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Seitz Student Concerto No 5 Op. 22 for Violin and String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1360447 Composed by Friedrich…
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String Orchestra - Level 4 - Digital Download SKU: A0.1360447 Composed by Friedrich Seitz. Arranged by Paul Wood. Romantic Period. 65 pages. MyMusicScores.com #944941. Published by MyMusicScores.com (A0.1360447). Seitz composed eight student concertos as well as other smaller works for young violinists to test their skills on. Concerto No.5 is in three movements which are all seamlessly joined together. There are many student concertos that were written at the end of the 1800s and beginning the 1900s.The PDF file contains the score and all parts.
$19.99
18.57 €
#
Friedrich Seitz
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Seitz Student Concerto No 5 Op. 22 for Violin and String Orchestra
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MyMusicScores.com
#
SheetMusicPlus
Seitz 3rd movement from Pupil (Student) Concerto No.3 in G major for Violin and Piano - V
String Quartet: 2 violins, viola, cello
Violin - Digital Download SKU: A0.1071181 Composed by Seitz. Arranged by Amir Awad.…
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Violin - Digital Download SKU: A0.1071181 Composed by Seitz. Arranged by Amir Awad. Classical,Instructional,Romantic Period,Standards. Accompaniment. Duration 204. Amir Awad #5371393. Published by Amir Awad (A0.1071181). Fritz (Friedrich) Seitz (12 June 1848, Günthersleben-Wechmar, Saxe-Coburg and Gotha – 22 May 1918) was a German Romantic Era composer. He was a violinist who served as a concertmaster, who wrote chamber music and eight student concertos for the violin. This is the 3rd movement from Pupil (Student) Concerto No.3 in G major for Violin and Piano arranged for Violin and String Orchestra. It is used in Suzuki Violin method , Volume 4 no. 1This file is the Piano Accompainemnt file Orchestrated to string Orchestra , you can Practice with it at 66 BPM.
$5.00
4.64 €
#
String Quartet: 2 violins, viola, cello
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Seitz
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Seitz 3rd movement from Pupil
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Amir Awad
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.18 €
#
Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.82 €
#
Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Vivaldi - Violin Concerto in Am Op. 3 No. 6 Mvt 1 - Second Violin (Duo) Accompaniment
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.975507 Composed by Antonio …
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.975507 Composed by Antonio Vivaldi. Arranged by T. Nachez, Jane Melin. Baroque,Instructional,Standards. 7 pages. Jane Melin #6365529. Published by Jane Melin (A0.975507). Single violin accompaniment for Vivaldi's Violin Concerto in A minor, 1st movement (Op. 3 No. 6). Aligns with the student repertoire in the popular mother-tongue method book. For violin teachers accompanying their students when learning or performing this piece. Can also be used for student duets. Duo violin score and second violin (teacher) part only; no separate Violin 1 (student) part. Violin 1 part in the score is based on public-domain sources and may not contain the fingerings, bowings, articulations and dynamics most commonly used by students.
$3.99
3.71 €
#
2 Violins (duet)
#
Antonio Vivaldi
#
Vivaldi - Violin Concerto in Am Op. 3 No. 6 Mvt 1 - Second Violin
#
Jane Melin
#
SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Bassoon, Piano (duet)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pé…
(+)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95
18.53 €
#
Bassoon, Piano (duet)
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.82 €
#
Chamber Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Quantz Concerto in G major. QV 5: 174. Second movement "Arioso." Flute Treble Recorder Duet.
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.809187 Composed by Quantz J.J…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.809187 Composed by Quantz J.J. Arranged by Glenn Martin. Baroque,Chamber,Early Music,Instructional,Renaissance. Score. 10 pages. Cornelius edition #6258603. Published by Cornelius edition (A0.809187). Johann Joachim Quantz, a baroque music composer and flute maker, wrote hundreds of flute sonatas and concertos. His flute concerto in G major is one of the most popular and this flexible arrangement of the second movement, marked Arioso, e mesto, is for either alto recorder and flute or flute duet. The score and parts include suggested baroque ornamentation and are suitable repertoire for classroom study and student and teacher performance. Duration 4'40.
$2.49
2.31 €
#
2 Flutes (duet)
#
Quantz J
#
Quantz Concerto in G major. QV 5: 174. Second movement "Arioso." Flute Treble Recorder Duet.
