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Sing a New Church
Sheetmusic to print
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Sing a New Church
Choral SATB
Choral SATB choir & brass instruments - Digital Download SKU: H1.A721DP Composed by…
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Choral SATB choir & brass instruments - Digital Download SKU: H1.A721DP Composed by Jeffrey Honor. Arranged by Jeffrey Honore. General Worship, Sacred. Octavo. 12 pages. Hope Publishing - Digital #A721DP. Published by Hope Publishing - Digital (H1.A721DP). Words by Dolores Dufner. Ephesians 5:15 - Ephesians 5:16 - Ephesians 5:17 - Ephesians 5:18 - Ephesians 5:19 - Ephesians 5:20.Words by Dolores Dufner The well-known hymn tune, NETTLETON, is linked with a marvelous text affirming the unity and diversity of the Christian church. The organ accompaniment with optional brass and congregation verses make for a rousing concertato for Sunday morning and an ideal festival choice. Brass and Timpani Parts: B-Flat Trumpets I, II; Trombone I, II and Timpani.
$2.95
2.72 €
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Choral SATB
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Jeffrey Honor
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Trombone I, II and Timpani
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Sing a New Church
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Hope Publishing - Digital
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SheetMusicPlus
Sing a New Church
Brass, Choral - Digital Download SKU: H1.A721BDP Composed by Jeffrey Honor. Arrange…
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Brass, Choral - Digital Download SKU: H1.A721BDP Composed by Jeffrey Honor. Arranged by Jeffrey Honore. General Worship, Sacred. Brass Parts. 9 pages. Hope Publishing - Digital #A721BDP. Published by Hope Publishing - Digital (H1.A721BDP). Words by Dolores Dufner. Ephesians 5:15 - Ephesians 5:16 - Ephesians 5:17 - Ephesians 5:18 - Ephesians 5:19 - Ephesians 5:20.Words by Dolores Dufner The well-known hymn tune, NETTLETON, is linked with a marvelous text affirming the unity and diversity of the Christian church. The organ accompaniment with optional brass and congregation verses make for a rousing concertato for Sunday morning and an ideal festival choice. Brass and Timpani Parts: B-Flat Trumpets I, II; Trombone I, II and Timpani.
$34.95
32.22 €
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Jeffrey Honor
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Trombone I, II and Timpani
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Sing a New Church
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Hope Publishing - Digital
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SheetMusicPlus
Sing a New Song!-Digital Download
Eleven anthems and responses This collection of anthems and responses for Unison and Two-P…
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Eleven anthems and responses This collection of anthems and responses for Unison and Two-Part Voices serves the need of many churches for music that is both adaptable for any and every choir, and that addresses the entire church year
Song List
: An Advent Carol (Advent) Benediction (Dismissal) God Gives Us Those Who Love Us (Mother's Day) Hosanna to the King! (Palm Sunday) Sing to the Lord a New Song! (Worship Anthem) Someone Will See the Star Tonight (Christmas) Thanks Be to God! (Thanksgiving) The Lord Is In His Holy Temple (Introit) The Lord of Life Is Risen! (Easter) The Love of God (God's Love) We Are Gathered Here to Praise the Lord (Gathering) We Praise You, Lord! (Praise Anthem)
$14.95
13.78 €
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Sing a New Song!-Digital Download
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SheetMusicPlus
In Every Corner Sing
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirl…
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List
: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95
13.78 €
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In Every Corner Sing
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SheetMusicPlus
Sing a New Song
Choir Sacred Opt. Claves and Maracas (2-Part choir) - Grade 2 - Digital Download SKU: J…
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Choir Sacred Opt. Claves and Maracas (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-5862 Composed by J. Paul Williams and Joseph M. Martin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Christmas; Easter; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-5862. Published by Jubilate Music Group - Digital (JX.00-5862). English. Psalm 147, Psalm 148, Psalm 149, Isaiah 63:7-9, Luke 6:20-36, Ephesians 1:11-23.An invigorating Psalm adaptation for any time of year! Easy syncopation, a basic partner-song format, and optional accompaniment for claves and maracas make this an excellent choice for 2-part treble or mixed voices. Both adults and youth choirs will love singing this new song of praise.
$2.25
2.07 €
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J
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Choral Octavo
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Sing a New Song
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Jubilate Music Group - Digital
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SheetMusicPlus
Sing a New Song to the Lord
Choral (2-Part Mixed) SKU: HL.8747173 Composed by Carmen Scialla. 2-Part Mixed. Fre…
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Choral (2-Part Mixed) SKU: HL.8747173 Composed by Carmen Scialla. 2-Part Mixed. Fred Bock Publications. Concert, General Worship, Sacred. Octavo. 10 pages. Fred Bock Music Company #BG2467. Published by Fred Bock Music Company (HL.8747173). UPC: 884088150556. 6.75x10.5x0.023 inches.Dr. Carmen Scialla, a music professor from New Jersey who is also in church work, truly gives us a “new song†in this setting of Psalm 98. A simple melody yet full of rhythmic drive and zest, this appealing anthem is easily learned. Also available in SATB, multiple choirs can sing the two editions together with festive fervor to the delight of singers and listeners alike. Available for SATB and 2-Part Mixed. Rehearsal CD and Rehearsal CD 10-Pak also available.
