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She's Got the Rhythm
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Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.09 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
She's Got the Rhythm (And I Got the Blues)
Guitar notes and tablatures
Easy Guitar - Digital Download SKU: AX.00-PS-0009495 By Alan Jackson. By Alan Jacks…
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Easy Guitar - Digital Download SKU: AX.00-PS-0009495 By Alan Jackson. By Alan Jackson and Randy Travis. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0009495. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0009495).
$2.99
2.75 €
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Guitar notes and tablatures
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Alan Jackson
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She's Got the Rhythm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
She's Got the Rhythm (And I Got the Blues)
Piano, Voice
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0009496 By Alan Jackson. By Ala…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0009496 By Alan Jackson. By Alan Jackson and Randy Travis. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0009496. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0009496).
$3.99
3.67 €
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Piano, Voice
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Alan Jackson
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She's Got the Rhythm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Don't Start Now - Pop String Quartet with Rhythm Section parts
String Quartet: 2 violins, viola, cello
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Li…
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99
23.01 €
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String Quartet: 2 violins, viola, cello
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Dua Lipa, Dallas String Quartet
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Don't Start Now - Pop String Quartet with Rhythm Section parts
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ViolinVagabond Music
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SheetMusicPlus
In God's Hands
Choral 2-part
Two-part chorus - Digital Download SKU: C7.CGA1617 Composed by Erik Whitehill. Gene…
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Two-part chorus - Digital Download SKU: C7.CGA1617 Composed by Erik Whitehill. General, Earth Day, World Communion. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1617. Published by Chorister's Guild - Digital (C7.CGA1617). Children's and youth choirs will have a ton of fun with Erik Whitehill's reimagination of He's Got the Whole World in His Hands. This two-part anthem features updated and inclusive language along with a funky, rhythmic accompaniment. Whitehill's two-part writing is accessible and hits all the right marks!
$2.25
2.07 €
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Choral 2-part
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Erik Whitehill
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In God's Hands
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Chorister's Guild - Digital
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SheetMusicPlus
She's Got A Way
Big Note Piano
Digital Download SKU: HX.459032 By Billy Joel. Pop,Rock. E-Z Play Today. 4 pages. P…
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Digital Download SKU: HX.459032 By Billy Joel. Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.459032). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.75 €
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Big Note Piano
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Billy Joel
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She's Got A Way
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Hal Leonard - Digital
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SheetMusicPlus
She's Got You
Big Note Piano
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1167549 By …
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1167549 By Loretta Lynn and Patsy Cline. This edition: scorch. E-Z Play Today. Country. Score. 3 pages. Hal Leonard - Digital #730450. Published by Hal Leonard - Digital (HX.1167549). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.75 €
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Big Note Piano
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Loretta Lynn and Patsy Cline
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She's Got You
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Hal Leonard - Digital
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.8 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
She's Got A Way
Handbells
Handbell - Level 4 - Digital Download SKU: A0.1380691 By Billy Joel. By Billy Joel.…
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Handbell - Level 4 - Digital Download SKU: A0.1380691 By Billy Joel. By Billy Joel. Arranged by Caleb J. Onstead. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. 7 pages. Caleb J. Onstead #965472. Published by Caleb J. Onstead (A0.1380691). The latest addition to the Billy Joel Series for handbell ensembles sees a return to the 1971 album, Cold Spring Harbor with a setting of the iconic piano ballad, She's Got a Way. Stretch your intermeditate handbell ensemble with exposed lines, pop rhythmic figures, and sensitive musicianship in this arrangement. Crafted using inspirations from live recordings, this arrangement of one of Mr. Joel's most recognized piano ballads will be a rewarding addition to your ensemble's library. She's Got a WayWords and Music by Billy JoelHandbell arrangement by Caleb J. Onstead3-6 oct of handbellsAGEHR Level 4-.
$50.00
46.04 €
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Handbells
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Billy Joel
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She's Got A Way
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Caleb J. Onstead
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SheetMusicPlus
He's Got the Whole World in His Hands (She's Got the Whole World in Her Hands)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879241 Composed by Dennis Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879241 Composed by Dennis Frayne. Arranged by Dennis Frayne. Concert,Folk,Spiritual,Standards. Score. 2 pages. Presto! It's Music Magic Publishing #6036795. Published by Presto! It's Music Magic Publishing (A0.879241). He's Got the Whole World in His Hands (She's Got the Whole World in Her Hands), arranged for intermediate piano. A fun and lively arrangement of this popular African American spiritual. Lots of dotted-eighth-note, sixteenth-note rhythms. Includes lyrics and solfege syllables.
