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Alexandriana for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.14 €
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Percussion Ensemble
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
45.73 €
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Concert band
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James M Johnson
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The Fog Meets the Storm for small wind band and percussion
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Myles Music James Johnson
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SheetMusicPlus
CASSANDRA'S VISION
Violin and Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.57 €
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Violin and Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
High Desert Apparitions for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy …
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy Brandon (A0.754889). High Desert Apparitions is inspired by the beautiful and mystical lands and traditions of the Native American people of Northern Arizona. It consists of three movements. Shape Shifters (Skinwalkers or yee naaldlooshii) are evil creatures that appear as humans or as animals. This movement has the piano representing the human form and the saxophone representing coyotes, owls, foxes, and crows in that order. The human shape musically appears at the beginning and in between the animals. Multiphonics are used for some of the animal sounds. Mirages is at a soft dynamic throughout with a lot of sustained sounds. The saxophone sustained sounds begin and end without vibrato with slight vibrato or timbre trills used in the middle of the sustained sound. The intent is to musically represent a vision of water that appears to be evaporating. All mirages are fleeting and the rapid passages in both the saxophone and piano musically represent impermanence. Ancient Spirits is in two sections. The slower opening is atmospheric, evoking images of Native American flutes calling to the ancient spirits. The second section is chant-like and is influenced by recordings of Navajo Yeibichai songs. A Yeibichai is a supernatural represented by a masked dancer in an initiation or curative ceremony. The piano chords are dissonant and steady imitating the sound of drums. While the music is repetitive, there are subtle changes to the melodic material as well as the accompanying chords.
$9.99
9.14 €
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Soprano Saxophone and Piano
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Sy Brandon
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High Desert Apparitions for Soprano Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.971647 Composed by Jef…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape. Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion. A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations. A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$38.00
34.75 €
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Jeffrey Hoover
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A New Tattoo: Scottish Landscape
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Musicart Publications
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SheetMusicPlus
Be Thou My Vision
Handbells
Handbells 3-5 Octave handbells - Level 2 - Digital Download SKU: H1.2904DP Arranged…
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Handbells 3-5 Octave handbells - Level 2 - Digital Download SKU: H1.2904DP Arranged by Kyle Webber. Hymn Arrangements, General Worship, God - Father, God - Love, Guidance, Prayer. Handbell score. 8 pages. Hope Publishing - Digital #2904DP. Published by Hope Publishing - Digital (H1.2904DP). Classic hymn Opening with the ethereal sound of singing bells and suspended malleted bells, this setting takes listeners and performers on a musical journey. The inspirational original 'B' section originates from the melody itself and leads to the return of the melody, for a final stanza. This time, accompanied by optional arpeggiated chimes. The composition concludes just as it started, completing the musical journey with the heavenly sounds of the singing bell.
$6.25
5.72 €
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Handbells
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Be Thou My Vision
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Hope Publishing - Digital
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SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.82 €
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Choral SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Descensus ad Infero (for Two Pianos and Four Hands)
2 Pianos, 4 hands
Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Con…
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Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
1.82 €
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2 Pianos, 4 hands
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Tito Abeleda
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Descensus ad Infero
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Visionary Quest Records
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SheetMusicPlus
"Be Thou My Vision"
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.882159 Composed by Traditional Iris…
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Piano Solo - Level 3 - Digital Download SKU: A0.882159 Composed by Traditional Irish Melody. Arranged by Ron Di Salvio. Christian,Contemporary,Sacred. Score. 4 pages. Meadow Run Music ASCAP #2873497. Published by Meadow Run Music ASCAP (A0.882159). And it shall come to pass afterward, that I will; pour out my spirit on all flesh; your sound and your daughters shall prophesy, your old men shall dream dreams, and your young men shall see visions. Di Salvio gives us a tour de force withhis stellar arrangement of this traditional Irish melody.
$4.50
4.12 €
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Piano solo
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Traditional Irish Melody
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"Be Thou My Vision"
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Meadow Run Music ASCAP
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SheetMusicPlus
Sounds of Winter
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. St…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published by David Sterrett Music (A0.1039844). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$74.99
68.58 €
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Orchestra
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David M
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Sounds of Winter
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David Sterrett Music
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SheetMusicPlus
Sounds of Winter - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. St…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99
22.86 €
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Orchestra
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
Come again for alto saxophone and guitar
Saxophone and Guitar
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download …
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577540 Composed by John Dowland. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 10 pages. David Warin Solomons #1988509. Published by David Warin Solomons (A0.577540). Arrangement of Dowland's song Come Again Sweet Love doth now invite. The guitar accompaniment remains the same while the alto saxophone introduces various divisions in the course of the song and becomes quite florid by the end. There are some passages when the alto sax can go an octave higher, as marked 8va, depending on the player's capabilities. The sound sample is an electronic preview and uses the higher octave passages. The pdf contains score and parts.
$10.00
9.15 €
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Saxophone and Guitar
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John Dowland
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Come again for alto saxophone and guitar
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David Warin Solomons
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SheetMusicPlus
Come again for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577492 Composed by John Dowland. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 9 pages. David Warin Solomons #1936229. Published by David Warin Solomons (A0.577492). Arrangement of Dowland's song Come Again Sweet Love doth now invite. The guitar accompaniment remains the same while the melody instrument introduces various divisions in the course of the song and becomes quite florid by the end. The sound sample is an electronic preview. The pdf contains score and parts.