$1.70
1.57 €
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Carmen Scialla
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Sing a New Song to the Lord
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Fred Bock Music Company
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SheetMusicPlus
Sing a New Song (SATB)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719529 Composed by Curtis …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719529 Composed by Curtis Hanson. Sacred. Octavo. 15 pages. Curtis Hanson #2033065. Published by Curtis Hanson (A0.719529). Sing a New Song is a setting for SATB choir and piano with text from Psalm 98. Written for the composer's church choir in 1997, it has been a favorite of the his choirs ever since. It is not difficult and should be within the realm of most church choirs. The most challenging element is keeping the diction clean.
$2.00
1.84 €
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Choral SATB
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Curtis Hanson
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Sing a New Song
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Curtis Hanson
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SheetMusicPlus
I Will Sing a New Song Unto You, O Lord
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.852554 Composed by Pat Hol…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.852554 Composed by Pat Holmberg. Christian,Sacred. Octavo. 11 pages. Patricia Tanttila Holmberg #49595. Published by Patricia Tanttila Holmberg (A0.852554). This is a cheerful SATB anthem with text adapted from Psalms 144, 145, & 146. It was written for and first performed by the high school choir at First Presbyterian Church in Boulder, CO in 1995 as a part of a cantata in honor of the 100th anniversary of that church. www.patholmberg.com BMI.
$1.99
1.83 €
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Choral SATB
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Pat Holmberg
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I Will Sing a New Song Unto You, O Lord
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Patricia Tanttila Holmberg
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SheetMusicPlus
Sing a New Song!
Choral SATB
SATB chorus - intermediate - Digital Download SKU: C7.CGE225 Composed by Don Sowers…
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SATB chorus - intermediate - Digital Download SKU: C7.CGE225 Composed by Don Sowers. General. Sing! Octavo. 20 pages. Chorister's Guild - Digital #CGE225. Published by Chorister's Guild - Digital (C7.CGE225). UPC: 749193027066.Joyous marked energy, driving rhythmic accents and dramatic dynamic contrasts are the hallmarks of this exhilarating multi-usage original, making it an excellent choice as a concert or festival opening number. Two brief a cappella sections create textural interest along with a contrasting middle section, and the energetic recapitulation propels the piece to its exciting conclusion. The text is adapted from Psalms, making it a superb choice for school or church use.
$2.70
2.49 €
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Choral SATB
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Don Sowers
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Sing a New Song!
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Chorister's Guild - Digital
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.26 €
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Brass quartet : 2 trumpets, trombone, tuba
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William Billings
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Sing A New Song (Accompaniment Track)
Piano solo
Piano - Digital Download SKU: A0.1051311 Composed by Stephen DeCesare. Children,Chr…
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Piano - Digital Download SKU: A0.1051311 Composed by Stephen DeCesare. Children,Christian,Easter,Sacred. Accompaniment. Duration 142. Exultet Music #273. Published by Exultet Music (A0.1051311). Lively and upbeat setting of Psalm 96 that is scored for a Two-part Children's Choir and Piano accompaniment. Accessible and appropriate for any church setting. Can be used for many times throughout the liturgical year but especially during the Easter season.
$3.99
3.68 €
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Piano solo
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Stephen DeCesare
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Sing A New Song
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Exultet Music
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SheetMusicPlus
I Will Sing a New Song to You, O Lord
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.852618 Composed by Pat Hol…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.852618 Composed by Pat Holmberg. Christian. Octavo. 11 pages. Patricia Tanttila Holmberg #4763341. Published by Patricia Tanttila Holmberg (A0.852618). This was written for a church high school choir - it's melodic and not complicated, and the text is adapted from verses in Psalms 144, 145 and 146.
$2.49
2.3 €
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Choral SATB
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Pat Holmberg
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I Will Sing a New Song to You, O Lord
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Patricia Tanttila Holmberg
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SheetMusicPlus
Sing A New Song (Rehearsal Track)
Choir,Voice - Digital Download SKU: A0.1051310 Composed by Stephen DeCesare. Childr…
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Choir,Voice - Digital Download SKU: A0.1051310 Composed by Stephen DeCesare. Children,Christian,Easter,Sacred. Full Performance. Duration 139. Exultet Music #271. Published by Exultet Music (A0.1051310). Lively and upbeat setting of Psalm 96 that is scored for a Two-part Children's Choir and Piano accompaniment. Accessible and appropriate for any church setting. Can be used for many times throughout the liturgical year but especially during the Easter season.
$3.99
3.68 €
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Stephen DeCesare
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Sing A New Song
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Exultet Music
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SheetMusicPlus
Sing A New Song
Choral SATB
SATB choir - Intermediate - Digital Download SKU: LX.10-1823R Descants for the c…
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SATB choir - Intermediate - Digital Download SKU: LX.10-1823R Descants for the church year. Composed by Philip Lawson. Te Deum Choral Series. Sacred Anthem. Octavo. 8 pages. Roger Dean Publishing #e10/1823R. Published by Roger Dean Publishing (LX.10-1823R). UPC: 000308042481.This item is for Digital Download.
