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Song To No One
Sheetmusic to print
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3951
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.35 €
#
Brass quartet : 2 trumpets, trombone, tuba
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English Folk Song by way of American Appalachians
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Jingle Bells for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by Ja…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
#
Baritone Saxophone, Piano
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James Pierpont
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piano
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Jingle Bells for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bohemian Rhapsody Queen Alto Trombone Quartet
Brass Quartet: 4 trombones
Alto Trombone - Intermediate - Digital Download By Glee Cast Featuring Jonathan Groff…
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Alto Trombone - Intermediate - Digital Download By Glee Cast Featuring Jonathan Groff, Queen, The Braids. Score, Set of Parts. 24 pages. Published by KrahenfuBlieder
"Bohemian Rhapsody" is a song composed in 1975 by Freddie Mercury, a member of the British band Queen and included on their album A Night at the Opera. This song has no chorus. In it, Freddie Mercury, Roger Taylor and Brian May sing in the middle, high and low tones respectively. This version was written for instrumental quartet adapted to be faithful to the original version, ideal for intermediate to experienced beginners. It has the same length as the original recording and the ideal tonality to perform without the need for lyrics.
$12.99
12.01 €
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Brass Quartet: 4 trombones
#
Glee Cast Featuring Jonathan Groff, Queen, The Braids
#
Bohemian Rhapsody Queen Alto Trombone Quartet
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KrahenfuBlieder
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SheetMusicPlus
Bohemian Rhapsody Queen Trombone Quartet
Brass Quartet: 4 trombones
Trombone - Intermediate - Digital Download By Glee Cast Featuring Jonathan Groff, Que…
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Trombone - Intermediate - Digital Download By Glee Cast Featuring Jonathan Groff, Queen, The Braids. Score, Set of Parts. 24 pages. Published by KrahenfuBlieder
"Bohemian Rhapsody" is a song composed in 1975 by Freddie Mercury, a member of the British band Queen and included on their album A Night at the Opera. This song has no chorus. In it, Freddie Mercury, Roger Taylor and Brian May sing in the middle, high and low tones respectively. This version was written for instrumental quartet adapted to be faithful to the original version, ideal for intermediate to experienced beginners. It has the same length as the original recording and the ideal tonality to perform without the need for lyrics.
$12.99
12.01 €
#
Brass Quartet: 4 trombones
#
Glee Cast Featuring Jonathan Groff, Queen, The Braids
#
Bohemian Rhapsody Queen Trombone Quartet
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KrahenfuBlieder
#
SheetMusicPlus
Anyone Who Had A Heart
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.837730
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.837730 By Dionne Warwick. By Burt Bacharach. Arranged by Spence Bundy. Soul. Score and parts. 15 pages. Spencer Bundy #6047119. Published by Spencer Bundy (A0.837730). Another popular tune from Bacharach & David sung by Dionne Warwick from 1963. In the UK Cilla Black took the song to No.1 for three weeks in 1964.
$12.99
12.01 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Dionne Warwick
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Anyone Who Had A Heart
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Spencer Bundy
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SheetMusicPlus
Jingle Bells for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.548658 Composed by James Pierpo…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
#
Trombone and Piano
#
James Pierpont
#
Jingle Bells for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Solage: Plusers gens voy for Trombone Quartet
Brass Quartet: 4 trombones
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1269033 Composed by …
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Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861565. Published by jmsgu3 (A0.1269033). Plusers gens voy is a ballade by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that no one can see her without failing. The song is a tribute to the lady's beauty and likely reflects the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
23.07 €
#
Brass Quartet: 4 trombones
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Solage
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Solage: Plusers gens voy for Trombone Quartet
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jmsgu3
#
SheetMusicPlus
Sorry Seems To Be The Hardest Word
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946219. Published by Keith Terrett (A0.747042). Arranged for Eb Alto Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.24 €
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Alto Saxophone and Piano
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Elton John
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Saxophone (band part)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.747036 By Elton John. B…
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Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.747036 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Individual part. 6 pages. Keith Terrett #5902953. Published by Keith Terrett (A0.747036). Arranged for Bb Soprano Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.24 €
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Saxophone (band part)
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Elton John
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.747035 By Elton John. By…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.747035 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902613. Published by Keith Terrett (A0.747035). Arranged for Bb Tenor Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.24 €
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Tenor Saxophone and Piano
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Elton John
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Trombone Quartet
Brass Quartet: 4 trombones
Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. …
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Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 14 pages. Published by Music for all Occasions
Arranged for Trombone Quartet "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!<br> <br> Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.<br> <br> Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).<br> <br> In Quebec the song has been used for several decades in commercials for Sico paint.<br> <br> In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.<br> <br> This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.<br> <br> In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.<br> <br> The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.<br> <br> Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.01 €
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Brass Quartet: 4 trombones
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The Andrews Sisters
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Annie's Song
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.760312 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Country,Easter,Rock,Wedding. 18 pages. Raymond Fenech #3561517. Published by Raymond Fenech (A0.760312). 2018 New ArrangeMe Song Contest EntryAnnie's Song is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album, Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Annie's Song also went to number one on the Easy Listening chart. Billboard ranked it as the No. 25 song for 1974. The Duration is approx. 3.04 minutes and the level is Early Intermediate/ Intermediate.
