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Brass quartet : 2 trumpets, trombone, tuba
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Stro's Place: Tuba
Sheetmusic to print
21 sheet music found
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1
Stro's Place: Tuba
Tuba (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017133_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017133_TB1 Tuba. Composed by Carl Strommen. Jazz; Swing. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017133_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017133_TB1). UPC: 038081321738.A feature for the sax section, Stro's Place is a medium swinger with written-out solos for tenor and/or trumpet. A nice stop-time ensemble, so everyone gets to shine. An effective chart composed and arranged by Carl Strommen. (3:56) This title is available in SmartMusic.Section Feature.
$3.00
2.8 €
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Tuba (band part)
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Carl Strommen
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Swing
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Stro's Place: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sonny's Place: Tuba
Tuba (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014715_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014715_TB1 Tuba. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014715_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014715_TB1). UPC: 654979012153.Here's a swinging original composition featuring the saxophone section. No doubt about it, the saxes will crave this one, but not to worry, the brass and rhythm sections will love it too. First, your saxes will spend some quality time together on these solos in unison, harmony and a cappella, but always swinging. Then, a powerhouse stop-time ensemble section for the brass and fun chord changes and nice kicks over this blues progression for the rhythm section will keep up the energy. This chart is titled in honor of the defunct premier jazz club on Long Island. Commissioned by the Nassau-Suffolk Jazz Band, composer Carl Strommen went all out with this swinger. Great chart!
$3.00
2.8 €
#
Tuba (band part)
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Carl Strommen
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Sonny's Place: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Silent Night (Bb) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813980
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813980 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636611. Published by Regis Bookshar (A0.813980). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.46 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
#
Franz Xaver Gruber
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Silent Night (Bb) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813983
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636615. Published by Regis Bookshar (A0.813983). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.46 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
#
Franz Xaver Gruber
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Silent Night (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813961
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813961 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6632967. Published by Regis Bookshar (A0.813961). Brass Quintet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Quinet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.66 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
#
Franz Xaver Gruber
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Liszt - Unstern! Sinistre, Disastro - Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.942808 Composed by Franz Liszt.…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.942808 Composed by Franz Liszt. Arranged by ForteTwo. Romantic Period. Score and parts. 18 pages. ForteTwo Music #4984329. Published by ForteTwo Music (A0.942808). A piece perhaps suitable for Halloween, Unstern! (‘Unlucky’, or ‘Evil Star’) contains some brutally unfriendly harmony, and an unwary listener would be apt to place some passages among the works of the twentieth century's most important innovators. Open tritones, whole-tone harmony, augmented triads over a pedal and a particularly violent dissonance before the organ-like closing section, create a continuous tension. Small wonder that Liszt spoke of his musical language not being understood in his lifetime! This version, which has been adapted for Brass Quintet, especially captures the continuous tension, and brings an even more organ-like sound to the closing section of the piece.
$10.00
9.32 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Franz Liszt
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Liszt - Unstern! Sinistre, Disastro - Brass Quintet
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ForteTwo Music
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SheetMusicPlus
South County Sketches: Tuba
Tuba (band part)
Full Orchestra - Digital Download SKU: AX.00-PC-0016453_TB1 Tuba. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016453_TB1 Tuba. Composed by Brendan Mcbrien. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016453_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016453_TB1). UPC: 038081483993.Depicting stunning points of interest, the history, and the geology from southern Orange County, California, this piece takes the listener on a musical tour of three of the composer's favorite places. Students and audiences will enjoy the strong, confident themes, and lush colorful writing in this original work. (3:10) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
#
Tuba (band part)
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Brendan Mcbrien
#
Festival.