#
Cornelius edition
#
SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.51 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Vivaldi Concerto RV 93 1st movement
String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio V…
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String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
36.23 €
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Antonio Vivaldi
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Vivaldi Concerto RV 93 1st movement
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MA Lass & I Lass
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SheetMusicPlus
Concerto in B Minor in the Style of Handel, Arranged for Three Violas
String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.859958 Compo…
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String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.859958 Composed by Henri Casadesus. Arranged by Steven Kruse. 20th Century,Baroque,Standards. Score and parts. 61 pages. String Play for All #6382253. Published by String Play for All (A0.859958). Your students will love playing this new arrangement for three violas of one of the most prominentt concertos every violist studies. Even though research has shown that Handel did not compose this work, this concerto by Henri Casadesus has remained a staple in the viola repertoire. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the this concerto by Casadesus. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola I part also plays in the tutti sections as needed. The Viola II part consists mostly of the melody in the orchestra tutti sections, as well as harmonizing lines with the Viola I part. The Viola III part provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. College students and professionals will also have fun with these arrangements, a new approach to teaching this Concerto!
$12.95
12.03 €
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Henri Casadesus
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Concerto in B Minor in the Style of Handel, Arranged for Three Violas
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String Play for All
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SheetMusicPlus
Viola Concerto in D Major, - Three Violas
String Ensemble,String Trio Viola - Level 4 - Digital Download SKU: A0.859960 Compo…
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String Ensemble,String Trio Viola - Level 4 - Digital Download SKU: A0.859960 Composed by Franz Anton Hoffmeister. Arranged by Steven Kruse. Classical,Standards. Score and parts. 67 pages. String Play for All #6382259. Published by String Play for All (A0.859960). Your students will love playing this new arrangement for three violas of one of the most important concertos every violist studies. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the Hoffmeister Concerto. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola I part also plays in the tutti sections as needed. The Viola II part consists mostly of the melody in the orchestra tutti sections, as well as harmonizing lines with the Viola I part. The Viola III part provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. College students and professionals will also have fun with these arrangements, a new approach to teaching the Hoffmeister Concerto!
$13.50
12.54 €
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Franz Anton Hoffmeister
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Viola Concerto in D Major, - Three Violas
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String Play for All
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SheetMusicPlus
Concerto in D Major, Arranged for Three Violas
String Ensemble,String Trio Viola - Level 4 - Digital Download SKU: A0.859961 Compo…
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String Ensemble,String Trio Viola - Level 4 - Digital Download SKU: A0.859961 Composed by Carl Stamitz. Arranged by Steven Kruse. Classical,Standards. Score and parts. 73 pages. String Play for All #6382261. Published by String Play for All (A0.859961). Your students will love playing this new arrangement for three violas of one of the most important concertos every violist studies. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the Stamitz Concerto. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola I part also plays in the tutti sections as needed. The Viola II part consists mostly of the melody in the orchestra tutti sections, as well as harmonizing lines with the Viola I part. The Viola III part provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. College students and professionals will also have fun with these arrangements, a new approach to teaching the Stamitz Concerto!
$14.50
13.47 €
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Carl Stamitz
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Concerto in D Major, Arranged for Three Violas
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String Play for All
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SheetMusicPlus
Telemann Viola Concerto for Three Violas
String Ensemble,String Trio Viola - Digital Download SKU: A0.859920 Composed by Geo…
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String Ensemble,String Trio Viola - Digital Download SKU: A0.859920 Composed by Georg Philipp Telemann. Arranged by Steven Kruse. Baroque,Standards. Score and parts. 43 pages. String Play for All #3876025. Published by String Play for All (A0.859920). Your students will love playing this new arrangement for three violas of one of the first concertos every violist studies. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the Telemann Concerto. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola II part consists mostly of the orchestra ripieno part, with the melody in tutti sections and contrapuntal lines with the Viola I part. The Viola III part is provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. A new approach to teaching the Telemann Concerto!
$10.99
10.21 €
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Georg Philipp Telemann
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Telemann Viola Concerto for Three Violas
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String Play for All
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SheetMusicPlus
Piano Concerto N°1
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1264245 By Peter Ilyich Tchai…
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String Orchestra - Level 1 - Digital Download SKU: A0.1264245 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Paulo Henrique. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and Parts. 9 pages. Paulo Henrique #857107. Published by Paulo Henrique (A0.1264245). Piano Concerto N°1, Tchaikovsky, String Orchestra, Violin 1, Violin 2, Viola, Cello, Bass, Accompaniment Chords, Easy Arrangement in B Minor, Beginner String Students, Classic, Romantic, Chamber, Student Orchestra.
