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You've selected:
Sous la pluie
Sheetmusic to print
22 sheet music found
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1
Paris Sous La Pluie
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1048812 By Stewart J Wallace. By …
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C Instrument - Level 2 - Digital Download SKU: A0.1048812 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Film/TV,Folk,Jazz,Multicultural,Standards,World. Lead Sheet / Fake Book. 1 pages. Stewart J Wallace #653217. Published by Stewart J Wallace (A0.1048812). A slow, swing melody evoking Paris in the rain - Paris Sous La Pluie. It works particularly well on accordion or a keyboard with an accordion tone.
$1.99
1.83 €
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C Instruments
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Stewart J Wallace
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Paris Sous La Pluie
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Stewart J Wallace
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SheetMusicPlus
Debussy-Jardins sous la pluie for piano solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.657829 Composed by Claude Debussy. …
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Piano Solo - Level 3 - Digital Download SKU: A0.657829 Composed by Claude Debussy. Arranged by MPS. Contemporary. Score. 12 pages. Classic Piano sheetz #6253877. Published by Classic Piano sheetz (A0.657829). Debussy-Jardins sous la pluie for piano solo.
$5.99
5.52 €
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Piano solo
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Claude Debussy
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Debussy-Jardins sous la pluie for piano solo
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Classic Piano sheetz
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.03 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.03 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
#
SheetMusicPlus
Juliette Armanet: Sous la pluie
4.99 €
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Juliette Armanet: Sous la pluie
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Sous la pluie
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Quickpartitions
PlayPopSongs: Sous la pluie
4.99 €
#
PlayPopSongs: Sous la pluie
#
Sous la pluie
#
Quickpartitions
Juliette Armanet: Sous la pluie
Piano, Vocal and Guitar
4.99 €
#
Piano, Vocal and Guitar
#
Juliette Armanet: Sous la pluie
#
Sous la pluie
#
Quickpartitions
Jean-Michel Jarre: L'orchestre sous la pluie
Piano solo
4.99 €
#
Piano solo
#
Jean-Michel Jarre: L'orchestre sous la pluie
#
L'orchestre sous la pluie
#
Quickpartitions
Pensees sous la pluie
Guitar
Composed by Sylvain Lemay. 5 pages. Les Productions d'OZ #DZ-3870. Published by L…
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Composed by Sylvain Lemay. 5 pages. Les Productions d'OZ #DZ-3870. Published by Les Productions d'OZ
$3.95
3.64 €
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Guitar
#
Sylvain Lemay
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Pensees sous la pluie
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Les Productions d'OZ
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.03 €
#
Orchestra
#
Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Déjeuner du matin sung in French and English with various samples (mp3)
Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solo…
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Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
5.07 €
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David Warin Solomons
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Déjeuner du matin sung in French and English with various samples
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David Warin Solomons
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SheetMusicPlus
Giorgio Costantini Piano Collection - 19 pieces
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1276982 By Giorgio Costantini. By G…
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Piano Solo - Level 3 - Digital Download SKU: A0.1276982 By Giorgio Costantini. By Giorgio Costantini. Arranged by Giorgio Costantini. 21st Century,Classical,Contemporary,New Age. Score. 81 pages. Giorgio Costantini #868670. Published by Giorgio Costantini (A0.1276982). The collection includes sheet music for 19 piano pieces by Giorgio Costantini, taken from the albums 'PianoPianoForte' and 'Universound,' totaling 80 pages of compositions with varying levels of difficulty. It also features the piano score for the piece 'Alba Mundi,' along with a clear explanation of how it was composed based on the 'played' notes of the planets according to their rotational frequency around the sun (video on Youtube, Spotify link). Giorgio Costantini, hailing from Venice, is a musician and composer with a remarkable track record of performing thousands of concerts worldwide. With extensive experience in live performances and studio work, he has collaborated with numerous successful artists and contributed to over 30 albums, garnering more than 24 gold records in Italy. His compositions have been featured in commercials, television programs, and films. Song: 1- À mon Frère 2- Adagio3- Alba Mundi4- Arcobaleno5- Desert6- Diario di un Giorno Perfetto7- Elegia8- Incanto9- Jellyfish Ballet10- La Mer11- La Tempesta12- Life13- Notturno14- Oceano15- Perdutamente16- Rain17- Sous la Pluie18- Valzer delle Foglie Morte19- Voyage
$19.99
18.42 €
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Piano solo
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Giorgio Costantini
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Giorgio Costantini Piano Collection - 19 pieces
