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Second Line for Brass Band
Sheetmusic to print
61 sheet music found
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Second Line for Brass Band (Beginner)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - Digital Download SKU: A0.1050316 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Brass Band. 22 pages. Ryan Gabbart #654678. Published by Ryan Gabbart (A0.1050316). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00
8.96 €
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Traditional
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Second Line for Brass Band
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Ryan Gabbart
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SheetMusicPlus
Second Line for Brass Quintet (Beginner)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level…
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1050313 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #654675. Published by Ryan Gabbart (A0.1050313). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00
8.96 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Second Line for Brass Quintet (Beginner)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone H…
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Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone Horn TC,Bass Clef Instrument,Cornet,E-Flat Instrument,Euphonium,Tenor Saxophone,Tenor Trombone,Tuba - Level 1 - Digital Download SKU: A0.600955 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #209494. Published by Ryan Gabbart (A0.600955). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00
8.96 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Second Line for Flex Band (Beginner Level)
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.978831 Composed by Traditional. A…
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Concert Band - Level 1 - Digital Download SKU: A0.978831 Composed by Traditional. Arranged by Ryan Gabbart. Blues,Jazz,Standards,Traditional. Score and parts. 45 pages. Ryan Gabbart #584495. Published by Ryan Gabbart (A0.978831). Grade 2. A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Band Arrangement that can be played with 5 or more players using optional instrumentation choices. 1st Part: C (High/Low), Bb, Eb & F Treble, Bass Clef // 2nd Part: C, Bb, Eb & F Treble, Bass Clef // 3rd Part: C, Bb & Eb Treble, Bass Clef // 4th Part: C, Bb & Eb Treble, Bass Clef // 5th Part: C, Bb & Eb Treble, Bass Clef (High/Low) // Snare Drum & Bass Drum // Includes full score plus a transposed and reduced score.
$20.00
17.92 €
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Concert band
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Traditional
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Second Line for Flex Band
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Ryan Gabbart
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SheetMusicPlus
On the Air (for Brass Quintet & Marimba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95
22.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #826635. Published by Chicory Music (A0.1230998). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).  Performance Time: Approx. 2 minutes 40 seconds
$15.99
14.33 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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African - American Spiritual
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or Jazz Funeral
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Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
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Chicory Music
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SheetMusicPlus
Second Line - Trad. Jazz Combo - New Orleans Brass Band Style
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1280992 By Wynton Marsalis. By Joe …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1280992 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. 20th Century,Blues,Historic,Jazz,Pop. 35 pages. Chicory Music #872325. Published by Chicory Music (A0.1280992). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is played for wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This arrangement, written at the Intermediate level for a Traditional New Orleans Brass Band (Combo including an optional Banjo/Guitar part ), is a fun and easy to perform tune for students or professionals. Solos for Trumpet, Trombone and Tuba (Acoustic Bass Sub. Part) may be played as written or improvised with the included chord symbols. Performance time approx. 2 min. 48 sec.
$19.99
17.92 €
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Jazz combo
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Wynton Marsalis
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Second Line - Trad. Jazz Combo - New Orleans Brass Band Style
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Chicory Music
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SheetMusicPlus
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.43 €
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Concert band
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Austin Ralphson
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Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Austin Ralphson
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SheetMusicPlus
SECOND LINE - Brass Quintet - New Orleans Parade Music
Level 4 - Digital Download SKU: A0.734401 By Wynton Marsalis. By Joe Avery. Arrange…
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Level 4 - Digital Download SKU: A0.734401 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. Blues,Contemporary,Jazz,Wedding. 26 pages. Chicory Music #4347739. Published by Chicory Music (A0.734401). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This arrangement, written at the Advanced / Intermediate level for Brass Quintet, is a fun and easy to perform tune for students or professionals. Solos for Trumpet, Trombone and Tuba may be played as written or improvised with the included chord symbols. An optional Drum Set part is also included for a more realistic performance. Performance time approx. 2 min. 40 sec.
