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You've selected:
Spirit Ascending
Sheetmusic to print
24 sheet music found
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1
Spirit Ascending (for Mixed Chorus and Soloists)
Alto Voice,Choir,Soprano voice - Digital Download SKU: A0.1056819 Composed by Jorda…
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Alto Voice,Choir,Soprano voice - Digital Download SKU: A0.1056819 Composed by Jordan Grigg. Concert,Contemporary,Standards. Full Performance. Duration 410. Jordan Grigg #3226553. Published by Jordan Grigg (A0.1056819).
$3.99
3.68 €
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Jordan Grigg
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Spirit Ascending
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Jordan Grigg
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SheetMusicPlus
Spirit Ascending (for Mixed Chorus and Soloists)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.862992 Composed by Jordan …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.862992 Composed by Jordan Grigg. Concert,Contemporary,Standards. Octavo. 14 pages. Jordan Grigg #3226551. Published by Jordan Grigg (A0.862992).
$13.95
12.86 €
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Choral SATB
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Jordan Grigg
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Spirit Ascending
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Jordan Grigg
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SheetMusicPlus
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCor…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Alto voice, Piano
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Psalm 121-Organ
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.969570 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969570 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 7 pages. Digital Print Publishing #3025043. Published by Digital Print Publishing (A0.969570). This Psalm is a lovely piece with organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$4.75
4.38 €
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Choral SATB
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Zachary Damm
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Psalm 121-Organ
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Digital Print Publishing
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SheetMusicPlus
All Hail to the Days
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1001485 Composed by 17th Century Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.1001485 Composed by 17th Century Christmas Carol. Arranged by Jeremy McLeod. Baroque,Christmas,Hanukkah,Sacred,Spiritual. Octavo. 23 pages. Friends of Henry Archer #6261059. Published by Friends of Henry Archer (A0.1001485). This 17th c. English Christmas Carol Celebrates the Spirit that fills us during the holiday season.It's as if a 17th c. Madrigal and a Doo-Wah Ditty birthed a child that just loves singing ascending minor tenths. It revels in the warmth and goodwill surrounding us while giving us the opportunity to nail that ascending minor 10th in the melody!
$2.75
2.54 €
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Choral SATB
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17th Century Christmas Carol
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All Hail to the Days
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Friends of Henry Archer
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SheetMusicPlus
Psalm 121-Piano and Organ
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.969571 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969571 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 8 pages. Digital Print Publishing #3025045. Published by Digital Print Publishing (A0.969571). This Psalm is a lovely piece with piano and organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$5.00
4.61 €
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Choral SATB
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Zachary Damm
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Psalm 121-Piano and Organ
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Digital Print Publishing
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SheetMusicPlus
Psalm 121-Piano
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.969569 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969569 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 5 pages. Digital Print Publishing #3025041. Published by Digital Print Publishing (A0.969569). This Psalm is a lovely piece with a piano accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews, many believe, on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$4.75
4.38 €
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Choral SATB
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Zachary Damm
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Psalm 121-Piano
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Digital Print Publishing
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SheetMusicPlus
Cycles for Bassoon Quartet
4 Bassoons
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by S…
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Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by Sy Brandon. 20th Century,Contemporary. 47 pages. Sy Brandon #3590241. Published by Sy Brandon (A0.755244). Cycles for bassoon quartet honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity. The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The movement is called The Living Earth as our planet is still evolving by constantly building up pressure and releasing that pressure. The opening serene section uses key clicks and wind sounds in the serenity section. Pitch bends in the melody are designed to resemble a shakuhachi. Syncopated explosions that use polytonal pentatonic scales represent the earthquake. Rapid ascending and descending scale patterns depict the resultant tsunami. The second movement is a hymn song for the souls of the dead. It is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. Pentatonic scales abound once again but this time they modulate gently from one tonality to another instead of being used simultaneously. A song of redemption and hope for the survivors is the theme for the third and final movement, Resiliency of the Spirit. It depicts the strength of the human spirit and it is the cycle of joy growing out of sorrow. Taiko drumming is the major influence in this movement. It begins with a foot stomp followed by the drummers warming up. A staccato rhythmic section that imitates the drums follows this. A hymn-like theme in pentatonic is interpolated over this rhythmic drumming bringing the movement and the piece to a hopeful conclusion.
