cello
5
Viola, Piano
2
Cello
2
Harp
1
2 Violins (duet)
1
Cello, Piano
1
Violin, Cello (duet)
1
Cello, Guitar (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Brass ensemble
24
Drums
23
Handbells
19
Concert band
5
Orchestra
4
Jazz Ensemble
4
String Orchestra
3
Xylophone
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Run To Him
Sheetmusic to print
366 sheet music found
<
1
26
51
76
....
351
We'll Get The Bells To Ring (from "Why The Chimes Rang?: the musical")
Choral SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.620064 Composed by Stephe…
(+)
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.620064 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Octavo. 8 pages. Exultet Music #3121713. Published by Exultet Music (A0.620064). Comedic musical-theatre song which is featured in the Christmas musical, Why The Chimes Rang which sings about the townspeople trying to outdo one another in bringing a special gift to the altar to make the steeple bells ring which have not rung out in many years. Scored for Ensemble and Piano. A rehearsal and an accompaniment track are also available. .
$3.99
3.68 €
#
Choral SATB
#
Stephen DeCesare
#
We'll Get The Bells To Ring
#
Exultet Music
#
SheetMusicPlus
I Will Arise and Go to Jesus - Full Score
Handbells
2, 3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB746 Come…
(+)
2, 3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB746 Come, Ye Sinners, Poor and Needy. Composed by Cathy Moklebust. General. With Finger Cymbals, Tambourine, Chime tree, Cond Score. Full score. 8 pages. Chorister's Guild - Digital #CGB746. Published by Chorister's Guild - Digital (C7.CGB746). UPC: 749193016978.Level 3 * This spirited arrangement includes a great walking bass line for the bass bell ringers, along with gyros, shakes, and lots of malleting for all. The final stanza includes some sticking as in a soft shoe dance, with the mallets both playfully striking the foam and clicking together. In a short, solemn middle section, In the Garden is rung on handchimes, both providing contrast and reminding us of the varying emotions of life's journey and of God's presence through them all. This arrangement will be a great choice for worship, concert, and festival use.
$9.95
9.17 €
#
Handbells
#
Cathy Moklebust
#
I Will Arise and Go to Jesus - Full Score
#
Chorister's Guild - Digital
#
SheetMusicPlus
Six Schubler Chorales No.6 BWV 650 "Kommst du nun, Jesu, von Himmel herunter." for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.777…
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.777992 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. Score and parts. 8 pages. ACORDO Sheet Music #4762337. Published by ACORDO Sheet Music (A0.777992). Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). Schubler is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece, BWV650, is Cantata No.137, movement 2, Come thou, Jesu, from heaven to earth.
$7.20
6.64 €
#
String Trio: violin, viola, cello
#
Johann Sebastian Bach
#
Six Schubler Chorales No.6 BWV 650 "Kommst du nun, Jesu, von Himmel herunter." for String Trio
#
ACORDO Sheet Music
#
SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano solo
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
(+)
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.6 €
#
Piano solo
#
John Bacchus Dykes
#
Holy Holy Holy
#
April Ann Rundquist
#
SheetMusicPlus
We'll Get The Bells To Ring (Rehearsal Track)
Choir,Piano - Digital Download SKU: A0.1052239 Composed by Stephen DeCesare. Broadw…
(+)
Choir,Piano - Digital Download SKU: A0.1052239 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Full Performance. Duration 106. Exultet Music #3121715. Published by Exultet Music (A0.1052239). Comedic musical-theatre song which is featured in the Christmas musical, Why The Chimes Rang which sings about the townspeople trying to outdo one another in bringing a special gift to the altar to make the steeple bells ring which have not rung out in many years. Scored for Ensemble and Piano.
