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Symphony No. 3 for Band: Timpani
Sheetmusic to print
16 sheet music found
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1
Symphony No. 3 “avec orgue” (“with organ”) — finale
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1453972 Composed by Camille Saint…
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Concert Band - Level 4 - Digital Download SKU: A0.1453972 Composed by Camille Saint-Saens. Arranged by Adam Griggs. 19th Century,Classical,Romantic Period. 165 pages. Adam Griggs #1033159. Published by Adam Griggs (A0.1453972). Arrangement of the symphony's second movement for concert band / wind orchestra. Includes parts and full score. Note in particular that material Saint-Saëns assigned to the cor anglais has been reallocated.Most of the scherzo has been cut. The closing bars that remain serve as a brief, sweet introduction before the organ comes crashing in.Metronome marks have been adjusted, and are based on the 1957 recording by Paul Paray and the Detroit Symphony Orchestra. Recordings vary considerably with regard to tempo, and directors are encouraged to listen widely and experiment.Editorial amendments include modern percussion notation, shorthand piano parts for ease of study, ample cue notes, and well-padded page turns whenever possible.Musically, kindly indulge an added final crescendo in the timpani part, as lifted from Edo de Waart's riveting 1984 recording with the San Francisco Symphony.With acknowledgement and thanks to the teams behind IMSLP, MuseScore and GNU LilyPond.
$80.00
73.14 €
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Concert band
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Camille Saint-Saens
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Symphony No. 3 “avec orgue”
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Adam Griggs
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SheetMusicPlus
Guthrie: Marcia funebre and Finale - Allegro spirito from Symphony No. 4 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.552646 Composed by James M. Guthr…
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Concert Band - Level 3 - Digital Download SKU: A0.552646 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 101 pages. Jmsgu3 #6488801. Published by jmsgu3 (A0.552646). Marcia funebre (2nd movement) and Finale - Allegro spirito (movement 4) from Symphony No. 4 for Concert BandDuration: 7:37, Score: 32 pagesInstrumentation:1 piccolo, 2 flutes, 1 oboe, 2 clarinets, 1 bass clarinet, 1 cello (or bassoon), 1 alto sax, 1 tenor sax, 1 bari sax, 3 trumpets, 4 horns, 2 tenor trombones doubled by euphoniums and/or baritones, 1 bass trombone, 2 tubas, 4 timpani, percussion: one player: bass drum, snare drum, suspended cymbal.
$49.95
45.67 €
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Concert band
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James M
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Guthrie: Marcia funebre and Finale - Allegro spirito from Symphony No. 4 for Concert Band
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jmsgu3
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SheetMusicPlus
Guthrie: Symphony No. 4 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.552643 Composed by James M. Guthr…
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Concert Band - Level 3 - Digital Download SKU: A0.552643 Composed by James M. Guthrie. 20th Century,Concert,Contemporary,Standards. Score and parts. 218 pages. Jmsgu3 #6478361. Published by jmsgu3 (A0.552643). Symphony in Four Movements for Concert Band1. Allegro grazioso2. Marcia funebrae in Memoriam Charles A. Wethington3. Rondo4. Finale - Allegro spiritoScore: 103 pages, Duration: ca. 17:00Instrumentation:1 piccolo, 2 flutes, 2 clarinets, 1 bass clarinet, 1 cello (or bassoon), 1 alto sax, 1 tenor sax, 3 trumpets, 4 horns, 2 tenor trombones (& or Euphoniums BC, & or Baritone Horns TC), 1 bass trombone, 2 tubas, 4 timpani, percussion: one player: bass drum snare drum, triangle, suspended cymbal.
