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You've selected:
Second Aria
Sheetmusic to print
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1076
Hungarian Rhapsody No. 2
Piano Ensemble - Intermediate - Digital Download SKU: F0.E1034 Composed by Franz Li…
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Piano Ensemble - Intermediate - Digital Download SKU: F0.E1034 Composed by Franz Liszt. Arranged by Melody Bober. Sheet Music. The FJH Piano Ensemble Series. Romantic. Duet Sheet. 11 pages. The FJH Music Company - Digital #E1034. Published by The FJH Music Company - Digital (F0.E1034). UPC: 674398216758.Why wait to be a virtuoso to play Liszt? Melody Bober has taken the highlights from Liszt's second Hungarian Rhapsody and crafted them into this dramatic ensemble arrangement. Primo and Secondo are both accessible to intermediate students, while the sound remains grand. Captivating music that's really fun to play --oe pair off and show off!
$3.95
3.64 €
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Franz Liszt
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Hungarian Rhapsody No. 2
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The FJH Music Company - Digital
#
SheetMusicPlus
Aria * Larghetto molto
Violin and Piano
Violin and piano - advanced - Digital Download Two alternative movements for the seco…
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Violin and piano - advanced - Digital Download Two alternative movements for the second movement of the Kleine Suite for violin and piano. Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q19868. Published by Schott Music - Digital
These two movements were originally intended for Kleine Suite for violin and piano (ED 7564), but were exchanged for the 'official' second movement published in the suite. Over the course of the reviewing of Zimmermann's early work, many surprising things have come to light again. These two alternative movements are not difficult to play, can be used for many different purposes and expand the repertoire by two unknown pieces by Zimmermann.
$11.99
11.04 €
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Violin and Piano
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Bernd Alois Zimmermann
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Aria * Larghetto molto
#
Schott Music - Digital
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.85 €
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.09 €
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Sol che un instante - Aria of cantata Il Primo Amore
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1267644 Composed by Maria Mar…
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String Orchestra - Level 4 - Digital Download SKU: A0.1267644 Composed by Maria Martinez. Arranged by Edited by Eliseu Ferreira. Classical,Early Music,Historic,Opera. Score and Parts. 33 pages. Eliseu Ferreira #860184. Published by Eliseu Ferreira (A0.1267644). A modern edition of aria Sol che un instante, second movement of the cantata Il Primo Amore composed by Marianne Martinez (1744-1812). A modern notation of ornaments has been providade in order to facilitate performances, and also a guide to harpschord playing. It´s one of the most import works of a woman composer of the classical period.
$15.00
13.82 €
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String Orchestra
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Maria Martinez
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Sol che un instante - Aria of cantata Il Primo Amore
#
Eliseu Ferreira
#
SheetMusicPlus
Aria from Suite n°3 in D major (BWV 1068)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet,Viola - Level 2 - Digital Download SKU: A0.798115 Com…
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String Quartet String Quartet,Viola - Level 2 - Digital Download SKU: A0.798115 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Concert,Praise & Worship,Standards. Score and parts. 6 pages. Inacio Saldanha #5376723. Published by Inacio Saldanha (A0.798115). An air (Italian: aria; also ayr, ayre in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria.Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is the only movement of the suite where all other instruments are silent.The music of the Air is written on four staves, for solo violin, violins, violas, and continuo. The interweaving melody lines of the high strings contrasts with the pronounced rhythmic drive in the bass.Arranged for Viola Quartet. Key of D major. Early intermediate.
$12.99
11.96 €
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String Quartet: 2 violins, viola, cello
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Johann Sebastian Bach
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Aria from Suite n°3 in D major
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Inacio Saldanha
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitar
#
Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Lullaby Variation (For Viola and Piano)
Viola, Piano
Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054…
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Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,Contemporary,Instructional,Romantic Period. Score and individual part. 12 pages. Han-Ki Kim #729579. Published by Han-Ki Kim (A0.1129054). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file and Shown YouTube Link(Fast-forward to 25:55) is played by Vn and Piano, it's just jor a reference.