$19.99
17.92 €
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Wynton Marsalis
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SECOND LINE - Brass Quintet - New Orleans Parade Music
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Chicory Music
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
31.36 €
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Brass quartet : 2 trumpets, trombone, tuba
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William Billings
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Second Line for Beginner Brass Quintet
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.586733 Composed by Traditional. Arranged by Ryan Gabbart. Blues,Jazz,Standards. Score and parts. 26 pages. Ryan Gabbart #195981. Published by Ryan Gabbart (A0.586733). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Trumpet in Bb (range up to concert F5) // Part 2: Trumpet in Bb or Horn in F // Part 3: Trombone/Euphonium (C & Bb) or Horn in F (range up to concert F4) // Part 4: Trombone/Euphonium (C & Bb) // Part 5: Tuba/Trombone/Euphonium (C & Bb). Thank you! Please check out my other works!
$12.00
10.75 €
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Flute, Oboe, Clarinet, Bassoon
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Traditional
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Second Line for Beginner Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Americana Fanfares, Vol. 2, Op. 137
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
22.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Americana Fanfares, Vol. 2, Op. 137
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https://gildedmusicpress.com/
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SheetMusicPlus
SECOND LINE - Brass Quintet - New Orleans Parade Music - Practice MP3
Drums
Drum Set - Digital Download SKU: A0.1071239 By Wynton Marsalis. By Traditional New …
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Drum Set - Digital Download SKU: A0.1071239 By Wynton Marsalis. By Traditional New Orleans Parade Music. Arranged by Dennis Ruello. Blues,Contemporary,Holiday,Jazz,Wedding. Accompaniment. Duration 168. Chicory Music #4640693. Published by Chicory Music (A0.1071239). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is played for wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This Practice Play-Along mp3 will help insure that the performance has the correct Second Line parade feel.
$2.99
2.68 €
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Drums
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Wynton Marsalis
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SECOND LINE - Brass Quintet - New Orleans Parade Music - Practice MP3
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Chicory Music
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SheetMusicPlus
Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1226025 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #822026. Published by Chicory Music (A0.1226025). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Woodwind Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ). Performance Time: Approx. 2 minutes 40 seconds
$15.99
14.33 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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African - American Spiritual
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or Jazz Funeral
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Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
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Chicory Music
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SheetMusicPlus
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99
14.33 €
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Saxophone Quintet: 5 Saxophones
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African - American Spiritual
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Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
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Chicory Music
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SheetMusicPlus
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
Brass ensemble
Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. C…
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Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00
26.89 €
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Brass ensemble
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Jim Evans
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Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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beginning.band
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SheetMusicPlus
The Visconti Rocca of Castell’Arquato for Brass Choir
Brass Band Bass Trombone,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download S…
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Brass Band Bass Trombone,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1294589 Composed by Nicolás Ernesto Cortés Castillo. 21st Century,Medieval. 32 pages. Nicolas Ernesto Cortes Castillo #884941. Published by Nicolas Ernesto Cortes Castillo (A0.1294589). The piece is inspired by a tourist journey to the Visconty Rocca of Castell'Arquato (Italy). The choral at the beginning represents the majesty and monumentality of the fortress, in contrast with the second part with medieval dance rhythm (which melodies are variations of the main coral line) represents this journey in time to visit this medieval town that looks like something out of a fairy tale.For Brass Choir (11 players)Full Score & PartsParts: Bb Piccolo Trumpet, 3 Bb Trumpets, Flugelhorn, Horn in F,  2 Trombones, Bass Trombones, Bass Tuba, Contrabass Tuba. Duration: 3:30.