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South County Sketches: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
12.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Keith Terrett
#
Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
#
SheetMusicPlus
A Quiet Place
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.875871 By Take 6. By R…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.875871 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Gospel. Score and parts. 16 pages. Nefarious Music Publications #4410775. Published by Nefarious Music Publications (A0.875871). A quiet Place was written in 1967 but it was the 1988 recording, by American a cappella group, Take 6, that has gone on to become the most well loved version. This arrangment for four trombones (or three trombones and tuba) is based on that recording.In order to bring this beautiful setting of Ralph Carmichael's music & lyrics to life, sensitive phrasing and legato playing is paramount. A very strong upper register is required for parts 1 & 2 This quartet is scored for three tenors and bass trombone. Treble clef B flat parts and a treble clef E flat tuba transposition of part 4 are included for brass bands and alternative parts 1 and 2 in tenor clef are available.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindDifficulty Rating : advanced plus
$20.00
18.64 €
#
Take 6
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A Quiet Place
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Nefarious Music Publications
#
SheetMusicPlus
Come Dwell in Solomon's Walls (Downloadable Choral Score)
Choral SATB
SATB choir, piano or full orchestra with organ (Orchestral Parts include: Flute, Oboe, B-f…
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SATB choir, piano or full orchestra with organ (Orchestral Parts include: Flute, Oboe, B-flat Clarinet, Bassoon, Horn in F, B-flat Trumpet, Trombone I and II, Bass Trombone, Tuba, Timpani, Glockenspiel, Cymbals, Violin I and II, Viola, Cello, Double Bass, Organ) - Medium - Digital Download SKU: MQ.50-7068-E Composed by Z. Randall Stroope. Easter Season, Building Dedication, Church Anniversary. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-7068-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7068-E). UPC: 688670570681.Solomon's temple was arguably the most magnificent structure ever built in the history of human kind. This anthem invites listeners to come and dwell in a place where wisdom, righteousness, justice, and holiness join at the feet of God.
$2.85
2.66 €
#
Choral SATB
#
Z
#
Come Dwell in Solomon's Walls
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Tango Pour Claude for Brass Quartet
Brass Quartet
Trumpet, Trombone, Tuba, Horn in F, Brass Quartet - Intermediate - Digital Download …
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Trumpet, Trombone, Tuba, Horn in F, Brass Quartet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 21 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.<br> Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.<br> Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,<br> Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.<br> <br> This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$19.99
18.63 €
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Brass Quartet
#
Richard Galliano
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Tango Pour Claude for Brass Quartet
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SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
23.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque,Classical,Renaissance. Score and parts. 57 pages. Gordon Cherry #6623467. Published by Gordon Cherry (A0.792809). Canzon in Echo Duodecimi Toni á 10 was published as part of Gabrieli's Sacre Symphoniae of 1597, a collection of pieces including motets, canzonas, and sonatas for various instrumental groups. Gabrieli used the layout of his musical home, the San Marco Church in Venice with its two choir lofts facing each other, to create the first spatial or antiphonal music for early brass instruments, cornetti, and sackbuts.Maestro Fabrizio Bugani has done a wonderful job of editing this almost 4-minute work for a double brass choir of 10 instruments (two brass quintets). Included are numerous substitute parts which include Trumpets in C, Horns, and Alto Trombones. If one wishes a pure cylindrical choir; that can be achieved by using the Alto Trombones in place of the conical Horns.This edition is appropriate for moderately advanced performers and is pitched in the key of B-flat, down a step from the original.Instrumentation is for double brass quintets of 4 B-flat Trumpets, 2 Horns and 4 Trombones.
$30.00
27.96 €
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Brass quartet : 2 trumpets, trombone, tuba
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Giovanni Gabrieli
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Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
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Gordon Cherry
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SheetMusicPlus
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron Hettinga. 20th Century,Classical,Contest,Festival,Patriotic,Traditional. Score and parts. 24 pages. Aaron Hettinga #698344. Published by Aaron Hettinga (A0.1094241). Arthur Pryor’s famous theme and variations on “The Blue Bells of Scotland†has been a showcase for trombonists with strong technique and agility for well over a century. While this work is most commonly performed as accompanied by a wind band or with piano, in this arrangement the soloist is supported by a standard brass quintet. The solo part is unchanged from Pryor’s original, though there are some minor tweaks to suggested slide positions and other notations throughout. While each of the accompanying quintet parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off. Performance suggestion: as an option, it’s recommended to utilize Cornets and Euphonium in place of the Trumpet and Trombone parts in the accompanying quintet to more faithfully emulate the sounds of the conical-bore instruments of the period and to better separate the tonality of the accompaniment from the soloist. This arrangement is a great vehicle to showcase a talented trombonist on this classic piece of standard trombone literature!
