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You've selected:
Stuff We Did
SheetMusicPlus
Sheetmusic to print
9 sheet music found
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1
Stuff We Did
4 Cellos
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1104234 Co…
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1104234 Composed by Michael Giacchino. Arranged by Catherine Schulzke. Chamber,Film/TV,Wedding. 7 pages. Catherine A. Schulzke #707441. Published by Catherine A. Schulzke (A0.1104234). This simple cello quartet recalls the sentimental Stuff We Did from Disney-Pixar's Up. Cello 1 is in tenor clef that goes up to the B above harmonic A. The rest of the parts are in bass clef.
$12.99
11.98 €
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4 Cellos
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Michael Giacchino
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Stuff We Did
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Catherine A. Schulzke
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SheetMusicPlus
Stuff We Did
Easy Piano
Easy piano - Interactive Download SKU: HX.295613 Composed by Michael Giacchino. Thi…
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Easy piano - Interactive Download SKU: HX.295613 Composed by Michael Giacchino. This edition: Interactive Download. Children,Disney,Film/TV. 3 pages. Published by Hal Leonard - Digital (HX.295613).
$3.99
3.68 €
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Easy Piano
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Michael Giacchino
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Stuff We Did
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Hal Leonard - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Passacaglia
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. …
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Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed. I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat. So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief
$2.99
2.76 €
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Piano solo
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Sally Whitwell
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Passacaglia
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Sally Whitwell
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SheetMusicPlus
Stuff We Did
Piano solo
By Michael Giacchino and Up (Movie). By Michael Giacchino. For piano. Children; Disney; Fi…
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By Michael Giacchino and Up (Movie). By Michael Giacchino. For piano. Children; Disney; Film/TV. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano solo
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Michael Giacchino and Up
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Disney
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Stuff We Did
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
West Coast Blues
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1220916 By Wes Montgomery. By John …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1220916 By Wes Montgomery. By John L. (Wes) Montgomery and Sascha Burland. Arranged by Arranged by Alan Fagan & Dr. LeRoy Henry. 20th Century,Blues,Jazz,Standards. 7 pages. Dr. LeRoy Henry #817258. Published by Dr. LeRoy Henry (A0.1220916).    Fortunately for us, guitarist Wes Montgomery went over to Europe in the spring of 1965 and toured. We're lucky, because Montgomery wound up on European TV shows during many of his stops, resulting in lots of video clips.    Wes was filmed May 7 in England with pianist Stan Tracey, bassist Rick Laird, and drummer Jackie Dougan. This session is quite different from the April 4 session in Belgium with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelaceand the April 2, 1965 session in Holland with pianist Pim Jacobs, bassist Ruud Jacobs and drummer Han Bennink in that it includes commentary from club owner Ronnie Scott, who explains the career and music of Wes Montgomery as if he were giving a lecture. The music, of course, features more of Montgomery's great stuff with personable glimpses at each of the artists. The quartet swings and seems to enjoy every minute of the show. The guitarist's West Coast Blues, in particular, makes this video stand out as an unforgettable piece of jazz history.   An interesting thing about this video, the horn section did not know that the chord changes for solos were different than the changes for the theme. One can imagine that Wes was not traveling with a Real Book so the group did not learn this from paper. This arrangement corrects that issue and includes a head chart for the rhythm section and a version for guitar with tablature. It also includes trumpet, alto saxophone, tenor saxophone, and baritone saxophone.
$24.99
23.04 €
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Jazz combo
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Wes Montgomery
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West Coast Blues
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Dr. LeRoy Henry
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SheetMusicPlus
Hello My Love
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1274523 By Millicent E Taffe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1274523 By Millicent E Taffe. By Millicent E Taffe. Arranged by Millicent E Taffe. Film/TV,Hip-Hop,Pop,R & B,Singer/Songwriter,Soul. Score. 7 pages. Millicent E Taffe #866665. Published by Millicent E Taffe (A0.1274523). My music is a merging of lovers rock and neo soul. I write predominantly about music of the heart, or romantic music for those who are blissfully in love. I have not had an easy road, so I write from brokenness, disappointment and sorrow, because I am trying to heal.At a young age, I always felt sad and knew that I was interested in the deep topics of why we are here, so I started to write poems, which I found therapeutic because they allowed me to get out emotions that I could not express, or understand.I want to bring understanding to those who like me have been through heavy stuff, that keeps repeating and the one is always the one, not!. Yet, we keep hoping because all around us are happy, pda couples who just sail into relationships that we can only dream of.I am now resigned to help the World by putting into song, all the wrongs they did because I now believe that this is my destiny. For me hope has gone, but for you I will clear your road of all the dross and debris, so you can cruise into romantic happiness.This song burst forth demanding to be heard after months of emotional turmoil and heartbreak, and with every listen, I heal a little bit more.Please take a listen to my healing song Hello My Love, and if you want a visual dramatization that is as powerful as the song, then watch the video.
$9.99
9.21 €
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Piano, Voice
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Millicent E Taffe
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Hello My Love
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Millicent E Taffe
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SheetMusicPlus
Daybreak
Choral 2-part
Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Con…
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Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.
$1.99
1.83 €
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Choral 2-part
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Sally Whitwell
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Daybreak
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Sally Whitwell
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SheetMusicPlus
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