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String Trio by Simply Three
SheetMusicPlus
Sheetmusic to print
16 sheet music found
<
1
Deck The Halls Violin Viola and Cello Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1318068 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1318068 Composed by John Thoma. Arranged by Abraham Maduro. Christian,Christmas,Classical,Holiday,Traditional. 6 pages. Abraham Maduro #906768. Published by Abraham Maduro (A0.1318068). Enjoy this charming sheet music of the classic Christmas carol “Deck the Halls†for string trio. The score is written for violin, viola and cello, and captures the joy and festive spirit of the Christmas season.All three parts are musical and interesting and fun to play, D major, score and all parts included, 1:30 minutes long approx.With warm harmonies and bright melodies, this arrangement is perfect for performing at concerts, family events, or simply sharing the magic of music during the holidays.
$7.99
7.39 €
#
String Trio: violin, viola, cello
#
John Thoma
#
Deck The Halls Violin Viola and Cello Trio
#
Abraham Maduro
#
SheetMusicPlus
Music for Three, Volume 7 Part 2 Viola 50722
Small Ensemble Viola - Level 4 - Digital Download SKU: A0.592547 By Daniel Kelley. …
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Small Ensemble Viola - Level 4 - Digital Download SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201338. Published by Last Resort Music Publishing (A0.592547). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Viola Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
18.49 €
#
Daniel Kelley
#
Music for Three, Volume 7 Part 2 Viola 50722
#
Last Resort Music Publishing
#
SheetMusicPlus
Music for Three, Volume 7 Keyboard or Guitar 50740
Small Ensemble - Level 4 - Digital Download SKU: A0.592550 By Daniel Kelley. By Dan…
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 93 pages. Last Resort Music Publishing #201340. Published by Last Resort Music Publishing (A0.592550). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50740 Keyboard or Guitar Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$26.00
24.04 €
#
Daniel Kelley
#
Music for Three, Volume 7 Keyboard or Guitar 50740
#
Last Resort Music Publishing
#
SheetMusicPlus
Music for Three, Volume 7 Part 3 for Cello or Bassoon 50731
Small Ensemble - Level 4 - Digital Download SKU: A0.592549 Composed by Various. Arr…
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201339. Published by Last Resort Music Publishing (A0.592549). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50731 Part 3 - Cello or Bassoon Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
18.49 €
#
the Light of the Silvery Moon
#
Various
#
Music for Three, Volume 7 Part 3 for Cello or Bassoon 50731
#
Last Resort Music Publishing
#
SheetMusicPlus
Music for Three, Volume 7 Part 2 for Flute or Oboe or Violin 50721
Small Ensemble - Level 4 - Digital Download SKU: A0.592546 Composed by Various. Arr…
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.592546 Composed by Various. Arranged by Daniel Kelley. Baroque,Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201337. Published by Last Resort Music Publishing (A0.592546). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Flute or Oboe or Violin Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00
18.49 €
#
the Light of the Silvery Moon
#
Various
#
Music for Three, Volume 7 Part 2 for Flute or Oboe or Violin 50721
#
Last Resort Music Publishing
#
SheetMusicPlus
Oh, Pretty Woman
String Trio: 2 violins, cello
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1079088 By Roy Orbiso…
(+)
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1079088 By Roy Orbison. By Bill Dees and Roy Orbison. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #683289. Published by Sarah Cellobat Chaffee (A0.1079088). *INSTRUMENTATION: TWO VIOLINS AND CELLO* Released by Roy Orbison in 1964, Oh, Pretty Woman (known to most people as simply Pretty Woman) was an instant hit, spending three weeks at number 1 on the Billboard charts and selling over seven million copies. The song marked the high point in Orbison's career, and was later used as the title track for the movie Pretty Woman in 1990 and the later Broadway musical of the same name. But forget this introduction -- everyone in your audience will instantly recognize the introductory riff of this classic song! This Cellobat arrangement for your two-violin and cello trio is sure to be a hit at your gigs; maintaining the easy groove, catchy melody, and passionate dynamic builds of the original, this is a super cute chart that will be just as fun to play as it is to listen to. You're sure to get your audience singing along! Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
13.86 €
#
String Trio: 2 violins, cello
#
Roy Orbison
#
Oh, Pretty Woman
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Athol Highlanders for up to 3 cellos
String Trio: 3 cellos
String Ensemble,String Trio Cello - Level 2 - Digital Download SKU: A0.909029 Compo…
(+)
String Ensemble,String Trio Cello - Level 2 - Digital Download SKU: A0.909029 Composed by Traditional. Arranged by Emma Butterworth. Celtic,Country,Folk,World. Score and parts. 6 pages. Emma Butterworth #4848111. Published by Emma Butterworth (A0.909029). Athol Highlanders is a lively and fun arrangement of a Scottish folk tune for up to three cellos. The first cello part is the most advanced and has the melody throughout (though it stays in first position). The second cello part is much simpler and suitable for early Suzuki book 1 cellists. The third cello part is simply made up of one harmonic on one string, so suitable for cellists who have only just started playing.
