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Symphony
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9976
Trombone Symphony
Trombone (4 Trombones - Baritone/Tuba ad lib) Low Brass Ensemble, Brass Ensemble, Trombone…
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Trombone (4 Trombones - Baritone/Tuba ad lib) Low Brass Ensemble, Brass Ensemble, Trombone Quartet, Trombone Ensemble (2 Trombone, 3rd Trombone or Baritone, and 4th Trombone or Tuba) SKU: HL.4475326 For Trombone Quartet/Ensemble. Arranged by Newell H. Long. Ensemble Collection. Classical. 24 pages. Published by Rubank Publications (HL.4475326). UPC: 073999753264. 9.0x12.0x0.089 inches.Trombone Symphony.
Song List
: All Through The Night Alma Mater Silent Night Dutch Tune Symphony No.4 (Brahms) Russian Folk Tune Chorale A Warrior Bold (Adams) Integer Vitae Nobody Knows The Trouble I've Seen The Blue Bells Of Scotland Little Brown Jug Oh, Them Golden Slippers Drink To Me Only With Thine Eyes O Come, All Ye Faithful
$6.99
6.54 €
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Trombone Symphony
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Rubank Publications
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SheetMusicPlus
Symphonie de l Espace (Symphony of Space) - CHOIR parts (complete symphony)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925936 Composed by Maxime …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925936 Composed by Maxime Aulio. A Cappella,Contemporary. Octavo. 67 pages. Maxime Aulio #20681. Published by Maxime Aulio (A0.925936). Symphonie de l'Espace (Symphony of Space), Op.20 by Maxime Aulio. Symphony in 6 movements with a choral interlude: 1.Et facta est lux 2.That’s one small step for man, one giant leap for mankind 3.Silence au fond des cieux, planètes, mes vassales ! Interlude (a capella choir) - «Howdy Strangers» 4.The Learn’d Astronomer 5.De revolutionibus orbium celestum 6.Eppur si muove Here is the 1st movement. More info: http://www.maximeaulio.net/ENG/Maxime_Aulio_ENG/Blog/Entrees/2009/6/27_Symphony_of_Space.html.
$2.99
2.8 €
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Choral SATB
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Maxime Aulio
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Symphonie de l Espace
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Maxime Aulio
#
SheetMusicPlus
Symphony no. 2 in A minor
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1265492 Composed by Elfrida And…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265492 Composed by Elfrida Andree. Arranged by Henrik Torolphi. Classical,Romantic Period. Score and Parts. 606 pages. Henrik Torolphi #858289. Published by Henrik Torolphi (A0.1265492). Elfrida Andrée (1841−1929)Symphony [no. 2 in A minor] 1. Moderato — Allegro agitato 2. Andante 3. Scherzo: Presto 4. Allegro risoluto Year of composition: October 1879Work category: SymphonyFirst performed: Gothenburg 5 April 1893Duration: 29 minInstrumentation2.2.2.2 / 2.2.3.0 / timp / strLocation for score and part materialCopies at Gothenburg Symphony OrchestraLocation autograph:Musik- och teaterbiblioteketLiterature:Öhrström, Eva: Elfrida Andrée - ett levnadsöde, 1999, p. 174ff.Description of work1. Moderato A minor 4/4, Allegro agitato alla breve2. Andante E minor 3/43. Scherzo: Presto A minor 3/44. Allegro risoluto A major alla breveSource:https://www.swedishmusicalheritage.com/composers/andree-elfrida/SMH-W270-Symphony_no_2_in_A_minor?action=composers&composer=andree-elfrida&workid=270.
$250.00
233.95 €
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Orchestra
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Elfrida Andree
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Symphony no. 2 in A minor
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Henrik Torolphi
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SheetMusicPlus
Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prenge…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00
93.58 €
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Orchestra
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Gerd Prengel
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Mendelssohn Unfinished Symphony No. 6 C-Major
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Gerd Prengel
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SheetMusicPlus
Symphonie de l Espace (Symphony of Space) - PIANO Reduction, for Choir accompaniment (complete symph
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925938 Composed by Maxime …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925938 Composed by Maxime Aulio. A Cappella,Contemporary. Octavo. 94 pages. Maxime Aulio #20683. Published by Maxime Aulio (A0.925938). Symphonie de l'Espace (Symphony of Space), Op.20 by Maxime Aulio. Symphony in 6 movements with a choral interlude: 1.Et facta est lux 2.That’s one small step for man, one giant leap for mankind 3.Silence au fond des cieux, planètes, mes vassales ! Interlude (a capella choir) - «Howdy Strangers» 4.The Learn’d Astronomer 5.De revolutionibus orbium celestum 6.Eppur si muove Here is the 1st movement. More info: http://www.maximeaulio.net/ENG/Maxime_Aulio_ENG/Blog/Entrees/2009/6/27_Symphony_of_Space.html.