$5.20
4.79 €
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Viola, Piano
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Jun-Hee Lim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Lullaby Variation (For Cello and Strings)
String Ensemble Cello - Level 4 - Digital Download SKU: A0.1129072 Composed by JunH…
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1129072 Composed by JunHee Lee. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729598. Published by Han-Ki Kim (A0.1129072). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
13.36 €
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JunHee Lee
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Lullaby Variation (For Violin and Strings)
String Ensemble Violin - Level 4 - Digital Download SKU: A0.1129077 Composed by Jun…
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String Ensemble Violin - Level 4 - Digital Download SKU: A0.1129077 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729603. Published by Han-Ki Kim (A0.1129077). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
13.36 €
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Jun-Hee Lim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Lullaby Variation (For Cello and Piano)
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Chi…
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Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Children,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6600115. Published by Han-Ki Kim (A0.511813). The theme of the original song Byeoljigi composed by Junhee Lim consists of a 16-bar melody, but this composer rearranged it to a 16-bar melody. the Korean pentatonic scale “Doremisola†is mostly used for the the melody. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft until the second variation, and in the third variation, there is a relaxed atmosphere, and then a cadenza singing a conversation between a mother singing a lullaby and a baby enjoying in her dreams. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi re Do Re mi.†It then ends with a brilliant finale and a short ending. Attached music file is recorded by Violin, it's just for a referrence.
$5.20
4.79 €
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Cello, Piano
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Ave Maria by Bach & Gounod, Duo or Trio
Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - Digital Dow…
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Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - Digital Download SKU: A0.836145 Composed by Melody by Charles Gounod, based on Prelude in C by J. S. Bach. Arranged by Stephanie Bennett. Christian,Christmas,Contemporary,Sacred,Wedding. Score and parts. 15 pages. Harpworld Music Co. #6235681. Published by Harpworld Music Co. (A0.836145). The beautiful prayer AVE MARIA, melody by Charles Gounod (1818-1893) based on PRELUDE IN C by Johann Sebastian Bach (1685-1750). Adapted beautifully for pedal harp, with alto voice (vocal range from G below middle C, to the second E above middle C). Voice part could be sung by a baritone an octave lower than written. Flute, violin or oboe (playing an octave higher than written) may be substituted for the voice. There is an optional cello part (doubling the low notes of the harp part), so it can be played as a duo OR a trio. Perfect for any Christian occasion: Christmastime, funerals, weddings (especially the 'Marian presentation' of some Catholic weddings, in which the bride offers flowers to a statue of Virgin Mary). About 4 minutes and 20 seconds long with the repeat (or 2 minutes and 10 seconds long if you don't take the repeat, but go directly to the second ending). The PDF includes ALL three parts. The harp part also shows the vocal part on a small staff. There is a separate part (included) for the voice (or flute or violin or oboe) and a separate part (included) for the cello. The layout is such that if you can print out double-sided, the harp part and the vocal part have front and back covers. The cello part is only one page. Arranged by Stephanie Bennett (One of our country's top harpists - the Hollywood Reporter), www.harpworld.com.
$12.00
11.05 €
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Melody by Charles Gounod, based on Prelude in C by J
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Ave Maria by Bach & Gounod, Duo or Trio
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Harpworld Music Co.
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.89 €
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Choral SATB
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Leonardo Leo
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Ariana Grande - Needy
Piano, Voice
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana G…
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!<br> <br> With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".<br> "Needy" is a beautiful, calm piece which makes for a great piano ballad!<br> <br> It's an accurate piano arrangement of the full song, including the beautiful string outro.<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).<br> <br> It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.<br> <br> Here are the full lyrics to "needy" by Ariana Grande:<br> <br> If you take too long to hit me back<br> I can't promise you how I’ll react<br> But all I can say<br> Is at least I'll wait for you<br> Lately I've been on a roller coaster<br> Tryna get a hold of my emotions<br> But all that I know, is I need you close<br> And I'ma scream and shout for what I love<br> Passionate but I don't give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I'm obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed<br> Sorry if I'm up and down a lot (Yeah)<br> Sorry that I think I'm not enough<br> And sorry if I say sorry way too much<br> You can go ahead and call me selfish (Selfish)<br> But after all this damage I can't help it (Help it)<br> But what you can trust, is I need your touch<br> I'ma scream and shout for what I love<br> Passionate but I don’t give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I’m obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed
$4.99
4.6 €
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Piano, Voice
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Ariana Grande
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Ariana Grande - Needy
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Mario Stallbaumer
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SheetMusicPlus
Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart (Violin & Cello)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802613 Composed by Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Contemporary. Score and parts. 2 pages. Peet du Toit #6012569. Published by Peet du Toit (A0.802613). Der Hölle Rache kocht in meinem Herzen (Hell's vengeance boils in my heart), commonly abbreviated Der Hölle Rache, is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife into the hand of her daughter Pamina and exhorts her to assassinate Sarastro, the Queen's rival, else she will disown and curse Pamina.Memorable, fast-paced, and menacingly grandiose, Der Hölle Rache is one of the most famous of all opera arias. This rage aria is often referred to as the Queen of the Night Aria, although the Queen sings another distinguished aria earlier in the opera, O zittre nicht, mein lieber Sohn.The opera is set in ancient Egypt. Mozart's sister-in-law - Josepha Hofer - sang it in 1791 at the premiere of this opera.Here's your opportunity to excite your audiences with this short, but well-known aria.
