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You've selected:
Second Movement-e minor-Adagio
Sheetmusic to print
21 sheet music found
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1
Second Movement-e minor-Adagio
Bass Guitar,Cello,Double Bass,Synthesizer,Viola,Violin - Level 4 - Digital Download SKU…
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Bass Guitar,Cello,Double Bass,Synthesizer,Viola,Violin - Level 4 - Digital Download SKU: A0.1359059 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. 20th Century,Classical. Full Performance. Duration 451. Eugene W. Hairston #943484. Published by Eugene W. Hairston (A0.1359059). Song: Second MovementTime; 7:33Year: 2002Album: Symphony # 1 in A Major (Three Movements)Genre: ClassicalStyle: Modern Classical (w Pizzicato Violin)Copyrights: Eugene W. Hairston.
$1.99
1.8 €
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Eugene W
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Second Movement-e minor-Adagio
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Eugene W. Hairston
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SheetMusicPlus
Marcello's Adagio for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1203362 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. 10 pages. Diego Marani #802039. Published by Diego Marani (A0.1203362). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$9.99
9.03 €
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Clarinet Quartet: 4 clarinets
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Allesandro Marcello
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Marcello's Adagio for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLA…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50
8.59 €
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2 Flutes (duet)
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MICHEL BLAVET
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Allegro assai
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BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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Piper Publications
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SheetMusicPlus
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
3.79 €
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2 Guitars (duet)
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Johann Sebastian Bach
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Concerto in D minor, BWV 974
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Pedro Nunes
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SheetMusicPlus
Adagio and Fugue D minor
String Orchestra
2 Flutes and String Orchestra - advanced - Digital Download SKU: S9.Q1099 Composed …
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2 Flutes and String Orchestra - advanced - Digital Download SKU: S9.Q1099 Composed by Wilhelm Friedemann Bach. This edition: score. Concertino. Downloadable, Score. Duration 8 minutes. Schott Music - Digital #Q1099. Published by Schott Music - Digital (S9.Q1099). Key: D minor.Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another. In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.
$16.99
15.36 €
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String Orchestra
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Wilhelm Friedemann Bach
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Adagio and Fugue D minor
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Schott Music - Digital
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SheetMusicPlus
Beethoven - String Quartet No.8 in E minor, Op.59 No.2 "Second Rasumowsky-Quartet"
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1114345 Composed by Ludwig…
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String Quartet String Quartet - Digital Download SKU: A0.1114345 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical. 80 pages. J.G. Cuco Barber #716276. Published by J.G. Cuco Barber (A0.1114345). Work Title String Quartet No.8 Alternative Title Second Rasumowsky-Quartet Composer Beethoven, Ludwig van Opus/Catalogue Number Op.59 No.2 Key E minor Movements/Sections 4 movements: 1. Allegro (E minor) 2. Molto Adagio. Si tratta questo pezzo con molto di sentimento (E major) 3. Allegretto (E minor) - Maggiore, Thème russe. (E major) 4. Finale. Presto (E minor) Year/Date of Composition 1806 First Publication 1808 (January) - Vienna: Comptoir des Arts et de l'Industrie Dedication Andreas Kyrillowitsch Graf Rasumowsky Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
20.79 €
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String Quartet: 2 violins, viola, cello
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Ludwig van Beethoven
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Beethoven - String Quartet No.8 in E minor, Op.59 No.2 "Second Rasumowsky-Quartet"
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J.G. Cuco Barber
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.45 €
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Ferdinand Ries
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8
Instrumental Solo,Oboe d'Amore - Level 5 - Digital Download SKU: A0.955163 Composed…
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Instrumental Solo,Oboe d'Amore - Level 5 - Digital Download SKU: A0.955163 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 39 pages. Chamber Ensemble of Minnesota, Inc. #5884093. Published by Chamber Ensemble of Minnesota, Inc. (A0.955163). Oboe d’amore solo part and full score of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$9.00
8.14 €
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Tomaso Albinoni
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Concerto for Oboe d’amore in E Minor, Op. 9 No. 8
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.37 €
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String Orchestra
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Tomaso Albinoni
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Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in D Minor, Op. 9 No. 2
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.955148 Composed by Tomaso Albinoni (…
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Oboe Solo - Level 4 - Digital Download SKU: A0.955148 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 7 pages. Chamber Ensemble of Minnesota, Inc. #5315015. Published by Chamber Ensemble of Minnesota, Inc. (A0.955148). Oboe solo part of the Concerto for Oboe in D Minor, Op. 9, No. 2 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes, 45 seconds 2020 Chamber Ensemble of Minnesota, Inc. Publishing
$7.00
6.33 €
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Oboe (band part)
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Tomaso Albinoni
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Concerto for Oboe in D Minor, Op. 9 No. 2
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in G Minor, Op. 9 No. 8
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.955159 Composed by Tomaso Albinoni (…
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Oboe Solo - Level 4 - Digital Download SKU: A0.955159 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 7 pages. Chamber Ensemble of Minnesota, Inc. #5869733. Published by Chamber Ensemble of Minnesota, Inc. (A0.955159). Oboe solo part of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$7.00
6.33 €
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Oboe (band part)
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Tomaso Albinoni
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Concerto for Oboe in G Minor, Op. 9 No. 8
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto in G Minor for Trombone and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
18.04 €