$29.99
27.95 €
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Brass quartet : 2 trumpets, trombone, tuba
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Joseph Alessi, Christian Lindberg
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Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
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Aaron Hettinga
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SheetMusicPlus
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1372453 By Soprano and Brass Qui…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00
23.3 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Soprano and Brass Quintet
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Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Peet du Toit
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SheetMusicPlus
Tango Pour Claude for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Richard Galliano. Arranged by Dieg…
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Brass Quintet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 26 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.<br> Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.<br> Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,<br> Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.<br> <br> This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$22.99
21.43 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Richard Galliano
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Tango Pour Claude for Brass Quintet
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SheetMusicPlus
Vichnaya Pamyat
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Di…
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
13.04 €
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Various
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Vichnaya Pamyat
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
13.04 €
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Various
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By T…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
9.32 €
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Heart of Oak
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1112190 Composed by William Boyce. Arranged by Colin G Dance. March. Brass Band. 24 pages. Dance is With Music #714349. Published by Dance is With Music (A0.1112190). Heart of Oak is the official march of the Royal Navy. It is also the official march of several Commonwealth navies, including the Royal Canadian Navy and the Royal New Zealand Navy. It was also the official march of the Royal Australian Navy, but has now been replaced by the new march, Royal Australian Navy. The music of Heart of Oak was written in 1759 by composer William Boyce, the lyrics by actor David Garrick, for Garrick's pantomime Harlequin's Invasion, to which others contributed as well. The pantomime was first performed on New Year's Eve of that year at the Theatre Royal, Drury Lane, London, with Handel soloist Samuel Thomas Champnes singing Heart of Oak. The wonderful year referenced in the first verse was the Annus Mirabilis of 1759, during which British forces were victorious in several significant battles: the Battle of Minden on 1 August 1759; the Battle of Lagos on 19 August 1759; the Battle of the Plains of Abraham (outside Quebec City) on 13 September 1759; and the Battle of Quiberon Bay on 20 November 1759. The last battle foiled a French invasion project planned by the Duc de Choiseul to defeat Britain during the Seven Years' War, hence the reference in the song to 'flat-bottom' invasion barges. These victories were followed a few months later by the Battle of Wandiwash in India on 22 January 1760. Britain's continued success in the war boosted the song's popularity. The oak in the song's title refers to the wood from which British warships were generally made during the age of sail. The Heart of oak is the strongest central wood of the tree. The reference to freemen not slaves echoes the refrain (Britons never will be slaves!) of Rule, Britannia!, written and composed two decades earlier.
$50.00
46.6 €
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William Boyce
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Heart of Oak
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Dance is With Music
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SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score and parts. 248 pages. DoReMi Edition #594857. Published by DoReMi Edition (A0.1009195). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl. The attached mp3 is a performance by the Russian Philharmonic, conducted by the composer, 1998. English Text by Rebekah Wong Orchestration: Flauto Piccolo ( Flauto III), 2 Flauti, 2 Oboi (Corno- inglese), 2 Clarinetti in B flat, 2 Fagotti; 4 Corni in F, 2 Trombe in B flat, 3 Tromboni, 1 Tuba; 4 Timpani, Piatti, Tamburo, Trianglo, Companelli, Celesta, Campana, Wood Blocks ,Sonagliera; Violini I, Violini II, Viole, Violoncelli e Contrabassi.
$300.00
279.59 €
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Orchestra
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
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