$16.77
15.03 €
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Nicolás Ernesto Cortés Castillo
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The Visconti Rocca of Castell’Arquato for Brass Choir
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Nicolas Ernesto Cortes Castillo
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SheetMusicPlus
Kokoda Trail March (Rici rici) for Concert/Wind Band ''Keith Terrett Classic March Collection''
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746408 Composed by Traditional So…
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Concert Band - Level 3 - Digital Download SKU: A0.746408 Composed by Traditional Song. Arranged by Keith Terrett. 20th Century,Patriotic,World. 38 pages. Keith Terrett #1925891. Published by Keith Terrett (A0.746408). A popular song from Papua New Guinea entitled Rici rici, set as a march arranged in tribute to the soldiers of the Second World War who fought in Papua New Guinea. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$39.99
35.84 €
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Concert band
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Traditional Song
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Kokoda Trail March
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Keith Terrett
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SheetMusicPlus
Li'l Liza Jane - New Orleans Parade Band Music - Brass Quintet - Intermediate
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.734503 Composed by Countess Ada De Lachau. Arranged by Dennis Ruello. Contemporary,Jazz,Wedding. Score and parts. 32 pages. Chicory Music #6071931. Published by Chicory Music (A0.734503). Li'l Liza Jane, also known as Little Liza Jane, Liza Jane, and Goodbye Liza Jane, is a song dating back at least to the 1910s. It has become a perennial standard both as a song and an instrumental in traditional jazz, folk music, and bluegrass, and versions have repeatedly appeared in other genres including rock and roll. Numerous scholars and musicologists have written about the song, and it is one of the standards of the New Orleans brass band tradition. It is frequently played at Second Line Parades, wedding receptions, parties and at the end of jazz funerals. This arrangement for Brass Quintet is written in a traditional New Orleans jazz style and includes an optional Drum Set part. The tune is fun and easy to play for students or professionals. Performance Time Approx. 3 minutes.
$15.99
14.33 €
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Countess Ada De Lachau
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Li'l Liza Jane - New Orleans Parade Band Music - Brass Quintet - Intermediate
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Chicory Music
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SheetMusicPlus
Li'l Liza Jane - New Orleans Parade Band Music (Traditional Jazz Combo) - Intermediate
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734502 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734502 Composed by Countess Ada De Lachau. Arranged by Dennis Ruello. Contemporary,Jazz,Wedding. Score and parts. 38 pages. Chicory Music #6069733. Published by Chicory Music (A0.734502). Li'l Liza Jane, also known as Little Liza Jane, Liza Jane, and Goodbye Liza Jane, is a song dating back at least to the 1910s. It has become a perennial standard both as a song and an instrumental in traditional jazz, folk music, and bluegrass, and versions have repeatedly appeared in other genres including rock and roll. Numerous scholars and musicologists have written about the song, and it is one of the standards of the New Orleans brass band tradition. It is frequently played at Second Line Parades, wedding receptions, parties and at the end of jazz funerals. This arrangement is written for a traditional New Orleans jazz combo and includes an optional Banjo / Guitar part. The tune is fun and easy to play for students or professionals. Performance Time Approx. 3 minutes.
$19.99
17.92 €
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Jazz Ensemble
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Countess Ada De Lachau
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Li'l Liza Jane - New Orleans Parade Band Music
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Chicory Music
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SheetMusicPlus
Four Elements for Trumpet and Trombone
Trumpet, Trombone (duet)
Brass Ensemble - Level 5 - Digital Download SKU: A0.792575 Composed by Elizabeth Ra…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792575 Composed by Elizabeth Raum. 20th Century,Contemporary. Score and parts. 26 pages. Gordon Cherry #5008631. Published by Gordon Cherry (A0.792575). Four Elements was originally composed for Violin and Bass Trombone and was written as a Christmas present for the composer's sister, Priscilla, and her husband, Bass Trombonist, Gordon Hallberg who performed with the Boston Symphony Orchestra. Raum was experimenting with tone rows at the time and the row is first stated in the first six notes in the Trombone part followed by the next six in the Violin part. The titles of the movements, from the Four Elements, are descriptive of the moods of each movement. Water has the lines of the instruments flowing, as in a river with swirls and eddies. Earth has Jazz influences which are intended to give an Earthy quality to the second movement. Air, with mutes, glissandos, and quasi unmeasured rhythm, seeks to float; The finale Fire is crackling with excitement. Trombonist, David William Brubeck, asked Raum if she had anything written for trumpet and trombone as he frequently performs in a duo so she adapted the violin part in Four Elements for trumpet. The work can be performed by advanced performers. Two scores are provided, including one for C Trumpet and the other for B-flat Trumpet. The Trombone part can be performed with an f-attachment Tenor Trombone or Bass Trombone
$22.50
20.16 €
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Trumpet, Trombone (duet)
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Elizabeth Raum
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Four Elements for Trumpet and Trombone
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Gordon Cherry
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SheetMusicPlus
Antique Sketches
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Bar…
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Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Valley Music #817581. Published by Pecan Valley Music (A0.1221249). Grade 3+duration; 4:30I) Sarabande (2:38)II) Fugue (1:53)Flutes 1 & 2, Oboe, Bassoon, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1 & 2, Trombones 1 & 2, Euphonium, & TubaTimpani, Bells, VibraphoneSnare Drum, Bass Drum, Crash CymbalAntique Sketches was composed with the intention of creating an accessible work for young band using counterpoint. Some of my favorite memories as a student in public school band include performing various arrangements of J.S. Bach. I loved sitting in the trumpet section listening across the ensemble to how the various melodic lines would rapidly fizz around from instrument to instrument.This short, two movement work is designed to foster this listening experience in your students. The first movement consists of a simple binary form, with woodwinds and brass trading off a slow melodic line. The ensemble then combines to allow for the exploration of top to bottom, back to front balance and blend without having to worry about too much technique. There are also moments of modernity in the harmonic structure designed to help anchor the movement to the present.The second movement is a fugue with a long melodic subject and two countersubjects, the point of which is to apply the listening lessons from the first movement to the more technical aspects of the second. Fugue subjects are announced with percussion entrances to focus the listening experience across the ensemble and the audience.
