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Symphony in c Minor - Complete set of parts for Orchestra
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Symphony in c Minor - Complete set of parts for Orchestra
Sheetmusic to print
9 sheet music found
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1
Symphony in C minor Movement IV Parts
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Orchestra
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ADVANCED
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Alice Mary Smith
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edited by John M
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Symphony in C minor Movement I
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1397170 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1397170 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. 85 pages. Zephyrwindmusic.com #980483. Published by zephyrwindmusic.com (A0.1397170). Set of parts, Movement IV, Symphony in C minor for orchestra by Alice Mary Smith (1839-1884). Parts for movements I, II, and III as well as a full score are available for purchase separately.Movement IV instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$15.00
Symphony in C minor Movement I Parts
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Orchestra
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ADVANCED
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Alice Mary Smith
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edited by John M
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Symphony in C minor Movement I
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1397135 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1397135 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. 83 pages. Zephyrwindmusic.com #980469. Published by zephyrwindmusic.com (A0.1397135). Set of parts, Movement I, Symphony in C minor for orchestra by Alice Mary Smith (1839-1884). Parts for movements II, III, and IV as well as a full score are available for purchase separately.Movement I instrumentation:2 Flutes2 Oboes2 Clarinets in B-�at2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$15.00
Symphony in C minor Movement III Parts
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Orchestra
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ADVANCED
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Alice Mary Smith
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edited by John M
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Symphony in C minor Movement I
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1397145 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1397145 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. 45 pages. Zephyrwindmusic.com #980479. Published by zephyrwindmusic.com (A0.1397145). Set of parts, Movement III, Symphony in C minor for orchestra by Alice Mary Smith (1839-1884). Parts for movements I, II, and IV as well as a full score are available for purchase separately.Movement III instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$15.00
Symphony in C minor Movement II Parts
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Orchestra
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ADVANCED
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Alice Mary Smith
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edited by John M
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Symphony in C minor Movement I
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1397139 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1397139 Composed by Alice Mary Smith. Arranged by edited by John M. Laverty. 19th Century,Classical. 30 pages. Zephyrwindmusic.com #980473. Published by zephyrwindmusic.com (A0.1397139). Set of parts, Movement II, Symphony in C minor for orchestra by Alice Mary Smith (1839-1884). Parts for movements I, III, and IV as well as a full score are available for purchase separately.Movement I instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in FStrings.
$15.00
Symphony in D minor (Movement 3)
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String Orchestra
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INTERMEDIATE
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Cesar Auguste Franck
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Davison Yon
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Symphony in D minor
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Davison Yon
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructi...
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String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructional,Romantic Period. Score and Parts. 44 pages. Davison Yon #877509. Published by Davison Yon (A0.1286453). Captivating Transformation: Symphony No. 5 Movement 3 by César Franck - Reimagined for String OrchestraStep into a world of enchanting musical metamorphosis with this meticulously crafted arrangement of Symphony No. 5 Movement 3 by the composer César Franck. This unique adaptation brings a fresh perspective to the timeless beauty of Franck's original composition, tailored specifically for a string orchestra, allowing its inherent brilliance to shine anew.A Symphony Reimagined: This arrangement carefully preserves the essence and emotional depth of César Franck's Symphony No. 5 3rd Movement while introducing a captivating twist through the medium of a string orchestra. The lush harmonies, poignant melodies, and intricate textures are ingeniously reinterpreted, breathing new life into the piece while honoring its historical significance.Unveiling Emotion: Franck's original composition is renowned for its ability to evoke a wide range of emotions, and our arrangement takes this a step further. The inherent expressiveness of the string orchestra accentuates the poignant moments, heightening the emotional impact and transporting listeners to a world where every note carries an indelible story.Versatility and Adaptability: Perfect for both intimate chamber settings and grand concert stages, this arrangement offers remarkable versatility. Whether performed in a refined chamber ensemble or by a full string orchestra, the arrangement's adaptability ensures an unforgettable musical experience that resonates with audiences of all ages.For Performers and Collectors: This meticulously crafted arrangement is an invaluable addition to the repertoire of string orchestras, chamber ensembles, and music collectors. Musicians will relish the opportunity to interpret a beloved classical piece in a new light, while collectors will treasure this arrangement as a testament to the ever-evolving nature of musical artistry.Elevate Your Repertoire: Embark on a musical journey that transcends time and tradition. This arrangement of Symphony No. 5 by César Franck for string orchestra offers a chance to explore the symphonic gem from a fresh perspective, making it an essential addition to the repertoire of any ensemble seeking to elevate their performances to new heights.
$40.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
#
ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Rondo in A minor for Guitar and Orchestra
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Contemporary
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Joel Jacklich
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Rondo in A minor for Guitar an
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Joel Jacklich
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SheetMusicPlus
Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.723060 Composed by Joel Jacklich (ASCAP). Contemporary. Score and parts. 166 pages. Joel Jackl...
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Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.723060 Composed by Joel Jacklich (ASCAP). Contemporary. Score and parts. 166 pages. Joel Jacklich #2075133. Published by Joel Jacklich (A0.723060). Rondo in A minor for Guitar and Orchestra was written in the fall of 2014, and premiered by guitarist Ian Rowe with the Imperial Valley Symphony on March 5, 2016, at the Jimmie Cannon Theatre in El Centro, California, with the composer conducting. Sir Pepe Romero, to whom the work is dedicated, calls the work charming, and of immediate appeal. The work is scored for solo guitar, pairs of flutes, oboes, clarinets in A, bassoons, horns in F, trumpets in C, timpani, a castanet machine, and strings (8,8,5,5,3). Clarinets and trumpets in B-flat are also included in the set for those orchestras without clarinets in A or trumpets in C.
$65.00
Uriel - for harp or piano
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Jeffrey Hoover
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Uriel - for harp or piano
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Musicart Publications
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641). Duration: 5 min. 45 sec. Appropriate for recitals, concert performances, and worship services. In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers. The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener. Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$19.00
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