$2.99
2.75 €
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Piano, Voice
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Dennis Frayne
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He's Got the Whole World in His Hands
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Presto! It's Music Magic Publishing
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SheetMusicPlus
VAMPIRE'S DANCE
Violin and Piano
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.10127…
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00
4.6 €
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Violin and Piano
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
She's Got the Rhythm by Alan Jackson - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
Guitar notes and tablatures
Performed by: Alan Jackson: She's Got the Rhythm - And I Got The Blues Digital Sheetm…
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Performed by: Alan Jackson: She's Got the Rhythm - And I Got The Blues Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Guitar 5;Guitar 6;Backup Vocals; 9 pages --
$5.50
5.06 €
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Guitar notes and tablatures
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Alan Jackson
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Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Musicnotes
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Percussion
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Chi…
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.<br> <br> The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy” with fewer notes. The second verse is “intermediate” and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy” verse, an optional ending is provided or it can be skipped to perform the two verses together.<br> <br> Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.<br> <br> This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, “Chroma-Notes Stick Ons” can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.<br> <br> Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.<br> <br> The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.<br> <br> Other suggestions and uses:<br> * have both parts played by bells or both parts played using only Boomwhackers® <br> * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)<br> * use as part of the music education for children at school, home, or church<br> * these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministries<br> <br> <br> Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.<br> <br> Titles included in this collection:<br> Alphabet Song<br> Be Kind to Your Loved Ones<br> B-I-N-G-O<br> Doo-dah-day!<br> Good Morning, Merry Sunshine<br> He’s Got the Whole World In His Hands<br> Hickory Dickory Dock<br> Hokey Pokey<br> Hot Cross Buns<br> I Love the Mountains<br> Itsy Bitsy Spider<br> Little Robin Red-breast<br> Old MacDonald<br> On Top of Old Smokey<br> Rain, Rain, Go Away<br> Row, Row, Row Your Boat<br> Simple Gifts<br> Skip to My Lou<br> Take Me Out to the Ball Game<br> The Water Is Wide<br> <br> Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00
23.02 €
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Percussion
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Traditional
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Folk Songs for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
I Got Rhythm: E-flat Alto Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_AX1 E-flat Alto Saxophone…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_AX1 E-flat Alto Saxophone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_AX1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Saxophone (band part)
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George Gershwin
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I Got Rhythm: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: 2nd B-flat Tenor Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TX2 2nd B-flat Tenor Saxo…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TX2 2nd B-flat Tenor Saxophone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_TX2). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Saxophone (band part)
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George Gershwin
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I Got Rhythm: 2nd B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: Flute
Flute (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_F1 Flute. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_F1 Flute. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_F1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Flute (band part)
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George Gershwin
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I Got Rhythm: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: E-flat Baritone Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_BTX E-flat Baritone Saxop…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_BTX E-flat Baritone Saxophone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_BTX). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Saxophone (band part)
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George Gershwin
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I Got Rhythm: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: 2nd E-flat Alto Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_AX2 2nd E-flat Alto Saxop…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_AX2 2nd E-flat Alto Saxophone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_AX2). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Saxophone (band part)
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George Gershwin
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I Got Rhythm: 2nd E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: 1st F Horn
French horn (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_H1 1st F Horn. Compos…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_H1 1st F Horn. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_H1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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French horn (band part)
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George Gershwin
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I Got Rhythm: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: 1st Trombone
Trombone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TN1 1st Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TN1 1st Trombone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_TN1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Trombone (band part)
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George Gershwin
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I Got Rhythm: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: String Bass
Doublebass (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_SB String Bass. Compo…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_SB String Bass. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_SB). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Doublebass (band part)
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George Gershwin
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I Got Rhythm: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: Guitar
Guitar (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_G Guitar. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_G Guitar. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_G). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Guitar (band part)
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George Gershwin
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I Got Rhythm: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: B-flat Tenor Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TX1 B-flat Tenor Saxophon…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TX1 B-flat Tenor Saxophone. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_TX1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Saxophone (band part)
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George Gershwin
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I Got Rhythm: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: Tuba
Tuba (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_TB1 Tuba. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_TB1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Tuba (band part)
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George Gershwin
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I Got Rhythm: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I Got Rhythm: 2nd B-flat Trumpet
Trombone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_T2 2nd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016625_T2 2nd B-flat Trumpet. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_T2). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
2.76 €
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Trombone (band part)
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George Gershwin
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I Got Rhythm: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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