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You've selected:
She Didn't Have Time
Sheetmusic to print
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She Didn't Have Time
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PIP-000507 By Terri Clark. Country…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PIP-000507 By Terri Clark. Country. 5 pages. Alfred Music - Digital Sheet Music #00-PIP-000507. Published by Alfred Music - Digital Sheet Music (AX.00-PIP-000507). UPC: 038081270333.Alfred is pleased to present the sheet music for the hit single She Didn't Have Time. Recorded by Terri Clark, 2005's Canadian Country Music Association Female Artist of the Year, this sheet music provides the song's lyrics with piano and chord arrangements.
$3.99
3.6 €
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Piano, Vocal and Guitar
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Terri Clark
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She Didn't Have Time
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
She Didn't Have Time by Terri Clark - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Terri Clark: She Didn't Have Time Digital Sheetmusic - instantly downlo…
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Performed by: Terri Clark: She Didn't Have Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Country-Pop~~Country~~Pop~~Contemporary Country
$5.50
4.96 €
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Piano, Vocal and Guitar
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Terri Clark
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Piano/Vocal/Guitar
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Musicnotes
Don't Worry, Be Happy
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.52 €
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Percussion Ensemble
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Bobby McFerrin
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
If I Didn't Have You
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1273629 By Billy Crystal And John G…
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Easy Piano - Level 2 - Digital Download SKU: A0.1273629 By Billy Crystal And John Goodman. By Randy Newman. Arranged by Matt Arnett. Children,Film/TV. Score. 3 pages. Matt Arnett Music #865772. Published by Matt Arnett Music (A0.1273629). This song is part of my Easy Piano series. Arrangements in this series only use one note at a time in each hand, making it highly accessible for beginners. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99
4.5 €
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Easy Piano
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Billy Crystal And John Goodman
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If I Didn't Have You
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Matt Arnett Music
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SheetMusicPlus
Does Anybody Really Know What Time It Is?
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.833865 By C…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumfort Publishing #6448459. Published by Kreechur Kumfort Publishing (A0.833865). Does Anybody Really Know What Time It Is? is a song that was included on Chicago's 1969 debut album Chicago Transit Authority and released as a single in 1970. According to composer Robert Lamm, it was the first song recorded for the album. The song was not released as a single until two tracks from the band's second album, Make Me Smile and 25 or 6 to 4, had become hits. It reached No. 7 in the U.S. and No. 2 in Canada. Said Lamm: [It's] not a complicated song, but it’s certainly a quirky song. But that was my intent. I wanted to write something that wasn’t ordinary, that wasn’t blues-based, that didn’t have ice cream changes, and would allow the horns to shine and give Lee Loughnane a solo. This arrangement is for saxophone quintet (soprano, alto, two tenors, and baritone) and the melody is passed around the ensemble a bit. The arrangement is suitable for intermediate level players.
$15.00
13.53 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Chicago
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Does Anybody Really Know What Time It Is?
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Kreechur Kumfort Publishing
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SheetMusicPlus
I Didn't Know What Time It Was
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1494840 By Bobby Sherwood Et Son Or…
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Piano Solo - Level 4 - Digital Download SKU: A0.1494840 By Bobby Sherwood Et Son Orchestre. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #1071406. Published by John Fries (A0.1494840). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$5.99
5.4 €
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Piano solo
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Bobby Sherwood Et Son Orchestre
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I Didn't Know What Time It Was
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John Fries
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SheetMusicPlus
In Search of Lost Time
Piano solo
Piano Solo - Digital Download SKU: A0.928405 Composed by Noah Fire. Contemporary. S…
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Piano Solo - Digital Download SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405). In Search of Lost Time This is really not a good time for this virus to show up. Not when I'm 68 years old. Couldn’t it have arrived ten years ago before I became elderly? I can make myself ten years younger. (Maybe twelve or fifteen. Why stop at ten?) My mother did that during the war. After she said we were safe they couldn't get to us because of the ocean. Now six feet apart no ocean protects us. Too bad we didn't learn to breathe under water. I watch television wonder why people are standing so close to each other. I walk in zigzags. My ponytail pulls at the strings of the mask suffocating me. At night I check the doors. But who will sneak in now? The virus is the only one out and about. How old will my grandchildren be when I hold them again? Will the youngest be surprised to see we have bodies attached to our heads that we don’t live on a.
$2.50
2.25 €
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Piano solo
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Noah Fire
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In Search of Lost Time
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Noah Fire
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SheetMusicPlus
I Didn't Know What Time It Was
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352816 By Charlie Parker. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937629. Published by DAVID LEE GINGRAS (A0.1352816). I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!
