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You've selected:
Summer Silence
Sheetmusic to print
24 sheet music found
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1
Summer Silence
Choral SATB
SATB choir, Piano - Digital Download SKU: LX.15-3578H Composed by Timothy P. Cooper…
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SATB choir, Piano - Digital Download SKU: LX.15-3578H Composed by Timothy P. Cooper. General. Octavo. 16 pages. Heritage Music Press #e15/3578H. Published by Heritage Music Press (LX.15-3578H). ISBN 9780787761028.This exceptional early work of E. E. Cummings enjoys a brilliant musical setting that effectively captures its raw energy (Eruptive lightnings flutter to and fro above the heights of immemorial hills) and exquisite peace (No whisper mars the utter silence of the untranslated stars) with diverse choral textures and divisi in all parts. An impressive concert piece for the mature ensemble!
$2.75
2.54 €
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Choral SATB
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Timothy P
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Summer Silence
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Heritage Music Press
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SheetMusicPlus
Silence is the Music of Summer
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.571715 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.571715 Composed by James Michael Stevens. Arranged by James Michael Stevens. Concert,Contemporary,Spiritual,Standards,World. Score. 3 pages. James M Stevens Music ASCAP #36851. Published by James M Stevens Music ASCAP (A0.571715). Written on May 23, 2015, Silence is the Music of Summer is an original piano composition in a reflective and pensive style in beautiful key of A minor. James Michael Stevens is a prolific composer residing in Nashville, TN where we serves as the Music Department Chairman of Welch College.
$3.99
3.68 €
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Piano solo
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James Michael Stevens
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Silence is the Music of Summer
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James M Stevens Music ASCAP
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SheetMusicPlus
The Four Seasons: Summer - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet - Intermediate - Digital Download Composed by Antonio Vivaldi (167…
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Clarinet Quartet - Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Arranged by Juan A. Perez. Classical Period, Baroque Period. Score, Set of Parts. 47 pages. Published by Juan A. Perez
Arrangement of the famous concert of Vivaldi “The Four Seasons”. This movement belongs to “Summer”. In this movement, Vivaldi expresses fatigue due to heat with a theme based on brief motives that seem to evoke slow and deep breathing, through the orchestra separated by silences.
$17.99
16.59 €
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Clarinet Quartet: 4 clarinets
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Antonio Vivaldi (1678-1741)
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The Four Seasons: Summer - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Of shadows on the stars
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1259272 Composed by Kurt M. Mehlenb…
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Piano Solo - Level 4 - Digital Download SKU: A0.1259272 Composed by Kurt M. Mehlenbacher. 21st Century,Classical,Contemporary. Score. 16 pages. Abundant Silence #852544. Published by Abundant Silence (A0.1259272). OF SHADOWS ON THE STARS, BY KURT M. MEHLENBACHERFOR SOLO PIANO, EARLY ADVANCED, 14 PAGESOf shadows on the stars finds its name within the famed poem Sure On This Shining Night by James Agee. The poem receives a great deal of discussion on its meaning, contemplating if the words are hopeful, mourning, rife with humility, or a statement of resignation.My take on the poem is that it is of deep hope and contemplation, declaring that the world is held in the warm embrace of summer and that life if being kind. Most strikingly, though, is the last line of shadows on the stars, forming the crux of the text. It is the moment when the words change perspective from the stars casting shadows on the earth to the earth casting its shadows on the stars.Regardless of what that may mean exactly, its elegance caught me, and its inherent imagery helped guide the formation of this piece. Unlike Lauridsen or Barber–neither of whom I am claiming to bear resemblance–this work actually has no text, and is driven more from the diction and isolated events present in the text rather than an interpretation of the poem as a whole.
$22.00
20.29 €
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Piano solo
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Kurt M
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Of shadows on the stars
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Abundant Silence
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SheetMusicPlus
Penn's Landing
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1194163 Composed by Che Buford. Cla…
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Piano Solo - Level 3 - Digital Download SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.1194163). Penn’s Landing was written for the 2020 Curtis Young Artist Summer Program's Composer-Performer Collective. The inspiration for this piece comes from a very specific memory that I had in May 2019 of me and a friend visiting an empty Penn’s Landing at night. The skyline of Philadelphia was so vibrant as well as the lights coming from different booths and restaurants that were open. Experiencing Penn’s Landing without any people allowed us to witness the beautiful qualities that night brings in Philadelphia.The beginning of this piece starts with a reflective and peaceful feeling. The piano plays a descending two-note figure that resonates on the second note. It then mirrors itself with similar figures that represent the city lights reflecting on the water. The music transforms into something more lively, playful while still using motifs and figures from the beginning. We then move to darker, slightly slower music when the low register of the piano is introduced. The left-hand plays a dark chorale while the right-hand hits high endless, resonant notes. These feelings of elation, admiration, peacefulness, coldness, melancholia were all emotions that I hoped to evoke.
$13.00
11.99 €
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Piano solo
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Che Buford
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Penn's Landing
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Abundant Silence
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SheetMusicPlus
Sommarkväll efter regn
Choral SATB
SATB chorus - Digital Download SKU: BJ.1261 Composed by Stefan Forssén. Octavo. …
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SATB chorus - Digital Download SKU: BJ.1261 Composed by Stefan Forssén. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1261. Published by Bo Ejeby Forlag - Digital (BJ.1261). 8.27 x 11.7 inches.Summer night, after the rain. Poet and book publisher Gidlund’s poem depicts what the title says, a summer evening after rain. A timeless Swedish silence. Accompaniment ad lib.
