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Still The One - Bass
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.14 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
18.25 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Musik Fabrik Music Publishing
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SheetMusicPlus
Still The One
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1462374 By Orleans. By Johanna Hall and John Hall. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 20 pages. Sean Sullivan #1041131. Published by Sean Sullivan (A0.1462374). Originally recorded in 1978, Still the One has become a timeless classic, beloved by audiences around the world. Our arrangement stays true to the original's essence while cleverly adapting it for the unique sound and range of a saxophone quintet. This iconic song will transport your listeners back to a bygone era, evoking memories of summertime, good times, and everlasting love. Whether you're a professional musician looking to expand your repertoire or a student seeking a challenging yet accessible piece to perform with your friends, this arrangement is sure to delight. The saxophone quintet configuration adds a new dimension to this beloved song, making it a standout piece for any concert or event.
$14.99
13.71 €
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Saxophone Quintet: 5 Saxophones
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Orleans
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Still The One
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Sean Sullivan
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SheetMusicPlus
I Sit Here on the Barren Hill
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.8 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Still The One
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465623
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465623 By Orleans. By Johanna Hall and John Hall. Arranged by Will Corbin. Film/TV,Pop. 22 pages. Will Corbin #1044235. Published by Will Corbin (A0.1465623). Another from the Department of Don't Do This For Brass Quintet: This 1976 song by the group Orleans actually turns out to be a fun, upbeat, feel-good tune that suits a quintet quite nicely. It was the ABC-TV Network's theme song for a couple of years after it climbed to No. 5 on the Billboard chart.If you'd like other instrumentation, please contact me at wilcor@aol.com.
$15.00
13.72 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Orleans
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Still The One
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Will Corbin
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SheetMusicPlus
You're Still The One
Xylophone
Xylophone Solo - Level 1 - Digital Download SKU: A0.1106447 By Shania Twain. By Rob…
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Xylophone Solo - Level 1 - Digital Download SKU: A0.1106447 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. 2 pages. Rene Alves #709564. Published by Rene Alves (A0.1106447). Xylophone sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Xylophone
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Shania Twain
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You're Still The One
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Rene Alves
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.23 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
You're Still The One
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1292088 By Shania Twain. B…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1292088 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Amorel. 20th Century,Country,Pop. Individual part. 1 pages. Amorel #882682. Published by Amorel (A0.1292088). Third single from the 1998 album Come on Over, You're Still the One is a song by Canadian singer Shania Twain. The song was a hit with audiences and critics and was nominated for four Grammys in 1999, winning two in the categories Best Country Song and Best Female Country Vocal Performance.
$4.99
4.57 €
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Alto Saxophone
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Shania Twain
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You're Still The One
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Amorel
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.7 €
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Brass quartet : 2 trumpets, trombone, tuba
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Guillaume de Machaut, 1300-1377
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Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
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SheetMusicPlus
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.57 €
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Saxophone Quintet: 5 Saxophones
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
And the Glory of the Lord (from "Messiah") (F) (Trombone Quintet)
Trombone ensemble
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813163 Composed by Geo…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813163 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. Score and parts. 20 pages. Regis Bookshar #6130495. Published by Regis Bookshar (A0.813163). Trombone Quintet - Advanced/Intermediate - Digital Download. This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Trombones, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
21.96 €
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Trombone ensemble
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George Frideric Handel
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
And the Glory of the Lord (from "Messiah") (G) (Trombone Quintet)
Trombone ensemble
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813182 Composed by Geo…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813182 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred. Score and parts. 20 pages. Regis Bookshar #6130595. Published by Regis Bookshar (A0.813182). Trombone Quintet - Advanced/Intermediate - Digital Download. This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Trombones, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G, as is this version, but other versions are also available for a variety of instrumental ensembles, both in the key of Concert G and also in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase this version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
21.96 €
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Trombone ensemble
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George Frideric Handel
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
Silent Night (Bb) (Trombone Octet)
Trombone ensemble
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813997 Composed by Fra…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813997 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636659. Published by Regis Bookshar (A0.813997). Trombone Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.32 €
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Trombone ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
#
SheetMusicPlus
Silent Night (Bb) (Trombone Quintet)
Trombone ensemble