$3.99
3.73 €
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Choral SATB
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Maxime Aulio
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Symphonie de l Espace
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Maxime Aulio
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 1 in D Major 2nd movement - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866094 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866094 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period. Score and parts. 38 pages. Ondine Press #13399. Published by Ondine Press (A0.866094). Instrumentation: 2d1. 2d1. 2d Eflat & bass cl. 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This arrangement of Mahler's Symphony No. 1 can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. View perusal score: http://issuu.com/ondinepress/docs/mahler_symphony_1 Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries. NOTE: This is the full score of the 2nd movement only.
$25.00
23.4 €
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Chamber Orchestra
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Gustav Mahler
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Mahler
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Ondine Press
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 1 in D Major 1st movement - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866093 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866093 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period. Score and parts. 59 pages. Ondine Press #13397. Published by Ondine Press (A0.866093). Instrumentation: 2d1. 2d1. 2d Eflat & bass cl. 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This arrangement of Mahler's Symphony No. 1 can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. View perusal score: http://issuu.com/ondinepress/docs/mahler_symphony_1 Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries. NOTE: This is the full score of the 1st movement only.
$25.00
23.4 €
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Chamber Orchestra
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Gustav Mahler
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Mahler
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Ondine Press
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SheetMusicPlus
Pool Of Tears(Youth Symphony)
Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1337061 By Vari…
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Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1337061 By Various. By Joseph Pugh. Contemporary,Pop. Full Performance. Duration 121. Joseph Pugh #922869. Published by Joseph Pugh (A0.1337061). Great for youth symphonys or community groups.
$4.99
4.67 €
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Various
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Pool Of Tears(Youth Symphony)
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Joseph Pugh
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SheetMusicPlus
Ode To Joy (from Symphony No. 9) (String Quartet with Piano) - Score and parts
Cello,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.1203245…
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Cello,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.1203245 By André Alberto Santos. By Ludwig van Beethoven. Arranged by André Alberto Santos. Classical,Romantic Period,Wedding. 20 pages. Soul - Musical Creations #801918. Published by Soul - Musical Creations (A0.1203245). Ode To Joy (from SymphonyBeethoven's Ode to Joy is a work of art that transcends time and cultural barriers. It is a celebration of life and still moves people around the world today.If you're looking for a unique and soulful arrangement of Beethoven's Ode to Joy, we have the perfect solution for you! We offer the complete score with a special arrangement in PDF, which will surprise and delight your listeners.With the arrangement score of Ode to Joy in PDF, you will have the freedom to create a unique and authentic interpretation of this Beethoven masterpiece. In addition, the digital format greatly facilitates the study and rehearsal process.Get now the score with the special arrangement of Beethoven's Ode to Joy in PDF, and experience all the beauty and grandeur of this masterpiece in an exclusive way and surprise everyone with this arrangement!PDF sheet music Ode to Joy BeethovenBeethoven Ode to Joy complete sheet musicOde to Joy Beethoven sheet music high qualityEasy Beethoven Ode to Joy sheet musicSimple Beethoven Ode to Joy sheet musicOde to Joy Beethoven sheet music for teachingOde to Joy Beethoven sheet music for conservatoryOde to Joy Beethoven sheet music for download No. 9) (String Quartet with Piano) - Score and parts.
$3.99
3.73 €
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André Alberto Santos
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Ode To Joy
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Soul - Musical Creations
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SheetMusicPlus
Allegretto from Symphony No.7 by Beethoven - Arranged for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.779827 Composed by Ludwig van Bee…
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Concert Band - Level 3 - Digital Download SKU: A0.779827 Composed by Ludwig van Beethoven. Arranged by Alexandre CARLIN. Classical,Romantic Period. Score and parts. 74 pages. Alexandre CARLIN #5306425. Published by Alexandre CARLIN (A0.779827). Allegretto from SymphonyNo.7 , transcription for Concert Band of Ludwig Van Beethoven's master work. Grade 3. All instruments parts provided : flute 1&2, oboe 1&2, bassoon 1&2, Bb clarinets 1/2/3, bass clarinet, alto saxophone 1&2, tenor saxophone, baritone saxophone, Bb trumpets 1&2, F horns 1&2, trombone 1&2, euphonium (in C, Bb & Bb T.C.), tuba, Bb bass, Eb bass, timpani, mallets, percussion. Duration : 3:30. 24 pages score. 50 pages of parts.