$3.99
3.68 €
#
Stephen DeCesare
#
We'll Get The Bells To Ring
#
Exultet Music
#
SheetMusicPlus
We'll Get The Bells To Ring (Performance Track)
Piano solo
Piano - Digital Download SKU: A0.1052240 Composed by Stephen DeCesare. Broadway,Chr…
(+)
Piano - Digital Download SKU: A0.1052240 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Accompaniment. Duration 110. Exultet Music #3121717. Published by Exultet Music (A0.1052240). Comedic musical-theatre song which is featured in the Christmas musical, Why The Chimes Rang which sings about the townspeople trying to outdo one another in bringing a special gift to the altar to make the steeple bells ring which have not rung out in many years. Scored for Ensemble and Piano.
$3.99
3.68 €
#
Piano solo
#
Stephen DeCesare
#
We'll Get The Bells To Ring
#
Exultet Music
#
SheetMusicPlus
Terbangnya Burung - Conductor's Score and Instrumental Parts
String Orchestra
String Orchestra - Digital Download SKU: A0.493684 Composed by Arya Brahmantya Boga…
(+)
String Orchestra - Digital Download SKU: A0.493684 Composed by Arya Brahmantya Boga. Contemporary. Score and parts. 30 pages. Published by Arya Brahmantya Boga (A0.493684). A song based on the poem Terbangnya Burung by Sapardi Djoko Damono. This song depicted someone who must set his/her beloved one free from his/her boundaries; like a bird soaring up to the sky, no one, not even that person, could imagine where it will fly. He/she must be willing to set his/her beloved one free without knowing what he/she thinks or feels, while he himself/she herself is being swallowed by his/her own insecurity of their relationship.
$60.00
55.31 €
#
String Orchestra
#
Arya Brahmantya Boga
#
Terbangnya Burung - Conductor's Score and Instrumental Parts
#
Arya Brahmantya Boga
#
SheetMusicPlus
Running
Violin and Piano
Violin and piano - easy to intermediate - Digital Download SKU: S9.Q54338 Composed …
(+)
Violin and piano - easy to intermediate - Digital Download SKU: S9.Q54338 Composed by Joachim Johow. This edition: Sheet music. Downloadable. Schott Music - Digital #Q54338. Published by Schott Music - Digital (S9.Q54338).
$3.99
3.68 €
#
Violin and Piano
#
Joachim Johow
#
Running
#
Schott Music - Digital
#
SheetMusicPlus
Naturszenen Op. 3, No. 9 "Libellen in der Abenddämmerung"
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1048636 By Michael Swedberg. By Ter…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1048636 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #653045. Published by Niska Music Publishing (A0.1048636). There is a playful, whimsical quality to this prelude. The music goes back and forth between phrases which have a more floating quality and those that create a feeling of sudden shifts in direction, much like the dragonflies of the title. As the piece draws to a close, the sun slowly falls below the horizon and the dragonflies take shelter for the night...awaiting another day.
$3.99
3.68 €
#
Piano solo
#
Michael Swedberg
#
Naturszenen Op. 3, No. 9 "Libellen in der Abenddämmerung"
#
Niska Music Publishing
#
SheetMusicPlus
An die Türen (I will creep up to the doors) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.57670…
(+)
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
7.38 €
#
Franz Schubert
#
An die Türen
#
David Warin Solomons
#
SheetMusicPlus
Run to Him by Bobby Vee - Leadsheet
Melody line, (Lyrics) and Chords
Performed by: Bobby Vee: Run to Him Digital Sheetmusic - instantly downloadable sheet musi…
(+)
Performed by: Bobby Vee: Run to Him Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument; 2 pages -- Brill Building Pop~~Pop Rock~~Teen Idol
$2.99
2.76 €
#
Melody line, (Lyrics) and Chords
#
Bobby Vee
#
Leadsheet
#
Musicnotes
A Christmas Tune for Flute and Piano
Flute and Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.83…
(+)
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody Weinmann #6121307. Published by Cody Weinmann (A0.835162). This little Christmas tune takes some cues from the famous Christmas bells. The C-G-A-E theme weaves its way throughout the texture in various guises from legato and striking quarter-note passages between the solo flute and the piano to softer instances over longer note durations. Several eighth and sixteenth note runs will give the flautist a run for their money. All of the frills in this piece are to make this a happy and festive piece for all who play it.DedicationThis work is dedicated to a dear friend from my high school days, Sarah Aplet. Itis an honor to write this piece for her.Cody Weinmann is a prolific composer of many different types and genres of music.These can range from works for solo piano and solo instrument with piano accompaniment to full band, orchestra and choral works. He also is an avid writerof original music and arrangements for young people, including his own pianostudents.He also loves to write sacred praise and worship music to glorify God and our SaviorJesus Christ. He believes in writing music to bring people to Him through music andlyrics.Cody self-publishes through Musicaneo.com (http://www.codyweinmann.musicaneo.com) as well as on Sheet Music Plus.For more, you can check him out on his various social media links below.
