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September 24 - Peace at Last
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1
Hommage an Ursula [piano solo]
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
3.69 €
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Piano solo
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Heart of Oak
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1112190 Composed by William Boyce. Arranged by Colin G Dance. March. Brass Band. 24 pages. Dance is With Music #714349. Published by Dance is With Music (A0.1112190). Heart of Oak is the official march of the Royal Navy. It is also the official march of several Commonwealth navies, including the Royal Canadian Navy and the Royal New Zealand Navy. It was also the official march of the Royal Australian Navy, but has now been replaced by the new march, Royal Australian Navy. The music of Heart of Oak was written in 1759 by composer William Boyce, the lyrics by actor David Garrick, for Garrick's pantomime Harlequin's Invasion, to which others contributed as well. The pantomime was first performed on New Year's Eve of that year at the Theatre Royal, Drury Lane, London, with Handel soloist Samuel Thomas Champnes singing Heart of Oak. The wonderful year referenced in the first verse was the Annus Mirabilis of 1759, during which British forces were victorious in several significant battles: the Battle of Minden on 1 August 1759; the Battle of Lagos on 19 August 1759; the Battle of the Plains of Abraham (outside Quebec City) on 13 September 1759; and the Battle of Quiberon Bay on 20 November 1759. The last battle foiled a French invasion project planned by the Duc de Choiseul to defeat Britain during the Seven Years' War, hence the reference in the song to 'flat-bottom' invasion barges. These victories were followed a few months later by the Battle of Wandiwash in India on 22 January 1760. Britain's continued success in the war boosted the song's popularity. The oak in the song's title refers to the wood from which British warships were generally made during the age of sail. The Heart of oak is the strongest central wood of the tree. The reference to freemen not slaves echoes the refrain (Britons never will be slaves!) of Rule, Britannia!, written and composed two decades earlier.
$50.00
46.18 €
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William Boyce
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Heart of Oak
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Dance is With Music
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
12 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
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