$14.99
13.82 €
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4 Bassoons
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Sy Brandon
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Cycles for Bassoon Quartet
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Sy Brandon
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SheetMusicPlus
Higher Ground ("I'm pressing on the upward way") — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.83 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Charles H
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brother James' Air — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1261270
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #854340. Published by Con Spirito Music (A0.1261270). Brother James' Air was composed by James Leith Macbeth Bain (1860-1925), a Scottish-born poet, author, mystic, and healer whose ministry took him to Liverpool and London, where he became known simply as Brother James. The tune is often sung to the metrical paraphrase of Psalm 23, The Lord's My Shepherd, by the Puritan religious author and English politician Francis Rous (c. 1581-1659), published in his The Psalms of David set forth in English meeter (1643). The angular, highly arpeggiated tune in bar form (AAB) is both stark and lovely, rising and falling before ascending to a high tonic cadence in its final phrase. Its harmonic simplicity — consisting primarily of I, IV, and V chords — lends itself to alternate harmonizations with substitute chords. Following a short introduction, this arrangement presents the tune four times: first, alternating between the two trumpets; second, by trio of horn, trombone, and tuba; third, in minor tonality (reflecting the psalm's verse 4 and the text's paraphrase, Yea, though I walk thro' death’s dark vale); and fourth, with powerful extended harmonies and surprise cadences resolving to a quiet, peaceful conclusion.  ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$15.00
13.83 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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J
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Brother James' Air — brass quintet
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Con Spirito Music
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SheetMusicPlus
Guthrie: Ding Dong! Merrily on High for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1490683 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 15 pages. Jmsgu3 #1067489. Published by jmsgu3 (A0.1490683). Ding Dong! Merrily on High is a well-loved Christmas carol with a rich history that connects secular and sacred traditions. Here are the key points to know about this festive song:Origins and CompositionMelody: The tune of Ding Dong! Merrily on High derives from a secular French dance song titled Branle de l’Official, published in 1588 by Thoinot Arbeau, a French cleric and composer. The original piece was part of a collection that included dance instructions and melodies from the Renaissance period.Lyrics: The English lyrics were written by George Ratcliffe Woodward in the early 20th century. An Anglican priest, Woodward published the carol in 1924 as part of The Cambridge Carol Book. His text celebrates the joy of Christmas, echoing the angelic announcement of Jesus' birth as described in Luke 2:13-14.Themes and SignificanceJoyful Celebration: The lyrics express a jubilant celebration of the Christmas season, invoking imagery of bells ringing and angels singing. The refrain Gloria, hosannah in excelsis! reflects the joyous proclamation of peace and goodwill associated with the birth of Christ.Cultural Impact: Over the years, Ding Dong! Merrily on High has become a staple in Christmas caroling and church services, appreciated for its lively and dance-like rhythm. Its playful nature makes it a favorite among singers and listeners, contributing to its enduring popularity during the holiday season.Musical CharacteristicsStructure: The carol features a catchy refrain and a structure that invites participation, making it suitable for group singing. The melody's ascending lines mimic the sound of ringing bells, enhancing its festive spirit.Public Domain Status: As of January 1, 2020, the song entered the public domain in the United States, allowing for broader access and use in various musical arrangements and performances.Ding Dong! Merrily on High stands as a joyful reminder of the Christmas story, blending historical melodies with contemporary celebration, making it a cherished part of holiday traditions.