$4.99
4.5 €
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Piano, Voice
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Charlie Parker
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I Didn't Know What Time It Was
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DAVID LEE GINGRAS
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SheetMusicPlus
Terri Clark: She Didn't Have Time - piano, voice or other instruments
Piano, Voice
Instantly printable sheet music by Terri Clark for piano, voice or other instruments of EA…
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Instantly printable sheet music by Terri Clark for piano, voice or other instruments of EASY/MEDIUM skill level. / country
$6.97
6.29 €
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Piano, Voice
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Terri Clark
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Virtualsheetmusic
I Didn't Know What Time It Was
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.499562 Composed by Lorenz Hart an…
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C Instrument - Level 3 - Digital Download SKU: A0.499562 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112867. Published by John Fries (A0.499562). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$3.99
3.6 €
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C Instruments
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Lorenz Hart and Richard Rodgers
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I Didn't Know What Time It Was
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John Fries
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SheetMusicPlus
I Didn't Know What Time It Was
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196258 By Charlie Pa…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196258 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #795412. Published by John Fries (A0.1196258). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$4.99
4.5 €
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Piano, Vocal and Guitar
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Charlie Parker
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I Didn't Know What Time It Was
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John Fries
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Mack The Knife (from The Threepenny Opera) for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Rob…
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Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Robert Newth. Score, Set of Parts. 11 pages. Published by Robert Newth
Die Moritat vom Mackie Messer, more commonly known as Mack the Knife, is a song by Kurt Weill and Bertolt Brecht from their play The Threepenny Opera, which was first performed in Berlin in 1928. This song was hastily written before opening night for the lead actor, who complained that his character didn't have a good introduction. Mack the Knife quickly became a jazz standard, and has now been covered countless times by artists such as Frank Sinatra, Robbie Williams, Louis Armstrong, and Ella Fitzgerald.<br> <br> This arrangement is for standard clarinet quartet of 3 Bb clarinets and 1 bass clarinet. The PDF download contains a full score and all four parts.<br> <br> If you've enjoyed this arrangement, please leave a review!
$12.99
11.72 €
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Clarinet Quartet: 4 clarinets
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Mack The Knife
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Robert Newth
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SheetMusicPlus
The Words That I Didn't Say To You
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1277411 By Francesco Digilio. By Fr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1277411 By Francesco Digilio. By Francesco Digilio. Arranged by Francesco Digilio. 21st Century,Classical,Contemporary,Film/TV,Wedding. Score. 5 pages. Sifare Edizioni Musicali srl #869109. Published by Sifare Edizioni Musicali srl (A0.1277411). The Words That I Didn't Say To You, a song that I wrote for some time and that musically tells everything a man would like to say to his beloved, but does not have the courage to do so, because so much suffering is hidden.
$2.99
2.7 €
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Piano solo
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Francesco Digilio
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The Words That I Didn't Say To You
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Sifare Edizioni Musicali srl
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SheetMusicPlus
I Didn't Know What Time It Was
Easy Piano
Piano - Level 1 - Digital Download SKU: A0.1379725 By Charlie Parker. By Lorenz Har…
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Piano - Level 1 - Digital Download SKU: A0.1379725 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by DecPlay Ltd. 20th Century,Jazz,Standards. DecPlay Piano. 3 pages. DecPlay Ltd #964431. Published by DecPlay Ltd (A0.1379725). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
$3.99
3.6 €
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Easy Piano
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Charlie Parker
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I Didn't Know What Time It Was
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DecPlay Ltd
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
9.92 €
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Piano solo
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
Finding Hope
Piano solo
Piano Solo - Digital Download SKU: A0.1003947 Composed by Faith Angelina. Contempor…
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Piano Solo - Digital Download SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. Published by Faith Angelina Music (A0.1003947). From twelve year old composer Faith Angelina off her debut album Reaching 12 (available at FaithAngelina.com). This song was a turning point for me as I looked for help from my destructive feelings and found the love and support that was always within my reach. - Faith Angelina It was August 8th, 2016, when Faith’s mother found the suicide note left on her minivan. It was a heart stopping moment. The type that slows down time and changes all priorities and perspectives. On the front side of the paper it said, PLEASE READ in big letters. On the back was the following… Dear Mom, I am writing this to inform you about something I didn’t have the strength to tell you in person. I have depression. I know you think that we all go through a stage where we are sad it’s true, but this is not the case. I thought that I just had a sad time too until I realized I had been thinking about killing myself many times. I know that this is hard to hear but I felt it was important to tell you something I had been holding back for 5 years. I hope you can think of me the same after this note, and know that me thinking about killing myself is NOT your fault. Love, Faith After an immediate trip to the doctor, it was discovered that Faith didn’t have clinical depression but that she suffered from a hormonal imbalance in her body. She had been waking up in the middle of the night over half of her young life and wandering around while the rest of the family slept. With a small prescription, and lots of love, Faith headed off to start middle school and a magical year that would follow. Shortly after this experience, Faith composed a new song called Finding Hope and finished up on three others she had been working on.
