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String Orchestra : Violins, Viola, Basso continuo
Sheetmusic to print
30 sheet music found
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1
26
Goldberg – Sonata for 2 violins, viola and continuo in C minor
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.890774 Composed by Johann Got…
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String Orchestra - Level 4 - Digital Download SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 pages. Sneakwood Editions #5321919. Published by Sneakwood Editions (A0.890774). ohann Gottlieb Goldberg (1727-1756)[Quartet for two violins, viola and continuo in C minor DürG 14]Sonata per 2 Violini, Viola e Basso .Based on manuscript Staatsbibliothek zu Berlin Mus.ms. 7920. ca. 1750Score and parts: Violin I. Violin II. Viola. Basso (continuo with numbers) and extra basso part without numbers.Goldberg was born in Danzig (Gdańsk), Royal Prussia (a part of the Crown of Poland), and was baptized there on March 14, 1727 at St. Mary’s Church, Gdańsk. Little is known for certain about his childhood, other than that he was an exceptionally talented performer, attracting the attention of Hermann Karl von Keyserlingk, the Russian ambassador to Saxony, around 1737. Goldberg was reported to have studied with both J.S. Bach and Wilhelm Friedemann Bach, J.S. Bach’s eldest son, though the periods of study are not known; Goldberg may have studied with J.S. Bach as early as 1737, shortly after Keyserlingk recognized his talent in Danzig, and Goldberg may have studied with W.F. Bach at any time before 1745. [Wikipedia]
$16.00
14.93 €
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String Orchestra
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Johann Gottlieb Goldberg
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Goldberg – Sonata for 2 violins, viola and continuo in C minor
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Sneakwood Editions
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SheetMusicPlus
Aria Sopra la Bergamasca for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1188333 Composed by Marco Ucc…
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String Orchestra - Level 4 - Digital Download SKU: A0.1188333 Composed by Marco Uccellini. Arranged by Erik Meyer. Baroque,Renaissance. Score and Parts. 34 pages. Erik Meyer #787936. Published by Erik Meyer (A0.1188333). A bright and cheerful piece for your string orchestra! This arrangement takes Marco Uccellini's Aria Sopra la Bergamasca (originally for 2 violins and basso continuo) and sets it with 4 equal violin parts, 2 viola parts, 2 cello parts, and bass.*purchasing this will give you a PDF document with a full score and set of parts. You are free to print as many parts as needed for your ensemble. Please do not share or distribue this PDF with others.*Questions? Suggestions? Requests? contact me at aemeyer.com.
$19.99
18.65 €
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String Orchestra
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Marco Uccellini
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Aria Sopra la Bergamasca for String Orchestra
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Erik Meyer
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SheetMusicPlus
CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra,
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.521755 Composed by Antonio Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.521755 Composed by Antonio Vivaldi. Arranged by Sherry Lewis. Baroque,Concert,Holiday,Wedding. Score and parts. 24 pages. Sherry Lewis Publishing #6426721. Published by Sherry Lewis Publishing (A0.521755). CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra for 2 violins, viola, cello and string bass chords Score: 8 pages Parts: 10 pages Time: 4'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
6.06 €
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String Orchestra
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Antonio Vivaldi
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CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra,
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Sherry Lewis Publishing
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SheetMusicPlus
Canon - Pachelbel, - string quartet with adapted viola part
String Quartet: 2 violins, viola, cello
String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pache…
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String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it. - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end! Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.
$14.99
13.98 €
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String Quartet: 2 violins, viola, cello
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Johann Pachelbel
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Canon - Pachelbel, - string quartet with adapted viola part
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arr. Dan Edwards
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SheetMusicPlus
Pachelbel: Canon in D for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6105631. Published by jmsgu3 (A0.552063). Score: 6 pagesDuration: ca. 4:40. The famous Pachelbel Canon arranged for String Quartet A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$42.95
40.07 €
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String Quartet: 2 violins, viola, cello
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Johann Pachelbel
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Pachelbel: Canon in D for String Quartet
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jmsgu3
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SheetMusicPlus
Aria from Suite n°3 in D major (BWV 1068)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet,Viola - Level 2 - Digital Download SKU: A0.798115 Com…
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String Quartet String Quartet,Viola - Level 2 - Digital Download SKU: A0.798115 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Concert,Praise & Worship,Standards. Score and parts. 6 pages. Inacio Saldanha #5376723. Published by Inacio Saldanha (A0.798115). An air (Italian: aria; also ayr, ayre in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria.Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is the only movement of the suite where all other instruments are silent.The music of the Air is written on four staves, for solo violin, violins, violas, and continuo. The interweaving melody lines of the high strings contrasts with the pronounced rhythmic drive in the bass.Arranged for Viola Quartet. Key of D major. Early intermediate.