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Orchestra
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Robert E
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Concerto in G Minor for Trombone and Orchestra
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R. E. Proctor
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SheetMusicPlus
Sonate No. 8, “Pathétique” 2nd Movement - for Piano
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1…
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Piano Solo - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Flavio Regis Cunha. Romantic Period, Repertoire, Funeral, Graduation, Recital. 8 pages. Published by Flavio Regis Cunha
Ludwig van Beethoven's Piano Sonata no 8 in C minor, op 13 commonly known as Pathétique (although commonly thought to be one of the few works to be named by the composer himself, it was actually named by the publisher, to Beethoven's liking) was published in 1799, though written the year before, when the composer was 27 years old. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. At the time of its publication, Beethoven was pleased with the title Pathétique for his op 13 piano sonata, although in later life, he came to regret it, claiming that all of his works were pathetic.<br> <br> The Pathétique Sonata is perhaps the earliest of Beethoven's compositions to achieve widespread and enduring popularity. It is widely represented on the concert programs and recordings of professional pianists. As one of the more famous Beethoven pieces, it has been incorporated into several works of popular culture.<br> <br> The rondo theme of the second movement is one of the most beautiful and famous tunes in the repertoire. This theme is not merely pretty; it is, after the vicious first movement conclusion, a heroic if melancholy affirmation that life goes on, that beneath sorrow and pain, there is still grace and nobility.<br> <br> This Adagio movement opens with the famous cantabile ("in a singing style") melody. This theme is played three times, interspersed with two modulating episodes: the first going from F minor to E flat major, the second from A flat minor to E major. With the final return of the main theme, the accompaniment becomes richer and takes on the triplet rhythm of the second episode. The brief coda's stylistic diversity is arresting: four bars of Romantic transcendence followed by a strikingly conventional 18th-century close.
$5.99
5.42 €
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Piano solo
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Ludwig van Beethoven
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Sonate No. 8, “Pathétique” 2nd Movement - for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Sonatina for Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
12.66 €
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Bass Clarinet, Piano
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and Piano
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Dacker Music
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.19 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bach - Brandenburg Concerto No.6 in B flat major BWV 1051 - Piano Version
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1323836 By Santino Cara. By Johann …
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Piano Solo - Level 5 - Digital Download SKU: A0.1323836 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 31 pages. Santino Cara #912024. Published by Santino Cara (A0.1323836). Complete score of the Brandenburg Concerto No.6 in B flat major BWV 1051 for Piano solo. Composed by Johann Sebastian Bach in 1721 for two viole da braccio, two viole da gamba, cello, violone and cembalo. Transcribed for Piano in Rome in 2023 by Santino Cara.3 Movements: 1. Alla breve (ma poco allegro), 2. Adagio ma non tanto (E flat major), 3. Allegro (B flat major).Sources and annotations:The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date. The title in the autograph score shows the instrumentation for 2 violas to braccio (normal violas), 2 violas da gamba, cello, violone and harpsichord, the absence of violins is unusual. We also add that the second movement in E flat major ends with an imperfect cadence in G minor.Other piano works by Bach and baroque and classical composers
$18.40
16.64 €
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Piano solo
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Santino Cara
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Johann Sebastian Bach in 1721 for
two viole da braccio, two viole da gamba, cello, violone and cembalo
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Bach - Brandenburg Concerto No.6 in B flat major BWV 1051 - Piano Version
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Santino Cara
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SheetMusicPlus
All By Myself
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794111 By Celine Dion. By Er…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794111 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Dave Gingras, John E. Dosher. Film/TV. Score. 3 pages. DAVID LEE GINGRAS #6400267. Published by DAVID LEE GINGRAS (A0.794111). All by Myself is a song by American artist Eric Carmen released in 1975. The verse is based on the second movement (Adagio sostenuto) of Sergei Rachmaninoff's circa 1900-1901 Piano Concerto No. 2 in C minor, Opus 18. The chorus was taken from the song Let's Pretend, which Carmen wrote and recorded with the Raspberries in 1972. This version features a root-based chord-blocking technique that John and I have used in a number of our arrangements. We added some left-hand and right-hand fills to make it our own, hopefully you can do the same!
$4.99
4.51 €
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Piano, Voice
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Celine Dion
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All By Myself
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DAVID LEE GINGRAS
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SheetMusicPlus
All By Myself
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569557 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Thomas Graf. Film/TV. 26 pages. Thomas Graf - the-hit-factory.com #6405415. Published by Thomas Graf - the-hit-factory.com (A0.569557). This great song by American artist Eric Carmen was released in 1975. The verse is based on the second movement (Adagio sostenuto) of Sergei Rachmaninoff's circa 1900-1901 Piano Concerto No. 2 in C minor, Opus 18, famously used to underscore the 1945 British film Brief Encounter. The chorus was taken from the song Let's Pretend, which Carmen wrote and recorded with the Raspberries in 1972. Many famous artists sang that song, among them Celine Dion. Instrumentation: Clarinet 1/2/3/4 in Bb, Alto Clarinet 3/4 in Bb, Bass Clarinet in Bb, Drum Set (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$19.99
18.07 €
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Celine Dion
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All By Myself
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Serenade No. 11
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Comp…
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
13.56 €
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Wolfgang Amadeus Mozart
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.11 €
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Piano solo
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.03 €
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Guitar
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Benjamin Godard
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
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