$40.00
35.85 €
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Concert band
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Dan Cook
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Antique Sketches
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Pecan Valley Music
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SheetMusicPlus
Denmark: The Two National Anthems
Concert band
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.06 €
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Concert band
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Ditlev Ludvig Rogert
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
My House
Marching band
Marching Band - Level 3 - Digital Download SKU: A0.1471190 By Flo Rida. By Johan Ca…
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Marching Band - Level 3 - Digital Download SKU: A0.1471190 By Flo Rida. By Johan Carlsson, Marco Borrero, Ross Golan, Roy Hammond, and Tramar Dillard. Arranged by Ryan Putt. Hip-Hop,Instructional,Pop. 23 pages. Brasswood Publishing, LLC #1048851. Published by Brasswood Publishing, LLC (A0.1471190). This arrangement is written for bands and players at various levels. The second clarinet stays below the break and all parts are written within the ranges of an intermediate player. The chart provides opportunities to introduce sixteenth-note rhythms to the woodwinds and high brass. Percussion parts are written for less experienced players. Unison bass drums, easy and mostly melodic tenors, simple cymbal part, and snares with basic rhythm patterns accomplishable by second-year players. With reasonable doubling in the melody, players can project with confidence that someone is always playing with them. There are opportunities for more advanced players to stretch their technique and range via optional 8va passages in the lead trumpet and trombone parts, as well as a doubling of the iconic sax line in the horns. This is a fun tune to play in the stands, at your pep rallies, and for an early- or late-season spirit show. Your band and audience will enjoy pulling this tune out over and over again.
$50.00
44.81 €
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Marching band
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Flo Rida
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My House
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Brasswood Publishing, LLC
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SheetMusicPlus
A Breeze from Alabama
Trumpet, Piano
Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin…
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Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and parts. 24 pages. James Siddons Music and Writings #3124007. Published by James Siddons Music and Writings (A0.972642). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This piano duet part may be performed by two pianists at one piano, or two pianists at two pianos, or four pianists at two pianos, or even six pianists at three pianos, with or without a conductor. The cornet part may be played on trumpet. There are three score or part versions for sale:1. The full score is for use by a conductor or instructor. An audio track (mp3, virtual sounds) is posted here.2. The piano duet (or ensemble) score has the Primo and Secondo parts shown on facing left and right pages as is standard for piano duet music. (No audio recording.)3. The cornet (or trumpet) part is sold separately and has a rehearsal recording posted, in which only the piano duet music is heard. This arrangement features a cadenza for cornet composed by James Siddons. The cadenza is found in measures 115-119 in the score and cornet part. In the rehearsal recording, there is five seconds of silence beginning 2 mins, 44 secs into the audio track. The music resumes at measure 120. To practice with the cadenza, press pause on your media player; to practice without the cadenza, simply wait the silence out.
$5.00
4.48 €
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Trumpet, Piano
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Scott Joplin
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dedication on the cover to P
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A Breeze from Alabama
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James Siddons Music and Writings
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SheetMusicPlus
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