$99.95
91.38 €
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Concert band
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James M
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or Euphoniums BC, &
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Guthrie: Symphony No. 4 for Concert Band
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jmsgu3
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SheetMusicPlus
Theme from Symphony No. 1, Movement 3: Timpani
Timpani (band part)
By Gustav Mahler (1860-1911). Arranged by Brad Pfeil. For String Orchestra. Classical. Par…
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By Gustav Mahler (1860-1911). Arranged by Brad Pfeil. For String Orchestra. Classical. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Timpani (band part)
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Gustav Mahler
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Theme from Symphony No. 1, Movement 3: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Allegretto from Symphony No.7 by Beethoven - Arranged for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.779827 Composed by Ludwig van Bee…
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Concert Band - Level 3 - Digital Download SKU: A0.779827 Composed by Ludwig van Beethoven. Arranged by Alexandre CARLIN. Classical,Romantic Period. Score and parts. 74 pages. Alexandre CARLIN #5306425. Published by Alexandre CARLIN (A0.779827). Allegretto from SymphonyNo.7 , transcription for Concert Band of Ludwig Van Beethoven's master work. Grade 3. All instruments parts provided : flute 1&2, oboe 1&2, bassoon 1&2, Bb clarinets 1/2/3, bass clarinet, alto saxophone 1&2, tenor saxophone, baritone saxophone, Bb trumpets 1&2, F horns 1&2, trombone 1&2, euphonium (in C, Bb & Bb T.C.), tuba, Bb bass, Eb bass, timpani, mallets, percussion. Duration : 3:30. 24 pages score. 50 pages of parts.
$39.99
36.56 €
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Concert band
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Ludwig van Beethoven
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Bb T
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Allegretto from Symphony No.7 by Beethoven - Arranged for Concert Band
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Alexandre CARLIN
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
41.14 €
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Concert band
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Franz Joseph Haydn
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.13 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
2nd Movement from Beethoven Symphony No.7 for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1042883 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Brass Band. 60 pages. G L Harvey #647613. Published by G L Harvey (A0.1042883). This haunting piece of music from Beethoven's 7th Symphony has been abridged and carefully arranged for British style Brass Bands. It is sympathetic to the original music and should be easily accessible for most amateur bands with at least moderate resources. Cues are provided where appropriate to allow for non standard instrumentation and all parts are written with consideration of typical range and technique. The piece is a very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. See the YouTube link to give a better impression of the music throughout the full score. The PDF is 60 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-25 print A4 double sided), all parts p26-60 (with the exception of Timpani p60) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
$49.99
45.7 €
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Ludwig van Beethoven
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2nd Movement from Beethoven Symphony No.7 for Brass Band
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G L Harvey
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SheetMusicPlus
Symphony No. 3 for Band: Timpani
Timpani (band part)
By Vittorio Giannini (1902-1966). For Concert Band. Instructional. Part. 12 pages. Publish…
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By Vittorio Giannini (1902-1966). For Concert Band. Instructional. Part. 12 pages. Published by Alfred Music. Digital Sheet Music
$4.00
3.66 €
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Timpani (band part)
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Vittorio Giannini
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Symphony No. 3 for Band: Timpani
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Brahms Symphony No. 4, movement III, - Concert Band (SCORE ONLY) - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1198744 Composed by Johannes Brah…
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Concert Band - Level 4 - Digital Download SKU: A0.1198744 Composed by Johannes Brahms. Arranged by Jason Popalisky. 19th Century,Classical,Romantic Period. 22 pages. Jason Popalisky #797827. Published by Jason Popalisky (A0.1198744). Ever since its premier in 1885, Brahms Fourth Symphony has electrified audiences. This arrangement of the radiant C Major third movement focuses on textural contrast between woodwinds, brass, and percussion. This sweeping fanfare would make an excellent final piece to any program.Instrumentation is as follows:Piccolo*Flutes 1-2Oboes 1-2English Horn (opt)Eb Clarinet (opt)*Bb Clarinets 1-3Bass Clarinets 1-2Contrabass Clarinet (opt)Bassoons 1-2ContrabassoonAlto Sax 1-2Tenor SaxBaritone Sax*Trumpets 1-3Horns 1-4Trombones 1-3Bass Trombone (opt)EuphoniumTubaDouble Bass (opt)Timpani Triangle Cymbals Glockenspiel*Flutes, Bb Clarinets, and Trumpets include divisi sections in all parts requiring at least 2 players per part.