$2.99
2.76 €
#
Flute and Piano
#
Cody Weinmann
#
A Christmas Tune for Flute and Piano
#
Cody Weinmann
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
Goetterdaemmerung
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
44.24 €
#
Piano, Voice
#
Richard Wagner (1813-1883)
#
Goetterdaemmerung
#
Schott Music - Digital
#
SheetMusicPlus
His Memory
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel…
(+)
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
22.13 €
#
Violin and Piano
#
Robert Daniel
#
His Memory
#
RDMusicStudios
#
SheetMusicPlus
In the Evening by the Moonlight
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.33 €
#
Brass ensemble
#
James Bland
#
In the Evening by the Moonlight
#
Sweetwater Brass Press
#
SheetMusicPlus
But It Was Just Another Squirrel.
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1495486 By Damien Gauci. By Damien …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1495486 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 5 pages. Damien Gauci #1072003. Published by Damien Gauci (A0.1495486). What a relief! It was just another squirrel all along! Whiskers and the other squirrel are cautious to meet each other but they walk up to each other slowly and carefully, ready to run at any moment in case something happens. Whiskers thinks to himself about all that fear and chaos he felt earlier that was all for nothing, he is very relieved to find out that the scary creature he was so scared about was just another squirrel.Whiskers doesn’t have many other friends so he’s happy to find someone else in these woods to become friends with. The scary abandoned house that they’re in seems to fade away now that he feels comfortable with this other squirrel. What an adventure it has been so far, from finding this abandoned house to running for his life to making a new friend. I wonder what her name is?
$6.00
5.53 €
#
Piano solo
#
Damien Gauci
#
But It Was Just Another Squirrel.
#
Damien Gauci
#
SheetMusicPlus
Help Thou Mine Unbelief
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.901544 Composed by Ginger Fairbanks…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.901544 Composed by Ginger Fairbanks. Christian,Concert,Praise & Worship,Sacred. Score. 4 pages. Ginger Fairbanks #3897513. Published by Ginger Fairbanks (A0.901544). Piano solo, original composition by Ginger Fairbanks.Mark 9:17 tells the story of a desperate father who entreats Jesus to heal his son. When Jesus says to him, If thou canst believe, all things are possible to him that believeth, the father cries, Lord, I believe; help though my unbelief! Ginger’s composition meditates on this heartfelt plea to our Savior to help thou my unbelief in Mark 9:24, and of His compassion as He healed the boy. This tender arrangement is gentle and hopeful, encouraging listeners to have faith in Christ. Listen to this song in its entirety on Spotify at https://open.spotify.com/album/0RPZpw9tlNfNO0fXsbjuLlPerformance run time 3:41
$4.95
4.56 €
#
Piano solo
#
Ginger Fairbanks
#
Help Thou Mine Unbelief
#
Ginger Fairbanks
#
SheetMusicPlus
The Song of the Lord, a sacred hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1474370 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1474370 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1051989. Published by Kevin G. Pace (A0.1474370). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:As I rise to meet the morn,My heart is heavy, sad, forlorn,I pick up my load,Look down the long road,Then I drop to my knees to pray.The Lord hears my prayer,For He’s always there;My needs are known,I’m not alone,And the Song of the Lord fills my day.As the evening shadows fall,I yearn to run to bedtime’s call,But first I must,For in God I trust,And I drop to my knees to pray.I give thanks to Him,Seek forgiveness of sin,For strength to do work,My duty not shirk,For the Song of the Lord filled my day.Chorus:The Song of the Lord touches my soul,It gives me strength, it makes me whole,His presence is sure for peace it doth bring,This song of the Lord, I’ll gladly sing.Rejoice in the Song of the Lord.