$20.00
18.58 €
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String Orchestra
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Peter Ilyich Tchaikovsky
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Piano Concerto N°1
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Paulo Henrique
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SheetMusicPlus
Vivaldi - Violin Concerto in Am Op. 3 No. 6 Mvt 1 - Simplified Piano Accompaniment
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.975509 Composed by Antonio Vivald…
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Piano,Violin - Level 3 - Digital Download SKU: A0.975509 Composed by Antonio Vivaldi. Arranged by T. Nachez/Jane Melin. Baroque,Instructional,Standards. 11 pages. Jane Melin #6366561. Published by Jane Melin (A0.975509). Simplified, intermediate-level piano accompaniment for Vivaldi's Concerto in A minor, First Movement (Op. 3 No. 6). Aligns with the student repertoire in the popular mother-tongue method book. Piano score only; no separate violin part. Violin part in the score is based on public-domain sources and may not contain the fingerings, bowings, articulations and dynamics most commonly used by students. Piano part contains chord notations, for pianists who can more quickly read chords than notes and who might wish to improvise their accompaniment.
$5.99
5.56 €
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Violin and Piano
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Antonio Vivaldi
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no separate violin part
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Vivaldi - Violin Concerto in Am Op. 3 No. 6 Mvt 1 - Simplified Piano Accompaniment
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Jane Melin
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SheetMusicPlus
Beethoven Piano Concerto #5 (themes from the second movement)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.803298 Composed by Ludwig van Beeth…
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Piano Solo - Level 3 - Digital Download SKU: A0.803298 Composed by Ludwig van Beethoven. Arranged by Paul Taylor. Classical. Score. 3 pages. Paul Taylor #4718073. Published by Paul Taylor (A0.803298). This shortened arrangement of Beethoven's Emperor piano concerto (second movement only) is aimed at the intermediate piano student. The orchestra and the piano solo parts are melded together into a single texture and the keys have been transposed to accommodate the intermediate student. Some notes have been altered to avoid difficult skips and the entire movement has been diluted to forty measures. The intent is to give the interested student a chance to experience this masterpiece in a simplified yet tasteful format. .
$1.99
1.85 €
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Piano solo
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Ludwig van Beethoven
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Beethoven Piano Concerto #5
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Paul Taylor
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SheetMusicPlus
Beriot Violin Concerto No 9 for Violin and String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1342131 Composed by Charles d…
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String Orchestra - Level 4 - Digital Download SKU: A0.1342131 Composed by Charles de beriot. Arranged by Paul Wood. Romantic Period. 107 pages. MyMusicScores.com #927652. Published by MyMusicScores.com (A0.1342131). Score and parts for download.Charles-Auguste de Beriot's Violin Concerto No. 9 in A minor, Op. 104, penned in 1858 as a tribute to Princess Tatyana Yusupov, reflects his gratitude for an extended stay in St Petersburg. This concerto, akin to his sixth and seventh, unfolds in three continuous movements, showcasing Beriot's deft violin craftsmanship and operatic elegance. The piece, a testament to his mastery, effortlessly balances virtuosity and accessibility, inviting intermediate students into the realm of Romantic concertos. With varied rhythms and a touch of Hungarian influence, this concerto, played by the talented young Julia Fischer at the age of eight, remains a cherished gem, exemplifying Bériot's compositional prowess.Here is an arrangement for violin and string orchestra.The PDF file contains the score and all parts.
$29.99
27.86 €
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String Orchestra
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Charles de beriot
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Beriot Violin Concerto No 9 for Violin and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Concertos for Five Beethoven Piano Concerto in G maj. First mvnt Arr. for String Quartet, String par
Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.862630 Com…
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Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.862630 Composed by Beethoven, L van. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score and parts. 22 pages. Michael Butkus-Bomier #3000649. Published by Michael Butkus-Bomier (A0.862630). Concertos for Five, is a new series from GateWay Editions. This listing is for the string parts to the first movement only. No Score, no piano. Those items are listed separately. The reason is download printing. These parts should ALL be set to print single-sided, so the end-user can decide where to place the page turns. Scores and piano parts are all double-sided downloads, and are listed separately. One could buy these parts, and utilize any Beethoven piano score, with the composer's original cadenzas, which are integrated into the fabric of all three movements, and study, rehearse and perform them with seamless ease. Look for the scores and parts for the other two movements, and play the entire concerto, with five players, not the entire orchestra. Ideal for chamber musicians, students in college, summer clinics, and any concert setting of limited scope and space. MBB.
