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WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
4
Brass quartet : 2 trumpets, trombone, tuba
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Shape Of You for Trombone Quintet
Sheetmusic to print
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1
Shape Of You for Trombone Quintet
Trombone ensemble
Trombone Quintet - Advanced Intermediate - Digital Download By Ed Sheeran. Arranged b…
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Trombone Quintet - Advanced Intermediate - Digital Download By Ed Sheeran. Arranged by Jörg Richter. Score, Set of Parts. 9 pages. Published by Jörg Richter
An arrangement of Ed Sheeran's song "Shape of you" for Trombone Quintet.
$14.99
13.81 €
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Trombone ensemble
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Ed Sheeran
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Shape Of You for Trombone Quintet
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Jörg Richter
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.79 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Shape Of You
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1093495 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Chris Wilcox. Pop,Rock. Score and parts. 38 pages. Superbrass Music, Music for Brass #697557. Published by Superbrass Music, Music for Brass (A0.1093495). Superbrass Music, Music for Brass 5 Part Pops for Brass - Suitable for Junior Brass Quintet Part A - Trumpet 1 Part B - Trumpet 2 Part C - French Horn (Tenor Horn, Baritone/Euphonium) Part D - Trombone (Baritone/Euphonium) Part E - Tuba (Trombone, Baritone/Euphonium) Drum Kit.
$15.00
13.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ed Sheeran
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Shape Of You
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Superbrass Music, Music for Brass
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SheetMusicPlus
Breton Regional Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, P…
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.<br> <br> Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.<br> <br> The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.<br> <br> James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).<br> <br> He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.<br> <br> James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.<br> <br> A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.<br> <br> For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99
8.28 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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James James
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Breton Regional Anthem for Brass Quintet
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Music for all Occasions
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SheetMusicPlus
Softly As I Leave You
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1421911
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1421911 By Elvis Presley. By Antonio DeVita, Giorgio Calabrese, and Harold David Shaper. Arranged by Rick Windley. 20th Century,Pop,Standards. 7 pages. RockWind Music, LLC #1003245. Published by RockWind Music, LLC (A0.1421911). An arrangement of the popular song, 'Softly As I Leave You', for brass quintet. It originated in 1960 in Italy and was called, 'Piano' (Italian for soft). Harold David Shaper discovered the song and added English lyrics in 1961. This song has been recorded by the British singer Matt Monro, Frank Sinatra, Andy Williams, Elvis Presley, Michael Bublé and many others. After an introduction, the piece starts softly with the French Horn stating the melody with Trombone and Tuba accompanying. The two Trumpets join in and the whole ensemble builds gradually to a forte. The piece diminishes in volume and ends softly as it began. Your ensemble and your audiences will enjoy traveling back in time with this pop classic. This arrangement is available for purchase at SheetMusicDirect.com and SheetMusicPlus.com. See the link for the youtube video and sound for a more complete examination.
$12.99
11.96 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Elvis Presley
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Softly As I Leave You
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RockWind Music, LLC
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SheetMusicPlus
I Had Much Grief
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.31 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
The Eagle And The Hawk
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.757781
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.757781 By John Denver. By John Denver and Mike Taylor. Arranged by Jim Bicigo. Rock. Score and parts. 13 pages. Polar Publications #4596705. Published by Polar Publications (A0.757781). The cross rhythms in the guitar parts of this song have always fascinated me. Here, they transcribe for brass quintet just as effectively. Combine this with the dynamic shape of the song, and you have a winner. Doable ranges for high school players, but very challenging rhythmically. A good challenge for any group.
$15.00
13.82 €
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Brass quartet : 2 trumpets, trombone, tuba
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John Denver
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The Eagle And The Hawk
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Polar Publications
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SheetMusicPlus
The Vesper Bell
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1209169
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1209169 By Andrew Lamb. By Henry Smith (1813-1879). Arranged by Andrew Lamb. Christian,Classical,Religious. 19 pages. Andrew Lamb #807281. Published by Andrew Lamb (A0.1209169). Title: The Vesper BellComposer: Henry Smith (1813-1879)Arranger: Andrew LambDescription: This is my transcription of the prelude The Vesper by composer Henry Smith (1813-1879).Henry Smith was an American composer and organist born in Salem, Massachusetts, on September 27, 1813. At a young age, he showed musical talent and became a pupil of Lowell Mason, an influential educator and composer who was instrumental in developing music education in the United States. Smith was also a prolific composer and wrote over 500 works, including hymns, songs, anthems, and instrumental music. Many of his hymns are still sung today in churches across the country, including Rejoice in the Lord Always, and Sabbath Bells are Ringing. In addition to his work as a composer, Smith was also an accomplished organist and held positions at several churches throughout his career, including in Boston and New York City.Smith was a supporter of music education and was influential in developing the music program at Brown University in Providence, Rhode Island, where he taught for several years. He was also a member of the Boston Academy of Music and served as its president from 1852 to 1856.Henry Smith died on October 2, 1879, in Boston, Massachusetts, at the age of 66. His contributions to American music, particularly within the realm of religious music, were significant and helped shape the development of American classical music.
$12.00
11.05 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Andrew Lamb
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The Vesper Bell
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Andrew Lamb
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SheetMusicPlus
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