$12.99
12.12 €
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String Quartet: 2 violins, viola, cello
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Johann Sebastian Bach
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Aria from Suite n°3 in D major
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Inacio Saldanha
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SheetMusicPlus
Allegro: Viola
String Orchestra
String Orchestra - Digital Download SKU: AX.00-PC-0017368_VA1 Viola. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0017368_VA1 Viola. Composed by Georg Philipp Telemann. Arranged by Robert Sieving. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017368_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017368_VA1). UPC: 038081518541.Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20)Concert/Contest; Festival.
$5.99
5.59 €
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String Orchestra
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Georg Philipp Telemann
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Festival.
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Allegro: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hallelujah from Handel's Messiah - Orchestra and SATB Choir (Full Score and Parts)
Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Cello,Choir,Double Bass,Timpani,Viola,Viol…
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Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Cello,Choir,Double Bass,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.1216852 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Early Music,Film/TV,Multicultural,Sacred,World. 59 pages. Sheet Music To Play Editions #813375. Published by Sheet Music To Play Editions (A0.1216852). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Full Score and Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$24.99
23.31 €
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George Frideric Handel
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Hallelujah from Handel's Messiah - Orchestra and SATB Choir
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Sheet Music To Play Editions
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SheetMusicPlus
Concerto for 4 Violins RV 580
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1181626 Composed by Antonio V…
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String Orchestra - Level 2 - Digital Download SKU: A0.1181626 Composed by Antonio Vivaldi. Arranged by Niall Catney. Baroque. Score and parts. 16 pages. Niall Catney #781415. Published by Niall Catney (A0.1181626). Vivaldi's virtuosic concerto for 4 violins. This excerpt from the opening of the first movement 'Allegro' is arranged in A Minor instead of B to reduce the technical difficulty. Solo parts are accompanied by solid string orchestra harmonies that remain true to the original.The perfect opportunity to highlight 4 promising young soloists!Option Viola or Cello parts to act as the Basso Continuo.
$4.99
4.65 €
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String Orchestra
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Antonio Vivaldi
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Concerto for 4 Violins RV 580
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Niall Catney
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SheetMusicPlus
J.S. Bach: Badinerie (String Trio - 2vln1vlc or vlnvlavlc)
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.871…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.871369 Composed by Johann Sebastian Bach. Arranged by Clara Obsidian. Baroque,Instructional. Score and parts. 9 pages. Clara Obsidian #5790847. Published by Clara Obsidian (A0.871369). Badinerie, the 7th movement from the Orchestra Suite no. 2 by JS Bach was originally written for Solo Flute (transverse flute), violin I/II, viola and basso continuo.Literally jesting in French, it was a show-piece for solo flautists because of its quick pace and difficulty.This arrangement is for String Trio (All part scores are included)2 Violins + 1 CelloOR1 Violin, 1 Viola and 1 CelloGreat for performances, gigs and class use.Full Score and Parts
$5.99
5.59 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
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J.S. Bach: Badinerie
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Clara Obsidian
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SheetMusicPlus
Allegro: String Bass
String Orchestra
String Orchestra - Digital Download SKU: AX.00-PC-0017368_SB String Bass. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0017368_SB String Bass. Composed by Georg Philipp Telemann. Arranged by Robert Sieving. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017368_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017368_SB). UPC: 038081518541.Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20)Concert/Contest; Festival.
$5.99
5.59 €
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String Orchestra
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Georg Philipp Telemann
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Festival.
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Allegro: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hallelujah from Handel's Messiah - SATB Choir and Orchestra (Individual Parts)
Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Choir,Timpani - Level 3 - Digital Download…
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Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Choir,Timpani - Level 3 - Digital Download SKU: A0.1216857 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Multicultural,World. 31 pages. Sheet Music To Play Editions #813381. Published by Sheet Music To Play Editions (A0.1216857). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.This file DOES NOT contain Full Score. Individual Parts only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$15.99
14.92 €
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George Frideric Handel
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Hallelujah from Handel's Messiah - SATB Choir and Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola (or Vio
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3632647. Published by Joel Jacklich (A0.723137). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Trio (Violin. Viola, and Cello -or- Two Violins and Cello; the 2nd violin and viola parts are identical). The soprano covers the original solo soprano part plus the melody from the SATB where there is no soprano solo, thus the entire liturgical text is present.
