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You've selected:
Sonata
Brass Quartet: 2 trumpets, horn, trombone
Sheetmusic to print
7 sheet music found
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1
Sonata for Brass Trio
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Digital Download SKU: A0.1027807 Composed by…
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Brass Ensemble Horn,Trombone,Trumpet - Digital Download SKU: A0.1027807 Composed by Jordan Wimmer. Contemporary. Score and parts. 38 pages. Jordan Wimmer #2991149. Published by Jordan Wimmer (A0.1027807). This work is a traditional four-movement sonata written in four movements for Trumpet, doubling Flugelhorn and employing Straight and Harmon mutes; French Horn, employing a Straight mute; and Trombone, employing a Cup mute. The first movement is the allegro, primarily in a complex meter alternating between 7/8 and 6/8. The second movement is the minuet and trio, and employs mutes during the repeat to create a change in timbre. The third movement is the largo, which employs immense development as it continues. The fourth movement is the rondo, which serves simply as a final flair for the work and allows it to go out with a bang rather than a whimper.
$7.99
7.46 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Jordan Wimmer
#
Sonata for Brass Trio
#
Jordan Wimmer
#
SheetMusicPlus
Sonata for Four
Brass Quartet: 2 trumpets, horn, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1286835 Co…
(+)
Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1286835 Composed by Arcangelo Corelli (1653-1713). Arranged by Becky Dugan. Baroque,Chamber,Contest,Festival. 22 pages. B. L. Dugan #877848. Published by B. L. Dugan (A0.1286835). Advanced brass players will enjoy the challenge of this typical Baroque sonata, with five movements including: Adagio, Allegro, Grave, Allegretto, Allegro vivo. The Allegretto movement is a duet for the outside voices (Tpt.1 & Tbn.2). The Allegro vivo finale is quick and dance-like. The entire work is ~ 5:00 and suitable for festivals, contests, recitals, concerts and other special occasions.
$28.00
26.13 €
#
Brass Quartet: 2 trumpets, horn, trombone
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Arcangelo Corelli
#
Tbn
#
Sonata for Four
#
B. L. Dugan
#
SheetMusicPlus
Moonlight Sonata, for Brass Trio (Short Version)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.950392 Co…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.950392 Composed by Ludwig van Beethoven. Arranged by Giovanni Porfirio. Concert,Instructional,Romantic Period,Standards. Score and parts. 3 pages. Mundi #6451657. Published by Mundi (A0.950392). Easy version. Perfect for classes, rehearsal, concerts, wedding and personal enjoyment. Appropriate for schools, students, recital and church. Duration: 2'. Not difficult to play.
$3.79
3.54 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Ludwig van Beethoven
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Moonlight Sonata, for Brass Trio
#
Mundi
#
SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.75 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Giovanni Gabrieli
#
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.75 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Giovanni Gabrieli
#
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
jmsgu3
#
SheetMusicPlus
Moonlight Sonata, for Brass Trio (Short Version - Individual Parts)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.950394 Co…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.950394 Composed by Ludwig van Beethoven. Arranged by Giovanni Porfirio. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. Mundi #6451659. Published by Mundi (A0.950394). Easy version. Perfect for classes, rehearsal, concerts, wedding and personal enjoyment. Appropriate for schools, students, recital and church. Duration: 2'. Not difficult to play.
$3.79
3.54 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Ludwig van Beethoven
#
Moonlight Sonata, for Brass Trio
#
Mundi
#
SheetMusicPlus
Funeral March (Brass Quartet)
Brass Quartet: 2 trumpets, horn, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1250597 Co…
(+)
Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1250597 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 7 pages. Ben Dockery #844899. Published by Ben Dockery (A0.1250597). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for brass quartet: two B-flat trumpets, french horn, and trombone. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$7.99
7.46 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Frederic Chopin
#
Funeral March
#
Ben Dockery
#
SheetMusicPlus
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