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Serialism composition
Sheetmusic to print
16 sheet music found
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1
Serialism composition
Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1058201 Composed by Jor…
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Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1058201 Composed by Jordan Grigg. Contemporary,Instructional,Standards. Full Performance. Duration 134. Jordan Grigg #6455971. Published by Jordan Grigg (A0.1058201).
$1.99
1.79 €
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Jordan Grigg
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Serialism composition
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Jordan Grigg
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SheetMusicPlus
Serialism composition
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.864276 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 14 pages. Jordan Grigg #6455969. Published by Jordan Grigg (A0.864276).
$12.95
11.68 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Jordan Grigg
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Serialism composition
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Jordan Grigg
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SheetMusicPlus
Geometria
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
5.4 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitar
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Alban Berg
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitar
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Alban Berg
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitar
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.51 €
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Guitar
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Alban Berg
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Lament of the Tarnished Prayer
Small Ensemble Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.93855…
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Small Ensemble Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.938559 Composed by Mark G. Turner. Contemporary. Score and parts. 27 pages. M.G.Turner #539503. Published by M.G.Turner (A0.938559). Submitted for 2015 Areon Flutes International Chamber Music Composition Contest - This original quintet comprised of flute, oboe, violin, viola, and cello, seeks to express the sorrow of a broken relationship with God. Melodically it opens and closes with the use of melodic serialism. The effective use of purposeful dynamics, eloquent phrasing, effective pauses and chord balancing brings out the best in this maturely interactive quintet. Duration: 8 minutes. Visit my International Facebook music site: O'Kestrel Music: Orchestral Compositions. For more of my original ensemble compositions type my full name into the sheetmusicplus.com search box. - Mark G. Turner.
$1.99
1.79 €
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Mark G
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Lament of the Tarnished Prayer
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M.G.Turner
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SheetMusicPlus
Little Studies Volume 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.886645 Composed by Panagiotis Theod…
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Piano Solo - Level 5 - Digital Download SKU: A0.886645 Composed by Panagiotis Theodossiou. Arranged by Panagiotis Theodossiou. Concert,Contemporary,Instructional,Standards. Score. 20 pages. Panagiotis Theodossiou #2928151. Published by Panagiotis Theodossiou (A0.886645). Little Studies, for piano solo (1998 – 2002). 12 Studies,( 1st and 2nd volume) each of different style, character and technical demands using at the beginning a very simple tonic idiom, growing gradually to apply composition with symmetry of intervals, jazz harmony and free serialism. Parts of the work has been performed by Valeria Athanasiadou at Athenaeum Concert Hall, Athens in 2002.Ι.a. First Steps, for the Five Fingersb. Gnome, for the Staccatto ( to Gyorgy Ligeti)c. Clouds, for the Tenutaed. Gallop, for the Crossing Handse. A Knight’s Fanfare, for the Chordsf. Sentiments, for the sonority (to Bernard Hermmann)II.a. Nocturne, for the Sostenuto Pedal (to Keith Jarret)b. Sorrow, for Multiple Layersc. Step by Step, for the Wristd. Riddle, for the Subtle Dynamics (to Anton Webern)e. Fire Dance, for the Large Intervals (to Arnold Scoenberg)f. Jazzy, for the Swing Feeling (to Thelonius Monk and Cecil Taylor) https://www.youtube.com/watch?v=qt_UFYkamQA .
$10.00
9.02 €
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Piano solo
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Panagiotis Theodossiou
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https://www
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Little Studies Volume 1
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Panagiotis Theodossiou
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SheetMusicPlus
Lamentations
Small Ensemble Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: …
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Small Ensemble Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.938557 Composed by Mark G. Turner. Contemporary. Score and parts. 67 pages. M.G.Turner #539491. Published by M.G.Turner (A0.938557). Submitted for 2015 Areon Flutes International Chamber Music Composition Contest - This emotionally moving sextet for flute, oboe, bassoon, violin, viola, and cello, expresses the sorrow of a great tragedy. The work is a composite of melodic serialism, whole tone harmonies and elegant phrasing. The active flute descant rises and shines above the harmonic structure. Purposeful dynamics and effective multiple stops are all a part of this beautiful and intriguing work. Duration - 6 minutes.