$4.99
4.61 €
#
String Trio: 3 cellos
#
Traditional
#
Athol Highlanders for up to 3 cellos
#
Emma Butterworth
#
SheetMusicPlus
La Vie En Rose
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1236390 By Edit…
(+)
String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1236390 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 6 pages. Andre_Nusa #831904. Published by Andre_Nusa (A0.1236390). Experience the timeless romance of Edith Piaf's La Vie en Rose in a captivating arrangement for violin, viola, and cello. Immerse yourself in the tender and passionate melodies of this iconic French song as it unfolds through the enchanting interplay of these three exquisite string instruments. The violin takes the lead, weaving heartfelt melodies, while the viola and cello provide a lush and harmonious backdrop, adding depth and richness to the arrangement The interplay between the instruments creates a captivating musical dialogue, allowing you to fully embrace the tender sentiments of Piaf's composition. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience.
$12.99
12.01 €
#
String Trio: violin, viola, cello
#
Edith Piaf
#
La Vie En Rose
#
Andre_Nusa
#
SheetMusicPlus
Minuet in G BWV Anh. 114
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1235683 Compose…
(+)
String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1235683 Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque,Traditional. 6 pages. Andre_Nusa #831195. Published by Andre_Nusa (A0.1235683). Experience the timeless splendor of Bach's Minuet in G BWV Anh. 114 in a captivating arrangement for violin, viola and cello. Immerse yourself in the refined elegance and grace of this iconic composition as it unfolds through the enchanting interplay of these three exquisite string instruments. The violin takes the lead, with its soaring melodies and expressive phrases, while the viola and cello provide a lush and harmonious foundation, adding depth and richness to the arrangement. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience. Let the expressive melodies and harmonies of the Minuet in G captivate your heart and soul, while the violin, viola and cello bring Bach's timeless masterpiece to life.
$5.99
5.54 €
#
String Trio: violin, viola, cello
#
Johann Sebastian Bach
#
Minuet in G BWV Anh. 114
#
Andre_Nusa
#
SheetMusicPlus
La Vie En Rose
Flute, Oboe, Clarinet (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A…
(+)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A0.1236391 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 6 pages. Andre_Nusa #831905. Published by Andre_Nusa (A0.1236391). Experience the timeless romance of Edith Piaf's La Vie en Rose in a captivating arrangement for flute, oboe and clarinet. Immerse yourself in the tender and passionate melodies of this iconic French song as it unfolds through the enchanting interplay of these three exquisite string instruments. The flute takes the lead, weaving heartfelt melodies, while the oboe and clarinet provide a lush and harmonious backdrop, adding depth and richness to the arrangement. The interplay between the instruments creates a captivating musical dialogue, allowing you to fully embrace the tender sentiments of Piaf's composition. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience. Let the expressive melodies and harmonies of La Vie en Rose touch your heart and soul, while the flute, oboe, and clarinet bring the timeless beauty of this song to life.
$12.99
12.01 €
#
Flute, Oboe, Clarinet (trio)
#
Edith Piaf
#
La Vie En Rose
#
Andre_Nusa
#
SheetMusicPlus
Minuet in G BWV Anh. 114
Flute, Oboe, Clarinet (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A…
(+)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A0.1235678 Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque,Traditional. 6 pages. Andre_Nusa #831190. Published by Andre_Nusa (A0.1235678). Experience the timeless splendor of Bach's Minuet in G BWV Anh. 114 in a captivating arrangement for flute, oboe and clarinet. Immerse yourself in the refined elegance and grace of this iconic composition as it unfolds through the enchanting interplay of these three exquisite string instruments. The flute takes the lead, with its soaring melodies and expressive phrases, while the oboe and clarinet provide a lush and harmonious foundation, adding depth and richness to the arrangement. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience. Let the expressive melodies and harmonies of the Minuet in G captivate your heart and soul, while the flute, oboe and clarinet bring Bach's timeless masterpiece to life.
