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You've selected:
Some Golden Moment
Sheetmusic to print
14 sheet music found
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1
Some Golden Moment
Piano - Level 4 - Digital Download SKU: A0.1472272 By James Michael Stevens. By Jam…
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Piano - Level 4 - Digital Download SKU: A0.1472272 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Film/TV,Holiday,Pop,Wedding. Full Performance. Duration 167. James M Stevens Music ASCAP #1049974. Published by James M Stevens Music ASCAP (A0.1472272). This is the piano demonstration performance of Stevens' Some Golden Moment..
$1.99
1.83 €
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James Michael Stevens
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Some Golden Moment
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James M Stevens Music ASCAP
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SheetMusicPlus
Some Golden Moment
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1472278 By James Michael Stevens. B…
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Piano Solo - Level 4 - Digital Download SKU: A0.1472278 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Film/TV,Holiday,Pop,Wedding. Score. 4 pages. James M Stevens Music ASCAP #1049981. Published by James M Stevens Music ASCAP (A0.1472278). Written July 6, 2024, this is an original piano composition in a happy and improvised type of free style in the key of G major. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming platforms worldwide.
$4.99
4.58 €
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Piano solo
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James Michael Stevens
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Some Golden Moment
#
James M Stevens Music ASCAP
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
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Guitar
#
Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Ótal stjarna hröp
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 60 pages. Knut Olav Rygnestad #844518. Published by Knut Olav Rygnestad (A0.1250185). This morning your being wokeIn knowledge of your heart’s lossAs the night had no dreamsBut only a thousand falling stars.Then the richness of a busy daySeemed to you the work of evil witches.– Guðfinna Jónsdóttir from Hömrum (1899–1946)This quote, taken from the poem “The Golden Momentâ€, showcases some of Guðfinna’s writing’s distinct qualities: Profound sadness with a layer of beauty, and a juxtaposition of the mundane and the colloquial with grand imagery and the supernatural. Throughout her poetry we see these strong contrasts: A once-upon-a-lifetime moment that passes you by, but also the infinite beauty of a new-born baby. The wild Icelandic nature presented metaphorically like a protective Viking ship, but also great evil hiding under a sweet, romantic exterior. The life-long journey to a place of great beauty that was always inside you, yet also man’s desperate and futile attempts to bend a great mountain to their will. Her colourful and imaginative writing evokes the dramatic landscapes of her homeland in careful detail, as we’re presented with situations that carry both the great beauty and danger that the volcanic island holds.Guðfinna lived most of her life in Northern Iceland, working as a church musician and writing beautiful texts that unfortunately never made it outside of her native country during her lifetime. We get some small hints about her personal life through her poetry, such as the tragic and early death of her sister Hulda, who died from tuberculosis shortly after getting engaged. Helga Ragnars, being from the same town as Guðfinna and already familiar with her poetry, introduced Knut Rygnestad to it in 2019, after he expressed interest in writing settings of little-known poetry by women. The first two she sent were “Hið gullna augnablik†and “Tvær systurâ€, and Knut found these a joy to work with and quickly requested more, eventually leading to nine songs in total. With funding from Hljóðritasjóður RannÃs and the Norwegian Arts Council, they were able to record and release these songs in 2023, and hope that this will help to make Guðfinna’s poetry reach a wider audience.This book contains sheet music for nine songs: Hið gullna augnablik Vöggubarnsins maÌl AÌfangastaður Tvær systur LjoÌssins knörr Hver ert þuÌ Mannsbarn Fjallið blaÌtt Mig dreymir enn
$22.00
20.2 €
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Piano, Voice
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Helga Ragnars and Knut Rygnestad
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Ótal stjarna hröp
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Knut Olav Rygnestad
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SheetMusicPlus
Golden Slumbers
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1424448 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Warburton. Pop,Wedding. 8 pages. James Warburton #1005638. Published by James Warburton (A0.1424448). Introducing my latest arrangement of 'Golden Slumbers' by The Beatles!Recently featured in a candlelight concert, you can catch a glimpse of how it sounds through the YouTube link provided.Arranged with an enjoyable experience for wedding and event attendees in mind, as well as being fantastic in concert settings, this arrangement is tailored for the modern string quartet.Each part includes rehearsal marks to smoothly navigate any potential hiccups during rehearsals. Plus, optimized for tablets, you won't find cumbersome repeats, DS's, or codas to trip over.I hope you add this arrangement to your repertoire and bring many moments of musical delight to your performances!
