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Scarlatti - Minuet(With Note name)
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You've selected:
Scarlatti - Minuet(With Note name)
Sheetmusic to print
7 sheet music found
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1
Cara e Dolce-Scarlatti-String Trio
#
String Trio: 2 violins, cello
#
INTERMEDIATE/ADVANCED
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-String
#
Phil Beaman
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.844880 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,O...
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String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.844880 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5954915. Published by Phil Beaman (A0.844880). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 4
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Trio 3
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed T
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - Digital Download SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Ope...
(+)
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - Digital Download SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed C
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
(+)
Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - Digital Download SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman....
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - Digital Download SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 3
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil B...
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed C
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Stan...
(+)
Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
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1
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