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813974 Composed by Fra…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813974 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635873. Published by Regis Bookshar (A0.813974). Trombone Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.57 €
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Trombone ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
You're Still The One
Trombone
Trombone Solo - Level 1 - Digital Download SKU: A0.1106435 By Shania Twain. By Robe…
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Trombone Solo - Level 1 - Digital Download SKU: A0.1106435 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709551. Published by Rene Alves (A0.1106435). Trombone sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Trombone
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Shania Twain
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You're Still The One
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Rene Alves
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SheetMusicPlus
And the Glory of the Lord (from "Messiah") (F) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.813161 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. 20 pages. Regis Bookshar #6130485. Published by Regis Bookshar (A0.813161). Saxophone Quintet - Advanced/Intermediate - Digital Download. This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
21.96 €
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Saxophone Quintet: 5 Saxophones
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George Frideric Handel
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
And the Glory of the Lord (from "Messiah") (G) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.813179 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. 20 pages. Regis Bookshar #6130585. Published by Regis Bookshar (A0.813179). Saxophone Quintet - Advanced/Intermediate - Digital Download. This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G, as is this version, but other versions are also available for a variety of instrumental ensembles, both in the key of Concert G and also in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase this version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
21.96 €
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Saxophone Quintet: 5 Saxophones
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George Frideric Handel
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And the Glory of the Lord
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Regis Bookshar
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SheetMusicPlus
You're Still The One
Trombone
Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Down…
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Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Download. Love,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.358784).
$2.99
2.74 €
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Trombone
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Shania Twain
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You're Still The One
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Hal Leonard - Digital
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SheetMusicPlus
You're Still The One
Saxophone (band part)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1106432 By Shania Twain…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1106432 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709548. Published by Rene Alves (A0.1106432). Soprano sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Saxophone (band part)
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Shania Twain
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You're Still The One
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Rene Alves
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SheetMusicPlus
You're Still The One
Saxophone (band part)
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1106433 By Shania Twain. …
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Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1106433 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709549. Published by Rene Alves (A0.1106433). Tenor sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Saxophone (band part)
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Shania Twain
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You're Still The One
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Rene Alves
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SheetMusicPlus
You're Still The One
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1106412 By Shania Twain. B…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1106412 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709528. Published by Rene Alves (A0.1106412). Alto sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Alto Saxophone
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Shania Twain
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You're Still The One
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Rene Alves
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SheetMusicPlus
Phyllis the Photobombing Phantom, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592235 Composed by Davi…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592235 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6355703. Published by David McKeown (A0.592235). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for two Trombones. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Trombones (duet)
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David McKeown
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Phyllis the Photobombing Phantom, Halloween Duet for Trombone
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David McKeown
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Rudolph The Red-Nosed Reindeer
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1460513
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1460513 By John Denver. By Johnny Marks. Arranged by Will Corbin. Children,Christmas,Pop. 10 pages. Will Corbin #1039437. Published by Will Corbin (A0.1460513). The Rudolph story begins in 1939, when Montgomery Ward asked Robert May, one of its ad copywriters, to come up with a kids' book for its Christmas shoppers. The result was the now-familiar red-nosed reindeer. (For those born in later generations, Mongomery Ward was a giant, like Sears, in the mail-order retail business. Kind of like Amazon without the Internet.) May's brother-in-law, Johnny Marks, turned it into a song a decade later. Gene Autry recorded it for Christmas in 1949, and it immediately hit No. 1 on the pop music charts. It was still there at the end of the first week of January, making it the first No. 1 hit of the 1950s.Its sales since then, including countless covers, have surpassed 150 million. Only White Christmas, among holiday songs, has sold more.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.72 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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John Denver
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Rudolph The Red-Nosed Reindeer
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Will Corbin
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SheetMusicPlus
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