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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The Beatles
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Golden Slumbers
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James Warburton
#
SheetMusicPlus
O How Fast the Days are Passing. Song and Chorus
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3977 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3977 Composed by A. Weaver. Human life cycle, Time, Death, Friendship, Love, Youth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3977). O How Fast the Days are Passing. Song and Chorus. Words by E.B. Dewing. Music by A. Weaver. Published 1867 by lyon & Healy, Clark & Washington St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Human life cycle, Time, Death, Friendship, Love, Youth. First line reads O, how fast the days are passing! How the golden moments fly.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Choral SATB
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A
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O How Fast the Days are Passing. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Blu
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1328892 By Ryuichi Sakamoto. By R…
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Concert Band - Level 4 - Digital Download SKU: A0.1328892 By Ryuichi Sakamoto. By Ryuichi Sakamoto. Arranged by John Ivor Holland. 21st Century,Classical,Film/TV,Multicultural,World. 74 pages. John Ivor Holland #916902. Published by John Ivor Holland (A0.1328892). Ryuichi Sakamoto (å‚本 é¾) (1952-2023) was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. As a film score composer, Sakamoto won an Oscar, a BAFTA, a Grammy, and two Golden Globe Awards. 'Merry Christmas, Mr. Lawrence' (1983) marked his debut as both an actor and a film-score composer and his most successful work was 'The Last Emperor' (1987). 'Blu' (ブルー) was composed for an advert to mark the 50th anniversary of the Japanese clothing brand Aoyama Shouji and the title could be a reference to the colour of their business suits; the structure, after a quiet opening, is very reminiscent of Ravel's 'Bolero' and accompanies visuals of workers going about their day, gradually ending with a bit of a night out at the end before slumping into bed. There are some lovely moments for alto flute, cor anglais and tuned percussion; 'Blu' would be a great companion to a performance alongside 'Bolero' or other dance pieces.
$49.99
45.9 €
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Concert band
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Ryuichi Sakamoto
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Blu
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John Ivor Holland
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SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano solo
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
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Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.58 €
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Piano solo
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John Bacchus Dykes
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Holy Holy Holy
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April Ann Rundquist
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.26 €
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Chamber Orchestra
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Jesu, Rex Admirabilis
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1466460 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1466460 Composed by Ivo Antognini. 21st Century,A Cappella,Contemporary,Latin. 13 pages. Ivo Antognini #1045042. Published by Ivo Antognini (A0.1466460). Jesu, Rex Admirabilis was commissioned by the Golden Gate Men's Chorus of San Francisco, directed by Joseph Piazza. The original setting was for TTBB, two countertenors and two solo tenors. I did this setting for TTBB with some divisi. It is a piece of medium difficulty with some truly epic moments and others of pure ecstasy that can be performed with a large male choir but equally well with a small ensemble of eight members. The languages used in Jesu, Rex Admirabilis are Latin and English alternately; given its nature, is well suited to open a concert.
$2.19
2.01 €
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Choral TTBB
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Ivo Antognini
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Jesu, Rex Admirabilis
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Ivo Antognini
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SheetMusicPlus
Shallow - Violin & Cello Duet - Lady Gaga & Bradley Cooper arr. Cellobat
Violin, Cello (duet)
Violin, Cello, String Duet - Advanced Intermediate - Digital Download By Lady Gaga. A…
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Violin, Cello, String Duet - Advanced Intermediate - Digital Download By Lady Gaga. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sarah Chaffee
Written by Lady Gaga for the hit 2018 movie A Star Is Born, "Shallow" is a rock ballad that alternates its verses between the two main characters of the film and culminates in a powerful duet. It was not only featured as a pivotal moment in the film, but also released with a music video as a single, and after its release it quickly topped the charts in a dozen countries. "Shallow" now boasts the title of 'most awarded song of all time' after receiving numerous Oscars, Golden Globes, and Grammys. In short, this hit song is one that everyone needs to have in their gig binders! This arrangement for violin & cello duet recreates the famous guitar line, the beautiful lyrical melody lines, and maintains the powerful dynamic builds of the original for a chart that's just as much fun to play as it is to listen to! Perfect for parties, corporate events, solo & ensemble contests, or just playing for fun, this chart is sure to get everyone singing along. Easily sightreadable for professionals and playable for advanced-intermediate students -- there are some tricky rhythms throughout, and the violin part goes up to 3rd position.<br> <br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$9.99
9.17 €
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Violin, Cello (duet)
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Lady Gaga
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Shallow - Violin & Cello Duet - Lady Gaga & Bradley Cooper arr. Cellobat
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Sarah Chaffee
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SheetMusicPlus
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