$39.99
37.42 €
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Concert band
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Ludwig van Beethoven
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Bb T
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Allegretto from Symphony No.7 by Beethoven - Arranged for Concert Band
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Alexandre CARLIN
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SheetMusicPlus
Symphony No. 4 in G Major - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Instructional,Multicultural,Romantic Period,World. 175 pages. Ondine Press #3407337. Published by Ondine Press (A0.866113). Instrumentation: 1d1. 1d1. 2d Eflat & bass cl. 1 - 2. 1. 0. 0 - 2 (3) perc. 1 hrp - str. This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Reviews: Illuminating.....with solos leaping out in unusually bold detail. Steve Smith, New York Times http://thechronicleherald.ca/artslife/910697-sns-brings-condensed-intensity-to-mahler-fourth Click link below to purchase full score online. http://ondinepress.musicaneo.com/sheetmusic/sm-188749_mahler_arr_lee_symphony_no_4_in_g_major_full_s... Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$60.00
56.15 €
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Chamber Orchestra
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Gustav Mahler
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bass cl
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Symphony No. 4 in G Major - Score Only
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Ondine Press
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By Kārlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by Kārlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svētī Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svētī Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
37.42 €
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Orchestra
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.86 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.86 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.86 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
46.79 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
37.43 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Beethoven's 5th Symphony Theme
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1174807 By Ludwig van Beethoven. By…
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Easy Piano - Level 2 - Digital Download SKU: A0.1174807 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Ygor Nunes. 19th Century,Classical,Film/TV,Instructional. Score. 3 pages. Ygor Nunes #774937. Published by Ygor Nunes (A0.1174807). Beethoven's 5th Symphony Theme, Beethoven 5th Symphony Theme, 5th Symphony Theme, 5th Symphony, 5 Symphony Theme, n5 Symphony Theme, Beethoven's 5th Symphony, Beethoven 5th Symphony, 5th Symphony, 5th Symphony, 5 Symphony, n5 Symphony.
$2.99
2.8 €
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Easy Piano
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Ludwig van Beethoven
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Beethoven's 5th Symphony Theme
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Ygor Nunes
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SheetMusicPlus
Symphony No. 5 (LEAD SHEET) C minor, Op. 67 [Ludwig van Beethoven]
C Instruments
C Instrument - Digital Download SKU: A0.1259541 Composed by Ludwig van Beethoven. A…
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C Instrument - Digital Download SKU: A0.1259541 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 2 pages. Darek #852845. Published by Darek (A0.1259541). Symphony No. 5 (LEAD SHEET) C minor, Op. 67 [Ludwig van Beethoven] Lead Sheet arrangements of Symphony No. 5 C minor, Op. 67 / Symphony No. 5 in C Minor by Ludwig van Beethoven on various instruments. Step into the world of Ludwig van Beethoven's iconic Symphony No. 5 in C minor, Op. 67, with my meticulously crafted lead sheet arrangement for various instruments. This product offers musicians the opportunity to explore and interpret Beethoven's timeless masterpiece in a versatile and engaging format. As a lead sheet, this arrangement provides the essential melodic and harmonic elements of Symphony No. 5, allowing musicians to bring their unique style and creativity to the performance. Whether you're a pianist, guitarist, violinist, or any other instrumentalist, this lead sheet enables you to make the music your own. Immerse yourself in the expressive melodies and powerful motifs that define Symphony No. 5, one of Beethoven's most renowned compositions from the classical era. With this arrangement, you can delve into the rich musical tapestry of the piece, capturing its dramatic energy and emotional depth. Suitable for musicians of varying skill levels, this lead sheet caters to both beginner and advanced players, enabling everyone to experience the beauty of Beethoven's work. Beginners can grasp the fundamental melodies, while advanced musicians can use the lead sheet as a starting point for improvisation and embellishment. Unlock the potential for memorable performances, enriching practice sessions, and inspiring teaching moments. Whether you're looking to showcase your skills on stage, refine your understanding of the composition, or introduce Symphony No. 5 to your students, this lead sheet is a valuable resource. With its concise format, the lead sheet allows for easy navigation and quick referencing, enhancing your workflow and enabling efficient rehearsals. Explore the nuances of Beethoven's masterpiece as you interpret the melodies, harmonies, and rhythms, breathing life into each note. Expand your repertoire and embrace the profound beauty of Symphony No. 5 with this versatile lead sheet arrangement. Its adaptability for various instruments empowers pianists, guitarists, violinists, and others to express their musicality and connect with Beethoven's genius. As you embark on your musical journey with Symphony No. 5, take advantage of the flexibility offered by this lead sheet arrangement. Embrace the challenge, enjoy the rewards, and discover the transformative power of Beethoven's timeless composition. Enhance your performances, inspire your practice sessions, and ignite your teaching with the captivating melodies of Symphony No. 5. This lead sheet arrangement provides a gateway to the world of Beethoven, allowing you to create your own interpretation and leave a lasting impression on audiences and fellow musicians alike.
$3.00
2.81 €
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C Instruments
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Ludwig van Beethoven
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Symphony No. 5
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Darek
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SheetMusicPlus
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
13.99 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.74 €
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Orchestra
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Clarinet Ensemble
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated: I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony: I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
14.04 €
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Clarinet Ensemble
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Basson ensemble
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated: I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony: I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
14.04 €
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Basson ensemble
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
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