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Suite V

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426

Courante from the French Suite #V by JS Bach - Flute and Bassoon #Flute, Bassoon (duet) #INTERMEDIATE #Classical #Johann Sebastian Bach #Gary Claunch #Courante from the French Suite #Gary Claunch #SheetMusicPlus

Instrumental Duet Bassoon,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1016490 Composed by Johann Sebastian Bach. Arranged by Gary Claunc...(+)

$8.95

Parry: An English Suite V. Pastoral - wind quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE #Charles Hubert Hastings Parry #Ray Thompson #Parry: An English Suite V. Pas #RayThompsonMusic #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553701 Composed by Charles Hubert Hastings Parry...(+)

$5.95

Four Suites #Organ #INTERMEDIATE/ADVANCED #Contemporary #Hans-Andre Stamm #Four Suites #Hans-Andre Stamm #SheetMusicPlus

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1500591 Composed by Hans-Andre Stamm. 20th Century. Individual part. 68 pages. Hans-Andre St...(+)

$29.95

Jazz Trio Suite #Panagiotis Theodossiou #Jazz Trio Suite #Panagiotis Theodossiou #SheetMusicPlus

Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.886670 Composed by Panagiotis Theodossiou. Concert...(+)

$29.00

Grieg: Holberg Suite Op.40 Mvt.V Rigaudon - wind dectet #Classical #Edvard Grieg #Ray Thompson #Grieg: Holberg Suite Op.40 Mvt #RayThompsonMusic #SheetMusicPlus

Level 4 - Digital Download SKU: A0.553691 Composed by Edvard Grieg. Arranged by Ray Thompson. Holiday,Romantic Period. 16 pages. RayThompsonMusic #350797...(+)

$7.95

Handel - Water Music Suite No. II Movements 1-5 (for Clarinet Quartet) #Clarinet Quartet: 4 clarinets #INTERMEDIATE/ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514706 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,...(+)

$17.99

Handel - Water Music Suite No. II Movements 1-5 (for Saxophone Quartet SATB) #Saxophone Quartet: 4 saxophones #INTERMEDIATE/ADVANCED #George Friderick Handel #Kenneth Abeling # #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514707 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque...(+)

$17.99

Allemande from the French Suite number V by Johann Sebastian Bach - 3 woodwinds #Oboe, Clarinet, Bassoon (trio) #INTERMEDIATE #Classical #Johann Sebastian Bach #Gary Claunch #Allemande from the French Suit #Gary Claunch #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1016489 Composed by Johann Sebastian Bach. Arranged by G...(+)

$8.95

Strings & Threads Suite (string parts - for violin and string orchestra) #String Orchestra #INTERMEDIATE/ADVANCED #Mark Oâ€™Connor

Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O...(+)

$45.00

Strings & Threads Suite (score - for violin and string orchestra) #String Orchestra #INTERMEDIATE/ADVANCED #Mark Oâ€™Connor

Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O...(+)

$22.50

Strings & Threads Suite (score - adapted for violin and guitar) #Violin, Guitar (duet) #ADVANCED #Mark Oâ€™Connor

#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. ...(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6202083. Published by Mark O'Connor Musik International (A0.861797). Strings & Threads Suite (adapted for violin and guitar) MO171AScore (violin and guitar parts available)Music by Mark Oâ€™Connor24 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171ACopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$22.50

Strings & Threads Suite (violin part - adapted for violin and guitar) #Violin, Guitar (duet) #ADVANCED #Mark Oâ€™Connor
#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861798 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. ...(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861798 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6202085. Published by Mark O'Connor Musik International (A0.861798). Strings & Threads Suite (violin part - adapted for violin and guitar) MO171BViolin Part (score and guitar parts available)Music by Mark Oâ€™Connor14 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171BCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$18.00

Strings & Threads Suite (guitar part - adapted for violin and guitar) #Violin, Guitar (duet) #ADVANCED #Mark Oâ€™Connor
#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861799 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. ...(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861799 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6202089. Published by Mark O'Connor Musik International (A0.861799). Strings & Threads Suite (guitar part - adapted for violin and guitar) MO171CGuitar Part (score and violin part available)Music by Mark Oâ€™Connor14 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne  Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171CCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$18.00

