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You've selected:
Somewhere Far Away
Sheetmusic to print
9 sheet music found
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1
Theme to Somewhere for Alto Saxophone
2 Saxophones, Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.860579 Composed by Sandra Lynch. Contemporary,Standards,World. Score and parts. 5 pages. Sandra Lynch #2000809. Published by Sandra Lynch (A0.860579). Reminiscent of our big natural landscapes, this piece based on 5/4 time signature will definitely take you somewhere far away!
$6.99
6.42 €
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2 Saxophones, Piano
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Sandra Lynch
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Theme to Somewhere for Alto Saxophone
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Sandra Lynch
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SheetMusicPlus
Somewhere Far Away
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.872670 Composed by Philip Or…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.872670 Composed by Philip Orem. Pop. Score. 3 pages. Philip Orem #3683269. Published by Philip Orem (A0.872670). Written in the 1990s, this song is anti-war in its sentiment and explores the distance between those in power that make decisions and the effect of those decisions on the every day lives of others. The attached recording is an orchestrated realization.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$5.00
4.59 €
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Piano, Voice
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Philip Orem
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Somewhere Far Away
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Philip Orem
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SheetMusicPlus
Homeward Bound
Piano, Voice
Piano and voice - Digital Download SKU: LV.22546 Composed by George Meyer. Portrait…
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Piano and voice - Digital Download SKU: LV.22546 Composed by George Meyer. Portraits, Cartoons, Waterfronts, Warships, Military camps, Homesickness, Peace, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22546). Homeward Bound. Words by Howard Johnson and Coleman Goetz. Music by Geo. Meyer. Published 1917 by Leo. Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Waterfornts, Warships, Military camps, Homesickness, Peace, World War I. First line reads Somewhere far away, somewhere in the fray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voice
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George Meyer
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Homeward Bound
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Luces peregrinas (Pilgrim Lights), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900402 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637495. Published by Gustavo Fuentes (A0.900402). Pilgrim Lights. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. One of the few things that we know for certain in this life is that one day we will begin our journey to eternity. Some of our loved ones will begin their journey before us, and we will be left with memories of them and a sense of loss and absence.But some of our loved ones do not travel to eternity, they only wander away until we can meet again, and in the meantime all we can do is feel them from a distance.The old Druids believed distance was not measured in miles but in affection. That is why even when someone has left us and begun their pilgrimage to somewhere far away or to eternity, we can feel them and their light close to us.May those pilgrim lights shine bright and guide our journey. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestro viaje a la eternidad es una de las pocas certezas que tenemos en este plano de la vida. Y durante esta vida, muchos de nuestros afectos parten a su viaje antes que nosotros, dejándonos con su recuerdo, con su pérdida, con su falta.Algunos de nuestros seres queridos no viajan a la eternidad, tan sólo se alejan para tal vez reencontrarnos más tarde, y mientras tanto sólo nos queda sentirlos en la distancia.Según los antiguos druidas, la distancia no es un hecho geográfico sino afectivo. Por eso podemos sentir cerca a alguien que está lejos, a uno de esos seres luminosos que han iluminado nuestra vida para comenzar su peregrinaje, asà sea a un lugar lejano o a su morada eterna.Que esas luces peregrinas nos guÃen en nuestro camino, dándonos señales con su brillo.
$4.99
4.58 €
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Gustavo Fuentes
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Luces peregrinas
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Gustavo Fuentes
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SheetMusicPlus
Distant (Op. 1)
Piano solo
Piano Solo - Digital Download SKU: A0.506664 Composed by Cameron McCracken. Classic…
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Piano Solo - Digital Download SKU: A0.506664 Composed by Cameron McCracken. Classical,Contemporary. Score. 2 pages. Published by Cameron McCracken (A0.506664). Distant is a calm and melancholic piano piece for intermediate piano players. This piece illustrates a character who looks off into the distance longingly. They yearn for more than they can obtain, so they look to the place where they can: somewhere far away.
$4.99
4.58 €
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Piano solo
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Cameron McCracken
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Distant
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Cameron McCracken
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Over The Rainbow
Large Ensemble - Level 2 - Digital Download SKU: A0.939391 By Judy Garland. By Haro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.939391 By Judy Garland. By Harold Arlen. Arranged by Adam Grim. Contemporary. Score and parts. 50 pages. Adam B. Grim #6438223. Published by Adam B. Grim (A0.939391). Somewhere Over the Rainbow and What a Wonderful World are two songs that can be used to define many emotions. Hope, inspiration, freedom of stress and worrying, and an openness to find those who care. These two songs play together and are rich with hope for the future after being locked away from one another from the Coronavirus pandemic of 2020. Solemn and hopeful motion provide this piece direction, and hopefully the listeners and performers can find these internally as well. Wish upon a star that the clouds be far behind us and think to yourself what a wonderful world. I hope you enjoy!
$75.00
68.87 €
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Judy Garland
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Over The Rainbow
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Adam B. Grim
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SheetMusicPlus
She'll Miss Me Most of All
Piano, Voice
Piano and voice - Digital Download SKU: LV.23563 Composed by Ed. Nelson. Fireplaces…
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Piano and voice - Digital Download SKU: LV.23563 Composed by Ed. Nelson. Fireplaces, Mothers & children, Farewells, Courtship, Fathers & children, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23563). She'll Miss Me Most of All. [note on bottom inside margin The author of the lyrics of this song was called away for military duty ad a unable to complete second verse as he is now Somewhere In France]. Words by Will J. Hart. Music by Ed. Nelson. Published 1918 by A.J. Stasny Music Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fireplaces, Mothers & children, Farewells, Courtship, Fathers & children, World War I. First line reads Last night I joined the regulars, I'm glad I volunteered.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voice
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Ed
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She'll Miss Me Most of All
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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