$34.95
32.22 €
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String Quartet: 2 violins, viola, cello
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French Traditional
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Guthrie: Ding Dong! Merrily on High for String Quartet
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jmsgu3
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SheetMusicPlus
I See The Light
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1420770 Composed by Alan…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1420770 Composed by Alan Menken and Glenn Slater. Arranged by Yoshiko Uchida. Film/TV,Wedding. Score and part. 9 pages. FOSTERMUSIC.JP Digital Publishing #1002197. Published by FOSTERMUSIC.JP Digital Publishing (A0.1420770). Introduction In the Disney movie Rapunzel in the Tower (released in 2011), Rapunzel is imprisoned in a tower, but through her journey with Eugene, she finds her lost dreams, hopes, and courage, and sings this duet on a boat on the lake where they arrive.The scene of countless lanterns soaring in the night sky is very beautiful, and the ascending phrase that appears many times in the chorus melody seems to express the hero's never-giving-up spirit as well as the scene.I recommend this piece as an encore piece to be played at the end of a concert, praying for the future. (Yoshiko Uchida). Performance advice Express the pure and gentle melody with a clear and beautiful tone.Do not let the sixteenth note from rehearsal number G stand out only in terms of technique; sing each note carefully and play it with smooth legato. (Kei Ito) Arranger: Yoshiko Uchida Yoshiko Uchida is a composer from Yokosuka, Kanagawa, Japan.Graduated from Tokyo University of the Arts, Faculty of Music, Department of Composition, and completed graduate studies at the same university. After working as an assistant music director, pianist for musicals, and score composer, she is currently composing and arranging for many concerts, CDs, publications, and video works. Clarinet: Kei Ito Kei Ito is a leading clarinetist in Japan.Graduated from the Department of Instrumental Music, Faculty of Music, Tokyo University of the Arts in 2001. In 2004, he won the first prize at the 6th Japan Clarinet Competition. In 2006, she was selected for the 74th Japan Music Competition. After working with the Philharmonia of the University of the Arts and the Tokyo Metropolitan Symphony Orchestra, he is currently the principal clarinetist of the NHK Symphony Orchestra and performs with orchestras in Japan and abroad, and was the soloist at the Gathering of Thanksgiving for the 30th Anniversary of His Majesty the Emperor's Enthronement in 2019. In addition to his activities as a soloist, chamber musician, and orchestral player, he also teaches younger students as an adjunct associate professor at the Tokyo College of Music and as a lecturer at the Tokyo National University of Fine Arts and Music and Kunitachi College of Music.Click here for the album containing this song
$19.99
18.43 €
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Clarinet and Piano
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Alan Menken and Glenn Slater
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I See The Light
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Rising from Mornings of Creation (Downloadable)
Piano Trio: piano, violin, cello
Piano trio (violin, cello, piano) - Moderately Easy - Digital Download SKU: MQ.1.3433-3…
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Piano trio (violin, cello, piano) - Moderately Easy - Digital Download SKU: MQ.1.3433-3E Composed by Gwyneth W. Walker. Secular, 21st century. 12 pages. Galaxy Music Corporation - Digital #1.3433-3E. Published by Galaxy Music Corporation - Digital (MQ.1.3433-3E). Commissioned by Fairfield University to celebrate the 25th season of the Quick Center for the Arts. Premiered by The Connecticut Trio on September 27, 2015, Fairfield, Connecticut.Mornings of Creation is a five-movement suite for piano trio. This music was created during the composer's customary composing hours—the morning. Thus, the message is one of the freshness of a new day, and the energy of creative impulse.The third movement, Rising, opens with ascending chords in the piano. But it is the spirit of joy associated with the theme (in violin and cello) which is truly uplifting. This is especially American music—open and direct—composed by a New England composer who prefers to create her music close to home. -Gwyneth Walker.
$4.00
3.69 €
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Piano Trio: piano, violin, cello
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Gwyneth W
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Rising from Mornings of Creation
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Choral SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Choral SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Magic Carpet Adventure
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1185554 Composed by Kim S. Bean. Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.1185554 Composed by Kim S. Bean. Children,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. Kim S. Bean #785222. Published by Kim S. Bean (A0.1185554). 4 pages, solo piano piece in the key of A harmonic minor, in 6/8 time. Spiritoso e brillante. Great for recitals and introduction to the key of A minor especially as this piece opens with a 3 octave descending A harmonic minor scale. Ornaments and articulations like appoggiaturas, staccatos, accents, along with ascending and descending passages make this an exciting piece in any recital or even just for fun! Damper pedal is used in various places throughout.