Strings & Threads Suite (violin solo part - for violin and string orchestra) #String Orchestra #INTERMEDIATE/ADVANCED #Mark Oâ€™Connor
Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O...(+)

String Orchestra - Level 4 - Digital Download SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark Oâ€™Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailorâ€™s Jig - p. 6III. Captainâ€™s Jig - p. 9IV. Off To Sea - p. 11V. Pilgimâ€™s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickinâ€™ Blues - p. 21IX. Pickinâ€™ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashvilleâ€™s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order Oâ€™Connor says, not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected â€“ possessing a common thread â€“ from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark Oâ€™Connor â€“ violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00
Handel - Water Music Suite No. I Movements 1-9 (for Clarinet Quartet) #Clarinet Quartet: 4 clarinets #ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514701 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,...(+)

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514701 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 81 pages. LINCOLN MUSIC PUBLICATIONS #3515313. Published by LINCOLN MUSIC PUBLICATIONS (A0.514701). Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Clarinet Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo â€“ Allegro), 2. Adagio e staccato, 3. Allegro â€“ Andante â€“ Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. BourrÃ©e, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com The total playing time: 24:35. Preview this score on YouTube: https://www.youtube.com/watch?v=PAgGb_tmliU

$22.00
Handel - Water Music Suite No. I Movements 1-9 (for Saxophone Quartet SATB) #Saxophone Quartet: 4 saxophones #ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514702 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque...(+)

Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514702 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 81 pages. LINCOLN MUSIC PUBLICATIONS #3515317. Published by LINCOLN MUSIC PUBLICATIONS (A0.514702). Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Saxophone Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo â€“ Allegro), 2. Adagio e staccato, 3. Allegro â€“ Andante â€“ Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. BourrÃ©e, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com The total playing time: 24:35. Preview this score on YouTube: https://www.youtube.com/watch?v=8tneDk70LT0

$22.00
Handel - Water Music Suite No. II Movements 1-5 (for Woodwind Quartet) #Flute, Oboe, Clarinet, Bassoon #INTERMEDIATE/ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514709 Composed by George Friderick Handel. Arranged ...(+)

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514709 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 44 pages. LINCOLN MUSIC PUBLICATIONS #3516373. Published by LINCOLN MUSIC PUBLICATIONS (A0.514709). Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. BourrÃ©e. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time is 10:50 To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com

$17.99
Handel - Water Music Suite No. II Movements 1-5 (for String Quartet) #String Quartet: 2 violins, viola, cello #INTERMEDIATE/ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514708 Composed by George Friderick Handel. Arranged by Kenneth Abe...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514708 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. Score and parts. 44 pages. LINCOLN MUSIC PUBLICATIONS #3516371. Published by LINCOLN MUSIC PUBLICATIONS (A0.514708). Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for String Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. BourrÃ©e. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time is 10:50 To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com

$17.99
Handel - Water Music Suite No. II Movements 1-5 (for Woodwind Quintet) #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE/ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514710 Composed by George Friderick Handel. Arra...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514710 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 52 pages. LINCOLN MUSIC PUBLICATIONS #3516375. Published by LINCOLN MUSIC PUBLICATIONS (A0.514710). Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. BourrÃ©e. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time is 10:50 To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com

$18.99
Handel - Water Music Suite No. I Movements 1-9 (for Woodwind Quintet) #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #ADVANCED #George Friderick Handel #Kenneth Abeling #Handel - Water Music Suite No. #LINCOLN MUSIC PUBLICATIONS #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514705 Composed by George Friderick Handel. Arra...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514705 Composed by George Friderick Handel. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 104 pages. LINCOLN MUSIC PUBLICATIONS #3515329. Published by LINCOLN MUSIC PUBLICATIONS (A0.514705). Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: 1. Overture (Largo â€“ Allegro), 2. Adagio e staccato, 3. Allegro â€“ Andante â€“ Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. BourrÃ©e, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com The total playing time: 24:35. Preview this score on YouTube: https://www.youtube.com/watch?v=8U8URskIhcc