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Giorgio Costantini
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SheetMusicPlus
Estampes, L. 100 - No. 3 Gardens in the Rain
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
3.99 €
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Piano solo
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Debussy
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Tomplay
M me sous la pluie by Joe Harris - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Sheet Music for M me sous la pluie by Joe Harris arranged for Piano/Vocal/Chords;Singer Pr…
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Sheet Music for M me sous la pluie by Joe Harris arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes. --
$6.99
6.44 €
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Piano, Voice
#
Piano/Vocal/Chords, Singer Pro
#
Musicnotes
M me sous la pluie by Joe Harris - Guitar Tab
Guitar notes and tablatures
Sheet Music for M me sous la pluie by Joe Harris arranged for Guitar TAB;Guitar/Vocal/Chor…
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Sheet Music for M me sous la pluie by Joe Harris arranged for Guitar TAB;Guitar/Vocal/Chords in C Major. Digital sheet music from Musicnotes. --
$7.99
7.36 €
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Guitar notes and tablatures
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Guitar Tab
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Musicnotes
Estampes: III. Jardins sous la pluie by Claude Debussy - Piano Solo
Piano solo
Claude Debussy - Estampes: III. Jardins sous la pluie Digital Sheetmusic plus an interacti…
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Claude Debussy - Estampes: III. Jardins sous la pluie Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 14 pages --
$5.99
5.52 €
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Piano solo
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Piano Solo
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Musicnotes
Jean-Thierry Boisseau: Petite Suite pour piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.534492 Composed by Jean-Thierry Boi…
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Piano Solo - Level 3 - Digital Download SKU: A0.534492 Composed by Jean-Thierry Boisseau. Concert,Contemporary,Standards. Score. 15 pages. Musik Fabrik Music Publishing #3540663. Published by Musik Fabrik Music Publishing (A0.534492). A seven-movement suite for intermediate piano.1. grande et solennelle ouverture2. Valse Triste (un peu...)3. Sous la Parapluie4. Tango Parigot5. choral bwv 3,14166. parade avec majorettes7. Supplique (pour attendrir...)
$11.95
11.01 €
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Piano solo
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Petite Suite pour piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chopin, Frédéric : Prélude `La goutte d'eau` Opus 28 n°15 (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d 
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Ce Prélude, surnommé « gouttes d’eau », est tiré du recueil des 24 préludes opus 28 de Chopin. Quinzième pièce en ordre d’apparition, il est le plus long mais surtout le plus populaire. Très proche de l’atmosphère d’un Nocturne, il égrène ses notes répétées à la main gauche qui finissent par hypnotiser l’auditeur. Pour certains, cette répétition interminable de mêmes notes symbolise les gouttes de pluie qui frappaient pesamment le toit de la chartreuse de Valdemosa, lieu de retraite de Chopin et Georges Sand. La partie centrale du Prélude, dans le ton de do dièse mineur, s’enfle peu à peu, s’agite et aboutit à un fortissimo inconsolable, point culminant de l’œuvre. La fin réexpose le thème initial et retourne brièvement à une certaine clarté, non dénuée d’accablement et de tristesse. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Chopin, Frédéric
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Prélude `La goutte d'eau` Opus 28 n°15
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Note4Piano
Estampes - III. Jardins Sous La Pluie
Piano solo
Classical. Piano. 14 pages. Published by Hal Leonard - Digital Sheet Music (HX.345696). - …
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Classical. Piano. 14 pages. Published by Hal Leonard - Digital Sheet Music (HX.345696). - Piano - Classical - Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano solo
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Estampes - III. Jardins Sous La Pluie
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Claude Debussy: Estampes - III. Jardins Sous La Pluie - piano solo
Piano solo
Instantly printable sheet music by Claude Debussy for piano solo of MEDIUM skill level. / …
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Instantly printable sheet music by Claude Debussy for piano solo of MEDIUM skill level. / classical,french
$8.97
8.26 €
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Piano solo
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Claude Debussy
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Virtualsheetmusic
Debussy: Jardins Sous la Pluie
Piano solo
By Claude Debussy (1862-1918). For Piano. Classical. Part. 12 pages. Published by Alfred M…
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By Claude Debussy (1862-1918). For Piano. Classical. Part. 12 pages. Published by Alfred Music. Digital Sheet Music
$6.99
6.44 €
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Piano solo
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Claude Debussy
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Debussy: Jardins Sous la Pluie
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
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