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You've selected:
Seventeen and Twenty-One
SheetMusicPlus
Sheetmusic to print
7 sheet music found
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Seventeen and Twenty-One
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0002122 Composed by George Gers…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0002122 Composed by George Gershwin and Ira Gershwin. Broadway. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0002122. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0002122).
$3.99
3.62 €
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Piano, Vocal and Guitar
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George Gershwin and Ira Gershwin
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Seventeen and Twenty-One
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Twenty One Classical Studies for Double Bass: Four Accompanied and Seventeen Unaccompanied Studies f
Double bass, Piano (duet)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.897042 Composed …
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.897042 Composed by Claude Debussy, Frederic Chopin, and Johannes Brahms. Arranged by James Strange. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 57 pages. Penny Music Co. #6685615. Published by Penny Music Co. (A0.897042). The pieces in this book have been loyally arranged from the original piano scores to be performed on the double bass. The collection consists of seventeen solo pieces and four pieces with piano accompanied.All the arrangements have been compiled from the original piano scores and arranged to be played by the solo instrumentalist.Each piece presents a study to strengthen the left hand and improve bowing technique, whilst providing a range of challenging sight reading exercises in a variety of key signatures. The Brahms Waltzes would serve as ideal warm up or warm down exercises and are excellent for position work and when combined with scale practice.Features:Prelude in E minor (F. Chopin)Largo in Eb major (F. Chopin)Bourree No.1 (F. Chopin)Children's Corner (C. Debussy)Bourree No.2 (F. Chopin)Waltzes No.1 in B major (J. Brahms)Waltzes No.2 in E major (J. Brahms)Waltzes No.3 in G# minor (J. Brahms)Waltzes No.4 in E minor (J. Brahms)Waltzes No.5 in E major (J. Brahms)Waltzes No.6 in C major (J. Brahms)Waltzes No.7 in C# minor (J. Brahms)Waltzes No.8 in Bb major (J. Brahms)Waltzes No.9 in D minor (J. Brahms)Waltzes No.10 in G major (J. Brahms)Waltzes No.1 in B minor (J. Brahms)Waltzes No.1 in E major (J. Brahms)Waltzes No.1 in B major (J. Brahms)Waltzes No.1 in G# minor (J. Brahms)Waltzes No.1 in A major (J. Brahms)Waltzes No.1 in C# minor (J. Brahms)
$9.99
9.06 €
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Double bass, Piano (duet)
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Claude Debussy, Frederic Chopin, and Johannes Brahms
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Twenty One Classical Studies for Double Bass: Four Accompanied and Seventeen Unaccompanied Studies f
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Penny Music Co.
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SheetMusicPlus
Mary, You're a Little Bit Old-Fashioned. Song
Piano, Voice
Piano and voice - Digital Download SKU: LV.8429 Composed by Henry I. Marshall. Port…
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Piano and voice - Digital Download SKU: LV.8429 Composed by Henry I. Marshall. Portraits, Dancers, Couples, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8429). Mary, You're a Little Bit Old-Fashioned. Song. Words by Marion Sunshine. Music by Henry I. Marshall. Published 1914 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Dancers, Couples, Courtship, Love. First line reads She was just turn'd seventeen, he ws twenty one.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voice
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Henry I
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Mary, You're a Little Bit Old-Fashioned. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Seventeen and Twenty-One
Melody line, (Lyrics) and Chords
By George Gershwin (1898-1937) and Ira Gershwin. For Lead Sheet. Broadway and Broadway. 4 …
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By George Gershwin (1898-1937) and Ira Gershwin. For Lead Sheet. Broadway and Broadway. 4 pages. Published by Alfred Music - Digital Sheet Music
$1.99
1.8 €
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Melody line, (Lyrics) and Chords
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George Gershwin
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Seventeen and Twenty-One
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Seventeen and Twenty-One: Reprise
Piano, Vocal and Guitar
By George Gershwin (1898-1937) and Ira Gershwin. For Piano/Vocal/Chords. Broadway and Broa…
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By George Gershwin (1898-1937) and Ira Gershwin. For Piano/Vocal/Chords. Broadway and Broadway. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.62 €
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Piano, Vocal and Guitar
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George Gershwin
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Seventeen and Twenty-One: Reprise
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Creature
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.927173 Composed by George Willson…
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Concert Band - Level 5 - Digital Download SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
31.73 €
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Concert band
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George Willson
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Creature
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George Willson
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.43 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
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