$3.50
3.16 €
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Piano solo
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Faith Angelina
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Finding Hope
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Faith Angelina Music
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SheetMusicPlus
The Power Of Love
Clarinet
Clarinet Solo - Digital Download SKU: A0.939960 By Laura Brannigan. By Candy Deroug…
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Clarinet Solo - Digital Download SKU: A0.939960 By Laura Brannigan. By Candy Derouge and Gunther Mende. Arranged by Jan Shé. Contemporary,Pop. Individual part. 8 pages. Jan She #2998933. Published by Jan She (A0.939960). Wondering what clarinet music to play at that wedding, that party, that concert, or that event? Did you think of playing Power of Love but didn’t have the time to transcribe, transpose, and arrange it for the clarinet?A pop standard popularized by Air Supply, Celine Dion, and Jennifer Rush, this song is well-loved around the world for its big romantic emotion. Now a clarinetist can easily play it with rock band, jazz band, or any other kind of band, or just piano.Since this is a lead sheet, the sky's the limit in terms of your interpretations! This lead sheet in Bb comes with a lead sheet in C for those folks accompanying the clarinet.A great song for students and schools as well as polished professionals.Even works great for church services of any denomination, since the topic is very generally about love. The Air Supply music video even ends in a church.If you want to take your performance of Power of Love to the next level, take a cue from Air Supply and Celine Dion and be very free with the rhythm of the melody towards the beginning. Then get more and more steady with the rhythm towards the end of the song.A huge hit in the 80s, this song made a big comeback with Celine Dion in the 90s. She has used the song in all her tours since then. It’s a pop standard.Duration: 4 minutes 17 seconds.Member of ASCAP.Contact arranger and composer Jan Shé at his website www.JanShe.com.
$4.99
4.5 €
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Clarinet
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Laura Brannigan
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The Power Of Love
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Jan She
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SheetMusicPlus
Gnossienne No. 3 (Tablature +)
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
1.79 €
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Guitar notes and tablatures
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Erik Satie
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.6 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Side by Side
Easy Piano
Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.996528
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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.996528 Composed by Ryan Blakemore. Contemporary. Score and parts. 3 pages. Blakemore School of Music #5218489. Published by Blakemore School of Music (A0.996528). I wrote this piece for my student, Charlotte. She has been composing pieces similar to those in her Time to Begin book and she came in with this melody. However, after playing it she said she didn't like it and wasn't going to play it anymore. I was captivated by this melody and asked if I may have it, so she tore the page from her notebook and gave it to me. I wrote this four-hands version for us to play together and since it is her first duet I wanted to make it special, so I did a little Victor Borge type thing and begin as primo and then halfway through we switch places on the bench. .
$3.00
2.71 €
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Easy Piano
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Ryan Blakemore
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Side by Side
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Blakemore School of Music
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SheetMusicPlus
All At Sea - Classical Ballad - Piano Solo
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.961544 Composed by Olly Wedgwood. C…
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Piano Solo - Level 1 - Digital Download SKU: A0.961544 Composed by Olly Wedgwood. Classical,Concert,Contemporary,Standards. Score. 3 pages. OllysPianoSheets #4791097. Published by OllysPianoSheets (A0.961544). All At Sea is a classical piano ballad in the key of D minor for beginner level pianists at the grade 1 (ABRSM) standard.The phrase All at sea harks from back in the times when sailing ships didn't have navigation aids. So if they were at sea and land was not visible, then they could quite easily get lost and find themselves in dangerous waters...All at Sea expresses the uncertainty and worry that sailors might have had when they lost sight of land. Of course, these days we have satellite navigation, radar and other neat gadgets, which make navigating the seas much easier.However, sometimes life can still be uncertain, so here is a piano piece which could also express those days when we feel like we've 'lost sight of the land'.All at Sea will suit pianists of about grade 1-2 (ABRSM) standard and should be played with feeling and reflection, taking special care of the dynamics as they rise and fall with the melody.Explore more fun piano sheet music by Olly Wedgwood at OllysPianoSheets.com
$3.95
3.56 €
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Piano solo
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Olly Wedgwood
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All At Sea - Classical Ballad - Piano Solo
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OllysPianoSheets
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SheetMusicPlus
Bring His Love
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
1.79 €
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Choral SATB
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the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
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