$13.50
12.43 €
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Wolfgang Amadeus Mozart
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Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart
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Peet du Toit
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SheetMusicPlus
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
9.2 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
O Teseo from Lamento d'Ariana (Claudio Monteverdi)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.877722 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.877722 Composed by Claudio Monteverdi. Arranged by Brandyn Metzko. Baroque,Classical,Concert,Renaissance,Standards. 33 pages. Brandon Joseph Metzko #4804175. Published by Brandon Joseph Metzko (A0.877722). O Teseo is the second motet in the series from Claudio Monteverdi's Lamento d'Arianna. Now arranged for intermediate woodwind quintet. (Originally SSATB voices) The other movements of the Lamento d'Arianna are also available and published on this site.
$16.65
15.34 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claudio Monteverdi
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O Teseo from Lamento d'Ariana
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Brandon Joseph Metzko
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SheetMusicPlus
MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, String Trio, Intermediate Level for 2
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521444 Composed…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521444 Composed by Wolfgang Amadeus Mozart. Arranged by Sherry Lewis Publishing. Classical,Holiday,Opera,Wedding. 12 pages. Sherry Lewis Publishing #6076529. Published by Sherry Lewis Publishing (A0.521444). MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - String Trio for 2 violins and cello or violin, viola and celloScore: 5 pagesParts: 4 pages Time: 2'40MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.99 €
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String Trio: violin, viola, cello
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Wolfgang Amadeus Mozart
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MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, String Trio, Intermediate Level for 2
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Sherry Lewis Publishing
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SheetMusicPlus
MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, String Duo, Intermediate Level for vi
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521445 Composed…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521445 Composed by Wolfgang Amadeus Mozart. Arranged by Sherry Lewis. Classical,Holiday,Opera,Wedding. 8 pages. Sherry Lewis Publishing #6076533. Published by Sherry Lewis Publishing (A0.521445). MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA', Marriage of Figaro, String Duo for violin and celloScore: 4 pagesParts: 3 pages Time: 3'50MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.14 €
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Violin, Cello (duet)
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Wolfgang Amadeus Mozart
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MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, String Duo, Intermediate Level for vi
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Sherry Lewis Publishing
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SheetMusicPlus
MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, Violin Solo, Intermediate Level
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.521756 Composed by Wolfgang Amadeu…
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Violin Solo - Level 3 - Digital Download SKU: A0.521756 Composed by Wolfgang Amadeus Mozart. Arranged by Sherry Lewis. Classical,Holiday,Opera,Wedding. 4 pages. Sherry Lewis Publishing #6426865. Published by Sherry Lewis Publishing (A0.521756). MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Solo Violin Score: 0 pages Parts: 1 pages Time: 2'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.14 €
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Violin
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Wolfgang Amadeus Mozart
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MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart, Violin Solo, Intermediate Level
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Sherry Lewis Publishing
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SheetMusicPlus
MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart - String Quartet, Intermediate Level fo
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521442 Composed by Wolfgang Amadeus Mozart. Arranged by Sherry Lewis. Classical,Holiday,Opera,Wedding. 12 pages. Sherry Lewis Publishing #6076509. Published by Sherry Lewis Publishing (A0.521442). MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart - String Quartet for 2 violins, viola and celloScore: 5 pagesParts: 4 pages Time: 3'50MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.99 €
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String Quartet: 2 violins, viola, cello
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Wolfgang Amadeus Mozart
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MARRIAGE OF FIGARO - LE NOZZE DI FIGARO - SULL'ARIA - Mozart - String Quartet, Intermediate Level fo
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Sherry Lewis Publishing
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SheetMusicPlus
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