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Sonata No.4 in A minor, from Four Sonatas
Sheetmusic to print
6 sheet music found
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Sonata No.4 in A minor, from Four Sonatas
Treble recorder (violin, oboe, flute) and basso continuo - advanced - Digital Download …
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Treble recorder (violin, oboe, flute) and basso continuo - advanced - Digital Download SKU: S9.Q5236 Composed by George Frideric Handel. This edition: Sheet music. Original Music for Recorder. Downloadable. Op. 1/4. Schott Music - Digital #Q5236. Published by Schott Music - Digital (S9.Q5236). Key: A minor.
$13.99
12.85 €
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George Frideric Handel
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Sonata No.4 in A minor, from Four Sonatas
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Schott Music - Digital
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.18 €
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2 Pianos, 4 hands
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
J. S. Bach: Sonata no. 1 in b minor, bwv 1014, - soprano saxophone and keyboard by Paul W
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533434 Composed by Joh…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533434 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2914065. Published by Musik Fabrik Music Publishing (A0.533434). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
$16.95
15.56 €
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Soprano Saxophone and Piano
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Johann Sebastian Bach
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J. S. Bach: Sonata no. 1 in b minor, bwv 1014, - soprano saxophone and keyboard by Paul W
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata op. 40 no. 4 in B-flat major for cello and basso
2 Cellos (duet)
Cello Duet Cello - Level 1 - Digital Download SKU: A0.841354 Composed by Jean-Bapti…
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Cello Duet Cello - Level 1 - Digital Download SKU: A0.841354 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score. 18 pages. Artistic Score Engraving di Galvagno Michele #5888091. Published by Artistic Score Engraving di Galvagno Michele (A0.841354). We come to the end of this first part of the journey into Breval's cello sonatas by proposing the fourth one, in B-flat major. It is very interesting to see how all these six sonatas are firmly rooted in major keys, with fleeting passages to minor relatives, rigorously during the second movements. This Sonata has the longest first movement by far, and also a second movement that sails away from the Rondo form, proposing an Aria (Andantino) with two variations. Technically it is quite demanding, possibly the capstone of the sextuplet, coupling a richness in embellishments with long passages in the extended position.
$3.50
3.21 €
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2 Cellos (duet)
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Jean-Baptiste Breval
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Sonata op. 40 no. 4 in B-flat major for cello and basso
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
TELEMANN: TRIO IN E MINOR TWV 43:e2 for flute, clarinet & bassoon or cello
Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.811819…
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Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.811819 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 36 pages. Piper Publications #6536333. Published by Piper Publications (A0.811819). This Trio Sonata was published in Hamburg by Telemann in 1733 in the third volume of his Tafelmusik. The original was scored for flute, violin, cello and continuo. By 1733 the use of the continuo playing from a figured bass supported by a cello was falling out of use. In this piece, the use of the cello as a solo instrument effectively made the inclusion of the continuo redundant. In making this arrangement for flute, clarinet & bassoon or cello I have not included the continuo. Without the continuo, the Trio - still firmly entrenched in the Baroque style - closely resembles the three part Inventions of Telemann’s contemporary, J. S. Bach or the three part flute sonatas in Eb and G minor originally attributed to him but now considered to be the work of his son C.P.E. Bach. A set of 6 Quatuors ou Trios by Telemann clearly makes the continuo part optional. The arrangement is edited so that the style is true to the original. All edited phrasings (generally more suited to wind instruments) are shown using dashed lines. Telemann did not indicate any dynamics and none have been added. It is notable that Telemann developed his musical material throughout each movement and there are no repeated sections in this piece. There are four movements, Adagio, Allegro, Dolce and Allegro. The three parts are intended for players of equal accomplishment to delight their audiences.
$15.00
13.77 €
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1733 the use of the continuo playing from a figured bass supported by a cello was falling out of use
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Georg Philipp Telemann
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TELEMANN: TRIO IN E MINOR TWV 43:e2 for flute, clarinet & bassoon or cello
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Piper Publications
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SheetMusicPlus
Allegro - Score Only
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1372446 By Solo Trumpet Player. …
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Brass Quintet - Level 3 - Digital Download SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00
15.61 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Solo Trumpet Player
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
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