$4.99
4.6 €
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Piano solo
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Kim S
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Magic Carpet Adventure
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Kim S. Bean
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SheetMusicPlus
Ascent
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1161054 By Zachary Sands. By Zachar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1161054 By Zachary Sands. By Zachary Sands. Contemporary,New Age,Pop. Score. 2 pages. Muzachman Studios LLC #761357. Published by Muzachman Studios LLC (A0.1161054). Ascent is a solo piano piece that is intended to lift your spirits. From a steady and rather somber beginning, you're soon uplifted by an ascending harmonic progression lavished with upbeat arpeggios. At the refrain, you start to catch a glimpse of everything you can achieve and soar above it all for a blissful moment. Then you get to revisit those feelings again with more insight than before. Finally, you find a sense of resolve at the gentle ending.
$5.00
4.61 €
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Piano solo
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Zachary Sands
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Ascent
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Muzachman Studios LLC
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SheetMusicPlus
The Wounded Angel
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Compo…
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
11.94 €
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Visperas
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.546451 By Nicolas Mustillo. By Ni…
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C Instrument - Level 3 - Digital Download SKU: A0.546451 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise & Worship,Spiritual,World. Lead Sheet / Fake Book. 3 pages. Nico Mustillo #156471. Published by Nico Mustillo (A0.546451). La obra nos invita a un clima de calidez, como a la espera de algo lindo que sucederá, como lo indica su nombre, el movimiento de los bajos ascendentes y la armonÃa nos relaja pero no hace que perdamos la atención. The work invites us to a climate of warmth, as if waiting for something nice to happen, as its name indicates, the movement of the ascending basses and the harmony relaxes us but does not make us lose our attention.
$10.00
9.22 €
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C Instruments
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Nicolas Mustillo
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Visperas
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Nico Mustillo
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SheetMusicPlus
'The Seventh Seal'
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy…
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Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95
7.33 €
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Piano solo
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Dry Bones
Chorus - Digital Download SKU: AX.00-PO-0002155 Dry Bones - TTBB. Arranged b…
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Chorus - Digital Download SKU: AX.00-PO-0002155 Dry Bones - TTBB. Arranged by Mark Hayes. Secular Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0002155. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002155). UPC: 038081178684.This Alfred Music best seller is now available for women's choirs! A fine, fun, and innovative arrangement of a popular spiritual about the prophet Ezekiel. Each verse is freshly approached, adding more and more excitement, building through a chromatically ascending this bone connected to that bone section, and ending with a big finish that will bring the house down! Great for festival use with or without the percussive SoundTrax or SoundPax. SoundPax includes parts for 2 a. sax., 2 t. sax., b. sax., 2 tpt., 2 tbn., rhy., perc.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.95
2.72 €
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Movement and Staging
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Dry Bones
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Eg veit i himmerik ei borg (I know a castle in heaven)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
18.44 €
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Brass ensemble
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.87 €
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Orchestra
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Gospel Songs: Steal Away (Downloadable Piano/Choral Score)
Choral SATB
SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker …
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SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Downloadable piano/choral score. 14 pages. Duration 3 minutes, 40 seconds. MorningStar Music Publishers - Digital Sheet Music #8228-E. Published by MorningStar Music Publishers - Digital Sheet Music
Steal Away interprets the traditional spiritual, "Steal Away to Jesus," as a song of alternating sorrow and strength. The refrains are presented quietly and mournfully: "Steal away to Jesus. I ain't got long to stay here." In contrast, the verses are sung with conviction: "My Lord calls me, calls me by the thunder." Similarly, the accompaniment varies from florid arpeggiations (for the refrains) to rhythmic chordal entrances (for the verses).
Of special interest is the use of scale patterns. In the opening refrain, and on every occurrence of the words "steal away," the scales descend, marked as falling tears, or stealing away. At the conclusion of the song, the scales rise, as the soul ascending to heaven. "My Lord calls me, calls me home." Duration: 3:40.
$2.85
2.63 €
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Choral SATB
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Gwyneth W
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Gospel Songs: Steal Away
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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