$24.00
Bach: Prélude Suite Nº 1 in G Major (BWV 1007) as interpreted by Icelandic pianist Víkingur Ólafsson #Piano solo #INTERMEDIATE #Classical #Johann Sebastian Bach and VÃ� #Flavio Regis Cunha #Bach: Prélude Suite Nº 1 in #FRC Music #SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1253020 By Johann Sebastian Bach and VÃkingur Ã“lafsson. By Johann Sebastian Bach. Arranged by Flav...(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1253020 By Johann Sebastian Bach and VÃkingur Ã“lafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contemporary,Contest,Festival,Film/TV,Wedding. Score. 8 pages. FRC Music #846765. Published by FRC Music (A0.1253020). Bach: PrÃ©lude Suite NÂº 1 in G Major (BWV 1007) as interpreted by Icelandic pianist VÃkingur Ã“lafssonDo you want to take a journey through the masterful musical composition of Johann Sebastian Bach? With the sheet music for 'PrÃ©lude Suite NÂº 1 in G Major (BWV 1007)' as performed by the renowned Icelandic pianist VÃkingur Ã“lafsson, you have the perfect opportunity! Â This breathtaking arrangement has been acclaimed by fans and critics alike, as it guides you through bewildering intricacies of the Baroque period. Whether you are a student, a professional or an amateur pianist, you will rediscover the beauty of classical music with Ã“lafssonâ€™s interpretation. Â Dive into the captivating musical world of PrÃ©lude Suite NÂº 1 in G Major (BWV 1007). Let VÃkingur Ã“lafsson guide you through Bachâ€™s amazing genius. Get the sheet music today and experience a classical masterpiece!IntermediateFormat: Concert Format 9 x 12 inches7 pagesTime: 03:54Â NotesThis arrangement for Piano Solo of 'PrÃ©lude Suite No. 1 in G Major (BWV 1007)' is an original composition made based on of the famous Prelude of Suite n. 1 of Bach. We transcribed and arranged the piece for solo piano, according to the interpretation of VÃkingur Ã“lafsson. It is an interesting piece to present as an option to the public, since the original piece of Bach is constantly presented. It will be useful for concerts, recitals, weddings, and educational purposes. You'll love playing this piece.

$6.99
Suite No. 1 #Giorgio Mirto #Suite No. 1 #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...(+)

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.

$10.95
Suite Revelation for cello and piano #Cello, Piano #INTERMEDIATE/ADVANCED #Contemporary #Robert M #Suite Revelation for cello and #Robert M. Greenberg #SheetMusicPlus

Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individua...(+)

Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Moladâ€™ti IV. Gilu Hagalilim V. Yâ€™mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated â€“ with the greatest respect and affection â€“ to Nina Flyer.

$28.00
Little Suite for Piano V Lullaby #Piano solo #Gregory Hamilton #Little Suite for Piano V Lulla #Dr. Gregory Hamilton #SheetMusicPlus

Piano Solo - Digital Download SKU: A0.771704 Composed by Gregory Hamilton. 20th Century,Baroque,Contemporary,Spiritual. Score. 2 pages. Dr. Gregory Hamil...(+)

Piano Solo - Digital Download SKU: A0.771704 Composed by Gregory Hamilton. 20th Century,Baroque,Contemporary,Spiritual. Score. 2 pages. Dr. Gregory Hamilton #29757. Published by Dr. Gregory Hamilton (A0.771704). Movement V of Little Suite for Piano. The Movements are I Preludium II Sarabande III Bagatelle IV Lullaby V Gigue. The movements may be played in any order. The Suite has been recorded on CD: Illuminations, Chamber Music of Gregory Hamilton. (RosaMystica) Amazon: http://www.amazon.com/Illuminations-Chamber-Music-Gregory-Hamilton/dp/B0036IB57A/ref=sr_1_1?ie=UTF8&qid=1428953378&sr=8-1&keywords=Illuminations+Gregory+Hamilton.

$10.00
Suite for Piano #Piano solo #ADVANCED #Contemporary #Francis Kayali #Suite for Piano #Francis Kayali #SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #57...(+)

Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoffâ€™s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcitalâ€™s program: Beethovenâ€™s Piano Sonata No. 18 (op. 31, No. 3) and Brahmsâ€™s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasnâ€™t familiar with the piece, and since I didnâ€™t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computerâ€™s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂvenâ€™s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y

$12.00

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