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Sing Them Over Again to Me - Violin 2
Sheetmusic to print
30 sheet music found
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26
Sing Them Over Again to Me - Bb Trumpet 2,3
Trumpet (band part)
Digital Download SKU: HX.300950 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300950 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300950).
$7.00
6.54 €
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Trumpet (band part)
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Philip P
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Sing Them Over Again to Me - Bb Trumpet 2,3
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Trombone 1 & 2
Trombone (band part)
Digital Download SKU: HX.300951 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300951 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300951).
$7.00
6.54 €
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Trombone (band part)
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Philip P
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Sing Them Over Again to Me - Trombone 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me/Wonderful Words of Life (Downloadable)
Organ
Organ - Moderately Easy - Digital Download SKU: MQ.10-648-2E Composed by Robert J. …
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Organ - Moderately Easy - Digital Download SKU: MQ.10-648-2E Composed by Robert J. Powell. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-648-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-648-2E).
$5.00
4.67 €
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Organ
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Robert J
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Sing Them Over Again to Me/Wonderful Words of Life
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Sing Them Over Again to Me - Timpani
Percussion (band part)
Digital Download SKU: HX.300972 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300972 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300972).
$7.00
6.54 €
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Percussion (band part)
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Philip P
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Sing Them Over Again to Me - Timpani
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Bb Trumpet 1
Trumpet (band part)
Digital Download SKU: HX.300949 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300949 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300949).
$7.00
6.54 €
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Trumpet (band part)
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Philip P
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Sing Them Over Again to Me - Bb Trumpet 1
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Piano
Piano (band part)
Digital Download SKU: HX.300975 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300975 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300975).
$7.00
6.54 €
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Piano (band part)
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Philip P
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Sing Them Over Again to Me - Piano
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Tuba
Tuba (band part)
Digital Download SKU: HX.300971 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300971 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300971).
$7.00
6.54 €
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Tuba (band part)
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Philip P
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Sing Them Over Again to Me - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Bb Clarinet 1 & 2
Clarinet (band part)
Digital Download SKU: HX.300946 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300946 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300946).
$7.00
6.54 €
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Clarinet (band part)
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Philip P
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Sing Them Over Again to Me - Bb Clarinet 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - F Horn 1 & 2
French horn (band part)
Digital Download SKU: HX.300948 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300948 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300948).
$7.00
6.54 €
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French horn (band part)
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Philip P
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Sing Them Over Again to Me - F Horn 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
Sing Them Over Again to Me - Flute 1 & 2 (Piccolo)
Flute (band part)
Digital Download SKU: HX.300944 By Philip P. Bliss. Arranged by Joseph M. Martin. F…
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Digital Download SKU: HX.300944 By Philip P. Bliss. Arranged by Joseph M. Martin. Festival,Gospel,Hymn,Sacred. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #946580. Published by Hal Leonard - Digital (HX.300944).
$7.00
6.54 €
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Flute (band part)
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Philip P
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Sing Them Over Again to Me - Flute 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
HOLY LORD 2
Piano solo
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.66 €
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Piano solo
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343529 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343529 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 6 pages. Marilena Zlatanou #929058. Published by Marilena Zlatanou (A0.1343529). BYZANTINE HYMN: O THRINOS TIS ALOSEOS: Lament over the Fall of Constantinople in 1453 (after Simon Karas) arranged for soloist and SATB choirConstantinople (ΚωνταντινοÏπολη=Constantin's City), had been the capital of the Byzantine (Eastern Roman) empire from 330 until 1453, when it fell to the Ottomans. It continued then as the capital of the Ottoman empire, and has since 1930 been called Istanbul, the Turkish understanding of the sound of Greek: Stin Poli (= to the City). This Hymn survived in the Greek Orthodox Church and has both a secular and a religious character, as it records the end of the 1100 years glorious era, as well as it is lamenting the religious restrictions the Greek Orthodox Church was subjected to as a result of the Islamic Occupation. The content of the text is the praising of the brave heroes who fought to protect Constantinople, under emperor Constantin, against the invading forces of the Ottomans. duration: 2'25'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
18.68 €
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Choral SATB
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Byzantine hymn
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Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
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Marilena Zlatanou
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SheetMusicPlus
Yesterday Once More
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John …
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Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
6.53 €
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Piano solo
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The Carpenters
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Kids in the Corner
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847). Listen to this piece hereKids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.I. HipThis summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.II. One for the lovebirds…It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.III. SwungFor quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.IV. Posh, Prim, and ProperThis axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.V. JigA trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.- Matthew NunesWindsor, December 2014.
$24.99
23.34 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Matthew Nunes
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Kids in the Corner
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Matthew Nunes Music
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SheetMusicPlus
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