$2.50
2.3 €
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Choral SATB
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Philip Lawson
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Sing A New Song
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Roger Dean Publishing
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SheetMusicPlus
Sing the News! (An Advent Anthem for Women's Choir)
Choral 3-part
Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.781396 Composed by Joanna M…
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Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.781396 Composed by Joanna Mills. A Cappella,Christmas,Contemporary,Holiday,Sacred. Octavo. 8 pages. Joanna Mills Music #6625415. Published by Joanna Mills Music (A0.781396). This beautiful Advent or Christmas anthem tells the story of Gabriel's visit to Mary from the perspective of the larks and nightingales who witness the visit and then sing the news far and wide. Featuring beautiful harmonies and a special a capella section, this will be a stunning addition to any Christmas concert or Lessons & Carols service. Soprano C4 -F5, Mezzo Bb3 - C5, Alto G3 - A4. Approximate performance time 2:32. Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her home studio and at Broadway Arts Centre in Toronto, Ontario. For more information and additional resources please visit joannamills.ca or email joannamillsmusic@gmail.com
$1.99
1.83 €
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Choral 3-part
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Joanna Mills
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Carols service
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Sing the News!
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Joanna Mills Music
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SheetMusicPlus
We'll Sing All Hail to Jesus Name
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.980859 Composed by Joseph …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.980859 Composed by Joseph Coslet, Richard N. Shorten. Arranged by Richard N. Shorten. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Shorten Studio Utah #3578911. Published by Shorten Studio Utah (A0.980859). SATB with organ (2 staves). Text by Richard Alldridge, 1815-1896, additions by Richard N. Shorten. This is used as a sacrament song in the LDS church, mentioning the bread and water, the resurrection, and giving praise to Jesus for his sacrifice on Calvary's hill, etc. Doctrinally fits most Christian churches' beliefs. The organ adds a very unusual element to this arrangement in its 16 measure introduction and throughout the work-almost adding a traditional folk music sound. Verses 2, 3, & 4 have new melodies. The interlude/bridge between verses 2 and 3 is also a new melody which is then repeated on the new verse 5 while Alldridge's original melody is sung below it. This work is somewhat difficult because the singers are not supported by the organ.
$2.20
2.03 €
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Choral SATB
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Joseph Coslet, Richard N
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4 have new melodies
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We'll Sing All Hail to Jesus Name
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Shorten Studio Utah
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SheetMusicPlus
IT'S CHRISTMASTIME (a new trad. Christmas carol)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.935513 Composed by Sh…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillions #4995115. Published by MusicforMillions (A0.935513). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of your caroling tradition. By and large, Christmas music is either sacred or secular -- about Jesus, Mary, the shepherds and angels or about presents and parties and mistletoe. We live them both simultaneously. This carol represents that, with the first verse being a patter of Christmas excitement and the second more lyrical focusing on the advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men.This song has the potential to become a regular part of Christmas carol canon sung by millions around the world.* Perfect for school or church Christmas concerts. * Great for families around the fireplace or out caroling.* Bells/Chimes add a beautiful touch but it can also be performed with just piano and voices or even a capella. I have even enjoyed singing to guitar or ukulele.* Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting. It can be sung straight through without overlapping the verses.* Some harmony parts are indicated in the vocal line. Of course you can sing the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you.You can find me at @the_shaunparry or www.shaunparry.com
$3.99
3.68 €
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Piano, Vocal and Guitar
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and large, Christmas music is either sacred or secular -- about Jesus, Mary, the shepherds and angels or about presents and parties and mistletoe
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Shaun Parry
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IT'S CHRISTMASTIME
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MusicforMillions
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SheetMusicPlus
Christchurch Alive!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
92.19 €
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
A Round of Thanks
Choral 2-part
Choir Sacred (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-21027 Incorp…
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Choir Sacred (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-21027 Incorporating O Waly Waly and Come, Ye Thankful People, Come. Arranged by Donald Moore. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christ the King; Fall; Sacred; Thanksgiving. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-21027. Published by Jubilate Music Group - Digital (JX.00-21027). English. Psalm 95, Matthew 9:35-38, Mark 4:26-32, Philippians 4:4-7, Revelation 14:14-16.The traditional English folk tune commonly known as The Water Is Wide is delightfully partnered with the harvest text, Come, Ye Thankful People, Come, in this popular arrangement, now available in three voicings for singers of all ages. Opening with a unison verse, it flows into a simple canon and closes with a newly composed section giving thanks to God for His great goodness. Perfect for any time of year, especially Thanksgiving, it is easily taught and a delight to sing!
$2.25
2.07 €
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Choral 2-part
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Choral Octavo
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A Round of Thanks
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Jubilate Music Group - Digital
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SheetMusicPlus
Prayers and Blessings (Piano/Vocal Score)
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SK…
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
10.14 €
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.59 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.59 €
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String Orchestra
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.59 €
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Brass quartet : 2 trumpets, trombone, tuba
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
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