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You've selected:
Saxes We Have Heard on High: Score
Sheetmusic to print
8 sheet music found
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1
Saxes We Have Heard on High: Score
Saxophone
Arranged by Michael Story. For Concert Band. Instructional. Score. 12 pages. Published by …
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Arranged by Michael Story. For Concert Band. Instructional. Score. 12 pages. Published by Alfred Music - Digital Sheet Music
$9.00
8.32 €
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Saxophone
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Saxes We Have Heard on High: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
ANGELS WE HAVE HEARD ON HIGH - SAXOPHONE TRIO (SAT) - unaccompanied
Small Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Downlo…
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Small Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.807195 Composed by Traditional French Melody. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 11 pages. Arrangements by GPoehlmann #6508379. Published by arrangements by GPoehlmann (A0.807195). ANGELS WE HAVE HEARD ON HIGH - SAT SAXOPHONE TRIO (unaccompanied)A challenging, rhythmic and joyful arrangement of the popular Christmas Carol for 3 Saxes.74 measures. Performance Time approx. 2:30. Medium Difficult (Grade 4-)Key: F - F# - G - Ab - A - Bb (concert). Meter: 3/4 - 4/4 - 5/4. Instrument Ranges (C4=middle C):Soprano Saxophone C#4 - E6 (written). Alto Saxophone C4 - E6 (written). Tenor Saxophone C4 - D6 (written).PDF parts included: Score, Soprano Saxophone, Alto Saxophone, Tenor Saxophone. .
$5.00
4.62 €
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Traditional French Melody
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ANGELS WE HAVE HEARD ON HIGH - SAXOPHONE TRIO
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arrangements by GPoehlmann
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SheetMusicPlus
Angels we have heard on high: E flat saxes (alto, baritone)/piano
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 1 - Digital …
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 1 - Digital Download SKU: A0.817815 Composed by Traditional Christmas Carol. Arranged by Meri Dolevski. Christmas,Standards. Score and parts. 3 pages. Meri Dolevski #506901. Published by Meri Dolevski (A0.817815). A sheet music single from the same arranger's A Beginning Saxophone Christmas--E flat saxes.If you like this composition or arrangement, please let me know! Find me on Facebook or email me at mdolevskilewis@yahoo.ca
$12.99
12.01 €
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2 Saxophones (duet)
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Traditional Christmas Carol
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Angels we have heard on high: E flat saxes
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Meri Dolevski
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SheetMusicPlus
Anonymous: Saxes We Have Heard on High - concert band (full score)
Concert band
Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY sk…
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Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY skill level. / instructional,children
$8.99
8.31 €
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Concert band
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Anonymous
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Virtualsheetmusic
Hark, The Angels We Have Heard - Big Band & Choir
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.750078 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.750078 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas,Jazz. Score and Parts. 93 pages. Bradley Sowash #20701. Published by Bradley Sowash (A0.750078). A funky medley of Hark, the Herald Angels Sing and Angels We Have Heard on High. Features: an improvised trumpet solo. (5:33) Instrumentation: 4 trpts., 4 trombones, 5 saxes, rhythm section and optional guitar with SATB choir. Could also be performed as instrumental with minor adjustments.
$45.00
41.61 €
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Jazz Ensemble
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Bradley Sowash
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Hark, The Angels We Have Heard - Big Band & Choir
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Bradley Sowash
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SheetMusicPlus
Anonymous: Saxes We Have Heard on High (COMPLETE) - concert band
Concert band
Instantly printable sheet music by Anonymous for concert band of VERY EASY skill level. / …
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Instantly printable sheet music by Anonymous for concert band of VERY EASY skill level. / instructional,children
$59.99
55.47 €
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Concert band
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Anonymous
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Virtualsheetmusic
Angels We Have Heard On High: B flat saxes
Composed by Traditional Christmas Carol. Christmas. Score, Sheet Music Single, Solo Part. …
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Composed by Traditional Christmas Carol. Christmas. Score, Sheet Music Single, Solo Part. 3 pages. Published by Meri Dolevski (S0.89611). - Score,Sheet Music Single,Solo Part - Christmas - Meri Dolevski
$9.99
9.24 €
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Traditional Christmas Carol
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Angels We Have Heard On High: B flat saxes
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Meri Dolevski
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.34 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
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