$1.99
1.79 €
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Mark G
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Lamentations
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M.G.Turner
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SheetMusicPlus
THERUBIXCUBE
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1026708 Composed by Brendan Vavra. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1026708 Composed by Brendan Vavra. 20th Century,Contemporary. Score. 17 pages. Brendan Vavra #6359011. Published by Brendan Vavra (A0.1026708). This original composition for solo piano combines serialism with minimalism, inspired by the works of Milton Babbit and John Adams.Duration: c. 11'00Copyright © 2007 Brendan Vavra (ASCAP). All rights reserved.https://bvavra.github.io/
$4.99
4.5 €
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Piano solo
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Brendan Vavra
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THERUBIXCUBE
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Brendan Vavra
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SheetMusicPlus
Lorenda Variations
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.886671 Composed by Panagiotis Theod…
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Piano Solo - Level 5 - Digital Download SKU: A0.886671 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score. 21 pages. Panagiotis Theodossiou #3073725. Published by Panagiotis Theodossiou (A0.886671). Lorenda Variations for piano solo (2009) A work of free serialism, based on the musical notes of the name of the distinguished greek pianist Lorenda Ramou to whom is dedicated and who gave the first performance at Hellenic Conservatory on a Composer’s Portrait by Greek Composers’ Union. The musical material is varied constantly up to the end of this one part composition. https://www.youtube.com/watch?v=3YEDmvnIJfM
$12.00
10.82 €
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Piano solo
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Panagiotis Theodossiou
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Lorenda Variations
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Panagiotis Theodossiou
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SheetMusicPlus
Lament of the Tarnished Prayer
Small Ensemble Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.93855…
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Small Ensemble Cello,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.938556 Composed by Mark G. Turner. Contemporary. Score and parts. 12 pages. M.G.Turner #519373. Published by M.G.Turner (A0.938556). This original quintet comprised of flute, oboe, violin, viola, and cello, seeks to express the sorrow of a broken relationship with God. Melodically it opens and closes with the use of melodic serialism. The effective use of purposeful dynamics, eloquent phrasing, effective pauses and chord balancing brings out the best in this maturely interactive quintet. Duration: 8 minutes. Visit my International Facebook music site: O'Kestrel Music: Orchestral Compositions. For more of my original ensemble compositions type my full name into the sheetmusicplus.com search box. - Mark G. Turner.
$1.99
1.79 €
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Mark G
#
Lament of the Tarnished Prayer
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M.G.Turner
#
SheetMusicPlus
Diminished Cube
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1250741 Composed by Felici…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1250741 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Octavo. 10 pages. Felicity Mazur-Park #845016. Published by Felicity Mazur-Park (A0.1250741). Diminished Cube is a SATB choral piece that combines lush neo-Romantic harmony with serialism to create an accessible work for high school, college, or professional choirs ot vocal quartets. To find out more about Felicity Mazur-Park and her compositions visit www.felicitymazurpark.com.
$1.99
1.79 €
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Choral SATB
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Felicity Mazur-Park
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Diminished Cube
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Felicity Mazur-Park
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SheetMusicPlus
Fortunes - Wind Quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1210745 Composed by Phil Rawle. Contemporary,Jazz. 37 pages. Phillip Rawle #808490. Published by Phillip Rawle (A0.1210745). A suite of four movements (Crystal Ball, Zodiac, Tarot and Tea Leaves) for Wind Quartet. A suite in a light style, from swing to mellow jazz. Some interesting compositional techniques in use here – Zodiac, for example, is a 12-tone piece (one for each sign of the Zodiac) that uses elements of serialism, in a light jazz context. Interest for all players of about grade 5 standard and above.
$7.99
7.21 €
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Flute, Oboe, Clarinet, Bassoon
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Phil Rawle
#
Fortunes - Wind Quartet
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Phillip Rawle
#
SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
22.55 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
Little Studies Volume 2
Piano solo
Piano Solo - Advanced - Digital Download Composed by Panagiotis Theodossiou. Arranged…
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Piano Solo - Advanced - Digital Download Composed by Panagiotis Theodossiou. Arranged by Panagiotis Theodossiou. Contemporary Classical, Etudes and Exercises, Repertoire, Graduation, Recital. Individual Part. 17 pages. Published by Panagiotis Theodossiou
“Little Studies”, for piano solo (1998 – 2002). 12 Studies,( 1st and 2nd volume) each of different style, character and technical demands using at the beginning a very simple tonic idiom, growing gradually to apply composition with symmetry of intervals, jazz harmony and free serialism. Parts of the work has been performed by Valeria Athanasiadou at “Athenaeum” Concert Hall”, Athens in 2002.<br> Ι.<br> a. “First Steps”, for the Five Fingers<br> b. “Gnome”, for the Staccatto ( to Gyorgy Ligeti)<br> c. “Clouds”, for the “Tenutae”<br> d. “Gallop”, for the Crossing Hands<br> e. “ A Knight’s Fanfare”, for the Chords<br> f. “Sentiments”, for the sonority (to Bernard Hermmann)<br> II.<br> a. “Nocturne”, for the Sostenuto Pedal (to Keith Jarret)<br> b. “Sorrow”, for Multiple Layers<br> c. “Step by Step”, for the Wrist<br> d. “Riddle”, for the Subtle Dynamics (to Anton Webern)<br> e. “Fire Dance”, for the Large Intervals (to Arnold Scoenberg)<br> f. “Jazzy”, for the “Swing” Feeling (to Thelonius Monk and Cecil Taylor) <br> https://www.youtube.com/watch?v=qt_UFYkamQA
$10.00
9.02 €
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Piano solo
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Panagiotis Theodossiou
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Little Studies Volume 2
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Panagiotis Theodossiou
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SheetMusicPlus
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