$12.99
12.12 €
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Chamber Orchestra
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Walfgang Amadeus Mozart
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Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola
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Joel Jacklich
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
43.8 €
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Piano Quartet: piano, violin, viola, cello
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Johann Pachelbel
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
8.39 €
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Flute, Oboe, Clarinet, Bassoon
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Claudio Monteverdi
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Allegro: Score
String Orchestra
String Orchestra - Digital Download SKU: AX.00-PR-0005647 Score. Composed by…
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String Orchestra - Digital Download SKU: AX.00-PR-0005647 Score. Composed by Georg Philipp Telemann. Arranged by Robert Sieving. Masterwork Arrangement. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0005647. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005647). UPC: 038081518541.Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20)Concert/Contest; Festival.
$9.00
8.4 €
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String Orchestra
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Georg Philipp Telemann
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Festival.
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Allegro: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Allegro: 2nd Violin
String Orchestra
String Orchestra - Digital Download SKU: AX.00-PC-0017368_VN2 2nd Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0017368_VN2 2nd Violin. Composed by Georg Philipp Telemann. Arranged by Robert Sieving. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017368_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017368_VN2). UPC: 038081518541.Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20)Concert/Contest; Festival.
$5.99
5.59 €
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String Orchestra
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Georg Philipp Telemann
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Festival.
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Allegro: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Air (Orchestral Suite No. 3 in D major), BWV 1068
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.946354 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 11 pages. Benjamin Karaca #6342517. Published by Benjamin Karaca (A0.946354). This piece is also known as Air on the G String. It is the second movement from Bach's Orchestral Suite No. 3 and is one of Bach's most famous compositions. Originally composed for two violins, viola, and basso continuo.I originally wrote this arrangement for a Saxophone Quartet in the classical SATB lineup (Soprano, Alto, Tenor, and Baritone Sax). However, the second part also works well for Soprano Sax, and the third part can be played by an Alto Saxophone. Apart from a few minor changes, I stayed very true to the original composition. I haven't added any articulations and have retained the key of D major.Note: Having two Sopranos in a Sax Quartet is highly unusual. If you have the opportunity, I strongly recommend giving it a try. Especially in the SSAB lineup, this piece has a lot of potential.Saxophone Quartet SATB (and other lineups). Duration: 5:00 min. Level: 2/5.Part 1: Soprano SaxPart 2: Soprano Sax / Alto SaxPart 3: Alto Sax / Tenor SaxPart 4: Baritone Sax / Bass SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$17.45
16.28 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Air
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Benjamin Karaca
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.38 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Sonata A minor
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; har…
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q24137 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q24137. Published by Schott Music - Digital (S9.Q24137). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$12.99
12.12 €
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
Sonata A minor
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; har…
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q1104 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q1104. Published by Schott Music - Digital (S9.Q1104). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$16.99
15.85 €
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
Concerto IV E Minor
2 violins, viola and bassi - intermediate - Digital Download SKU: S9.Q1113 Composed…
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2 violins, viola and bassi - intermediate - Digital Download SKU: S9.Q1113 Composed by Francesco Durante. This edition: score. Concertino. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q1113. Published by Schott Music - Digital (S9.Q1113). Key: E minor.The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.
$18.99
17.71 €
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Francesco Durante
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Concerto IV E Minor
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Schott Music - Digital
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SheetMusicPlus
Sonata E minor
3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (har…
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3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (harpsichord, piano); cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q1105 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/3. Duration 6 minutes. Schott Music - Digital #Q1105. Published by Schott Music - Digital (S9.Q1105). Key: E minor.
$21.99
20.51 €
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Joseph Bodin de Boismortier
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Sonata E minor
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Schott Music - Digital
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SheetMusicPlus
Sonata in E minor
3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (har…
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3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (harpsichord, piano); cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q24129 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/3. Duration 6 minutes. Schott Music - Digital #Q24129. Published by Schott Music - Digital (S9.Q24129). Key: E minor.
$17.99
16.78 €
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Joseph Bodin de Boismortier
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Sonata in E minor
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Schott Music - Digital
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SheetMusicPlus
Concerto G-Dur
2 violins, string orchestra (2 violins, 2 violas) and basso continuo; 2 oboes ad lib SK…
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2 violins, string orchestra (2 violins, 2 violas) and basso continuo; 2 oboes ad lib SKU: M2.MOS-40152-60 Dresdener Konzert. Composed by Georg Philipp Telemann. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40152-60. Published by Möseler Verlag (M2.MOS-40152-60). ISBN 9790203743521.
$33.95
31.67 €
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Georg Philipp Telemann
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2 oboes ad lib
SKU: M2
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Concerto G-Dur
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Möseler Verlag
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SheetMusicPlus
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