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Solo Book for Winds - Flute
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Solo Book for Winds - Trumpet
Trumpet
Trumpet and piano - Grade 1 - Digital Download SKU: IZ.FSW091T Composed by David Ma…
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Trumpet and piano - Grade 1 - Digital Download SKU: IZ.FSW091T Composed by David Marchand and Elizabeth Borowsky. Score and Parts. 47 pages. Imagine Music - Digital #FSW091T. Published by Imagine Music - Digital (IZ.FSW091T). 9 x 12 in inches.By David Marchand and Elizabeth Borowsky. This collection of original songs is designed for students who have studied their instruments for a limited time (Level 1-2). The songs in the collection are approximately one minute in length and are in keys and meters commonly found in most instrumental methods. The ranges of the songs seldom go above one octave. There are fourteen songs in the collection sequenced by level of difficulty. There is great variety within the collection as each of the songs as its own unique character. For each song, there is a solo score and a solo/piano-accompaniment score. As an aid, the collection includes a CD with two tracks: one with only the solo part, one with only the accompaniment part. Although the accompaniments sound musically sophisticated, they were designed to be playable by the younger pianist. In the event that no pianist is available, the soloist could use the CD as his or her accompaniment. [CD available from the publisher] March Petite: Goin Baroque: Spanish Dance:.
$16.00
14.6 €
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Trumpet
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David Marchand and Elizabeth Borowsky
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David Marchand and Elizabeth Borowsky
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Solo Book for Winds - Trumpet
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Imagine Music - Digital
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SheetMusicPlus
Solo Book for Winds - Saxophone
Saxophone and piano - Grade 1 - Digital Download SKU: IZ.FSW091S Composed by David …
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Saxophone and piano - Grade 1 - Digital Download SKU: IZ.FSW091S Composed by David Marchand and Elizabeth Borowsky. Score and Parts. 47 pages. Imagine Music - Digital #FSW091S. Published by Imagine Music - Digital (IZ.FSW091S). 9 x 12 in inches.By David Marchand and Elizabeth Borowsky. This collection of original songs is designed for students who have studied their instruments for a limited time (Level 1-2). The songs in the collection are approximately one minute in length and are in keys and meters commonly found in most instrumental methods. The ranges of the songs seldom go above one octave. There are fourteen songs in the collection sequenced by level of difficulty. There is great variety within the collection as each of the songs as its own unique character. For each song, there is a solo score and a solo/piano-accompaniment score. As an aid, the collection includes a CD with two tracks: one with only the solo part, one with only the accompaniment part. Although the accompaniments sound musically sophisticated, they were designed to be playable by the younger pianist. In the event that no pianist is available, the soloist could use the CD as his or her accompaniment. [CD available from the publisher] March Petite: Goin Baroque: Spanish Dance:.
$16.00
14.6 €
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David Marchand and Elizabeth Borowsky
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David Marchand and Elizabeth Borowsky
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Solo Book for Winds - Saxophone
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Imagine Music - Digital
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SheetMusicPlus
Monteverdi Madrigals Book 6 - 08. SESTINA
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
14.59 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi Madrigals Book 6 - 08. SESTINA
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
4.55 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 13. Presso un fiume tranquillo
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767282 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767282 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 55 pages. Lyons Music Services #3218713. Published by Lyons Music Services (A0.767282). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). This is the final song in the book and it forms a kind of short scena all by itself. The words are very evocative and descriptive. The title translates as By a tranquil river. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
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a tranquil river
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 13. Presso un fiume tranquillo
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals (Complete)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
104.96 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
4.55 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767280 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
#
Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00
11.86 €
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Brass ensemble
#
Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767276 Composed by Claudio Mont…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
#
Brass ensemble
#
Claudio Monteverdi
#
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Lyons Music Services
#
SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767274 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
#
Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
#
Claudio Monteverdi
#
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Lyons Music Services
#
SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767272 Arranged by Lyons Music …
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.47 €
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Brass ensemble
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Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
5.47 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767278 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767278 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Services #3218697. Published by Lyons Music Services (A0.767278). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The ninth song (counting the 6 parts of Sestina as one item) is Ohime il bel viso - Alas! The pretty face sees our young man trying to wheedle an encounter out of his lover. Complaining how much her beauty makes him mad with passion. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
4.55 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
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Lyons Music Services
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SheetMusicPlus
Texas Blues Shuffle Play A Long and Solos Collection for Tenor Sax Beginner Series
Tenor Saxophone
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1161681 By Andrew D. Gord…
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Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1161681 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762026. Published by A.D.G. Productions (A0.1161681). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.73 €
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Tenor Saxophone
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Andrew D
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Texas Blues Shuffle Play A Long and Solos Collection for Tenor Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
British Blues Rock Play A Long and Solos Collection for Alto Sax Beginner Series
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161637 By Andrew D. Gordo…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161637 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762007. Published by A.D.G. Productions (A0.1161637). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.73 €
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Alto Saxophone
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Andrew D
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British Blues Rock Play A Long and Solos Collection for Alto Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
Texas Blues Shuffle Play A Long and Solos Collection for Alto Sax Beginner Series
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161651 By Andrew D. Gordo…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161651 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762022. Published by A.D.G. Productions (A0.1161651). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.73 €
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Alto Saxophone
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Andrew D
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Texas Blues Shuffle Play A Long and Solos Collection for Alto Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
Tis Summer In Thine Eyes - piano solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1172986 Composed by Carrie Jacobs-B…
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Piano Solo - Level 4 - Digital Download SKU: A0.1172986 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Pop,Romantic Period. Score. 2 pages. Phil Beaman #773179. Published by Phil Beaman (A0.1172986). Tis Summer In Thine Eyes is a piano solo arrangement of the 1901 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. Â I have slowed the piece down for a more romantic pop and reharmonized the original melody. Â I then created contrasting sections for more emotional drama. Â All sections are in 4 instrumental voices; so a rich, busy texture. Â The opening section is gently flowing, with the 4 voices interweaving. Â The second section is bolder and rhythmic, with the inner voicing as off beat chords in both hands. Â It builds in intensity to the climax then winds back out. Â The coda returns with the flowing parts which further wind out and fade away. Â This is a dramatic solo composition of 20th century romantic pop with a few other flavors mixed in. Â 2 page score; 2:30 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$3.25
2.97 €
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Piano solo
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Carrie Jacobs-Bond
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so a rich, busy texture
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Tis Summer In Thine Eyes - piano solo
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Phil Beaman
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Tenor voice
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.47 €
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Tenor voice
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.47 €
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Baritone voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.2 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
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