$15.00
13.71 €
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Concert band
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Johannes Brahms
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Brahms Symphony No. 4, movement III, - Concert Band
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Jason Popalisky
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SheetMusicPlus
Brahms Symphony No. 4, movement III, - Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1198739 Composed by Johannes Brah…
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Concert Band - Level 4 - Digital Download SKU: A0.1198739 Composed by Johannes Brahms. Arranged by Jason Popalisky. 19th Century,Classical,Romantic Period. Score and Parts. 161 pages. Jason Popalisky #797821. Published by Jason Popalisky (A0.1198739). Ever since its premier in 1885, Brahms Fourth Symphony has electrified audiences. This arrangement of the radiant C Major third movement focuses on textural contrast between woodwinds, brass, and percussion. This sweeping fanfare would make an excellent final piece to any program.Instrumentation is as follows:Piccolo *Flutes 1-2 Oboes 1-2 English Horn (opt) Eb Clarinet (opt)*Bb Clarinets 1-3 Bass Clarinets 1-2 Contrabass Clarinet (opt) Bassoons 1-2 Contrabassoon Alto Sax 1-2 Tenor Sax Baritone Sax *Trumpets 1-3 Horns 1-4 Trombones 1-3 Bass Trombone (opt) Euphonium Tuba Double Bass (opt)Timpani Triangle Cymbals Glockenspiel*Flutes, Bb Clarinets, and Trumpets include divisi sections in all parts requiring at least 2 players per part.
$65.00
59.43 €
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Concert band
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Johannes Brahms
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Brahms Symphony No. 4, movement III, - Concert Band
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Jason Popalisky
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.13 €
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Chamber Orchestra
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Petite Rhapsodie for Concert Band - Score & Parts
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.779781 Composed by CARLIN Alexand…
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Concert Band - Level 3 - Digital Download SKU: A0.779781 Composed by CARLIN Alexandre. Contemporary. Score and parts. 78 pages. Alexandre CARLIN #1984635. Published by Alexandre CARLIN (A0.779781). Petite Rhapsodie, original for Concert Band. Grade 3. All instruments parts provided : piccolo, flute, oboe, bassoon, Bb clarinets 1/2/3, alto clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, Bb trumpets 1/2/3, F horns 1/2, trombone 1/2/3, euphonium (in C, Bb & Bb T.C.), tuba, Bb bass, Eb bass, timpani, mallets, percussion 1&2. Duration : 5:00. 24 pages score. 54 pages of parts.Check my other works for Concert Band :Arrangements of major orchestral worksS0.659581 - Funeral March of a marionette (Gounod)S0.654713 - Hungarian Dance No.3 (Brahms)S0.654699 - Hungarian Dance No.11 (Brahms)S0.631535 - Angelus (Massenet)S0.729699 - Allegretto from Symphony No.7 (Beethoven)Parade MarchesS0.595771 - Pile ou Face (Heads of Tails)S0.595719 - Funny March'S0.594563 - Easy ParadeAnd more to come ...My publisher's pagehttps://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My YouTube Channelhttps://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQPlease like, share and subscribe for more works for Concert Band.www.alexandrecarlin.com
$39.99
36.56 €
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Concert band
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CARLIN Alexandre
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Bb T
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Petite Rhapsodie for Concert Band - Score & Parts
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Alexandre CARLIN
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SheetMusicPlus
Ode To Joy (from Symphony No. 9) (Orchestra/Concert Band Flexible Instrumentation)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.902754 Composed by Ludwig van Bee…
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Concert Band - Level 2 - Digital Download SKU: A0.902754 Composed by Ludwig van Beethoven. Arranged by Frank Chow. Children,Instructional,Romantic Period. Score and parts. 32 pages. Frank Chow #6876081. Published by Frank Chow (A0.902754). Ode To Joy is an ode originally written by German poet Friedrich Schiller in 1785. Later in 1824, L. Van Beethoven adapted the ode in the finale of his ninth symphony by introducing a few new sections, which is the most well known usage of the poem. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for amateur players who have played the instrument for around 1 year. The range of all instruments is within one octave.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Timpani, Snare Drum, Bass Drum, Cymbal, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$30.00
27.43 €
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Concert band
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Ludwig van Beethoven
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Ode To Joy
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Frank Chow
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
10.97 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
73.14 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
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