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Sketches 2 - Score Only
Sheetmusic to print
3 sheet music found
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1
Sketches of Spain
Harp
Composed by William Mahan. Repertoire, Latin, Recital. 33 pages. Published by Afghan …
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Composed by William Mahan. Repertoire, Latin, Recital. 33 pages. Published by Afghan Press Music for the Harp
Beautiful original melodies with a distinct Spanish flair. Most songs in meter of 3 or 6, two in 4. F, G, and C levers are the only levers needed. <br> <br> Table of Contents:<br> Seville, Andalucia, Spanish Dance No. 2 by Granados, El Castillo Viejo, Little Spanish Village, Last Night in Madrid, Adios
$14.00
12.91 €
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Harp
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William Mahan
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Sketches of Spain
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Afghan Press Music for the Harp
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SheetMusicPlus
Preludes
Piano solo
Piano - intermediate to difficult - Digital Download SKU: S9.Q43078 Volume II
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Piano - intermediate to difficult - Digital Download SKU: S9.Q43078 Volume II. Composed by Renato de Grandis. This edition: single sheet. Downloadable, Separate edition. Op. 2. Duration 32 minutes. Schott Music - Digital #Q43078. Published by Schott Music - Digital (S9.Q43078). The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cycle.
$25.99
23.96 €
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Piano solo
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Renato de Grandis
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Preludes
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
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