$5.99
5.54 €
#
Flute, Oboe, Clarinet (trio)
#
Johann Sebastian Bach
#
Minuet in G BWV Anh. 114
#
Andre_Nusa
#
SheetMusicPlus
Let It Be
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digita…
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.500994 By Kris Allen and The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 10 pages. Published by Fab Forward Entertainment (A0.500994). The Beatles - Let It Be (For Three Piece Horn Section &/or String Trio to accompany a Rock Band) This arrangement of The Beatles classic Let It Be for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded on Past Masters Vol. 2. If you would like to perform the arrangement as it is heard on the album, Let It Be, simply ad a repeat to measures 61-64. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
12.01 €
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Kris Allen and The Beatles
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Let It Be
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Fab Forward Entertainment
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.18 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
La Vie En Rose
Flute, Oboe, Bassoon
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 1 - Digital Download SKU: A0…
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 1 - Digital Download SKU: A0.1236392 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 6 pages. Andre_Nusa #831906. Published by Andre_Nusa (A0.1236392). Experience the timeless romance of Edith Piaf's La Vie en Rose in a captivating arrangement for flute, oboe and bassoon. Immerse yourself in the tender and passionate melodies of this iconic French song as it unfolds through the enchanting interplay of these three exquisite string instruments. The flute takes the lead, weaving heartfelt melodies, while the oboe and bassoon provide a lush and harmonious backdrop, adding depth and richness to the arrangement. The interplay between the instruments creates a captivating musical dialogue, allowing you to fully embrace the tender sentiments of Piaf's composition. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience. Let the expressive melodies and harmonies of La Vie en Rose touch your heart and soul, while the flute, oboe, and bassoon bring the timeless beauty of this song to life.
$12.99
12.01 €
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Flute, Oboe, Bassoon
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Edith Piaf
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
Minuet in G BWV Anh. 114
Flute, Clarinet and Bassoon.
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 1 - Digital Download SKU…
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 1 - Digital Download SKU: A0.1235681 Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque,Traditional. 6 pages. Andre_Nusa #831193. Published by Andre_Nusa (A0.1235681). Experience the timeless splendor of Bach's Minuet in G BWV Anh. 114 in a captivating arrangement for flute, oboe and bassoon. Immerse yourself in the refined elegance and grace of this iconic composition as it unfolds through the enchanting interplay of these three exquisite string instruments. The flute takes the lead, with its soaring melodies and expressive phrases, while the oboe and bassoon provide a lush and harmonious foundation, adding depth and richness to the arrangement. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience. Let the expressive melodies and harmonies of the Minuet in G captivate your heart and soul, while the flute, oboe and bassoon bring Bach's timeless masterpiece to life.
$5.99
5.54 €
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Flute, Clarinet and Bassoon.
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Johann Sebastian Bach
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Minuet in G BWV Anh. 114
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Andre_Nusa
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SheetMusicPlus
Canon in D (includes Note-Names)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1194503 By Kent D. Smith. By Johann…
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Piano Solo - Level 3 - Digital Download SKU: A0.1194503 By Kent D. Smith. By Johann Pachelbel. Arranged by Kent D. Smith of 'Read Piano Music Now' and 'Piano With Kent' (R). Classical,Film/TV,Holiday,Instructional,Wedding. Score. 3 pages. Read Piano Music Now #793871. Published by Read Piano Music Now (A0.1194503). Pachelbel's original Canon in D, professionally scored and arranged for solo piano. LETTER-NAMES included! This exclusive, professional arrangement is specially designed so that it can be repeated as many times as desired. This makes it perfect for public performance at weddings and other special occasions, where the duration can be determined by you. (Once your performance is done, simply play the provided ending!)Exclusively from Kent D. Smith of 'Read Piano Music Now' and 'Piano With Kent' (R).Format: Printable PDF. Page size: Standard (8.5 x 11).Pages: Three (3).Based strictly on Pachelbel's original trio for strings and keyboard (from Canon and Gigue for 3 violins and basso continuo).
$6.95
6.43 €
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Piano solo
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Kent D
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Canon in D
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Read Piano Music Now
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SheetMusicPlus
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