$10.00
9.15 €
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Flute and Guitar
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John Dowland
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Come again for flute and guitar
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David Warin Solomons
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SheetMusicPlus
If my complaints for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576934 Composed by John Dowland. Arranged by David Warin Solomons. Classical,Renaissance. Score and parts. 4 pages. David Warin Solomons #539875. Published by David Warin Solomons (A0.576934). Arrangement of John Dowland's song If my complaints with divisions in the melody instrument whenever the theme is repeated. The sound sample is an electronic preview. The pdf file contains score and parts. Versions are available for guitar with flute / cor anglais / clarinet / alto recorder. 2016 New Year Contest.
$7.00
6.4 €
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Flute and Guitar
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John Dowland
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If my complaints for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.49 €
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Flute and Guitar
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Anon
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Up I arose in verno tempore for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for alto flute and guitar
Flute and Guitar
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU:…
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.49 €
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Flute and Guitar
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Anon
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Up I arose in verno tempore for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
Be Thou My Vision solo guitar
Guitar notes and tablatures
Guitar - Level 5 - Digital Download SKU: A0.916008 Composed by Traditional. Arrange…
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Guitar - Level 5 - Digital Download SKU: A0.916008 Composed by Traditional. Arranged by Michael Davis. Gospel,Praise & Worship,Sacred,Spiritual,World. Guitar Tab. 4 pages. Davis Publishing #2548509. Published by Davis Publishing (A0.916008). This solo guitar arrangement of Be Thou My Vision is a creative modernization of the traditional Irish hymn. Many harmonic and melodic surprises await the listener. A quiet and worshipful sound.This arrangement is part of a collection of hymns played by Michael Davis titled A Quiet Reflection. The audio recording can be purchased at CDBaby and Sheet Music Plus.
$3.99
3.65 €
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Guitar notes and tablatures
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Traditional
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Be Thou My Vision solo guitar
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Davis Publishing
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SheetMusicPlus
Sound And Vision
Piano, Vocal and Guitar
Interactive Download SKU: HX.334316 By David Bowie. This edition: Interactive Downl…
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Interactive Download SKU: HX.334316 By David Bowie. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 4 pages. Published by Hal Leonard Europe (HX.334316).
$4.99
4.56 €
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Piano, Vocal and Guitar
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David Bowie
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Sound And Vision
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Hal Leonard Europe
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.14 €
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Orchestra
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.94 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Be Thou My Vision (With Piano Accompaniment)
Flute and Piano
Flute,Piano - Digital Download SKU: A0.1169687 By Traditional. By Traditional. Arra…
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Flute,Piano - Digital Download SKU: A0.1169687 By Traditional. By Traditional. Arranged by R. Salvario. Folk,Pop,Praise & Worship,Sacred,Traditional. Score and part. 6 pages. Brambilla-Morris Press #770049. Published by Brambilla-Morris Press (A0.1169687). Be Thou My Vision (With Piano Accompaniment)This is an arrangement for the song Be Thou My Vision and you will love how it sounds! You will get the score and the individual part when you download the PDF.Â
$1.99
1.82 €
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Flute and Piano
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Traditional
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Be Thou My Vision
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Brambilla-Morris Press
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SheetMusicPlus
Be Thou My Vision (With Piano Accompaniment)
Clarinet and Piano
B-Flat Clarinet,Piano - Digital Download SKU: A0.1169683 By Traditional. By Traditi…
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B-Flat Clarinet,Piano - Digital Download SKU: A0.1169683 By Traditional. By Traditional. Arranged by R. Salvario. Folk,Pop,Praise & Worship,Sacred,Traditional. Score and part. 6 pages. Brambilla-Morris Press #770045. Published by Brambilla-Morris Press (A0.1169683). Be Thou My Vision (With Piano Accompaniment)This is an arrangement for the song Be Thou My Vision and you will love how it sounds! You will get the score and the individual part when you download the PDF.Â
$1.99
1.82 €
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Clarinet and Piano
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Traditional
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Be Thou My Vision
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Brambilla-Morris Press
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SheetMusicPlus
Be Thou My Vision (With Piano Accompaniment)
Violin and Piano
Piano,Violin - Digital Download SKU: A0.1169697 By Traditional. By Traditional. Arr…
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Piano,Violin - Digital Download SKU: A0.1169697 By Traditional. By Traditional. Arranged by R. Salvario. Folk,Pop,Praise & Worship,Sacred,Traditional. 6 pages. Brambilla-Morris Press #770060. Published by Brambilla-Morris Press (A0.1169697). Be Thou My Vision (With Piano Accompaniment)This is an arrangement for the song Be Thou My Vision and you will love how it sounds! You will get the score and the individual part when you download the PDF.
$1.99
1.82 €
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Violin and Piano
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Traditional
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Be Thou My Vision
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Brambilla-Morris Press
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SheetMusicPlus
Island unto Myself (Chamber Ensemble with Cello solo)
Cello,Clarinet,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.1070246 Co…
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Cello,Clarinet,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.1070246 Composed by Tito Abeleda. Concert,Contemporary,Spiritual. Full Performance. Duration 186. Visionary Quest Records #4775725. Published by Visionary Quest Records (A0.1070246). CHAMBER ENSEMBLE: Cello solo; Flute 1, 2; Clarinet; Violin; Viola; Cello 1, 2, 3; Contrabass - digital download music score plus parts = 31 pages. This is HD CD Quality MP3 copy of original master sound recording at 48,000 hz 320 kbps. This song was composed by Tito Abeleda (1964 - ). Island unto Myself is on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$2.99
2.73 €
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Tito Abeleda
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Flute 1, 2
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Island unto Myself
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Visionary Quest Records
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SheetMusicPlus
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