$2.80
2.58 €
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Choral SATB
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Stefan Forssén
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Sommarkväll efter regn
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Andre Van Haren: Tales for Piano instantly for piano solo
Piano solo
This is an exclusive transcription for piano solo of MEDIUM/HIGH skill level from the orig…
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This is an exclusive transcription for piano solo of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,shadow,time to sleep,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,alba cradle,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$7.99
7.37 €
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Piano solo
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for trombone & piano
Trombone and Piano
This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level fro…
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This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Trombone and Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for trumpet & piano
Trumpet, Piano
This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from…
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This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Trumpet, Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for horn & piano
French Horn and Piano
This is an exclusive transcription for horn & piano of MEDIUM/HIGH skill level from th…
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This is an exclusive transcription for horn & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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French Horn and Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for bassoon & piano
Bassoon, Piano (duet)
This is an exclusive transcription for bassoon & piano of MEDIUM/HIGH skill level from…
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This is an exclusive transcription for bassoon & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Bassoon, Piano (duet)
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for soprano saxophone & piano
This is an exclusive transcription for soprano saxophone & piano of MEDIUM/HIGH skill …
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This is an exclusive transcription for soprano saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for oboe & piano
Oboe, Piano (duet)
This is an exclusive transcription for oboe & piano of MEDIUM/HIGH skill level from th…
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This is an exclusive transcription for oboe & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Oboe, Piano (duet)
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for tenor saxophone & piano
Tenor Saxophone and Piano
This is an exclusive transcription for tenor saxophone & piano of MEDIUM/HIGH skill le…
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This is an exclusive transcription for tenor saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Tenor Saxophone and Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for alto saxophone & piano
Alto Saxophone and Piano
This is an exclusive transcription for alto saxophone & piano of MEDIUM/HIGH skill lev…
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This is an exclusive transcription for alto saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Alto Saxophone and Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for clarinet & piano
Clarinet and Piano
This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level fro…
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This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Clarinet and Piano
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for string quartet
String Quartet: 2 violins, viola, cello
This is an exclusive transcription for string quartet of MEDIUM/HIGH skill level from the …
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This is an exclusive transcription for string quartet of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$14.99
13.82 €
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String Quartet: 2 violins, viola, cello
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Andre Van Haren
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Virtualsheetmusic
Andre Van Haren: Moments instantly for violin & piano
Violin and Piano
This is an exclusive transcription for violin & piano of MEDIUM/HIGH skill level from …
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This is an exclusive transcription for violin & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
9.21 €
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Violin and Piano
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Andre Van Haren
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Virtualsheetmusic
Your Call Oh God
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1375421 By Ken Mede…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1375421 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 12 pages. Ken Medema Music #959993. Published by Ken Medema Music (A0.1375421). SATB and pianoLike a light that shines, when the night is dark and moonlessLike a summer cloud that promises the rainLike the smallest sound, that moves the wall of silence,Is your call, Oh GodTo come and worship You againLike a rose in winter, or a river in the desertLike a bell that rings, when a friend is at the doorLike the roar of an airplane that brings the weary traveler homeIs Your call, Oh God,To come and worship You once more
$1.99
1.84 €
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Choral SATB
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Ken Medema
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Your Call Oh God
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Ken Medema Music
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SheetMusicPlus
Ode To The Muse
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1365159 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1365159 Composed by Lila Senior. 21st Century,Celtic,Classical,Contemporary,Irish. 7 pages. Lila Senior #949467. Published by Lila Senior (A0.1365159). SATB choir with piano accompaniment.Easy choir arrangement with enjoyable voice parts.Duration approx. 3:50 / 7 pages.VIEW FULL SCORE with LEARNING TRACK here:https://youtu.be/BCRDdMKrQiUSEPARATE VOICE PARTS LEARNING TRACKS here:Soprano: https://youtu.be/46CRxcAdDCYAlto: https://youtu.be/6cgPifb5bvATenor: https://youtu.be/OkVpvHNatkM Bass: https://youtu.be/C0pQQQqNAD8 PIANO BACKING TRACK AVAILABLE to purchase:Ode To The Muse (Senior) - PIANO backingLyrics:I hear youIn the forest and the wind when it blowsSoftly through the branches andI hear youIn the water of the river that flows,Always to ocean,Nobody knows,Nobody knows.She’s whispered softlyThrough the aspen leaves,She waves her coloursIn the Autumn breeze;She’s closed-eyed listeningAs she loves to do,She’s the crystal’s quiveringIn the winter’s blue.In the evening light of summer,And the gleaming dawn-light glow,Such a delicate life of wonder:In the swirl of the stream,In the purl of the wave,In the silvery sound of rain;In the silenceOf the star.I hear youIn the shiver of the leaf as it fallsSoftly to the earth andI hear youIn the flicker of the flame as it glows,Nobody knows,Nobody knows,Nobody knows.She’s whispered softlyIn pastel skies,She sings in colour;I’m listening.
$1.99
1.84 €
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Choral SATB
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Lila Senior
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Ode To The Muse
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Lila Senior
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Divertimento For Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
46.11 €
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Flute ensemble
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
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