$12.99
12.01 €
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Saxophone Quintet: 5 Saxophones
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John Denver
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Annie's Song
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Raymond Fenech
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SheetMusicPlus
O Come All Ye Faithful for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arrang…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Trombone and Piano
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Wade
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O Come All Ye Faithful for Trombone & Piano
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jmsgu3
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SheetMusicPlus
For No One
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584214 By…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584214 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 14 pages. Jeff Tincher #5320535. Published by Jeff Tincher (A0.584214). Here is another classical piece from The Beatles reminiscent of Yesterday. From their Revolver project, this song introduced the F (French) Horn to a new generation. The story is about a marriage breaking up from the husband's point of view. This is not in the original key, because the original key was a little advanced. This is in an easier key because this song is way too good not to be played. Duration = 2:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
12.01 €
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Brass quartet : 2 trumpets, trombone, tuba
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The Beatles
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For No One
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Jeff Tincher
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SheetMusicPlus
Still The One
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465623
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465623 By Orleans. By Johanna Hall and John Hall. Arranged by Will Corbin. Film/TV,Pop. 22 pages. Will Corbin #1044235. Published by Will Corbin (A0.1465623). Another from the Department of Don't Do This For Brass Quintet: This 1976 song by the group Orleans actually turns out to be a fun, upbeat, feel-good tune that suits a quintet quite nicely. It was the ABC-TV Network's theme song for a couple of years after it climbed to No. 5 on the Billboard chart.If you'd like other instrumentation, please contact me at wilcor@aol.com.
$15.00
13.87 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Orleans
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Still The One
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Will Corbin
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SheetMusicPlus
For No One
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.584209 By…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.584209 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 14 pages. Jeff Tincher #5320169. Published by Jeff Tincher (A0.584209). Here is another classical piece from The Beatles reminiscent of Yesterday. In the original key from ther Revolver project, this song introduced the F (French) Horn to a new generation. The story is about a marriage breaking up from the husband's point of view. I catagorized it as advanced intermediate because of the key it was written in. Duration = 2:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
12.01 €
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Brass quartet : 2 trumpets, trombone, tuba
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The Beatles
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For No One
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Jeff Tincher
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SheetMusicPlus
It Had to Be You
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12.01 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s
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Isham Jones
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quintet
Saxophone Quintet: 5 Saxophones
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU: A0.957296 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748249. Published by Woods Only, Arrangements (A0.957296). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897772: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899833: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900374: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901695: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190375Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.97 €
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Saxophone Quintet: 5 Saxophones
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Bach, Martin Luther
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5 Famous Songs by Bach for Baritone Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Saxophone Choir Quintet
Saxophone Quintet: 5 Saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.957297 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748253. Published by Woods Only, Arrangements (A0.957297). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for saxophone choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897852: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899873: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900434: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901835: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190379Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protest.
$39.99
36.97 €
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Saxophone Quintet: 5 Saxophones
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Bach, Martin Luther
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5 Famous Songs by Bach for Saxophone Choir Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.87 €
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Saxophone Quintet: 5 Saxophones
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
No Woman No Cry
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546481 By Bob Marley. By V…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546481 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156500. Published by MP Sheet Music (A0.546481). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99
4.61 €
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Alto Saxophone
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Bob Marley
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No Woman No Cry
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MP Sheet Music
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SheetMusicPlus
No Woman No Cry
Saxophone (band part)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546479 By Bob Marley. By …
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546479 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156498. Published by MP Sheet Music (A0.546479). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99
4.61 €
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Saxophone (band part)
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Bob Marley
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No Woman No Cry
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MP Sheet Music
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SheetMusicPlus
No Woman No Cry
Saxophone (band part)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.546480 By Bob Marley. B…
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.546480 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156499. Published by MP Sheet Music (A0.546480). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
$4.99
4.61 €
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Saxophone (band part)
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Bob Marley
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No Woman No Cry
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MP Sheet Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
Trombone ensemble
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Ant…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
13.87 €
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Trombone ensemble
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Antonin Dvorak
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Largo
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Regis Bookshar
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