$8.00
7.43 €
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Beethoven, L van
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Concertos for Five Beethoven Piano Concerto in G maj. First mvnt Arr. for String Quartet, String par
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Michael Butkus-Bomier
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SheetMusicPlus
Vivaldi - Adagio (G Minor Concerto) - 2nd. Violin Part - Suzuki Bk.5
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.824037 Composed by TK Tim Murray. …
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Violin Solo - Level 3 - Digital Download SKU: A0.824037 Composed by TK Tim Murray. Baroque,Concert,Standards. 1 pages. TK (Tim) Murray #4786725. Published by TK (Tim) Murray (A0.824037). This stylistic 2nd Violin part will bring fresh life into old repertoire. Ideal for a teacher to play along with their student or for 2 students to play together in performance. Also perfect for Groups of mixed level students.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$3.95
3.67 €
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Violin
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TK Tim Murray
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tkmurraycomp@aol
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Vivaldi - Adagio
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TK
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SheetMusicPlus
Concerto in Cool
Piano solo
Piano - early intermediate - Digital Download SKU: F0.E1116 Composed by Kevin Olson…
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Piano - early intermediate - Digital Download SKU: F0.E1116 Composed by Kevin Olson. Sheet Music. The FJH Piano Ensemble Series. Solo Sheet. 20 pages. The FJH Music Company - Digital #E1116. Published by The FJH Music Company - Digital (F0.E1116). UPC: 241444396568.One of the hippest pieces to come along in years, this two-piano concerto features a student part and a teacher (or somewhat more advanced student) part. The rocking first and third movements are contrasted by a slow and beautifully lyrical second movement. About FJH Piano Ensemble SeriesCreative material especially written to explore aspects of artistic ensemble performance.
$5.95
5.53 €
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Piano solo
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Kevin Olson
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Concerto in Cool
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The FJH Music Company - Digital
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SheetMusicPlus
Friedrich Seitz: Fifth Pupil's Concerto in D major Op.22 instantly for viola & piano
Viola, Piano
This is an exclusive transcription for viola & piano of MEDIUM/HIGH skill level from t…
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This is an exclusive transcription for viola & piano of MEDIUM/HIGH skill level from the original composition by Friedrich Seitz. This title is available as instant sheet music download. Contents: concerto in d major,op.22,op. 22, opus 22, fifth student concerto, fifth pupils concerto, 5th pupil concerto, pupil concerto No.5 / classical,concert
$7.75
7.2 €
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Viola, Piano
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Friedrich Seitz
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Virtualsheetmusic
Friedrich Seitz: Third Pupil's Concerto in G minor Op.12 for violin & piano
Violin and Piano
Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM/HIG…
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Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM/HIGH skill level. Contents: concerto in G minor,op.12,op. 12, opus 12, third student concerto, third pupils concerto, 3rd pupil concerto, pupil concerto No.3 / classical,concert
$5.75
5.34 €
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Violin and Piano
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Friedrich Seitz
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Virtualsheetmusic
Friedrich Seitz: Second Pupil's Concerto in G major Op.13 for violin & piano
Violin and Piano
Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM ski…
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Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM skill level. Contents: concerto in G major,op.13,op. 13, opus 13, second student concerto, second pupils concerto, 2nd pupil concerto, pupil concerto No.2 / classical,concert
$4.99
4.63 €
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Violin and Piano
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Friedrich Seitz
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Virtualsheetmusic
Friedrich Seitz: Fourth Pupil's Concerto in D major Op.15 for violin & piano
Violin and Piano
Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM/HIG…
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Instantly downloadable sheet music by Friedrich Seitz for violin & piano of MEDIUM/HIGH skill level. Contents: concerto in d major,op.15,op. 15, opus 15, fourth student concerto, fourth pupils concerto, 4th pupil concerto, pupil concerto No.4 / classical,concert
$5.75
5.34 €
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Violin and Piano
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Friedrich Seitz
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Virtualsheetmusic
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