$1.99
1.83 €
#
Choral SATB
#
Kevin G
#
The Song of the Lord, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Schumann: Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (as played by Martha Argerich)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1275386 By Robert Schumann. By Robe…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1275386 By Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score. 3 pages. Flavio Regis Cunha #867308. Published by Flavio Regis Cunha (A0.1275386). Welcome to the magic of Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the incomparable pianist Martha Argerich.  From the dancing runs to explosive climaxes, shimmering lyrical passages, and breathtakingly elegant nuances, ‘Of Foreign Lands and Peoples’ is one of the most beloved pieces in piano repertoire.  We’re now offering you the opportunity to get your own copy of the sheet music for ‘Of Foreign Lands and Peoples’, complete with detailed notes and fingerings from the inimitable Martha Argerich.  Whether you’re a student of piano wanting to explore the power of repertoire or a professional pianist looking for the finishing touches to your performance, Martha’s sheet music is the perfect selection.  So join us in discovering the hidden beauty, grace, and emotion of Robert Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the legendary Martha Argerich.  Get your copy today and take your performance of this amazing piece to the next level.IntermediateFormat: Concert, 9 x 12 inches2 pages.Program NotesKinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) is a romantic piano piece composed by Robert Schumann in 1838. This piece is a part of Schumann's Kinderszenen (Scenes from Childhood) suite. It explores themes of the unfamiliar and a child's curiosity of the world.  Von fremden Ländern und Menschen utilizes a lyrical ABA form set in an ABA ternary meter. The opening melody is soft, nostalgic, and reflective representing the innocence of childhood. The second section begins with a marching-like motif that gradually builds intensity as it progresses, creating feelings of awe and wonder as the music approaches the climax. The piece ends reflecting on the initial melody.  Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen is an emotionally evocative piece that allows the listener to enter the whimsical world of childhood. The piece’s subtle development makes it a great piece for piano students looking to explore the Romantic era.
$4.99
4.6 €
#
Piano solo
#
Robert Schumann
#
Schumann: Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen
#
Flavio Regis Cunha
#
SheetMusicPlus
Angel Band
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics by Jefferson Hascall and William B. Bradbury. Arranged by Giorgio Navarini. 19th Century,A Cappella,Barbershop,Christian,Religious. Octavo. 6 pages. Giorgio Navarini #784476. Published by Giorgio Navarini (A0.1184800). An American Sacred Harp Hymn. 1 My latest sun is sinking fast,my race is nearly run;my strongest trials now are past,my triumph is begun.Refrain:O come, angel band,come and around me stand;O bear me away on your snowy wingsto my immortal home.O bear me away on your snowy wingsto my immortal home.2 I know I’m near the holy ranksof friends and kindred dear;I hear the waves on Jordan’s banks,the crossing must be near. [Refrain]3 I’ve almost reached my heav’nly home,my spirit loudly sings;your holy ones, behold, they come!I hear the noise of wings. [Refrain]4 O bear my longing heart to himwho bled and died for me;whose love now covers all my sin,and gives me victory. [Refrain].
$1.99
1.83 €
#
Choral TTBB
#
Lyrics by Jefferson Hascall and William B
#
Angel Band
#
Giorgio Navarini
#
SheetMusicPlus
Captain Kangaroo (puffin' Billy)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged…
(+)
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
11.98 €
#
Brass ensemble
#
Edward White
#
two stand out
#
Captain Kangaroo
#
Sweetwater Brass Press
#
SheetMusicPlus
Come, Josephine in My Flying Machine
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher.…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
6.44 €
#
Brass ensemble
#
Fred Fisher
#
Come, Josephine in My Flying Machine
#
Sweetwater Brass Press
#
SheetMusicPlus
<
1
26
51
76
....
351
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
